The Houston Post from Houston, Texas • Page 26

'V THE HOUSTON POST: SUNDAY MORNING, MAY 4r 1 919 building aeveral etoritt high ta good portion of Memphis. "Kbe had tire buildlna entirely remod Music ana Mmidans By KatheritteAlIan Lively Mrs. Annie Clyde Plunkett In ft native of Memphis, Tenn, but Houston claima ber aa a idtixen and aa a musician. I In. the TO yeara Mrs.

Plunkett has ireeNotableEventsinApril rt culler fondness, anil In which aha has had ber moat dedded success in concert Cadman, the composer of Indian music, is ooa of Mrs. Flunkett's warm friends aa well aa inspiration in advancing this most typical of all Americas music. Tha Indian Princess Tatanina, who- has Inter-preted Cadman's muaie throughout the country, ia well known personally by ber. Mrs. Plunkett finds thia native ainger.

of Cadman'a songs ideal ia her concep- tion aa to the interpretation. k- "Do you find Priaceaa Tsianlna an In- -teresting woman -to know waa Mra. Plunkett "Very," was he answer. "Her naturalness and aimplldty are a eonstant lesson ta.mo' and aha ia exr tremely.intdligent A knmA, tuA. naa tha In- )ynF i- I.

IA 'j Tttrte affairs which were of general interest pertaining, to the advancement of art to that community darinf the month of April and which included a large Bomber of peoplf were: The Art League celebration on the site belonging to the association, the Free Arte evening at the University Club and the Renainance odetr meeting commemorating Tta history. The Art League celebration, which occurred on April 12 at 5 p. was presided over by the president, Mrs. Henry Fall, ably assisted by Mrs! Edna Saunders as chairman of the musical committee. A community sing in tbt open was directed by Mr.

Ellison Tan Hoose. The speakers vere: Henry rail. Judge Wharton and Judge H. M. Garwood.

The setting for this affair lent a peculiar charm which one present felt. Wide spresdlng trees sheltered the speakers from tb sun, while the view the scene afforded was one to delight the eye, Including a glimpse of Hermann Park, the sweep of the two converging boulevards Main and Montrose the distant panorama of the city to the northeast; while tojhe south outlined against the pale tones of the evening sky coald be seen Rice Institute, and in the minds those assembled was added the picture of thefmuseum-to-be. The scene is one which will long be recalled by those who attended those simple but Impifssive ceremonies. FREE ARTS. The meeting of the Free Arts was one which made a profound impression dlan maiden of aoag.

"We were luncbinf together to New York and as usual Tslaaina was attract ing a great deal or attention at toe aotei where we-were- "Tha waiter asked us what wa would like to drink. Teianina looked up with a twinkle in her eyea." "No fire water, thank yon just Mra. Plunkett la teaching muaie fat the four high schools of Houston. Under her training are TOO children, Special success has been attained with the Houston Heights Glee dub, Added to this demanding work, Mr. Plunkett ia a member of the.

double auar-tet at St Paul church. i She ia a valuable acquisition to the -ifc In whli.li aha haa a Bnnhtr of times taken nolo parte in the aonga oi tne ciuo. piiinlrutt la a charter member of the Renaiaaance aodety. v. Friday, April 25, at -University Club.

There affair of the Free Arts endeavor. At the informal meeting which took place before the dinner (which was served at 7 p. a spirit of the new era was clearly shown. All were drawn together for a common cause- to foster the things of life which are latent In the soul of men and which for the two Treble Clef dub members. The new officers for the year and those retained are aa follows: President Mrs.

G. W. Heinaelmaa. First vice president MrerW. L.

Love. -Secretary Mrs. John H. Freeman. Recording secretary George A.

WH- son. Treasurer Ruby manager Gertie RoQe. Librarian Thomas Rowe. Musical director Mra. Robert L.

Gog. Piano accompanistSam Swinford. lived in Houston aba baa Become ctoseiy identified with the neorjle here. Musical life claimed her at' aa early age and baa been her life work. Two teachers have been the.

-builders of thia ainger, Madame Voa Klenner of New xork and rank i orge, tne composer and artist-accompanist These two distinguished, instructors have led Mra. Plunkett into aerioua study, but ber inspiration at all times haa be; ber mother, with whom aha Uvea, Mra. M. D. L.

