The Daily Telegraph from London, Greater London, England • 24

24 FRIDAY, SEPTEMBER 12, 1997 THE DAILY TELEGRAPH NEW RELEASES The long haul Air Force One with Harrison Ford, a murderous school story and the week's That's in-flight enter entertainment ARTS HE arrival of Bill ClinT ton has tion play in in at the prompted White Hollywood President. a genera- House to It used to be that no male star's career was complete without leading a troop of cowboys; now it is the free world. Jack Nicholson glinted dumb malevolence in Mars Attacks! this year, and John Travolta takes on the Clintonalike, philandering charmer Jack Stanton in Primary Colors next year. But. this being Hollywood, most of the portrayals have been idealised: Kevin Kline in Dave, Michael Douglas in The American President, Bill Pullman in Independence Day, boosting his reelection chances by saving the universe.

And now it is Harrison Ford, swapping the bull-whip of Indiana Jones for the seal of office in Air Force One. Ford's President James Marshall even his name resonant of America its most altruistic has not been forged in the graft and grime of US politics but in the fires of the empyrean. He is caring but decisive, principled and pragmatic, an iron hand in a velvet glove and, of course, a devoted family man. He's a philosopher too: "Real peace." he orates. "is not just the absence of conflict but the presence of By.

whatever definition, the movie is far from peaceful. Terrorists. led by Gary Oldman, hijack the President's plane, Air Force One, as it departs one night Quentin Curtis on Film AIR FORCE ONE (15 cert, 124 mins) from Moscow, demanding the release of loose cannon Kazakhstan leader General Radek (Jurgen Prochnow). If there's one thing Marshall won't stand for it's terrorism. Soon he finds himself holed away bowels of the plane, the of defence shithe against the invaders.

This role, switching from statesmanship to fighting, must have seemed ideal for Ford. His appeal has always been based on the same sort of thing that powered Humphrey Bogart the sense that you are with struggling to keep a wild coman violence wound tightly inside. But here the character never quite takes. Ford is a minimalist, using his pleasant presence to make slight touches detonate. And you see him here grappling for a gesture to build the President on: he affects a flustered fidgetiness to show that the brutality flows from decency.

But it ends up verging on the ridiculous. As he rummages in his luggage, in a midnight-blue suit, he looks like a businessman who has mislaid his traveller's cheques. You can't help feeling that this film has caught Ford at an awkward time. He looks too callow to be President, a little old for a leading man. Indeed, if the movie were an election my vote would go to Ford's vice- Glenn Close.

Whenever Close enters, handling negotiations with the hijackers from Washington while the President is out of communication, her intelligence and focus give the film new life. Most thrillers these days from Dirty Harry to Speed are conducted on the telephone, with the villain's menacing calls a staple. And here Close's telephonic duels with Oldman provide some of the film's few riveting spectacles, an opposition of eyes: her cool green seeking to outface his cold blue. These scenes remind you of the director Wolfgang Petersen's earlier thriller In the Line of Fire, where John Malkovich and Clint Eastwood also discovered it was fun to talk. But that's where the similarities end.

Whereas In the Line of Fire's script was smart Leader at bay: Harrison Ford plays the President as a man struggling to keep a wild coil of violence wound tightly inside and streamlined, Air Force One's (by Andrew Marlowe) is misshapen and often dumb. Like so many over-egged Hollywood puddings these days, it doesn't know when to end, wringing out climax after limp climax; while, earlier, rushing through crucial and potentially suspenseful scenes, such as the one explaining how Oldman got on the plane. Elsewhere exposition creaks into place. When it is time for Ford to turn tough, somebody says, "Let's not forget this president won a medal of honour in Granted, Marlowe gave himself a tough task. Movies set on planes have a way of swiftly turning as claustrophobic as flying itself.

Billy Wilder and James Stewart's Lindbergh movie, The Spirit of St Louis, despite taking place mainly in the air, never really took off. Air Force One has anger, manages genuine venom. the President's palatial plane to Others, though, topple over roam over, but already after a few into absurdity. Some sequences minutes we know we're in for a are so over the top improbalong haul. That the film functions bility or po-faced patriotism at all is mainly down to Peter- that they had the audience I was sen's skilled action direction: his in hooting with laughter.

