The Brooklyn Daily Eagle from Brooklyn, New York • 72

'V'1 THE BROOKLYN DAILYVEAGLETNEYT YORK SXJNDAY NOVEMBER 1925 6 I NEWS AND VIEWS ON CURRENT ART THE BANANA LEAF DECORATIVE LANDSCAPE Fernand Leger Cubist in First American Show Will Simmons Tuna Water-tohL ill Simmons known 7 IB B1 atcKs lie as an etcher Brooklyn Museum Inaugurates New Wing With American Exhibition IIELEX APPLETON READ is oppropriate that In celebrating the opening of the new wlngvthe Brooklyn Museum should have chosen to show pictures by the younger American artists The majority of the exhibitors are not known to the gallery frequenter many of them belonging to the group designated as the "younger men" whose reputations are still to be made while others are from Western art colonies who seldom get their canvases as far East as New York The Brooklyn Museum has been one of the few official organisations for the promoting of Interest in art which has been consistently In favor of giving credit to the younger American artists to the point of showing and buying their work They have not found it necessary to wait for death or some other almost as final event In order to make an appraisement of a man's work In other words they have been willing to take a chance In that way being in theory and practice a genuine patron of the arts To Rive the exhibition another angle of Interest the pictures have form In few Instance have they sought to romanticize or stress the Blumenshine By Axel Gallen-Kallela Exhibition of Oil Paintings by American and European Artists at Brooklyn Museum natural beauties of a given subject The Hawthorne Influence still prevails In Provlncetown The outstanding canvas from there Is painted by John Frazier It haa the envelopment of light the crisp brush work which characterise the Hawthorne school Which Is not to say that the picture in question a woman in chemise and petticoat bathing her feet in a bowl a subject Degas would have loved is not a canvas which stands entirely on own merits One can only enjoy the fineness of the artist's sensibilities his ability at paintlml textures of light on skin and hair and flesh the translucent greenness of the water In the bowl whatever its derivation Provlncetown impels the artists to experiment with light in a state of mind easily explained by the problems afforded- by the brilliant sunlight and white beaches Historically and geographically it also prompts the artist to paint ships and the sea John Noble is the romantic of the Cape with hia wrecks and sunsets the emphasis always being on the poetic Ross Moffett another outstanding figure In the Provlncetown group paints types with realism and humor but nevertheless touching upon the epic quality to be found In those who follow the sea He has a fine sense of design massing the blue greens of his shadows and the green whites of his snow In bold dramatic patterns The Gloucester group numbers many well known names Ther-eae Bernstein William Myrowitz Hayley Lever Eben Comins Edward Hopper and Tod Lindenmuth There appears to be no predominant Joint of view or mannerism Edward Hopper known to most of us as a water-color painter although the gallery frequenter probably will remember a few oils shown in the Pennsylvania Academy before he attained his present vogue Is represented by typical Hopper subjects in oil The title 'The Bootleggers" was evidently a brilliant afterthought and serves only as an exclamation point to emphaaize the originality of the composition which Is a motorboat with blue Jerseyed figures docking or departing wlt'n evident hartte from a lonely mansaiM roof house on a deserted neck -if land It Is another evidence of Hopper's ability to compose the commonplace Into dramatic and powerful designs Myrowitz paints a panorama qf Gloucester fish wharves and artists Intermingled In Ahj George Biddle Paints the Tropics ri jr tbi I ta pwh 9Mf ft 7 pglrt ter ml gsal1 Ibd gtffd If tiled srtbri for ri hfh SWffit (Idled Floor palled bbtf Sts Tfcb 5PN JRU on It eltelff losr Srir girt giatf rtal artmlh kkkln Urr Idsr fiilzr (hat ltd fcl Noel hMm tot tkrilM Yhsfi a ftf Utisn Alt Nllhd llu Hiw 13 in glMlt 5 Th tiez tlWOTt vtlua It Ms Mr gf sf tot thsmsi nr