The Miami Herald from Miami, Florida • 48

"Vv NjM Iwnnyy i yiynyiHy inyTijji- jynwiwi fijan- SUMMER MOVIE CLUB FRI at SELECTED THEATRES CHECK DIRECTORY CFl WEDNESDAY AUGUST 15 Vj THE MIAMI HERALD 1989 LIVELY ARTS jr sy io am nig h2 OMEXGQ dandy Uncle Buck is so-so 1 IrtTrdScal273AllSttFMwtrtmbtwn4pi 1 S35 An orer trainees S3 00 05 '2 a eirhjoedi Sat uatt yoM at Seeded Thear Chch Tima Clock for Movlo Tlmt 1 lis Ui 1 vartot I Eicevxt a riTTnrrr Lijfrny I riT1 fe ThE AdiSS Poll NICMTM1RE0NEUISTPT 5 BATMAN PG13 LETHAL WEAPON 2 HONEY I SHRUNK THE KIDS PG LICENCE TO KILL PG13 TURNER HOOCH PG YOUNG EINSTEIN PG RUDE AWAKENING KIDS SHOW 1001 RABBIT TALES ThE AB1SS PG13 N'CMTMIRE ON ELM ST PI LOCK UP H0NEYJ SHRUNK THE BOS PG TURNElt HOOCH PG BATMAN PC13 LETHAL WEAPON 2 PARENTHOOD P613 RUDE AWAKENING UNCLE BUCK PG KIDS' SHOW: HEIDI'S SONG 6 CAMPBELL SQUARE Candy is By RYAN MURPHY Hera'dSlaf! rtrter John Unde Buck is a houseguest from Hades He breaks 'priceless decorative plates drinks like a Barrymore passes strange odorous clouds and drives the kids to school in a frightening 70s beater that breaks the sound barrier when it backfires Sure gross but lovable too You'll want to reach right up to the screen and chub his obese cheeks what John Hughes director and WTiter of Uncle Buck is counting on He has packed this film to the gills with repulsive yet sympathetic schtick Whenever his protagonist Buck Russell rolls in you laugh while you cover your eyes Think Freddy Krueger in a 46 waist polyester suit and got it Irresponsible oafish and possessed with the worst taste possible Uncle Buck is a nightmare melded with a sweet dream He is here in the delightfully calm suburb of Northbrook to tend his to love these silly little moppets and they him Unemployed for years he also learns to embrace responsibility along with a can of Lemon Pledge Hughes director of Molly Ring-wald career-makers like Pretty in Pink and 16 Candles once again surrounds his formulaic pranks and pratfalls with acute topical sensibilities He has an uncanny ear for capturing the youthful slang and attitude of the day and does it here with hilarious results Uncle Buck however is film from start to finish Wickedly underplayed the role of Uncle Buck allows the adroit comic actor to blend physical comedy with small moments of tender reflection When these moments mesh as they do in the off the elementary school scene he is a large wonder Half-way through Uncle Buck however the plot abandons reality and is content to settle into the realm of cheap yuks The film suf- iaK O' LETHAL WEAPON 2 WHEN HARRY MET SALLY BABAR INDIANA JONES PG13 KIDS' SHOW BIG TOP PEE WEE PG NMTMARE ON LOCK UP PARENTHOOD LETHAL WEAPON TURNER UNCLE BUCK 2 HOOCH Tf rt A ELM SI PI 5 I $1 OO All Set a All Tlmea UHF PuH GREAT BALLS OF FIRE PG13 BILL TEDS EXCELLENT ADVENTURE PG PG13 PG PG CARE BEARS II ThE AbisS Hot NIGHTMARE ON ELM ST PT 5 LETHAL WEAPON 2 TURNER HOOCH PG BATMAN PG13 UNCLE BUCK PG FRIDAY THE 13TH PT VIII YOUNG EINSTEIN PG KIDS' SHOW MAC AND ME PG TT JTtrrrTk KIDS' SHOW THE ABYSS PG13 NIGHTMARE ON ELM ST PT 5 LICENCE TO KILL PG13 WHEN HARRY MET SALLY TURNER HOOCH PG YOUNG EINSTEIN PG BATMAN PG13 KIDS' SHOW AN AMERICAN TAIL INDIANA JONES FRIDAY PG13 THE13THPT VIII NIGHTMARE ON ELM ST PT LETHAL WEAPON 2 TURNER HOOCH PG YOUNG EINSTEIN PG KID'S SHOW: BON VOYAGE rMiQMF BPWN T'T 1 ll'lYii i it iTTT Missile crisis forms backdrop of 1962 THE ABYSS PG13 WHEN HARRY MET SALLY LETHAL WEAPON 2 KIDS' SHOW POUND PUPPIES 6 nrr 11 BARGAIN MATINEES EVERY DAY ALL SHOWS BEFORE 6 PM FREE Validated Parking MAC ME io oo am pg UNCLE BUCK 