Yet the elegant editing makes for a clear film never quite has the courage narrative. And he is greatly aided to laugh at itself. It's a typical by Oldman, who, despite the product of this blockbuster sumover-familiar goatee. Eastern mer: silly, brutal. over-long and European accent and bellowing only intermittently fun.

Hip classroom drama needs a lesson in hu humanity Take the drama out of theatre booking Telegraph BOX OFFICE your West End Theatre specialist Advice from experienced and knowledgeable staff Open 8am to 8pm. 7 days a week Competitive booking fee and no additional charges All Major credit debit cards and cheques accepted call us now on 0541 55 70 00 NationalCall max 10p per min HE schools in which Samuel teaches in 187 Jackson require students to undergo a metaldetector search as they enter. Teachers daily run the gauntlet not only of abuse but actual violence. Retaliation, or even accusation, may result in sixfigure legal suits. Many of Jackson's students are gang members closed to all learning, habitually addressing the girls in their class as Kevin Reynolds's fascinating, flawed film explores education in brutal time.

It's a sort of Hasta la Vista, Mr Chips. Jackson's Trevor Garfield is dedicated and idealistic. But when he flunks a young hoodlum at his Brooklyn CRITERION 0171 369 4444 THE REDUCED SHAKESPEARE COMPANY in THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (abridged) 37 Plays in 97 Minutes! "Refreshing and Hilarious" Telegraph Mats Thur at 3 Sat at 5, Sun at 4, Eves at 8pm THE COMPLETE HISTORY OF AMERICA (abridged) Tuesday at 8pm NOw Booking to Jan '98 AIR CONDITIONED THEATRE 0991 992 006 DOMINION 0171 656 203020 420 0000 (bkg fee). Grps 0171 416 312 614 903 London has fallen in love with DISNEY'S BEAUTY AND THE BEAST THE NEW HIT MUSICAL "AN ENCHANTING EVENINGGENUINELY GLORIOUS" D. Tel "A FEAST OF GOOD FUN" D.Mail Mon-Sat 7.30, Wed Sat mat 2.30 0991 992 011 DONMAR WAREHOUSE 389 1732 ENTER THE GUARDSMAN THE AWARD-WINNING MUSICAL Ltd Season 18 Oct Mon-Sat 7.30, Mat Wed Sat 3 DRURY LANE THEATRE ROYAL SS cc (bkg fee) 24hr 7 days 0171 494 344 420 0000 Groups 0171 494 8000 MISS SAIGON "THE CLASSIC LOVE STORY OF OUR TIME" NOW IN ITS 8TH EXTRAORDINARY YEAR! Eves 7.45 Mats Wed Sat at 3pm.

Good seats available for Wed Mat some perfs apply B.O. BOOKINGS PERSONAL CALLERS (0171 494 5060) (bkg fee). 0991 992 041 DUCHESS 0171 494 5075 (no bkg fee) cc 344 0000 (with bkg fee) Royal Shakespeare Company THE HERBAL BED "Peter Whelan's wonderful love story, a moral thriller and a courtroom AND AWAY THE BEST THING IN THE WEST END" S. Times Mon-Sat 7.30 Mats Wed Sat 3.00 NOW BOOKING TO 4 OCTOBER 0991 992 012 FORTUNE BO CC 0171-836 312 5388 NOW IN ITS 9TH HIT YEAR ROBERT DAVID DEMEGER PULLAN Susan Hill's THE WOMAN IN BLACK Adapted by Stephen Mallatratt "The most thrilling chilling play for years" D. Mail Mon-Sat 8pm Mats Tues 3pm Sat 4 4pm Running Time 2hrs 0991 992 014 GARRICK 0171 494 5388 (no bkg fee) Groups 0171 494 5454 Winner of 19 Major Awards The Royal National Theatre Production PIP SUZANNE DONAGHY BERTISH BARRY STANTON Priestley's AN INSPECTOR CALLS BE SEEN" D.Mail "TWO HOURS OF ENTHRALLING, VISUALLY STUNNING DRAMA" D.

Tel Mon-Fri 7.45, Sat 5.00 8.15, Wed mat 2.30 0991 992 015 high school, the boy daubs Garfield's text book with the figure 187 (the penal code for murder) and sets about fulfilling his own prophecy, stabbing Garfield in the back with a handful of nails. Seemingly undaunted, Garfield, after a long recuperation, heads west and finds work as a relief teacher in Los Angeles. The students he teaches are if anything even rougher. Garfield grimly soldiers on, but takes to citing despairing quotations from Thomas Wolfe about man's utter aloneness. There is so much that is good, worthwhile and even important in 187 that it comes as a shock that it turns out such a bad film.