bn(5i data from balled York MpflU tkg rli Sh Wtdlni tlwgf br the "Am ku 4F aa dudsn Tams hit HclaJ Abini itrr tUdgtta Chtrki tot btew The Hags h( UI1 bm tortrlh tout By Ernest Pictures Shown at chosen to represent it Sloan Bredin and William Spencer The New Mexico? group Is a combination of the academic and the modern showing such extremes os Maurice Becker and Ernest Blumen-schein Mr art continues along the allegorical trend which it has shown of late years although in the group on view it la the curious effects of sunlight which he haa observed in the Southwest which primarily concerns him Adam and Eve striding out of Paradise are incidental figures In a decorative canvas In which sunlight glinting through dense groves of trees is the principal motive It Is an interesting canvas the best of the symbolic ones -that I have seen probably because the artist has been more concerned with design and color than In sensational subject matter Brooklyn Group Takes Honors Perhaps the most Interesting group is that selected from the Brooklyn Society of Modern Artists The exhibitions which this group has held have been increasingly Interesting They have -also added 'to their member some of tlm most tinted of he yotingei- Mannattan pointers it -jx feteasant that -in a Brooklyn Museum exhibition the Brooklyn group should take the honors In the first place the artists are for the most part young In years as well as spirit They belong In the strictest Interpretation of the word to the younger group Specially noted was Wlnthrop Turney who Again exhibits one of his close-ups of plants this time morning glories twining around a only a single stalk and flowers but what extraordinary sense of earth and space he gets Into It Then there in of aninub Ing his debut at the Aadwaile lerles as a water color a first attempt ih markable and those of wv-V enjoyed Mr Simmon work iVJlV and white and aquatint lighted that he extended hi mediums He has chosen for his so-called informal scape without any smoui subject but on which an Intimate closeup of high quality of drsfumsnshJwwJ stands him In good stood comes to draw windswept tewlT-f! model the forms of hills His color is fresh asd fact freshness and a evldWtt light in Ms medium th work aa a whols TweavS 1 bird studies are Included letv-Jr1 and th virtuosity with wkiest broadly brushes In their nluiwiJS extraordinary when eis -Z? that heretofore the an let haaZIU primarily concerned with Bessie Leaky wife of Jews the moving picture which la not tho rofraln of sir crick but a fact Is haring man show of pictures at tho Imm Sloe 1 ron Galleries Mrs Lanky nothing of ths hoatricalW craft In the seriously censldeiudwT tures which aho uxhlblta Bho slU bring a serlouq ui-T which la to say that aha makiTV study of color and form sad trriM-ment and to this end she paints kul life landscapes and Interiors In her atlll-llfo arrangements she unquestionably Is at br hm -These exhibit a degree tsehnkri sophistication that tho landaczBw have not yet attained to i I Recent Landscapes By Elmer Schofield Elmer Schofield la oao of thi original group of snow pataton rie may be said to have first Inaugurttri tho vogue for the mew pletm less arresting maasfr-only coming into fame after ttk mors dashing forceful Jnauosr rt 1 Symons Redfleld and Schofield well established It Is primarily ae a painter at winter landscapes upon which ram Mr fame However thi group of landscapes by Mm how aa view at the Milch Gallerlee -are deviation from his usual thaws With the exception of two or thru they have all been painted In Ear-land The pal white sunlight at th Cornish coast the gray recta and gray clustered coturra hne proved a singularly arm path rile sot- Ject matter for a painter who ha always preferred th cool him aal gray moods of naturo As a gallery-ful th tonality etrlhes on as hetat a little toe much ef a ease- 1 thing of virility would seem to haw been sacrificed In this stress! na rt blond sunlight and gray-bluo ahal owe However many of th plctana when seen by themselves hso a sympathetic color and an In ilmat? of subject matter that horn quently been larking In the prat frozen canvases which one Is wow la consider the special modar