Pittsburgh Post-Gazette from Pittsburgh, Pennsylvania • Page 20

B-3 ARTS AND ENTERTAINMENT PITTSBURCI I POST-GAZETTE TUESDAY, OCTORER 14, 2003 Evan Dando charts a solo career a 1 1 i arses. 1V-, A iH 11 "Vr This 1937 photograph taken from the Cathedral of Learning shows the plaza's groves of London plane trees enclosing an oval lawn surrounded by a phalanx of cars. Jan Welters Evan Dando leaves the Lemonheads behind with his solo CD, "Baby I'm Bored." Design for new Schenley Plaza should draw from previous plans Kevin C. Johnson St, Louis Post-Dispatch It's been seven years since the Lemonheads quietly left the music scene, a departure precipitated by the disappointing performance of their final album, 1996's "Car Button Cloth" which peaked at an unimpressive No. 130 on the Billboard 200 chart.

It was a fast fade for the Kvan Dando-fronted rock band. Although the Lemonheads were never really chart-toppers, the group scored a pair of gold records with "It's a Shame About Ray" and "Come On Feel the Lemonheads." Their huge breakthrough hit was a bright cover of Simon Garfunkel's "Mrs. Robinson," a song that Dando never wanted to be a single, and which he describes as a "big accident." After his run with the Lemonheads, Dando is now a solo act with his own CD, "Baby I'm Bored" And going it alone is just fine with him. In fact, he says he's practically been there all along. He visits Pittsburgh tomorrow night with a show at Rosebud.

"It was like a solo thing for a long time," Dando said recently from his home in New York. The Lemonheads, he says, always felt like a solo act because of their constantly changing lineup and the fact that he played a number of the instruments himself. "The band changed every album. It was pretty much about what I wanted to record, from U990's 'Lovey' That was pretty much my thing. I played drums on five songs on but I didn't credit myself.

I also played bass." According to him, the breakup of the Lemonheads was a "messy thing." But he's resigned to the fact that it had to end. He never liked the band name, anyway. "The name was too silly," he says. "We made it up while we were in high school. But you don't want to be 36 and in a band with a name made up in Social Studies." That said, he believes that being a solo artist is possibly a bit tougher for fans to accept than being in a group.

"It's certainly a foolhardy thing to do, and! I certainly never wanted to do it But that's what's fun about it," says Dando. "But the solo thing is happening now, too, so maybe I'm wrong." "Baby Bored" named after those "baby on board" signs that hang in cars is a fully sausfying Csp-rock-folk mix that confidently picks up where" the emonheads left off. Certainly, the disc deserves more than the limited attention it's so far received. But that could have a lot to do with Dando now working outside the major label system. Now on BarNone Records, Dando says he refused to return to Atlantic, the Lemonheads' label, or go to any other major label to release his solo effort: "My lawyer said a major label was not a good place for me Evan Dando OPENING ACT: Vic Chestnutt 9 WHERE: Rosebud, Strip District WHEN: 8 p.m.

tomorrow TICKETS: $14; 412-323-1919 just another green oasis in the grid. Trees bordering Forbes Avenue and Clemente Drive were removed from the plan before it was approved by the Historic Review Commission, opening up the site line from Forbes to Clemente Drive and improving the design but a little. As the schemes of 1915 show, it's possible to make a plan that both invites pedestrian use and tells drivers they are about to enter a great public park, one that was designed for pedestrians and motorists. In borrowing the programming of Bryant Park, the plan's sponsors have missed a larger lesson: that its amenities and activities are framed and contained within a symmetrical, highly structured space. As every gardener knows, a great garden needs great bones.

Patricia Lowry can be readied at plowry(i or 412-263-1590. right now." With the help of such outside musicians as Space-hog vocalist Royston Langdon. composer Jon Brion, ana Howe Gelb, John Convertino and Joey Burns of Giant Sand and Calexico. Dando recorded the album over a four-vear period at his own pace, with no record label breathing down his neck and demanding a finished product His goals with "Baby I'm Bored" were simple. He sought only to create high-quality music, though the end result including songs like Ben Lee's "All My Life," "In the Grass All Wine Colored" and "Waking Up" far exceeds such modest goals.