The first problem is GIELGUD 0171 494 5532 cc 344 4444 THE REDUCED SHAKESPEARE COMPANY THE COMPLETE OF GOD THE BIBORD (abridged) "A relentlessly enjoyable romp' Grd Eves 8pm Mats Wed 3pm Sat 5pm LIMITED SEASON 0991 992 016 HAYMARKET 930 7.45 8800. Mats 344. Thur 0000 4 THE PETER HALL COMPANY MARTIN SHAW "A Joy" NY Post Kate O'Mara Kim Thomson Simon Ward Michael Denison Dulcie Gray Victoria Hasted OSCAR WILDE'S MASTERPIECE AN IDEAL HUSBAND AND GLORIOUS" S.Tms 0991 992 042 HAYMARKET 930 4444 (Bkg fee) MAGGIE EILEEN SMITH ATKINS JOHN STANDING in EDWARD ALBEE'S A DELICATE BALANCE with SIAN THOMAS JAMES LAURENSON ANNETTE CROSBIE directed by ANTHONY PAGE Prevs 15 Oct. Opens 21 Oct. 0991 992 042 HER MAJESTY'S 24hr 494 5400 (bkg fee) CC 0171 344 0000 (bkg fee) Grps 0171 494 5588.

ANDREW LLOYD WEBBER'S AWARD WINNING MUSICAL THE PHANTOM OF THE OPERA Directed by HAROLD PRINCE NOW BOOKING TO MAY 98 Eves 7.45, Mats Wed Sat 3.00 Apply to Box Office Daily for Returns 0991 992 020 187 (15 cert, 119 mins) THE WATERMELON WOMAN (no cert, 80 mins) HELL IS A CITY (15 cert, 98 mins) stylistic. The movie is shot like an apocalyptic Nike commercial, with relentless slow-motion, set to a largely rap soundtrack, featuring the likes of Method Man and Massive Attack. It's skilfully done, and fitting to its milieu, but in the end too hip for humanity to peep through. You feel that it is not so much reflecting or highlighting the subject LONDON PALLADIUM tkt 0171 494 5020. 344 4444 (£1 serv 420 0000 Grps 0171 494 3321 BARRY HUMPHRIES STARS AS FAGIN OLIVER! 3RD IRREPRESSIBLE BART'S MASTERPIECE.

YOU CAN'T ASK FOR MORE" S. Times Eves 7.30. Mats Wed Sat 2.30 SOME GOOD SEATS NO'V FOR WEEKDAY AVAILS 2 0991 992 018 LYCEUM cc 0171 656 500 800 420 344 4444 (bkg fee) Grps 416 6076 TIM RICE ANDREW LLOYD WEBBER'S JESUS CHRIST SUPERSTAR "Sends shivers racing down the spine" D. Telegraph Eves 7.45. Mats Wed Sat 3 (no bkg fee for personal callers at the Lyceum box office 10am 8pm.) £15 tickets for students avail Mon-Thu are bookable in advance Now booking to March 1998 Some seats avail at door Mon-Fri 0991 992 091 LYRIC cc 0171 494 0000 (bkg fee) Grps 0171 494 5454, 0800 614903 MADDIE A Magical New Musical show we've been waiting terrific" D.

Tel Previews from 22 September 0991 992 019 NATIONAL, 0741; THEATRE 24hr cc 0171 bkg 928 fee 2252: 0171 420 0000. OLIVIER Ton't. Tomor 7.15 (PREVIEWS) AN ENEMY OF THE PEOPLE by Henrik Ibsen in a new version by Christopher Hampton. LYTTELTON Ton't 7.30, Tomor 2.15 7.30 CHIPS WITH EVERYTHING by Arnold Wesker. COTTESLOE Ton't 7.30.

Tomor 2.30 7.30 OTHELLO William Shakespeare. 0991 992 034 (Olivier) 0991 992 033 (Lyttelton) matter as wallowing in it. Reynolds concentrates so much on surface that none of the characters, whose plight he is courageously bringing to light, really comes alive. Jackson provides a steady, dignified centre, touching as a man genuinely trying to do good, on a mission to communicate. But his part is the most underwritten of all.