THE Societe Anonyme! INC Presents si Its 22d Exhibition -i Fernand Leger at tUe Anderson Galleries Park A Ye at 59th Strssl 0 tL New York (Feerih Fleer) Freon Tnesdajr Nevsmhsr ITS SsturJsy Nenets Silk Weekdays 8 le 5 Seeder bl Paintings of Ships and the Sea Gordon Grant November II HOWARD YOUNG GALLERIES 6J4 FIFTH AVENUE IS The WHITNEY STUDIO CLUB 14 WEST EIGHTH STREET II of Taimings by BEULAH STXVENSOj PETER CAMMARAtA A TRICCA Until 'Vccemkct Open 'Daily ii-oodsi 4oof Recent PaintiBf kT" RUSSELL CHENEY BABCOCK CALlXaBS ant strssl 5 Tooths majority of us cubism has had Its say It has given us Us message A whole generation of artists have profited In some way or other from the arbitrary rules which it Imposed upon Its disciples the Insistence on form for form's sake the subservience of subject matter to design and th architectural building up of plans We have gone on to other things sines cubism has never been a sympathetic doctrine for the American artist Even In Paris cubism haa waned That therefor the arch cubist cine Picasso has ceased practicing cubism and Brlquc's appeal was always to a smaller audience should at thia late date essay an American debut la to say th least extraordinary Fernand Leger's exhibition at th Anderson Galleries is being held under the auspices of th Soclcte Anonym and It Is the society only exhibition of th year The Anonym haa been responsible for Introducing to America many of the foremost modernists of Europe end their exhibitions will have been con-lstsnly Interesting It le therefore to be expected that if cubism has had Its day Leger as sn artist must nevertheless ha vs something so personal about his work that It merits bringing It over to this country for a one-man show Th pictures or rather abstractions of machines snd humans in the form of large mural decors are Impressive because of the violent dynamic force that mere design on canvas Is possible of discharging They sometimes blare stridently or suggest the whirr end shriek of machinery Sometimes but rsrely they are quiet arrangements of stlll-llfe and landscapes But It is primarily the age of machinery and the subsequent Interest In geometric shapes that occupies him To quote from one of hia commentators: "Let the subjects be landscapes nudes or still-lifes he la si ways keyed up to the geometric form In which wa ara obliged to live A new type of plastic construction has been born with him" Like the great primitives he utilizes his epoch be does not Imitate It but releases nn equivalent force In his worka Leger's colors are primary with a preference for red blue and black Leger Does 3Iovle Decors The exhibition Is perhaps especially Interesting to the present writer because she visited Leger last summer In his studio In the Rue Notre Dame des Champa where he showed me the pictures which ara new on view as well as hie studies for the now cinema "L'lnhumalne" la th latest moving picture sensation in Paris Leger Ilk many of the modernist French painters does wot solely confine his talents toth making of cubistic abstractions but designs costumes stags' decors the costumes for "The Skating Rink" In the Ballet SueJols being the outstanding effort In the cinema he has made stage sets for a laboratory scene which while adhering to the requirements of th set nevertheless resemble nothing so much as cubist pictures come alive The fact that his pictures have this peculiar dynamic force made Leger the logical choice for the designer of a laboratory eet In the modern manner Leger himself Is quite what psychologist looking at hia pictures would suppose him to be A' powerful almost primitive type phyrlcally with flaming red hair and red -brown eyes with an obvious note of sophistication which belongs to the Salon group Undoubtedly he Is entirely sincere If on Is forcej to wonder how so virile human being whose literary Idol la Walt Whitman can cnntert himself with an abstract world His work has been summed up as glorifying the age of machinery ART CALENDAR BROOKLYN BROOKLYN Palstlsgu In all ef American subjects by American artlata and eelected arena cf pel tin ze by European artiste BROOKLYN SOCIETY OF Trsth annual Is prist ysllery sf Breokljra Mueesm