Martin, of thia dty. Mra. Plunkett made ber debut into the professional world in New York dty at the Waldorf Astoria, before the National Opera club of America. Her worst upon that momentous occasion received high commendation. Aa excellent choir position was' ob tained in the dty and final plana -were being consummated for concert tour when war waa declared.

The ainger, aa people of Hoqston know, waa one who entered Into the work singing for the camps a duty of the highest demand. The 18 months Annie -Clyde Plunkett sang constantly at Camp Logan and Ellington field, where ber sympathetic, richly colored voice war appreciated to the fullest extent -In all thia work Mrs. Plunkett'a moth er accompanied her oa the plane) andl urged ner always to ner nest enaeavora. Three concert tours were made by Mrs. Plunkett prior to the war.

vHer programs were mostly selected frm the American Indian majrie, for wnicn tnis ainger naa aiwsys naa a pe playa and waa 'given last winter with marked success under Froman'a management. A glimpse of the plot- is Kenneth Downey of the' "Black watch." Mra. Downey and the other old women who are dubbed "London drop in to discuss the war. Tha play will be directedby Miss Julia Hogan, a graduate of the Sargent Dramatic school in New York, who js now connected with tha W. C.

A. in Houston. "Suppressed Desires" by George Cook and Susan Glaspell to follow Barrie play. The second play ia a burlesque on Freu-dissa and pecho psycho-analysis. It waa played by the Province Towner 5 layers in the East with great success, 'he play will bo directed by Mr.

Albert Grant Mallison, who also takea the part of Stephen Breuster, ably supported by Mrs. Maurice Goldman and Mra. David Ball. Kenneth Doney Mr. John Ttdden Mrs.

Downey Miss Mary Wsldo Mrs. Haggerty Miss Verna Benton Mra. Catherine Hurt Mrs. TwymeJy Miss Riss Knight The above is the cast for Barrie'a play "The Old Lady Showa Her Medals." Mrs. Charles Henry Glass' Recital To thoea interested in the study' of1 music the demonstration given Saturday afternoon by pupils of Mrs.

Glasa at Munn'a auditorium could not fail to lease and interest. Mrs. Glass prefaced er redtal by a brief talk, in which she pointed out that ahe waa teachbig her pupils to think for themselves' along musical lines. The program opened with a claaa song. The pupils then gave dever rhythmical exerdaee both, on the blackboard and by pictures' also simple melodies were transposed into various keys.

Mrs. Glass gave aeveral numbers, mtmnvc9nm eled. The first floor la occupied by stores, while above that, all la given to women. The building, bears the name, "Woman'a Buildina." entire floor ia given to atudios of tvery branch of art and crafts at reasonable rental charge. A modern theater on the order of tho Majestic theater ho re, la induded and the use of thia audience room la allowed the occupants free of charge.

The rental of thia property ie expended on an artists course wnicn tne public Is invited. "How many attractions? Every Tyea da nlxht tha verv. best artists are en aaxed for tho rxiblie to attend. Surely." concluded Mra. I am bet-son, a dty the alae of Houston will bring forth men and women wno possess wealtn and who nave the thoughts, of service awakened to do the ninga for thia dty wnicn will make tneir names olessed." Soldier Visits Spot Where Joan of A rc Dwelt in France Extracts from a letter receive4 by Lexoe lamuy on Bagby street: "Goudrecant, France, April 8.

I took trio down to Don rem last Sunday. is the birthplace of Joan of Are, a small village about 20 kilometers from here. We left Goudrecourt at 1 p. m. In trucks furnished by motor tranaport company, arriving at Domremy about 2 p.

ra. "We first went to the chapel which stands on the side of the hill where Josn used to herd ber aheep and ia practically on the same spot she stood when she beheld the vision which was the direct cause of her inspiration to lead her people in battle. "The chapel, which Is uncompleted, is a beautiful little two-story structure of stone. On tho right as one approaches the steps, ia a atatue of Joan a mother Bitting at a spinning wheel snd on tne left one of her father sitting by bis plow. Both of the atatuea are of brooae.

In front' and directly under the tower ia a atatue of tho apparition which appeared before her on thia very spot There are two places of worship in the chapel, one on the first and one on the second iioor. "There are six larte Daintinca illus trating her life, painted on the walla of the second floor room. The first repre sents the apparition--) warrior dad in armor offennc Joan of Arc a a word, an angel on either aide and Joan on her knees with outstretched anna. "Next the restoration to the throne. Then her entrance in Orleans, tha inhabitants flocking into the streets to greet her aa she paaaes st the bead of ber army.

