Los Angeles Mirror from Los Angeles, California • 24

-f-r- OFF THE RECOXDS MIRROR-NEWS 19. 1933 FortlH 7 'Racers' Review Staled Monday Is Corrupting Kids? KEN DIS ROCHLEN Douglas, Bella Gilbert Roland, Cesar Romero, Lee J. Cobb and Katy Jurado. Featured roles are played by Charles Goldner and George. Dolens.

Review of "The Racers," now screening at Grauman'a Theater, will appear RHYTHM AND BLUES I Monday. In the Mirror-News. Fujiyama. Mama by Anls- The 20th Century-Fox picture IceniAllen (Capitol) and "The in Cinemascope stars Kirk Flab" by Mindy Carson (Col- Or the new "All ttf alio frowned upon by some, la It any different from another old great "All of Me? It you want to be technical examine the lyrks of any love song of any year. They could all.be construed as suggestive BRANDO DOLLS UP Marlon Brando Isnt exactly breathing I down Adolphe Menjou'a neck, but he ls! polling up quite a hit these days.

Even his sports clothes hre the mostest 1 He showed up at Goldwyn studios the other day In a outfit to make arrangements about working with oiig Writer Frank Loeasep on his "Guys and bolls" num- n-i 1 1 ROBERT WAGNER JOHN LUND' DEBRA FACET JEFFREY HUNTER umbia) are a pair of rockera. a BITS 0WAt Cbunt me In on the Les Elgart bandwagon. He plays teal fine dance tempo does not have tofin interesting arrangements, be a dirty connotation at-The should be tached to a declaration of love packed for the next three or offer of a romantic e- weeks of KlgarL White: Feather WKOMMCSOIMOI OTNII WOMAN AU MM minni-w tea MLNii-ano iOS ANGElESjjjW I I SUP: I TZtl 0 0 Al 1 brace. Tbs Influence of lyrics In rib tunes la In moat of them you cant oven bear tbo worda with that', honking IQ blowing your patience away. 12 Academy Award Nominations! (Moil THAU ANY blNII PICTUII) last Pfctar Bait Ictar Bait Appact-' Acnau BmI SappsitiBS Actar (1) stanch fan on.

the Goldwyn lot; Red, the gateman, says, "This is a really swell fellow." o'. FARLEY GRANGER, once the darling of the fan-mag set, really pulls a switch In "The Brass Ring," the first film hes made in Hollywood in two years. No more it Farfel a pretty boy. He plays a real, no-good In the picture. Hea sly, nasty and designing He two-tirari and Beat Dlecani leu Sianr aa Sermwtay Bast OaaaiitarWV Bast At Bkactha Bast Baaia at a Drava a Csau Ask the kids why they like fcve made it to the top of! rdh.

I hive. They like the the weekly Cm Box Juke-box heat. It moves them 1 ike 4 wing I P01-did me and the tNOW THIATRISL chisels and ends up in the Aini'PC CZnn(4 electric chair. And use aviUvt VJUUU Continued frem Fsge 6 Brooklyn accent to boot I OH. THE WATERFRONT wonder If the bobby-soxers will squeal when' their Farl gets the Juke.

"I don't want' is bo s' movio star any mors," A- plains Mr. G. "1 want to be aa actor." BRANDO SAYS hes looking forward to working with frank Sinatra-. jh the picture Fy-' because he if Jnng one of Lover Boys fdnt. A 'd there's no one whos more of a i fan than once hes sold: has a great collection' of Sinatra's NATTY.

Records and plays them often. The funny tying Is, they stll ivent met But they should et along Fra nkie-Boy aavea nasty disposition for re-and photographers. They're still talking Li aSant Brand backstage at tha Teahouaa af the Angnst Mean." After seeing tha shew ha went backstage and knocked several players' doers i to tall then he theught they were Just great i It reminds me of the time was introduced to Ballerina Nora Kaye, Just af-vjkr she had danced a par- Ocularly arduous program. She' Was wiping persperation from 'her brow as she acknowledged the introduction. Boy, vou sure work observed Brando.