PRATT INSTITUTE Water cetera by Henry Berea MANHATTAN JIXILIC' Pertmlta by Erie Maunebnrb ANDERSON OALLERIES The Soria te Anonyme palatliii by Feraaad Ltarer ART Fifty prists sf ths year under a nop I cm of Graphic Arts Society Oreetlss cards by Amsrlesa artists ARTISTS Palattaea wafer colors by Jse Matulk ts Dec 5th BABCOCK OALLERIES Pslntlsgs by Alszssder Levy BRUNNER Ps Istlsrs by Thomas Enklaa DANIEL GALLS Paintings by Owes 1 Merten DLDENSIXO Paintings by ths brothers Znblarre Paintings by Guslars EHRLICH Portraits by Flora Idea FEARON GALLERIEI bert Yea FERARGIL OAIHIUEI Pert rail a by Cecil Clarke Darla asd miner Bar-sard Sculpture by Harold Perry Eraklaa' FINE ARTS National Association of Women Painters and aenlpters GRAND CENTRAL PALACE Senlptnra by Emile Antoine Benrdella ARTHUR Etchings and drawings cf dogs by Marguerite Klrmoe HOLT Paintings by Wlnthrop Tamer and Aynas Richmond KRAUMIAAR GALLERIES Etchings lithographs and drawings by Daumier Tenlenso Santera Redoe ran-tin Lateor Legroa Ony Manet and Peraln Paintings by Ga) Pone do Bela KENNEDY 5 Etchings add Pelut by Str'D Cameron KNOEDLER GALLERIES Lean collection nf paintings by Batch Masters MACBETH Paintings by Dewitt and Dcnglace Panball tc Dec Tlh METROPOLITAN Renaissance woedcata ChlaecS painting MILCH Landacdpes by El- mar Ochoffleld te Dee Ilk Etchings by Alfred Xnlty MONTROS Paintings by Robert HsIleweL NEUMAN PRINT ROOMS Original weedeots from to lilt Worka by Baste Blnmbarx Hoodies Shee-- Ur Weber Xnha aad Predicts to Boy 54- NEW Paintings ef Caha by Sn? Palatlags by UAMBABe RALSTON -Paintings and ttcblags ef Parle by Frank and line Armtagtea KEHX Paintings by George Luka REINHARDT Paintings by Ylasniak and Utrlll SOCIETY OF ARTS AXD Frlntn by' Francis Oreille Libby SCHWARTS -Ini IRTS Marlas patat-sn and water solera WEYHE GALLERIES Drawings by Ala-- stair WILDENSTEIN 1 OAIXERIE! by Remains Bros ha WHITNEY STUDIO Pain tings by ii fbk Stevenson Peter Csmmsmta a- isnore 10 xne Carnegie imernauonai already mads the acquaintance li fLP2Xii of The flrt named are Jose Gutl-lf2 a erez Solana and Tito ClttaJln the composition which he shown Wal- others are Lopes Mezqufta Joaquim A a palnter and Jose Marti Okrceo made big strides since we last saw- solas whose works will attract his work His palette le more varied 'the greatest attention because of visitors to the Carnegie International been selected and shown with an eye to locality Pictures from the art colonies of Provlncetown Woodstock Gloucester Taos and New Hope are shown In their sepeMite groups It is however an interesting deduction to make supposing these groups to be representative that the colony no longer stamps its Indelible hall mark upon its resident Time was when a Woodstock painter was easily picked from any group by the reclped blue distance and graded sky that he learned at the Blrge Harrison School The Provinceown painters under the influence of Hawthorne painted dazzlingly high in key landscapes or portraits of Portuguese boys and lovely fisher maidens while New Hope divided its allegiance between the quiet landscape as sponsored by Lathrop and the more decorative ones of Charles Rosen All is changed now The art colony has no distinctive mannerism In each their are the two groups the old fashioned and the moderns And both have more or less the same characteristics whether they paint In Taos or Gloucester Woodstock Gloucester and Provlncetown being the largest of the colonies are (lie most fully represented in th- present exhibition Henry McFec as asked to choose the Woodstoi group The selection he sent do- is varied and representative Unfortunately in accordance with the specification that the frequent exhibitors were not to be included himself Eugene Spetchei and John Carroll were excluded Wc get however an interesting group with such artists as Henry Mattson Alexander Brook Judson Smith Allan Tucker Harold Weston Andrew Dasburg Paul Roland and Ernest Flene John Costlgan has joined the Woodstock Colony but change of post office address has not altered 1 Indistinctive style of Allan Tucker Joyous patterns of color and light Dasburg shows well In the Taos group Which happens In several cases