Somewhere in the film, he undergoes a profound intellectual and moral change, and it's hardly dramatised. In the end, 187 is less successful than the more craven, commercial, Michelle Pfeiffer Dangerous Minds, also about a ghetto teacher, which at least gave its victims a voice, instead of settling for nihilistic chic. NEW LONDON Drury Lane WC2 BO 0171 405 0072 CC 0171 404 4079 24hr 0171 344 420 0000. Groups 0171 413 5588 THE ANDREW LLOYD WEBBER. T.S.

ELIOT INTERNATIONAL WINNING MUSICAL CATS Eves 7.45 Mats Tue Sat 3.00. LATECOMERS NOT ADMITTED WHILE AUDITORIUM IS IN MOTION. PLEASE BE PROMPT. Bars open at 6.45. LIMITED NUMBER OF SEATS AVAIL DAILY FROM BOX OFFICE 0991 992 022 OLD DA VIC 0171 7616.

24hrs: 420 0000 (no fee) 928, THE PETER HALL COMPANY MOST CRUCIAL THEATRICAL EVENT OF THE YEAR" Michael Billington 7 days a WAITING FOR GODOT by Samuel Beckett Ton't Wed 7.30pm THE PROVOK'D WIFE by Sir John Vanbrugh Thur 7.30pm WASTE by Harley Granville Barker 19th 25 Sept 7.30pm THE SEAGULL by Anton Chekhov English version by Tom Stoppard Tomor 7.30pm, 20 Sept 2.30pm KING LEAR by William Shakespeare Tomor 2.30pm, Tue Thur 7.30pm ALL PLAYS CON IN REP UNTIL DEC 6 PLAYHOUSE CREATURES by April Angelis Sun 8pm, Mon 7.30pm AIR CONDITIONED 0991 992 023 PALACE THEATRE BO 0171 434 0909 cc 24hrs (bkg fee) 0171 344 4444 (bkg fee) Grps 0171 413 3311. THE WORLD'S MOST POPULAR MUSICAL LES MISERABLES IN ITS 12th RECORD Mats Thu Sat YEAR 2.30. Latecomers not admitted until the interval LIMITED NUMBER OF SEATS AVAIL DAILY FROM BOX OFFICE. 0991 992 024 PHOENIX 0171 369 344 4444. 0171 420 0000 Groups 0171 436 5588 BEST MUSICAL Awards Plays and Novello Awards HELEN REDDY WILLY RUSSELL'S BLOOD BROTHERS the audience to its feet, and roaring its approval" D.

Mail. Eves 7.45, Mats Thur 3.00, Sat 4.00. 0991 992 026 PICCADILLY 0171 369 344 4444 0171 420 0000 (24hrs) ADVENTURES IN MOTION PICTURES' CINDERELLA Prevs 26 Sept. Opens 7 Oct. do 7.30, Wed Sat Mats 2.30 0991 992 027 PICCADILLY 0171 369 1734 Mon-Thur 8, Fri Sat 5.30 8.30 "THE KING LIVES" D.Exp ELVIS 'A Show Fit for King' Tms 'BREATHTAKING" Gdn Fri 5.30pm All seats 2 for 1 FINAL WEEK 0991 992 027 Cheryl Dunye's The Watermelon Woman, which runs at the ICA in London from today, pays beguiling homage to those pioneer black actresses who were cast by the racist system in subordinate, supporting "Mammy" roles: most famously Hattie McDaniel in Gone with the Wind.

Dunye, a black lesbian filmmaker from Philadelphia, intercuts her own everyday life with her quest to track down details of a black actress who caught her eye in an early film. The search becomes a touching essay on the importance of remembrance and tradition to minorities who are often denied them. A season of films made at Elstree studios, opening PRINCE EDWARD 0171 447 5400 First Call 420 0100 cc 344 4444 Grps 420 0200 WINNER BEST CHOREOGRAPHER LA LAURENCE BEST NEW OLIVIER MUSICAL AWARDS MARTIN GUERRE BIG MAGNIFICENT EPIC MUSICAL, A GREAT EVENING OUT' S. TIMES NOW IN ITS 2nd YEAR MARTIN GUERRE BOUBLIL SCHONBERG'S 'MUSICAL MASTERPIECE' IntHer Trib. Mon-Sat 7.45, Thur Sat 3.00 NOW BOOKING TO FEB 1998 0991 992 028 PRINCE OF WALES 0171 839 5987 First Call 420 0000 cc 344 4444 Grps 420 0200 freephone 0800 614 903 "HOT FROM BROADWAY, AND I MEAN SMOKIN'.