Why, you Ann Richards Is tka first good thrush Stan Kenton haa coma up with ainca Juno Chriatio. Sho debut on his headache--provoking "A-Ting-A Ling" (Capitol). The beautiful "Melody, of imio UofteMuiJjalifSiiindSnoi THE Country feNMuemaraaai emasimuaihnnM ml BY ROGER BECK Mirror-News Record Reviewer Personally, Im get tin tired of hearing aanctimoni out old souls ranting and raving over what they call the moral decay of popular music today. I dont think its iy. worse now than It ever was.

The trend right now rhythm and blues. The kids listen, to. It and dance to It. But I dont feel they're being corrupted by lb' Rhythm and blues today la what was called "race" music 10 years ago. And Negra music before then.

Its the same deep-feeling blues and energy-expending beat that was tha basis of. American Jass back in the days of King Oliver. youll, at waya find a few deliberately suggestive lyrics and double-meaning titles on releases by small labels. But these fly-by night firms do not have a distribution aetup sufficiently organized to even scratch the surface. Few dealers will even handle the stuff, either' because of personal moral revulsion or fear of being caught peddling Are they any more suggestive than the old- standard If I Could Be With You One Houf Tonight? STATft M.

7-4311 Mm IB BON-BfCI MLUIMHHUI sITThelWa JACQUES GAUTHIER, the wth hes parents and had good-looking young French never met movie star until producer whoa in town r- she was introduced to James. ranging release dates for his Mason pn the "Star Dent You Fuel My. Torment of the Flesh, basL juk box in anr been hiving confabs with theyre Just like Brando. Theyre old pals but peoplearent she ex-theyVe been discussing morcpairnH than Gauthiers countrywom-1 it. This Is nat new.

I remember a number titled favorite high school hangout. That was 1938. Take this critkfsm of lynps such as "Teach Me LOVE STORY et intimate et a Hit the derkl and Charleston did. enta. So much for a tempest in al teapot I would like, to hear your WEEK'S BEST "Brahms' I Lullaby? Rosemary Clooney Columbia) Beautiful voke pn familiar favorite.

WEEKS WORST "Call I We Weber Columbia) Not loney, voiceless. Best of the rest: "You Never Gave It a Try! Peggy King (Columbia) Sal shows Improvement oa torcher, "Bo a Lover" Betty John- son (RCA) Nke voice, pretty ballad. "Mr. Sandman" Homer and Jethro (RCA) These iys always come up wlth lilarious parodies. 'par-l A WAII nouvwoob wlNOV UTE SHOWS TONIGHT MM MtHW M-G-Ms asterplaceef Sespees COLOR ICUemaScoPEI SPENCER TRACY ROBERT RYAN BAD DAY AT BLACK ROCfC ii (SI Lj PjilS- fa -1 i 1 i ETHEL WATERS will appear In person In her one-woman show, "Af Homo With Elhol Werton," Tot ono weak only, beginning fob.

28 of Corlhay Circlo Thoator. 1 Interest la ar major leagua third baseman and one would liko to. ice big leagues coma to tbo West Coast mars than she. She lives most of the year beach house at Malibu I in DAVID SAVA stars In Hura con Ka minx" (Hurricana Ra-mkn), opening Monday al Million Dollar and Mayan Theaters. eUTHCTUM Or TNI TIAI IBT ACTOa-MSaCMttT ht Acmg ana rnr MCTDMICTOt fgrinumnar iht an bmction bm BJI CMCMATOMAntY a THE G0UN1BK GIRL MM wuiau rauatc WMa Sm mi RmiM ttOACt KATON work as hard aa any truck driver "Remind me to pnt on a leather Jacket and get behind wheel some vn day," the dancer cracked, for vf THINGS FROMISE to be plenty lively when they final-t ly start shooting "Guys and Dolls." "Im excited about do- tag the picture," says Brando, "because it wont be one of those grim dramatic things tetarfi TWTun fMuuaTiiiMr hmmin HfUtNWM-c I I H'W ti Mm FINEIARTS where Im always throwing dead flowers through an open idooft We should have a set (thatk a lot of fun.