where an artist Is allied with a summer and winter colony Judson Smith one of the most gifted of the Woodstock group has preserved in his Woodstock landscapes something which for lack of a better adjective one might designate as the "Pueblo "something left over from a visit td the Southwest His landscapes are built up with an architectural precision whose direct inspiration was cubism but which the shapes of the Pueblo country buildings have helped to emphasise In summing up the essence of the group selected they may be said to stand for experimenters In color and FEARON Is Showing The Latest Works of Hubert Vos GALLERIES 25 West 54th Street NEW YORK EXHIBITION ROMAINE BROOKS Vow Current WILDENSTEIN GALLERIES 647 Fifth Avenue NWE YORK Californian and Mexican Landscapes by DeWitt and Douglass PARSHALL rstu Ttk MACBETH GALLERY IS IW St Nw Tak 8TAn Exhibition of the LP TU of HAROLD PERRYERSKINE FERARGIL' Ilik Mnc New Yi 1 i i 1-4 7 u-'-J jJ 3 41 8 Vj i 5 I -r 7 i r- Both Tomlin and London while exhibiting the same originality 'and fine sense of composition are as yet not as proficient In this medium as In the other Robert Hallowell has attempted a symbolic and abstract subject which is not his metier A Spanish and Scandinavian Group At Brooklyn Museum To add a spice of variety to the purely American note the Brooklyn Museum haa added a group of pictures by Scandinavian and Spanish artiste to the exhibition which Inaugurates the opening of pew wing The celebrated Finnish painter Axel Gallen-Kallela Is represented by a small gallery full of pictures which Judging from the variety of manner would lead one to suppose that it is resume of his artistic career He paints with the care and the meticulous Insistence upon detail which la characteristic of the Scandinavian painter The Scandinavian group constats of -five landscapes by Brynjulf Strandenaes full of the brooding mysticism of the Northern temperament onq fine Zorn I 9 a by H'Lundbeck: a enow picture-by Helmer Mas OHS a Gustsf FJaestad one by Edward Munch considered by many to be the outstanding figure In 8 a 1 a vi a art and seven marines by Oscar Matthlesen The Spanish Group -The Spanish group Introduces the American art lover to two entirely new artists and three others whom Spanish quality of cosmopolitanism comes1 to this from Zu-losga exponent of the admires him to he owns ten and descibes him exponent of the among the younger Zuloaga' despite apparent commercialism of-the Spanish for things and when a vfhe spirit cornea him all credit are the real life -6f glamour or told in monochromes Ho Is a realist romanticist but a Mlcawberesqus turn of of the Goya what might 'be hands grotesque "El tooth extractor Is guaranteed to get when told In bituminous palette of the county nl Collection of -rfr 7 7 7 7- RareArt Works i -r XJO K' fair or Painless Parker but a ghoulish figure of the Inquisition enjoying the contortions of his victims This same perverse point of view Is manifested In 'Dressing No seductive half-naked girls nothing of the well-known Spanish languor that plays so important a part In the Spanish painters' catalogue of virtues but In its place hard-faced ugly glrla In tight corsets and starched ruffled drawers A type only possible In a small provincial town where such feminine anarchronlsma still exist Goyaesque again la he when he paints the dusty wax figures In ths glass cases -of the historical costume departmenVof the local nuiseum Ha has' painted among hi 'Other subjects the halt the maimed and the blind and that other 'favorite Spanish1 the gorgeously dressed church Images Clttadlnl- while ranking with the Spanish painters la by birth an Argentinian He differs as radically from Solana as Anglada differs from Zuloaga He Is a disciple of light and chooses for subject matter the garden spots of- that -enchanted island MUoyea' Incidentally--in comparing his work with that of Anglada it must' sot be forgotten -that he la a pupil of Anglada His -canvases are drenched -with light- and Oojor to the point-of unreality- -They are daszllngly brilliant But: visitors to-Malloren tell us that they-ara realistic transcriptions the seeneryt- Lopez Mlsqnlta is Spanish few