ENOUGH ENERGY TO ELECTRIFY A Mail. GRAMMY AWARD WINNING MUSICAL SMOKEY JOE'S CAFE THE SONGS OF LEIBER STOLLER Directed by Jerry Zaks GRAFFITI MEETS WEST SIDE STORY' E. Std. Mon-Sat 8pm; Thu Sat Mats 3pm REDUCED PRICE THURS MATINEE NOW BOOKING TO SEPT 1998 AIR COOLED THEATRE 0991 992 029 QUEENS 0171 494 5040 cc 344 4444 Eves 8 Mats Wed 4 The Peter Hall Company Rupert Graves Jenny Seagrove Andy Serkis David Tennant Susannah Doyle Mark Benton HURLYBURLY "IS SIMPLY ELECTRIFYING "Savagely Funny" Ind. 0991 992 030 ROYAL SHAKESPEARE COMPANY DUCHESS THEATRE (0171 494 5077) THE A HERBAL BED Ton't 7.30 YOUNG VIC (0171 928 6363) THE COMEDY OF ERRORS Ton't 7.30 STRATFORD (01789 295623.

0541 541051 24hrs) RSC STOPOVER for details 01789 414999 Ton't 7.30. SWAN: CYRANO DE BERGERAC Ton't 7.30. 0991 992 012 today at the Barbican, is headlined by Val Guest's 1959 thriller Hell is a City. With its melodramatic title, inky photography and evocation of the dingy city, this is Brit noir. (The character of a mute girl, unable to scream when attacked, is clearly lifted from Robert Siodmak's 1945 noir classic, Staircase.) Stanley Baker has a brutish charisma as a Manchester police inspector on the trail of an escaped criminal, with whom he goes back a long way.

The images are sleek and sometimes startling. And the dialogue has authentic Northern grit to it: "Hey, has some bastard been passin' me snide money?" Great stuff. Samuel Jackson is confronted by pupils in 187 2 OPERA AND BALLET COLISEUM 0171 632 8300 (24HR) ENGLISH NATIONAL OPERA Tomor 6.30 TOSCA 0991 992 017 THE ROYAL THE ROYAL OPERA NEW SEASON 1997-98 For theatres. dates prog info please call 0171 212 9123 To Book call 0171 304 4000 THEATRES RE SEAT AVAILABILITY FOR SEAT AvAilability of Today's PERFORMANCES AT All THE THEATRES listed iN THis SECTION jusT dial 0660 616. 041 from the handset of your fax machine Calls cost 49p per min provided by Telecom Westminster lower London SE 1 ADELPHI cc 24 hrs (£1 bkg fee) 344 1230 CHICAGO THE DROP DEAD MUSICAL RUTHIE HENSHALL UTE LEMPER HENRY GOODMAN Previews 28 October.

Opens 18 November 0991 992 001 ALBERY 369 4444 Mon-Sat 8 Thur 3 Sat 4.30 ROY MARSDEN "Perfection" D.Exp MICHAEL ELPHICK "Delicious" E.Std in BERNARD SHAW'S PYGMALION CARLI NORRIS 'A star is born' D.MI FINAL 4 WEEKS 0991 992 002 ALDWYCH 0171 416 6009 0171 420 0000 bkg fee) ALAN BATES "Magnificent one of the finest of his career" D. Tel. in LIFE SUPPORT A new play by SIMON GRAY "Entertaining, witty, ingenious" S. Tel "HAROLD PINTER'S meticulous and absorbing production" Ind Evgs Mon-Sat 8.00. Wed Sat 3.00 0991 992 003 APOLLO 24hr cc 0171 494 5070 cc 0171 344 4444 (bkg fee) Grps 0171 494 5454 BEN ELTON'S POPCORN recommend it with relish" John Peters Times "Terrific great deal of laughter" News of the World.