1, Brando already has one svmr jr I. CMv a. trSUMI NMUVUara omecw Massine's Masteryih ALEC GUINNESS dH tl nr am New Symphonic Ballet I a an, Joisanne. Jacques would I oVe to have our boy play the part of a truck driver in one d' his future productions. Gauthier tackles some daring subjects in his pictures, but they dont have a Johnston Office In Europe.

PEPPER POT: Business lsj so great they're turning them away by the hundreds at the Bov Hills Hotel. Its worth your life to get a room, let) alone am expensive suite fika Rennie, of the terribly I British tweeds and flannels, was decked out. In real west-l era duds at Fox yesterday. Just for the fun of it Fieri sold her blue Cad and Ii'diiv-ng Tie's old black one while le pilots the new Thats a good wife for and mortal motivation in the leading Pilgrim figure. Borowska and Alan Howards duets defined the vernal! beauty of the Happy Couple, ana Nil Nina Novaks smile was likejran-warmed gold in the! Shepherd group with Lament Terry DeMaria Simpleton, 'Yktor.

Morenos Brigand and Gertrude Ty- vens Captive were other- ex- pressive delineations. AndnaKtarof dedieat and deciaivenesa domi- natad. Maria Tallchiefa finely seated dancing -in the geemetrie scintilla tiona of "Ballet Imperial" (Balanchine-Tlchaikews ky), witk Chentcan, Slavin, Joseph Si-vine and Lament com-1' plating the cast'ef prind-r: pals. "Capricclo Espagnol closed the evening. TONIGHT'S PRO-1 GBAM: "Cirque de Deux and "Le Beau Dan- Ube." sraaia runii racvite Taaiaar arTseanurK uaasacrr-BWRMu I So mmm aora wm uoasm I -'JINCUCWTS- IU hMk I WMlWIMIIMIW Rnsmcts ItK HURL LtS2tamm SEE ACADEUr AWARD NOMINATED PICTURES ON TH WATERFRONT (12 NOMINATIONS) TH CAlNE MUTINY (71; NO BUSINESS LIKE SHOW BUSINESS 90,000 LEAGUES UNDER THE SEA, 3 BAREFOOT CONTESSA (2); A STAR IS BORN (51; THE SILVER CHALICE (2); THREE COINS IN THE FOUNTAIN (3); SEE DIRECTORY BELOW.

BY VIOLA HEGYIS WISHES Ballet Russe de Monte Cai lo last night premiered loca the new Leonide Massine symphonic, ballet Berliozs In Italy, based on Childe Harold's The company at Philhar- mohic, Auditorium offered 'well-wrought performance weg-k disarmingly simple, yet charged with subtleties and complexities elusive to I ACADEMY AWARD NOMINATIONS! BEST SUPPORTING ACTOR BEST SCREENPLAY BEST SOUND Every leglif Pefl el the Stery New Mimed le All Its.Gleryl IAAIU A. AlICHSNgnY THE BRIDGES AT TOKO toancHMcoioa WILLIAM HOLDEN GRACE KELLY WREDniC MARCH MICKEY ROONEY URSCSr-IEE MUMRRIISSBI DUB smmmm rtn Attractions SMlUMMtWi.TOMAXmCwMw OlatJsuWMUayiSaL SaaCaatMIpu'lLMOf THE fulf comprehension at first 1 Peerless' master of tka 1" symphenie ballet, Mas-aiao haa infused bis pqaitioB.with ppetie phi-r-i leaephy and overtonas of significance it programmatic BeWding, yearaing ana aeqsllively aware, the Pot; in a mountain settini by Bernard Lamotte, moves through the ballets four scenett. He is drawn to, but J. never quite partkipatea in, Realities of life that flow around him. Massines free, finely ca denied melodic line qf movement is amplified with contra- puntal patterns in harmony with the eloquence and mu- -'Bcal form of the Berlioz score.

Quietly projecting a genuine depth of feeling and understanding, Lera Danielian limned the Poet, guiding conscious attention away from himself, and to the interpretive action. r7 With fastidiousness and spontaneity Yvonne Chouteau danced the conflkt of spiritual ft. uHMaivcMIdrtb. ffouvwooa imu-unimd-wau. rmc ia JSJgG hr Smh aTCTIBi A.

cat. FMIt a tNiNcii a.iiiM. K. a Ml R. Ranrt, THR RACIRB, Clnai-I Rimut1 BIAM, Mr.

