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Evening Standard from London, Greater London, England • 44

Publication:
Evening Standardi
Location:
London, Greater London, England
Issue Date:
Page:
44
Extracted Article Text (OCR)

44 WEDNESDAY 10 DECEMBER 1997 Reviews EVENING STANDARD Sex saves the day on the home front HIS unfairly ridiculous play 1 by Richard Nelson may be set (J in the Mlate spring of but its characters are bliss-1 1 fully unconcerned about little JUL local difficulties like the final defeat of the Nazis and the Japanese or the imminent bliss of peace Such passing matters are never mentioned perhaps because when it comes to detailed knowledge of 1940s English life the American Mr Nelson rather resembles that misleading guide who advised tourists that it was considered bad manners not to haggle over the price of your ticket on a London transport bus Since the play operates in an almost complete political social and cultural vacuum any audience is left to fall back upon sex for light relief And when it comes to sex Mr Nelson has plenty to offer His account of 17-year-old Peter evacuated to Canada in 1940 and returning to a Clapham flat to live with his three post-teenage sisters implies that the hazards of war induced a state of such priapic frenzy in the prim English that it just would not die down after the bombs were over Hardly has Peter arrived than Ann his pregnant married sister is discreetly masturbating him while he bathes in a tin tub Nelson appar- Goodnight Children Everywhere The Other Place Stratford NICHOLAS DEJONGH indulged in laughably stiff upper lip style Nelson keeps his sexually charged and alienated family in aimless snapshot reminiscence of their shared past and separated experience as evacuees Ian production performed on Tim old-fashioned living-room set views the play with dewy-yed reverence references to English greengrocers reduced to selling dead crows long queues and rather than ration books for food betray a basic ignorance Sara Markland Robin Weaver and Cathryn Bradshaw as the un-Chekovan three sisters flutter around Simon Scardifield whose Peter understandably exudes sulky boredom r-' ently imagining the English middle classes had not heard about fitting baths by 1945 There is more to come husband a middle-aged GP keep his hands off his practice nurse her actress sister not content with pleasuring a director so as to get her hands on a good part seethes and screams with jealousy when she realises just what Peter and Ann are down to Apart from all this preposterously rendered jiggery-pokery generally Alastair Muir Big sisters: Sara Markland Robin Weaver in Goodnight Cathryn Bradshaw and Children Everywhere A ferocious blur of dynamism from Damon and company Blur Wembley Arena MAX BELL but their ability to combine a credible form of rode with most of the lighter trappings intact is final proof that Damon and his henchmen really mean it man Blur sneaked into Beetlebum with a controlled ferocity that characterised an evening of punk-edged dynamism As that newly scrubbed anthem gave -way to MOR and then lurched back to No Other Way it was also apparent that despite the exaggerated accent on high on musical surprises with a sublime She's So High and a chirpy Colin's 111 setting up an experimental section that only came unstuck during the semi-dirge Death Of A Party It faze the girls and boys too much they carried on screaming regardless Modem life is still rubbish but Blur are really jolly good Blur play Brixton Academy 11-13 December Box office: 0171 924 9999 Americana Blur's heart remains resolutely English with special reference to the Small Faces the Who and David Bowie in particular performance was vocally impeccable while Graham Coxon maintained a one-man Ramones-styled barrage that sent out the dear more to us than Parklife and Country House By way of proof the show was Anyone who strn doubts that Albara Coxon James and Rowntree are the most solicitous firm of pop people in the vicinity would have had their qualms removed last night at the Arena where Blur put behind them all the tiresome face-offs that have Katiagx adequate good very good outstanding poor dogged them in recent times and still retained their identity The current gimmick-free Blur sound road-tested to a frightening degree of perfection may be a good reason for them to drop touring next year and concentrate on the next phase GIELGUD 494 5065J44 4444420 0000(bkg fee) Ews745MatsUiur3Sat4 THE PETER HALL COMPANY MARTIN SHAW performance" NYTImes KATE OHARA SIMON WARD MICHAEL DENISON DULC1EGRAY MADELEINE POTTER VICTORIA HASTED OSCAR WILDESCUSSICOOMEDY AN IDEAL HUSBAND 'CREAt AND GLORIOUS' STms Sycdal Rail yerfs AB Bax Office hr detab HAMPSTEAD0171 722 9301 Eves 8 Sat 130 A 8 HERITAGE bySteyhuCharchett HAYMARKET 130 18N344 4444 (Bkg) MAGGIE EILEEN SMITH ATKINS JOHNSTANDING kiEDWARDALBEE ADELICATE BALANCE with SIAN THOMAS JAMES LAURENSON ANNETTE CROSBIE by ANTHONY PAGE Eves 8pm WedASat mats 3pm NBNa yerfs 22-27 Dec laaMeayerfs2IDc-21Feh HER MAJESTYt BO24hr 0171 494 5400 (hkg Gma494 5454413331 Tkts also at HMVTower Records ANDREW LLOYD WEBBER'S AWARD WINNING MUSICAL THE PHANTOM OF THE OPERA Directed by HAROLD PRINCE 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