FULLY AIR CONDITONED THEATRE Mon Sat 8.00 pm Mat Wed 3.00 pm.Sat 4.00pm. 0991 992 005 0171 416 fee 344 4444 APOLLO LABATES, BO cc (no bkg fee) Grps 416 6075 420 freephone 0000 0800 614 903 SUMMER HOLIDAY "The Ultimate Feel Good Show" Cliff Richard, The Sun Starring DARREN DAY Mon-Sat 7.30. Wed Sat Mats 2.30 Wed mats students OAP's £12.50 LAST 2 WEEKS 0991 992 070 APOLLO LABATTS Hammersmith 0171 416 6022 cc 420 0000 344 4444 (bkg fee) LAST CHANCE TO SEE RIVERDANCE THIS CENTURY LIMITED SEASON 6 Nov 10 JAN ONLY 0991 992 070 APOLLO VICTORIA cc 0171 416 6045 cc 24 hrs 0171 344 420 0000 Groups 0171 416 413 3321 Andrew Lloyd Webber's STARLIGHT EXPRESS THE FASTEST SHOW ON EARTH White knuckle runs 19.45 daily Tue Sat 3pm Tickets from £12.50 0991 992 007 ARTS WC1 0171 836 3334 National Youth Theatre present Two Neil Simon comedies in rep THE ODD COUPLE (female version) BILOXI BLUES. Until Sep 20. Eves 7.45 0991 992 096 BLOOMSBURY THEATRE National Youth Theatre present ROMEO JULIET Until Sept 20 (mats on 10,11,16,17) Eves 7.30, Mats 2.30 CAMBRIDGE 0171 494 6060 344 0000 fee) Grps 494 5454 416 5588 GREASE NOW IN ITS 5th FANTASTIC YEAR! Starring LUKE GOSS Monster Hit" D.

Mirror Mon Sat 7.30pm, Wed Sat Mat 3pm GREASE NOW BKG INTO 1998! 0991 992 009 CHICHESTER FESTIVAL THEATRE 01243 781312 September 12, 13 (Mat) KATHLEEN TURNER OUR BETTERS by W. Somerset Maugham Sept 13 (Eve), 14 ALL STAR CAST IN SANDY WILSON'S MUSICAL DIVORCE ME DARLING! MINERVA STUDIO THEATRE September 10 -27 ZOE WANAMAKER ELECTRA by Sophocles COMEDY 369 1731, 344 0000 (24hrs) Eves 8, Mats Wed 5.00 "FULL OF SUSPENSE We are kept guessing right until the end" S. Tel. PAUL NICHOLAS SUSAN PENHALIGON "Two terrific performances" D.Exp. THE MYSTERIOUS MR.

LOVE powerfully dramatic psychological thriller which keeps you hooked throughout" D. Tel 0991 992 010 ST. MARTINS 0171 836. 1443 (no bkg fee) 0171 420 4444 (bkg fee) Eves 8 Tues 2.45 Sat 5 8. 45th YEAR OF AGATHA CHRISTIE'S THE MOUSETRAP 0991 992 039 STRAND Box Off cc (No fee) 0171 930 8800 cc (Bkg fee) 0171 344 0000 Groups 0171 413 436 5588 BUDDY The Buddy Holly Story "BRILLIANT" Sun BUDDY "WONDERFUL STUFF' Sun.

Tel BUDDY Mon Thur 8.0. Fri 5.30 8.30 Sats 5.00 8.30 ALL SEATS PRICE 5.30 PERF 8th ELECTRIFYING YEAR Now booking 'till the year 2000 0991 992 040 VAUDEVILLE 01 0171 836 9987 BEST PLAY 1996 Laurence Olivier Awards Bill Nighy Stella Gonet Royal National Theatre Production SKYLIGHT play of the decade" Int. Her. Trib. by David Hare directed by Richard Eyre Mon-Sat 8pm, Wed Sat Mats 3pm LAST WEEKS THEATRE CONDITIONED 0991 992 043 WYNDHAMS 369.

4444 BEST COMEDY Eve Standard Awards BEST COMEDY Laurence Olivier Awards "ART" A new play by Yasmina Reza Trans. by Christopher Hampton "Fly, swim or skate just to see it" New York Times. Eves 8. Mats Wed 3 Sat 5 Running time 85 mins 0991 992 049 Annan FOR A SEATING PLAN BY FAX Dial the number shown next to the fax symbol of your chosen theatre, where possible use the handset of your fax machine, the keypad using on-hook dialing or polling mode, (24 hours a day). Calls to 0991 numbers cost Average call duration 2.5 minutes.

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