SitTraa-aiaa NiwiciiM4inl Aa lh ABmmI Thu.in, aia Bi Mr.i if HI torn tumtfo 1, PAR CaUMTRV. Mr TnM BMnrl ROR MATHIAB ITiRV Iru aiaa waa. rm. taiaa. Mdaiaa waa MMITB rCATHIR, 8' t-4 mtiriM Bt Wm Vaaua M7 Nir-4 i1.it.

Ma-nuJ M. Am MMm, BARBrCCT CCNTIIM. Mr.i bcfAN A All, SANTA MOW, curie cmr. witr ream mRnrar SM tM CMttr BMt BtCN OP BAIAH. B'Caat.

Mrtir. hatrr. Mr. kRITBRICH CaL ItiSL BReiuM tiiria, BM1H Taij aim Tar a it ataR Fax va. Mel m.

cutiiaeii M. 844. aimmmm, IflllRII, B'Cttai Btr. VMIm mmwa. Mr.

XriuHiRi 1114 WM1. aa.1. mmm Su1.HaUW IHhMa aCMMBWiaPMVi Vf VMVR VNUVtMai aert.Ntiini. I tuLviR actt-atr4-tr. BaMilt III Mr.t AM BmIi-WM.

TtM RM RUNTwefON RAW SALIfRRNIA at.1t.M1MB. 4B-C111 aaiwvimmi mwwwu Mr.i attru-a cam. atn Tai FARKaaMtiM. ititjiSu Aa Cl rt ARtl Ta4a. 1 a Mr.i Ta'i Miaata 41M mouwooo -icADiMT cmm.1.

aa'iXm. 11-Til I CurMla jar caa Taa a it a-OaX rax iit a. Mark b.iim. on-mu CMr tlBN ar PAaAN, CM B. Htr4t.

BATTH TA1I PICTM A VB--4-Mmll, SI. 1. 4 atm, iccr in mv HURT. Mr.i It TNI IB pawii. tr.

BiDONBO, MfCMOSA. MANHATTAN klOONDO tit. 11. ImUnt. FR-U2t4 1 Hirliwf Ni 1.

Rant TaMi tar CM, Tr 19 'Ct VAIUV aruaitCtTT 4 19i44. BU-99CTT Buytrltial CrtmltmaNr. VBRA cruii cnrtM. aa ittmi aARta, r. 1l raTAk n.

a. BtrMtM ir-Ttaai Altai MaaNr. UT. Mr, r. IT-T994.

IT-4H4I LA IIItt-ltilL Bart r4 aartiwc Haam. atttt Tul Van tiiirt bm tiac. it ti7 cmr lam, vaa aauir Marita a Btaa air PAIAMNA, SO. PAtAMNA, ALHANAAA ACAB4MV a II. RV-ltMB am a CM.

SIRM ar CABAN, a I a. Nf4r. BATTta TA1I IflAae-e itai av-aiaf MM. SlkVIR CNAUCI. I i A.

Mrr. BliTar. Mr, mti iiia. Ala Iwm. TNI TfCTtVIj a r.

tAcaiaat op man ti iiti'n- m. iiatm. pV-i-icab a PmO. VIRLINT NIV. Ct Ml CattaBrN ca TMIB tt BARIC II itr- antiac.

AT-aaai. cu-mmI aattli MM a i Wm m. mb ta at a aaa tmm a ta ret -L ROBERT JRANCISIMALWYN AnelhienMtlrMDni-lMieeeiMmr lOUM UM imn nara (arm a couiwu nengf a muur NUManoa aivaaLV er. it. ei i inM, on WATaarnaMr.

aeeaii. aineiaa a ni iia. ai ntuii 4a thu ia miit ami lauiw wmwe. N. BMirl FartwVw Mm CAINBMUTINV Irt4l44-ni inuai aiaa a.u.

im. a.ii4. US MraUAN'B W0LB. AH BUT Kit hr. aiAa wiwaae.

m. ki air AfiT wiMi. e. ii. ii.iiii LAST a WIIKBI Prta WM FMml ihiniMr eouae a iuit.

f. TMiAUvwmfa. Ml fill Limutw, VBRA i TMiaia raaiai am aa hiiii aa tbii ia pawih aw Faibpax av.iea.a-4 CMpar-LamHlirp- VBA A- BAUIr Cum. I Thu I hm. tr.