Tha next painting is of the of Palay, in which she defeated the English. Tha next the coronation of the king ia tho cathedral at Rbeims, at which ceremony Joan stood beside the king. Laat ia the scene of the young martyr's execution burned at the stake In the public square at Iluen. "These pictures are considered wonderful worse of 'art and were painted by Lionel Boyer. They were begun in 1911 and completed in 1913.

"Leaving the chapel we to the village and the house in which Joan of Arc waa born. The bouse ia endosed by a high iron fence, la the yard directly in front of the house ie a atatue of her and in the living room ia another smaller one, while tan the right of the fire place Is still another. The walla of the rooms unstaJra are covered with Dictnrea of the French heroine pertaining to her life. "We retruned by a different route, passing a chateau and many small villages over a road which wound through the green valleys and over the hills, arriving home just in time for dinner. "Lt.

William A. Coleman, "33d Diviaon U. S. Infantry." Grand Opera Friday Night Nobly waa the presentation of. grand opera given at the dty auditorium Friday night, with Antonio Scottl as the leading spirit of the opera The people were hungry for opera, but equally ao for the aounds of an orchestra's compelling strains.

The house wss splendidly filled and enthusiasm ran high. The finale of the municipal season has been aa brilliant as the opening was dubious. All of the clubs have attained success snd in her ventures Mrs. Edna Saunders has kept pace with the organised groups of workers. Her selections hsve in no way infringed on the plana of the dubs, but all have worked with a hearty spirit oi co-operation, which Is proof that -musicians are learning the lesson of true building to be tolerant towards one's neighbor and tolerance will be returned in manifold measure aa a reward for right thinking.

The season of next years promises to be the most generous of the history of Houston, and the opera of Friday night left this tow-eshin with a wonderfully aweet sound echoing in the ear and a desire for more at the earliest opportunity. New Play by Barrie to Be Given Here Houston people will be in cast. The new play by Barrie "The Old Lady Shows Her Medals" 4a from one of the writer's recent books of war ww ANNIE CLYDE PLUNKETT. which were enjoyed ty her audience. The children taking part Helen Forester, Elisabeth Washburn, Thelma Betty Moody, Dorothy McMahan, Margarita Del Homme, Elsie McMahan, Franda Schroeder and Gertrude Brown.

To Entertau Treble Clef' Club The musical numbers at the Jubilee Banquet of the Treble Clef will be aa foliowa: -From the Livingston Treble Clef dub: Mrs. Carl Harr will sing "Musette's Valae" from "La Boheme'Mby Puccini), and aria "Eranin Involaml" (by Verdi). From the Evening Treble Clef club: Miss Josephine Dickson. "One Golden Day" (Foater); "The Yeara at the Spring" (Protheroe). From the Afternoon Treble Clef dub: Miss Loretta Bommer, "Ah Fori Lui" from "Traviate" (by Verdi).

444. To Entertain Treble Clef Clubs There will be a banquet held at the Elks quarters in this dty Monday night awakening comes. The president, Mr. Hugh Potter, delivered an address which aroused every man and woman present, to the opportunities which such an association opens on dobra of the future. In this splendid leader, whose busy life In the legal profession does not deter Mm from the greater work of helping stir men to the nobler things of life the Free' Arts has one who will be an incentive for the future achievements which will be quickened as time goes by.

Following Mr. Potter's eloquent address, which was cheered to the echo by the members and their, guests, talent was introduced 'which would nay fit, any community to recognise the day which is here to mold by the inspired potter men sod women responding to the creative within themselves. Youth held sway on this occasion. The vice president, Katherine Hurt, in her Interpretations of two sonaets translated from the French, revealed aubtlety, charm, imagery and true understanding of character delineation. Eugene PiUot, the dramatist, held all with hia droll humor In the reading of a bit of modern comedy, and 'gave the note of fancy in lighter vein, without which an evening ia a dull thing.

Mr. Chilliman of Bice Institute, a young man of dedded gifts as a speaker and an able Judge of art, the audience with his talk on the pictures which hang in the University 'Cjub, by courtesy of the Art League, and a gift of George Dickson to the public through the medium of the Art League trustees. Several other speskers were hesrd on this memorable night, including Mr. George B. LoAiy a soldier from the hesvy tank corps, who gave an intef eating redtal of the various fortunes of the tank corps of the United States army and a bit of description of that much discussed engine of war.