Dando describes his music as "like a dog dancing. It's not that great but it's incredible it happens at all." IrfllM III ItKWd 1 11 PENN HILLS CINEMAS fCNN HILLS SHOPPING CCNTm 4 1 J.J4 J-0 1 1 9 www.pnnlwllcHiena.con, i luetdoy OctoOw 14 4I2-682 41 II Recent Square. IQ3S S. Braddixk Ave OIFT CfcHt l-lCATfcte AVAilAaL.fi. AT Tycoon hmo Tup-Thu 00 HftMt kilt Mo www.carmike.com ONOI UPON MHSO ft the Hurii 1 healer, 809 Ubcny Ave lgnd ol Surtyorhoi (rhonorvd) Tu Thu-7 30 BARGAIN MATINEES ALL SHOWS STARTING BEFORE 6 00 PM -STEREO TICKETS: Kt'Ts IH8 Mclwood Screening Rob 477 Mdwood Ave Film Kltchsn netoXon- I OO Km.

8 00 iMtdvalMttr: )l Cf Y1 Ct Hie Bsrtief of Seville, Pittsburgh Opera, 412-4S-MM Irkm footer: 1:00 pm Eddie laird it "Seiie," WestBeth Entertainment, 412-4St-6M Norm rbtattf The Legend ol Surljothal, Pittsburgh FilntmakerMtl-ttt-tlll KtiaNotl: 8:00 pre Steve I Eydie, Jack Upsick Presents, 41I-2-4M OlnlhfTkittrLOOpfll The Mikado, Pittsburgh Public Theater, 412-314-IH0 keblBBBBlBl MULIIL 1H IMtlRl ainuiRiCJr 1 15 415 I3t IN 4 00. 7 OC 1.3 3000 10T PC, 100 111 S15.73I.I45 JN0H THf TUSCAN St 115.431.711 140 S'A loews j4-IClNEPLEX ENTERTAINMENT tVM-gV 'I 3 3UT OF Tlltf jPG 13) 131 4 01 SOUL MUbtC OOUBLfc FtATURfc 18 S'NGU f-bATUHfc tb ONLY THE STRONG SURVIVE 5 30,9 30 WATTSTAX; 30m anniversary ditow TuKy 6 AGAIN OAy licteh S4 Umtn fa lodqy Only SCHOOL Of ROCK MMZZ 100 4 30 700 145 THE RUNDOWN P6-131 131 4.31. 715. 1 SfCONOHAND LIONS IPSI 1 15 415 711 CineMagic rw.iiiii.inii:i-miiin.'iMi::u Only Itigiin Wilmtti In iPiummnn FEATURING: THE LOEWS CLUB A PHiimitH movie noma tupimtNCti SCHENLEY FROM PAGE B-1 in Olmsted's 1910 plan was something called the Beflefield Improvement, which offered two options for dealing with St. Pierre's Ravine and its rustic stone bridge.

Plan A kept the ravine and the bridge, and announced the park with an entrance feature, perhaps a fountain or statue, at the corner of Fbrbes and Bigelow. "(Tlhe whole scene, the little valley with its informal groups of shrubbery and trees, spanned at one end by a stone bridge, is extremely interesting and pictorial and peculiarly characteristic of the Pittsburgh topography," Olmsted wrote. "The novelty of such a scene, in contrast to the stiff formality of the city all about it, gives it not a little value, and there is reasonable doubt if it should not be saved even at some sacrifice." Olmsted suggested taking the adjacent Junction Hollow for parkland, with bench-lined walks leading from the ravine into the hollow. But in one of the tantalizing what-ifs of Pittsburgh, the city opted for Plan B. Plan was a formal entrance plaza, and in 1911 the newly created art and planning commissions co-sponsored a national competition for its design.