12 45 3 00 00 7 30 9 45 PO RUDE AWAKENING 1 00 3 15 5 30 8 00 10 30 8 NIGHTMARE on ELM STV 2 00 4 00 6 00 8 30 10 30 8 THE ABYSS I 00 4 10 7 15 10 10 PG13 NO PASSES or I TKKE1S ACCEPTED FOR SHOWINGS AHER6P YbUNG EINSTEIN I IS 3 30 45 a 1010 30 PG PARENTHOOD 1 SOt 45 7 30 10 15 PGI3 TURNER HOOCH I 00 3 15 5 30 7 50 10 00 PG PETER PAN I oo ns t5 6 WEEKEND AT I 00 3 15 5 30 8 OOPGI3 BATMAN NO PASSES 1 30 4 30 7 40 10 20 PG13 117th AVI ASW 40h ST UNCLE BUCK 3 30 45 8 00 10 15 PG AWAKENING 3 30 30 7 4S 10 00 ME 10 00 A PG INDIANA JONES NO PASSES THE LAST CRUSADE 15 4 00 7 00 9 S0PGI3 PARENTHOOD 4 30 7 3010 1SPG13 LETHAL WEAPON 2 QOS 00 7 30 10 00 WEEKEND AT BERN 5 308 0010 1SPG13 KARATE KID III 00 30 7 45 10 00 PG POETS SOCIETY 45 4 30 7 15 9 45 ft CUTLER RltiGI 4 MIAMI 238 5311 US I A FLORIDA TPKE By CHRISTINE ARNOLD DOLEN Herald Theater Critic For a week in October 1962 life in Miami from a view seemed both normal and terrifying Normal because at one elementary school it was the exciting week of the Halloween Carnival Because lessons went on as usual Because exile children from a place called Cuba were joining the classes forever changing the community that would be theirs for longer than anyone could have imagined And terrifying because that was the week of the Cuban Missile Crisis when the end of the world might be just 90 miles and one grave confrontation away That crisis and that context form the backdrop for Miami playwright Susan new work 1962 Written for Teatro Avante under the Miami Art Bridge program 1962 seeks to examine a Miami on the cusp of change And it does though sweeping social gaze and storytelling concerns sometimes seem too much for a single play She focuses mainly on the teachers with each woman typifying GROSS BUT LOVABLE: John Candy is Uncle Buck fers accordingly and becomes so much like the unnatural potato chips and pretzel food snacks that our hero is fond of noshing Uncle Buck tastes great yes But it sure fill you up relationships at that time seem unlikely Mario Ernesto Sanchez has directed cinematically styled script with fluidity emotion and humor though some of his choices are awkward (having characters slip into school desks their backs to the audience having two teachers back into each other and dissolve into inexplicable giggles) Designers Rolando Moreno (set costumes and lighting) and Raul Reyes-Roque (music and sound) have created a wonderful world for the play sending the audience back to '62 in a time machine fueled by teased hairdos (by Carlos Gomery) period clothes and the sounds of Soldier Boy Though 1962 is not an unforgettable play it helps us to remember a crucial week in contemporary history and to understand how the Miami of 1989 was shaped by the Miami of 1962 a SHOWS STARTING BEFORE 6 PM SENIOR CITIZENS $3 00 AT ALL TIMES 1 PEMBROKE PINES 3 Ml OK UNI IRS IT Oft ON FINES 8LVO 43S-33DO ABYSS (PG13) 1 00 3 45 7 00 9 45 LETHAL WEAPON II (R) 1 15 3 30 5 45 8 00 10 05 LOCK UP (R) 130 335 540 745 1005 00 THE RIGHT THING (R) 1 00 3 10 5 20 7 35 10 00 FIELD OF DREAMS (PG) 1 00 3 05 5 10 7 15 9 25 KARATE KID III (PG) 1 00 3 10 5 15 7 25 9 35 SHAG (PG) 1 30 3 30 5 30 7 30 9 40 INDIANA JONES (PG13) 2 00 4 30 7 00 9 30 GH0STBUSTERS II (PG) 1 00 315 5 30 745 10 00 ITOf MOVIES AT THE ALLS! US 1 SOUTHWEST 136 ST 255 5200-01 LICENCE TO KILL (PG13) 2 00 4 35 7 05 9 35 WHEN HARRY MET SALLY (R) 1 15 3 15 5 15 7 15 9 15 FIELD OF DREAMS (PG) 1 05 3 05 5 05 7 05 9 05 LETHAL WEAPON II (R) 1 00 3 10 5 25 7 45 10 BATMAN (PG13) 1 40 4 20 7 00 9 30 NIGHTMARE ON ELM ST 1 30 3 40 5 50 8 00 10 10 UNCLE BUCK 2 10 4 10 6 10 8 10 10 