Mr. C. Buford, a young business man of the dty spoke In entertaining as well as instructive fashion of ideals In general and those of artists ia Mr Buford's diction is to be admired and his bon mots are worthy of repetition. A word might be said here in recognition of Mr. Potter's witty introduction putting the speaker or artist on intimate terms with his audience, and treating an atmosphere of cordial informality.

Mr. George McCormack, a young press, man, who baa done much toward community work in Houston, presented the dub in clever- fashion with identification cards. Miss Teresa Chambers sang most engagingly "Nymphs and Fauns." Her voice raa high and sweet in the cadences of this classic, which she delivered with characteristic ease. Her encore was equsily enjoyable. Miss Ruth Burr, pianist, rendered Chopin's "Fancies" with much delicacy and charm.

"Hungarian Dance," by MacDowell followed as a second number, ia which she gained brilliancy aad a finale climax which swept the listeners into (yiplauae before the laat note was struck. Miss Loretto Bommer, coloratura soprano, gave the aria "Ah, Fori Lui," from "Travlsta This young singer is destined for a public career. The higher she goes and the more thrills and runs she sings, the more thoroughly at ease she becomes. 'k. ballad followed aa an encore.

Announcement waa made that Miss Bommer soon Jeavef or. Chicago to continue her study for the opera. i A In these gifted young man and women. the Free Arte feel a tremendous interest, a do all those of Houston who know them. With a Garland Gas Stove.

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ji "''V:" iwetajiVavr chairman of -the national conservatory committee of the Americas Musicians society, which Is activery engaged in this great movement to place In Washington a national school of music. Mr. Bradley la making a tour of the country to arouse interest 'on this question, e) For many years be baa been president of the Bush Temple Conservatory of Music In Chicago, besides lending bis aid to all thing which art for Chicago's advancement He ia a confrere of Godowsky'a ia creating a new aeries of stud in musical literature which will soon be presented. Before going to Chicago Kenneth7 Bradley lived in Fort Worth, Texas. This man of sane energies ia firmly convinced that a true standard of art can not be developed until a national conservatory of music is established and professional teachers of music raised to state of efficiency.

In apeaking of the national conserva tory project be said "Many people lurougnoui me country leei toat a na-tlnal conservatory will take from the local schools." This is an erroneous' Idea when the actual facts are known. The number to enter the national school would be 400 annually. Free tuition would be established to shut out the spirit of commercialism. The primary qualification for entering Would hei "Havdr vnn a hiak achnAl jmI. rucationr .7 Of the 400 atudenta each year 190 would be freshmen.

60 per cent of whom would fail on the first year. "How will we designate freshmen "Students who have not learned to practice by themselves are freshmen," wsa the answer. The second and third continued Mr. Bradley, would see a falling off, because a large number would have reached their own limitations, say 40 or 00 out of 75 of the seniors would find they were mistaken aa ts their abilities, while 60 would ahow signs of hope to attain the goal. So It can be easily understood that tie national conservatory would not be wholesale body of students, but the chosen few selected through their own standardisations.

The master school of Vienna follows these lines snd also that greatest national school of the world. National Conservatory of Paris which turns out each year just 12 finished' students. They in turn are admitted to the conservatory as co-workers, while the entire body numbers 100. What do you consider the strongest asset for a great artist, waa asked Kenneth "The student who survives in spite of obstades," was the answer. "Serious of purpose in the face of overwhelming obstsdes measures his talent with me.

every time." The following inddent typified Mr. Bradley's meaning: One day a young men went to the office of Mr. Bradley and asked to aee him on an important matter (so he stated). "He waa shown into my office and asked me to hear hia play. 'I want to see if vou think I have It In me to nlav like Jossefry or he said, 'if I am willing to work like those men who have attained ask me 'Yes, the young pianist replied.

'You will not become angry if I give you an honest 'So, sir, I will was. the impetuous answer. 'Well, then, I do not think you will become a great 'Why. how can you aay that when you have not heard me play a That ia just the point I sm was Mr. Bradley's rejoinder.

'If you hsd it in you, you could not keep from working. You came here to be encouraged, not to receive The real artist does not stop for such Inquiries, and the day will come when you will agree with Very angry the young man my office, with scarce a word of reply." But Mr. Bradley still believes the youth will yet agree with him. MRS. C.