Between 1912 and 1914, the ravine slowly filled up with earth shaved from "the Hump" on Grant Street, Downtown. The massive bridge, which had taken two years to build just a dozen years earlier, was buried like yesterday's trash. The plaza competition brief called for a plan of monumental proportions that would "afford an impression of dignity and importance appropriate to the park" but "without excessive cost" It also was to make "ample provision for the entrance of vehicles and foot passengers" and provide an appropriate setting for "A Song to Nature," the Mary Croghan Schenley memorial fountain, designed (but not yet built) to honor the park's donor The competition drew 45 entries, most from New York, Philadelphia and Pittsburgh but from as far as California, images of which are housed today at the Carnegie Mellon University Architecture Archives. Looking through them, I felt like a kid on Christmas morning and found myself thinking more than a few times, if only we'd had the vision to build that one! The plans are almost evenly divided between formal and informal solutions. The formal ones offer rigid, geo-metric designs inspired by European cities and gardens and the City Beautiful movement in America.

Their pazas wn''e accommodating traffic nicely, also are designed for the pleasure of pedestrians. A few are almost unbelievably ornate, with elaborate parterre gardens, complicated paving patterns and platoons of trees. The informal plans, or in some cases simply less-formal plans, create a diagonal road through the plaza, directly linking Grant Boulevard with the park. Some treat it as a winding, romantic road surrounded by curvilinear paths, others as a straight, axial street flanked by nearly symmetrical planting beds. Two of the jurors architect Henry Hornbostel and engineer George Davison awarded first prize to Horace Wells Sellers and H.

Bartol Register, Philadelphia architects who apparently teamed for just this occasion. The third juror, landscape architect Berthold Frosch, suggested that the best features of the top three plans be embodied in a new design. The Sellers Register scheme seems to have been chosen because it best answered the call for a simple, monumental plan that could be realized at minimal cost Perhaps Sellers and Register knew better than others just how little the city wanted to spend, for Register and Pittsburgh city planner Frederick Bigger had been associates in the same Philadelphia firm. Hornbostel and Davison praised their scheme's "least confusing plan of driveways" and its provision for automobile parking, even though parking was never mentioned in the brief and only one other entry seems to have provided it The rules or at least the judges' criteria appear to have changed after the fact The plaza, with an oval island flanked by double allees of London plane trees, was completed in 1921, although two elements were never built a columned exedra behind the Schenley Fountain and, along Forbes Avenue, a pair of columned gateposts with sculptures like those at the entrance to Highland Park; the latter especially would have given park visitors a greater sense of arrival. By the 1930s, Schenley Plaza, then also bordering Forbes Field, was filling up with cars.

Over the years, the plaza became less and less a park entrance and more and more a parking lot, with the city finally giving up all pretense of a pedestrian space and removing the oval island in 1990 to accommodate 72 more cars. In 19(58, a Pitt master plan proposed giving the plaza exclusively over to pedestrian use by building a garage beneath it, a project that, then as now, proved too expensive because excavation would have required blasting through rock. Today, the university and six other partners are part of the Allegheny Conference on Community Development's Oakland Investment Committee, which, together with the Pittsburgh Parks Conservancy, has put forth a new design, by the Boston office of Sasaki Associates. Construction could begin in the spring, if the sponsors can raise an additional $750,000 the amount the city was expected to contribute in infrastructure improvements and can no longer afford. With a great lawn, small flower gardens, food kiosks and movable chairs, the Sasaki plan is modeled on Manhattan's Bryant Park, which has enjoyed great popularity since its 12-year restoration, redesign and repro-gramming were completed in 1992.

A critical difference is that while Bryant Park is a green oasis in the city grid, it does not serve as the entrance to something greater than itself. And that is where the Sasaki plan, for all its amenities, falls short. Schenley Plaza's main entrance would be at its northwest corner, at Forbes and Pennant Street, leading to a path that would run diagonally across the lawn and establish an axial view from the terminus of Bigelow Boulevard to the Mary Schenley Fountain. The diagonal path is in the same location as the diagonal park entrance road of many of the informal schemes of 1915, but here it plays a lesser role in the larger urban context, leading pedestrians to a bandstand. The design sacrifices the plaza's original symmetry and monumen-tality, mostly to gain a restaurant within an informal bosk of trees.