10 SUHNTWS NE ST Isw RUDE AWAKENING I 00 3 IS 30 8 00 10 IS MAC ME io oo 8 pg NIGHTMARE on ELM STV 1 15 I 45 3 15 3 45 5 15 50 7 30 8 OO 10 OO 10 30 LOCK UP IS 3 30 4S7 SS 10 15 TURNER HOOCH I 00 3 IS 30 7 fS 10 00 PO LICENCE TO KILL IS 4 IS 7 iSIO 05PG13 PETER PAN I 00 2 30 6 00 6 GHOSTBUSTERS II 4 00 7 45 10 00 PG DEAD POETS SOCIETY I 45 4 4S 7 45 10 1SP6 lALEAHStt SO PAlMHTO 103rd OPPOSITE WESTLAHP MAUSS7 9888 RUDE AWAKENING I 20 3 40 45 7 40 10 20 4 MAC ME 10 00 PG NIGHTMARE on ELM STV I 20 3 2S 30 7 40 10 ISA THE ABYSS 1 15 4 05 7 00 10 00 PG13 NO PASSES or I TICKETS AKfrHD FOR SHOWINGS AFTER 6PM YOUNG EINSTEIN I 30 3 30 30 7 3S 9 45 PG PARENTHOOD I 30 4 00 7 IS 10 00PGI3 TURNER HOOCH I 30 3 30 40 8 00 10 IS PG LETHAL WEAPON 2 I 45 4 30 7 20 10 10 A BATMAN NO passes 1 30 4 20 7 15 10 OOPGI3 1 30 RUDE I 30 MAC AND 1 no 2 2 00 2 DEAD I 1 30 RUDE I 00 I 00 2 SO DEAD 1 30 I 15 DO 2 I 45 UNCLE BUCK 3 30 5 45 8 00 10 00 PG AWAKENING 3 15 5 30 7 50 10 10 YOUNG EINSTEIN 3 15 5 30 7 45 10 00 PG LETHAL WEAPON 2 00 5 00 7 30 10 00 fttlVIERAS CORAL GABLES 606 8513 US SW 57th AVE DEAD POETS SOCIETY 7 20 10 00 PG PiMdkGKt PINES 437 NO SW PINES BLV0 01 FLAMINGO RD RUDE AWAKENING I 00 3 15 5 30 7 45 10 00 8 NIGHTMARE on ELM STV 110 3 30 5 508 10 10 30 8 PARENTHOOD I 30 4 00 7 15 9 4SPGI3 YOUNG EINSTEIN I 45 3 45 5 45 7 45 9 45 PG TURNER HOOCH 12 30 2 45 5 00 7 15 9 30 PG WHEN HARRY MET SALLY 12 45 2 55 5 05 7 30 9 55 8 HONEY I SHRUNK THE KIDS I 00 3 15 5 25 7 45 9 45 PG BATMAN NO passes 1 30 4 45 7 35 10 20PG13 Aspiring theater pros can apprentice at Grove POETS SOCIETY 1 005 45 10 10 PG YOUNG EINSTEIN 3 45 5 50 8 00 10 10 PG PARENTHOOD 3 45 7 30 10 00 PG13 WEEKEND AT 3 30 8 10P613 THE RIGHT THING 00 5 00 7 30 10 008 BATMAN no passes 4 40 7 30 10 05 PGI3 LOCAL PLAYWRIGHT: Susan Westfall wrote 1962 pampered young woman who is insistent on a career Into the mix comes Orlando Cabrera (Raul Orchilles) a newly arrived student in the care of his grandfather Raul (Raimundo Rey) a feisty idealist who is eager to go back and fight Castro even if it means sending Orlando to a camp for exile children without relatives 1962 is an uneven play sometimes quite touching at other times rather superficial The details of the school carnival are too abundant and not terribly interesting Since Orlando is as much a symbol as a student his arrival and absorption into the life of the school take on a vast importance when in fact just one more exile child in a school with plenty of them Some of the speeches quite ring true and they have a tendency to get into explosive arguments that given the restraints of professional T5T EAPER THAN A CABAN WEEKENDSPECIA 5 OCEANFRONT RESORT LIFTERS On the Ocea at 18801 Collia Ave Saaay Ulea MiaaU Beach Fla 33160 I 3 Days 2 Nights Eer Pere- Dhl Occ rnura 2 Weicome Cocktails Coffee Shop Entertainment Loung DOES NOT INCLUDE HOLIDAY WEEKENDS THE BEST MOVIE PRICE IN TOWN Shaw ET2T MOVIE REVIEW UNCLE BUCK (PG) Cast: John Candy Jean Louisa Kelly Gaby Hoffman Macaulay Culkin Amy Madigan Elaine Bromka Garrett Brown Director and Writer John Hughes Producers: John Hughes and Tom Jacobson A Universal Pictures release Runmrg time 100 minutes Profanity brother three kids while Bob and his wife Cindy (Garrett Brown and the wonderfully pensive Elaine Bromka) are out of town tending to ailing father The first morning Buck feeds the children something resembling garbage and embarrasses one and all (especially foul-mouthed teen daughter Tia) by escorting them to school he know not babies anymore? For sure! Gradually the chilly domestic scenario warms Uncle Buck