ofhls mete celebrated fellow-painters may be sald -to bes He seldom-leaves Spain "and" -the i country around Madrid He la primarily a- portrait painter and doea not choose his types with an eye as to what the rest of the world considers typically Spanish but merely because they are types of nobility and peasant whose appearance please him It Is perhaps for that reasoif that he one of the -most-popular' of the' younger Spanish painters His gallery In the annual deposit -des1 Belle Artes Is sure to be the most crowded and yet he la In no a ''society" portrait painter Hie work Is characterised by its sincerity a profound 'study at form and drawing and a palette low in key but rich In color He haa never held a one-man show In the United States Old Masters at Khoedlefs 0e ol the most exhibitions of the year from the point of view' distinction and even ffom novblty since it Is made up and 'cos-tains the newly-discovered Vermeer is the loan collection of Dutch pictures at Knodler'a The Vermeer is however only one of the high spots the two Rembrandts 'the Hal the Ruyedaelai and th Hobbemas are equally Important examples As the exhibition was In ths process of being hung th day I visited- the galleries a more extended review' must wait until next Sunday The pictures are borrowed from some of the most famous private collections in the country Th exhibition remains -on view until Nov 21 1 a A lexander Levy The Babcock Galleries Alexander Levy is primarily Interested in design Hia paintings cow on view at thk Babcock Galleries while they Include portraits and latadscapes are seen from the decorative standpoint- Nature takes on an' almost formalised pattern-for him Trees and clouds and rocks become so many Interesting shapes although ha la careful -at the earns time -to preserve their Intrinsic quality Among the pictures specially noted were' hislandscapes "Tbe gAst Snow" "Idyl" and Jxls portrait of "The Mountaineer: CUBISTIC ART OF Shown Under Auspicez of Societe the color less sweet Harry Herlng Is another of the artists whose work is steadily developing Hie Interest is more closely confined to structure and design but in solving these problems he is getting a greater vibration In his color Then there la Elizabeth Whitney with her delightful design of old steeples and roofa silhouetted against a twilight sky and Herman Trunk who haa made a lively color pattern out of sailboats a more Interesting subject and Ices a mere mosaic of color than his still real life of candy boxes which have hitherto been among his favorite- subjects Carl Sprinchorn Eamond Well Alexander Couard and A Hopfmuller are others who help to make the Brooklyn group of exceptional interest A small Manhattan group made up of artists whose work has been frequently commented upon by' the present writer are shown close by the Brooklyn group They are Bradley Walker Tomlin Frank London and Robert Hallowell These artists have hitherto been known to the gallery frequenter as water color painters They are here seen for the first time in the medium of oil paint their essentially (there is no vestige about his art) country with credentials the celebrated Spanish sdul He such an extent that of Solanas pictures aa being the foremost Spanish tradition Spanish painters his recent very his forsaking essentially Spanish genulna exponent of to his notice he gives pictures of the people devoid artificial of paint rather than a' realist with a mind an Inheritance tradition He turns broad comedy In' into something grlmla Sacs the subject usually a laugh hut not so harsh This Is no charlatan George Biddle has become one of the ever-increasing group of painters whose work finds Its fullest realization when associated with the tropic zone His first one-man show waa made up of pictures painted in Tahiti After -that enchanted rpot became as popular for the artists as once was Venice he has sought less painted tropica the subject matter In the exhibition now on view at the New Gallery being Cuba Mr Biddle refuses to be romantic about the tropics or allow himself to show that Its exotic beautlee have any way aeduced ills sense He sees Cuba as verdant background for slack happy-go-lucky- black who