This grove would replace the depleted but still majestic London plane allee on the west side, while incorporating some of its trees. There is nothing that compensates for those losses, nothing that communicates that Schenley Plaza is more than iHT. ttj EAST DfeLiVLO.rj STAR SHOW1IMIS VMIO I004V 0l' SCHOOL OF ROW IF0 I3I SECONDHAND U0R! (Ft) ORDER THE TUSCAN SUN (FI-I3I. INTOLERABLE CRUELTY fPfi.13) CITY Tilt, 130 IM.7:M.MI mrrtHTmisii! iosiwowixitiKihMiiinjr'o CMiNFfvm'niyi i MATRIX REVOLUTION South Fayette 14 CONCERT FIWGtOHGf 40 5 aOVUMCtO SALES UTf WONf 4VAVL4UJ1AT HOUSE OF THE DEAD 1 00 3 15 5 30 7 40 ISO I Bridcjevtlle Exit (54) Off I-79 OlCHIf ROBfRIS DUPLEX .1 SSS IP4-HI FIGHTING TEMPTATIONS li -3 35: 6 35 9 30 GOOOIOTlPCi- 1 01 311 5 15 7 25,9 35 KILL tILL iRi A. 1 30 4 00 7 15 1 41 GOOD BOYI ill 4S D3I I Ml IFOt HOUSE OF THE Of 0 1 1 1 ib i 0O-4 6 55 9 35 Kit I III I VOI UMF I I IQi 6 45-9 45 IP) INTOLERABLE CRUELTT iPG-13lI 1 15 3 45 7 20 150 MM Tfl, kit 7:111:21 MI.7:X.rN .5:11, 745, fcSI LOST TRANSLATION IN).

T1IINI SIDES () tUT OF TIME (n-11) AMERICAN SPLENDOR (I). liallU MTWS WORLD (Rl LOST IN TRANSLATION 1 1 05-3 55 1 6 40-9 25 li IIITHFR 1' P-III MATCHSTICK MEN 1 1 40) 8 0O IW-UI SCHOOL OF ROCK PG-13'X 1 15 4 15 715 145 DOT Of TIME PC 13 1 20 4 10 710 141 THE RUNDOWN iPG-IJi- 1 30 4 00 7 15,9 40 412-221-6289 TeleTicket: 412-444-ITLM 657 1001 BOT! (N) 1:15, 1:49, 1:15, 1:45, 5:15, 5:45, 7:15 7:45.9:15, 1:45 nilT TIE TIME V3 151 6 '0-9 10 IPMI THE RUNDOWN 1 45 4 45l 7 55 10 50 IF4-I1I SfHnOi OF ROCK 05 501 5 35 8 40 IFtt-lll 0UPlXiPC-13ix 1 15 3 20 5 31 731 9 45 SEC0NOMANO LIONS 1 12 50-3 401 7 05 in SPY KIDS 3 1 J'" li COLD CREEK MANOR Ri1- 1 00 4 00 7 00 9 45 HOUSE OF THE DEM 1:50, 1:50, 5:50, 7:50, 1:50 UNDER THE TUSCAN SU (FUJI 1:05, 1:40, 4:05, 4:40 7:40, 1:35, 10:00 $4.50 ALL SHOW BlFOBt 6:00 KM. EVERY TUISDAV ALL SHOWS $4.60 ONCE UPON IN MFXICO '4 40) 11 OS UNDER THE TUSCAN SUN It tO-4 7 20-10 20 UNDERWORLD 4V 451 7 40-10 40 SECONDHANDllONSiPGii- 120 4 10.7 20 1 40 UNDERWORLD iRi1" 1 20 4 10 710.940 MATCHSTICK MfN(PG-13lI 1 20 4 10.7 20 9 45 1:10,1:20,5:30,7:40,9:50 THE RUNDOWN tra-1)) LOST IN TRANSLATION IR). THIRTEEN (Rl HOUSE OF THE DEXD I VIP SHII1II 17 15-1 001 5 45 JO" 10 Hi INTOLERABLE CRUELTY (VIP Slln) 12 00-1 00-2 IX): 5 .10 A HI OO-l 1 OO IPO-Ill LUTHER IF0-13), ,1:40,4:40,7:15,1:40 .1:15, 4:15, 7:15, iTAIllUIVI SEATIIVr. 1:15, 1.21 us, i.si 7:31 SECONDHAND LIONS (Ft).