LAMBERSON. Mrs. L. C. Lamberson ia a native of Memphis, Tenn.

She is an exponent of the Sherwood piano school and a musician to whom music Is- a constant source of iosni ration. Mrs. Lamberson haa ween In Houston. just four years but in that length of time haa won many friends and gained a firm foothold as a teacher of the piano. She waa organist for two yeara at St Paul Methodist church, but now gives her entire time to teaching.

When the people interested in an association which would revive Interest in the -creative spirit in art in thia -community gathered at a meeting laat winter at the Rice hotel to eondude preliminaries, the subject of a name waa discussed and a number of titles formal! submitted with the understanding that if those chosen committee did not meet wish popular' approval auoiner name ahould be Mrs. Lamberson was present She rose to suggest a name, prefacing ber idea with a few remarks. When her selection wss without hesitation the entire body-approved and nnaimoualy the nsmed carried Renaissance aodety. Mrs. Lamberson is just one more musician who believes in a change to more democratic lines of action.

When asked as to ber ideaa for Houston her answer was: "To me the esrly improvement of Her-mann park is the vital need in. a public way aside of course, the serious demand of homes for the people. "Such a body of land waa given the dty of Memphis when I lived there and in order to hsve the people really possess the gift intended for them, taxes were levied. Tho results are practical and moat gratifying. Memphia boasts one of the finest parka in tho country here and now, and it belongs to every one to enjoy.

What Mra. Lamberson's idea of the need of In the form of an art building waa expressed in the, following outline: "Let me again point to my native dty for suggestions. "In Memphis" there are many people with public spirit Among them ia a well known woman whoae broad and generous ideaa are bearing fruit during her lifetime, "Her name. Mrs. Napoleon Hill, ia well known threnghoot the State -of Tennessee, especially because of her gift to woman, bhe owned downtown businets It will be the purpose of the association occasions.

9 The unveiling of' a bust ft a woman's head by the sculptor, Enrico Cerracchio, Closed aa evening potent with coming results for the young of Houston. Perhaps one of the points on which Free Arts feels strength is that in the mem KaaasahatBsaslsf 7 User Av Nalass fluid sal ViiirWiial 'S--w B.H.: '1 Physical Culture sod PUBLIC SCHOOL MUSIC bership almost every one is doing good things, 'speakers, writers, aesthetic dancers, journalists, musicians, composers, lawyers, craftsmen, and young men and women AenwdtUd cottnas fcaufta to CertlBcsta, Dlptoima aao1 Dearest ExpreMion TVTI TOIaO Dancing who are building through the commercial thought to build and. build now. iVlValUlV Language eee0see was a splendid company for this second spring into existence when Aha hoar of to adva their Interests on all possible avenues, are included in the, universal accompaniment at Doocber. the piano for Mr.

Mist Edith Shears Sullivan. The appearance of the American pianist. Edith Shears Sullivan, attest of the Renaissance society, wss one which those woo enjoyed on last Tuesday tight, enjoy recalling. The fact that Miss Sullivan has but lately returned from the war and that she came from the home of Icnace Pad- erewski tent to the ploying of the young artist aa atmosphere which nurtured re-ceptiwaneas of mood in the assembled It also struck a note of tiMe4nn when announced that the pianist would give a pousn numner By a friend of fad erewski a. Miss Sullivan at once bald i- rw i ucr uaicucri.

vier, wora is clean cue, her poise admirable, her technic adequate- but not obtrusive. A round bell-like tone this ttlsver nossesses. which deepens aa the dramatic pofHens of her number are given. The singing quality of her themes beld well above the background woven by the Polish composer from variation to varitaion. Applause wss given Miss Sullivan which urgeq ner to return to tne piano.

She gave with characteristic style, Paderewski'a "Minuet" JsdgevVhartea. Judge Wharton, one of the orators of this State, dosed the evening's program. With a voice filled with emotion) and words of fiery eloquence at hia command thia orator held the people enthralled for tne eignt minutes no spoke. Through the shadows of the past be brought forward portraits of -the-. men who had: carved their names hi4i those who follow ia their footsteps must l.f, 1 -1.

arBvu. The sculotor Enrico Cerrschio. for. merly of Naples, Italy, but now of Houston, unveiled a model of a atatue lauding the Victory of Democracy in the world war. Mra.