sprawl in the shadows of their shanties or under the banana palms In an uninterrupted siesta One Is constantly reminded of' "Prancing Nigger" there la the seme flat 1m-prewion of vivid color tinge of eroticism and a never-falling sense of absurdity plus that tinge of perversity that removes the Latin American negro far from his A frier brother Because It is the human interest that intrigues Mr Biddle the drawings and watr colore In which negro types are the subject' matter with only a deft suggestion -of the fecund background ere the most successful The oil lahdocapes are (rifle heavy The humor Is there If one looks for It but for general effectiveness Is lost And one la entirely concerned with rounded too-green hillocks fields snd tree forms True he gives in this repetition of tumescent shapes a sense of rank fecundity but from the point of view pf design they do not entirely come off Portraits by Hubert Vos at Fearon Galleries Hubert Vos" whose portraits and still-lifes ars being shown at the Fearon Galleries while not a frequent exhibitor Is a Well-known figure in the srt world He Is a Dutchman but after him visit to ths United States as art commissioner from Holland to the world's fair of 'M he was go much Impressed with America that he has remained hers ever since Mr Vos has numbered many celebrities among his sitters He brings to hie portraits an honesty and sincerity and an endeavor to 1 always present his sitter In the most favorable light which accounts In great measure for his popularity Among the portraits shown those of Mra Jay Gould and the self portrait stand out as being the most expert Others are of Com Arthur Curtiss James Judge Elbert Gary th Wm de Forest Manlce children As a painter of still-life as especially of Chinees porcelains he exhibits the passion of the collector He gives himself the double pleasure of collecting the original-and then of arranging It In beautiful composition and putting It down on canvas with taste and meticulous exactness He does not fell that the artists can add anything that ths artist who made the vase haa not already said Mr Vos comes along as the recorder Portraits by Elinor Barnard are being shown -at the Ferargll Galleries Mrs Barnard In the present exhibition has specialized in water-color portraits of very young babies She does this with skill and taste her portraits having nothing of the overcuteness or sweetness of the magazine cover Eugene Onell's youngest the son of Sklddy Von Stady of Junius Morgan and the daughter of Lawrence Beckwith are among thet portraits shown FERNAND LEGER Anonyme at Anderson Galleries aroma of fish and Wj pentine Theresa Bernstein la Infest ested In the types although she sends one typical Gloucester landscape Hayley Lever sends two- harbor views and Eben Comins la beat In the small landscape of "Dogtown Common" As a satirist of the human comedy in his "Sunday Edition" he is a trifle self-conscious New Hope can be summed up in the names of the artists who are PAINTINGS BY ELMER SCHOFIELD Recent Etchings by ALFRED HUTTY fattl December 5th MILCH Galleries 108 West 87th St New York Paintings by Bessie Lasky Until November 28th The ANDERSON GALLERIES 489 Park Ave New York 7 (At 4d-'h Street) Painted Textiles and Decorative Motifs by SOLOTAROFF frill November 25th The Anderson Galleries 45 rerk Aveeee at 5Sth Street New Terk GEORGE LUKS At the Galleries of FRANK REHN (U FIFTH AVI lAHltilUb Paintings of the West by JO SEC ARP A -1 0 CMU December a a1 BABCOCK GALLERIES fart tNh Street" Sw Yerk: KNOEDLER COMPANY announce a Loan Exhibition of DUTCH MASTERS of the 17TH CENTURY November 16th-30th 14 East Fifty-seventh Street New York DARLING CO Auctioneers 242 Fifth Avenue 27-28th Sts New Yorkw A Will Sell at Absolute Public Friday Saturday Nov27th 28thi5 -t j- '-A'- 1 An Unusual 77 Choice Fumiture Rawed from Sovtfc Oreace IL (Namo wiUkeM) Kero Carved Renase Dana Sorts (Cert 1588 188 Tsnias aad Rags sad Caryets) (Mpesl Brass sad MaiU Tr Sat7 i Draedas sed Gwii Yim Od fiirtiifi treel IHwntisti Rash Cmad Ver Twie Bedreesi Soke Hoagiafj Aidmo CUaaCksL srtMkSi mieJ Ts aw eegwi aaHVai SBHHa Oeck Sea Csmmcs ate' On Free View Starting Tomorrow (Monday) 9 AM ldC.