KILL BILL VOLUME IIVIP SIHHJH 30-12 30 2 1 5-3 15 5 111), ti 4S 'I HO 10 10 IKI HACDEUNE SISTERS FASSIOHAOAINIS) WINCED MIGRATION (K-11). SCHOOL OF POCK MAP S4I1MII1 15-4 15 7 15-10 10 IPS-111 OUT OF TIMElVIP Sut.nil.l 30-4 30i 7 45 IPs-Ill UNDERWORLD (R) 1:00. 4:00, 7:00, 7:30, 1:30, 1:55 CABIN FEVER (R) 1:55, 3:55, 5:55, 7:55, 1:55 FREAKY FRIDAY PS 1:05, 3:05, 5:05 OLTH HILL5V IlLAhE MAIL nun cn hki Mtoum nam ie on MB twmt FEATURE TIMES FOR TODAY ONLY Wm( I SHOVTIWt Uf tUMCT TO CMMiJUiM UU TMITM 1:20,4:20,7:20,1:45 .1:10,4:10,7:00,1:10,1:35 1:00,3:00,5:00 SWIMMINOFOOIIR). NEMO (SI MATRIX REVOLUTION aDVAMCtO SAUJTS MOW AMILABLM KlUHLLlRi- 1123 1 15.1 30 345.4 00. aS.

00 ALL SHOWS BETORE 6 PM 1FT CERTIFICATES AVAILABLE IICACTI ON-LINE: WWW.STARCITYC1NEMAS.COM TIMM TON TODAY ONLY 7 00 7 15 9 30 9 45 attvimci ttckau, tmchuw by phom wlm KWIK Tlx Tuesday Bargain Nlgltt $5.25 Soma Rwlrlctloni Apply Bargain Matine Everyday S5.25 Before 6PM Including Weekendi Holidiyr HOUSE OF THE DEAD tS 1 00. 3 11 5 15 7 20. 9 35 OUT Of TIME IPG 13 1 10 3 40 7.10.9 35 SCHOOL Of ROCK (PC-13i- 1 20 3 50. 7 15. 9 45 THE RUNDOWN iPG-13lt3 1 25.

4 10. 700 9 40 bt purchaM onllrw wowiaBecHiemw.cprii BAROAIN PERFORMANCES DAILY ALL SHOWS ri VIP BOXES PARTY ROOMS AVAILABLE BEFORE 6PM NO PASSES CM Show llmaa ara lor today only Visit our website at www mulonetheatres com DUPLEX PC-13lt3! 3:50 9:30 PIRATES OF THE CARIBBEAN (PC-13) 1 00 4 SO. 7:00 9:35 COLD CREEK MANOR (R) iT 1 15 4 15. 7 05. 9 40 UNDERWORLD iRif 33 1:20.

400 7:10. 9 45 DICKIE ROBERTS (PG 13fT 1 30 7 1 5 Parkway loll till 10, 1.1 Rlt il WUklaiMoarai (412)824-4474 (412) 271-9000 1-79 Elt Sf. Bl 0 (hhindHwriDrwll HUBUn- 1JO.2iO.3ff JJO, 4-40. no, UL 20, 10 tllTOiirUBU CRUELTT (PG-13) SODS 2.211, 4:40. MO.

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