Turner Williamson, Kiss Mary Elisabeth Rouse, Mrs. Augusta Jones, and Judge JameS Storey arranged the program. The committee to greet the guests in the drawing room of the Rice Hotel were, xienry an, airs. a. u.

Ford, Miss iorence sterling ana Airs. Turner Williamson. Kenneth Bradley of Chicago Kenneth Bradley of Chicago ia a man who should become known in Houatoa in musical circles, ss he is known it) the Northern dty which he calla home. Mr. Bradley ia of Scotch descent and hss the shrewdness for which the Scotch race arV justly designated.

i xow, tne world baa a deafa of emotion- al musician Da who live in the clouds, but who are deeply versed in the nrusiasns principles of th art and vet httm -in. dicial foresight for the world of music ana tne Betterment or tbat world are rare ae real art itself. George Pound is one. Godowsky and John Frennd the same category, and Kenneth Bradley ia still another. A recent p-raof-of thia fact is that the musical fraternity who are guiding the shin of future Brnviiiiaii fnr mii.il lure have placed Kenneth Bradley, a I Clark tlchatel Caarwemlry sgailawvhi Maae.

Lewis Dotbi evallabkaariiigSaiamar floe Wasfcfr Artist RadUh. NORMAL COURSES hi thsss saslseU UnTid I tt 4 tRHlAanf 1 '1 why caring for your hair is, in Ctmrlas W. Moooa 8 1 JSCotfthis treatment Jicfas yxr hajr The Renaissance Society. The Renaissance society gathered lest Tuesday night in the spadous ball room of the Rice hotel to give honor to the Lone Star State of Texas. The scene waa one to 'charts! the, eye and make receptive the soul of man, on this night of entertainment and democratic mingling of Hoaston dtlzena and their guesta who happened to journey this way.

The myriad of liaota ia the beautiful ball room shown down on 'a acepe of beauty, aa the crest doors were thrown open. The tables to seat the Company for the banquet were a mass of roses to give tribute to Houston's rightful name, "City of Roses." The flowers were sent from the yards Of Houston women aa gifts to the Re-aiaeanee society. Great bassets crowned the speaker's tsble where the president. Judge H. Gsrwood presided (as well aa the lengths of the sorrounding tables), and the room waa filled with perfume.

The program waa one of dignity and displayed the talent visiting guesta aa well aa the talents of some of our most gifted men snd women of Houston. was the keynote of the evening offering. Judge Gsrwood in his introductory words to the Renaissance society rose to aa eloquence which hia native gifts and the subject of the evening Texaa," wakened within him. Hia tribute to tho scholarly men who advanced the standard of the Lone Star State brought storms of applause. Judge Lewis Bryan, whose name stands for all that pertains to the honor of Texas aad to whom every historic spot is as family symbol of patriotism, gsve scholarly address on this his native State, which revived memories in the hearts of those who had lived 4he days of the pioneer, and kindled in the breast of those who are of the newer era a re-1 spect and admiration which wiU have results.

Mrs. March Culmore read the "Ode to Texas" by Van Dyke with the reverence which one felt permeated her thought In this offering of the poet Van Dyke, a masterly piece of work baa entered the archives of thie young State which time cant not dim nog other tributes surpass. Miss Josesbla' fcicksasea. The singing of Miss Dickenson was a pleasure to her many friends and a delightful surprise to those who have not eard before this talented singer. Her voice is flexible, of wide 'range, and pleasing in every tone.

Every word ia distinctly uttered and always there is the reserve which gives to the listener that assurance of the singer's poise which ia a long step toward enjoyment Her eonga were well caoeen, "The Years of Spring" and "One Golden Day" both displaying tho qualities of the singer's voice. Louisa Daniel at tho piano gave ae-eompenimentywhicfc was ideal y- Grf Deseher. 1 George Doocber, who ia doing hia best singing this season, made the rajtera ring or at least the ewt glass chandeliers tremble as his top notes rose to dim ax after climax in the two numbers, The Americana, They Come and "star or nope. Mr. James Storey gave sympathetic', The whole beauty and lustre of your half upon your scalp.

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7 drufT that clog up the pores. -Now dip' the hi warnt water, teparate if into) maHtparu aad scrub th Kalp with a tooth. The Jergena Company Ciaeinnati, New' Yorfand Perth. Ontario.