TiauaaaA Ma.Ba LmmMr. VBRA CRUIf BLACK TUHBAVl Ml Fink' Adri-awa wm. him. inu neiveee wav. liwi ae-aveee Mvw WmmM Fltml" Utal arm arm WHwwrl HULBT'a RBLIBAr fLaRCNaa rtarcaaia.

tiaa. ai ian VIBA CRUli BM am. Atw. IB ioLBIN BATI BIT WMt." B. IllM I BtaMw.

auriiiMHiM. aim Tui: Iiwmm a aia tie, icim iaiMMU raa-MM. lMa. WN-1M4 i aa aifa awnu int, waiiwe JMiH, LAI? TIM I BAW PARII Mr. Mlftlv-Ufrtt.

a SIRS CIRBUI hiaNLAMa aaa n. pit. bm laaMMl aMr I MMlir. VBRA CRUli airtl. a TAM Rill.

Mr. La bria ani-L am. a i. la MB-iea-1 1M4. 81 TAR IB BBRN.

4 IliM TilLBW UBUrVaiW. RM MM. na aiw-rm. aa rMia aaiN im tni fbuntain m. aat-Aer hmbwii.

babrho XaraLA i. br-bmm Wmmt, WHIT! riATHIR, raw, CMtri ana MWI Th BWmt Wm baa a i na. bm 4. am I. Mmm, ITAR It RBRI viBLawT MiNi bm a aribiar-vmi.

a.iM. Ru-naia I mmr Mm Mr. VBRA eparampal uRapwMmRRari veun CRUli Carth: BO TNI IB MRU. Mr, RIT1 WMMl. Cl.

1IM. WI41111 WiRMr. WNITI FBATNIR, B' CMr, hM MRI TM RMMr Wm Itarium nRMM. ntiiii llrllM Lull, VtRA CRUli 7 a. RMWml.

RMMl Tm, iTARLAHR MMR. armamp. Cl. 1 C'ImM KiMMt Rwna a Rua Clw. VMMVHM! Tawea cm, uann.

ci.tiec CILVIR CMALIC1. ItaMI A. RSCTRV, ciMn cr cm Tie, it cm far tWRarMt'a-Riim. at.i. rimiim (, RM CM 111 CM.

TtmCM MOT lM! Tvxmi NMCm 4mM CTuaia aiATURR brcv. tcwicmt VlLLACI R. IM. flat Mm Mr Mart, It RrMuaTMr. Mr.

1 Wm. UMIm WMW IMM. WICTLARR AMWRMk RatfitC. BM MM MMH. CIiiiwm.

BltlRtC I'Mmi Burtir. a TM BaM. Mr. triUMiac aa at. it.

arv-aiM rCM BmMM BHft R.l Cm, Mr.i Om. ItiM oowmowM to Awefir CL TM t. ar. R.M4C al-14111 Mrt l-Mf, 114 CmMm. r.f I.IM-Ml BrttM L( ANaakCi i a.

omwf. a. ta4a ATMr- WWW. MHITC riATNIR. 4U.

aMTi 9-4 MMI-TM at DM SUMBAil um.hr i amwia Brtw tat ln-BAke ia nit cn-imTI mim m. ativaR aRAuaa, a ti a. amn. acctar, Mr. PNOM THE HEART OF ALL AMERICA An tntortmlnmomt Matfarplatal ikkitsn owonsau wawinwiTmthmy MATIN El nits, ri.

ne CINERAMA JOHN FORIFS Osthascoph ncwnccicR rJQHeFDTO now rj nWiIfliTSliflUiiiliil rSSdIw moN 4 0 4 N4M aCAOKMT AWMD NOMINUSt "7 BRIDES FOR 7 BROTHERS SUITE 4th WEEK EieaJUJLlLMUa r-4 3 i.