learns THEATER REVIEW 1962 Cast: Betty Casell Margarette Joyner Raul Orchilles Raimundo Rey Edna Schwab Elizabeth Steele Playwright: Susan Westfall Director: Mario Ernesto Sanchez Set Costumes Lighting: Rolando Moreno Music: Dr Raul Reyes-Roque A Teatro Avante production at the Minorca Playhouse 232 Minorca Ave Coral Gables through Sunday 8 pm Thursday-Sat-urday 3pm Sunday $13446-1116 something Marjorie Bently (Betty Casell) has been around the school since the earth was cool doing things by the book and bossing everyone else around Pauline Tripp (Margarette Joyner) is a reluctant pioneer an excellent black teacher hand-picked to work in this all-white school Aida Perez (Edna Schwab) once a teacher in Cuba has reluctantly left her imprisoned husband and her son to work as a classroom aide Jill McTavish (Elizabeth Steele) is a wide-eyed and marriage-minded student teacher a cause the education and production departments have stabilized enough to accommodate apprentices And I was also inspired by reports from the Burt Reynolds situation the Burt Reynolds Institute for Theatre Training This will give continuity to some people at a transitional point in their careers I think that gap period between school and getting good jobs is where we lose a lot of Interested? what you need to do Applicants for all apprenticeships must have had previous training or experience A BA or BFA is preferred but not required A letter of interest picture and resume must be received at the playhouse (3500 Main Highway Coconut Grove 33133) no later than Sept 5 Those seeking acting apprenticeships must prepare two one-minute monologues (one contemporary one classical) and sing 16 bars of a ballad (a capella) Auditions will be Sept 13 and 14 from 10 am to 2 pm call 442-2662 for an appointment Callbacks will be from 4 to 6 pm on the same days (The Playhouse will also audition candidates at the South East Theatre Conference in September) Those chosen for apprenticeships will be notified in late September and will begin their work at the theater Oct 2 LIFTER'S On the Ocean at 18801 Collins Ave Sunny Isles Miami Beach FL 33160 FROM (AAOn Per Person Per day Double Occupancy No Charge for Children Under 12 Sharing Same Room with Parents DANIELLE BRISEBOiS I IN I liiftn Qw 'fill ft I I MATINEES UfttH Ti-ni Show $395 liffiitd io Sutifto TURNER HOOCH (PG) 1 45 (5 45 TLS) 8 15 10 30 LICENCE TO KILL (PG13) 2 00 (4 45 TLS) 7 30 10 15 2 00 (5 30 TLS) 8 00 1 0-3 0 BATMAN 2 15 (5 HONEY 1 45 (5 45 DEAD 1 30 (5 00 PARENTHOOD 1 46 (5 00 (PB1 00 TLS)7 45 10 15 I SHRUNK (PO) TLS) 7 45 0 45 POETS SOCIETY) PG) TLS) 7 30 0 55 (Pail) TLS) 7 45 10 30 3 mu SPECIAL ENGAGEMENT NO PASSkS OR COfGNS ACCEPTED ABYSS (PGis) 1 30 (4 30 TLS) 7 30 10 30 LETHAL WEAP0N2 (R) 1 45 (5 00 TLS) 7 45 10 30 BSD TURNER HOOCH (PG) 2 00 (5 15 TLS) 8 00 10 15 LICENCE TO KILL (pais) 1 30 (4 30 TLS) ELM STREET Von 2 15 (5 30 TLS) 8 00 10 15 By CHRISTINE ARNOLD DOLEN Herald Theater Critic young dreaming of a career as an actor well why mince words a star but just been to your zillionth audition without gettmg a job willing to work long hours and for peanuts for a chance to join the union and rack up some professional experience Has the Coconut Grove Playhouse got a deal for you South Florida's largest regional theater is launching an apprenticeship program for both actors and technical theater people during its 1989-90 season Eight acting apprentices will take classes in acting directing design technical theater voice speech and movement also understudy roles in mainstage and Encore Room productions act in the inschool touring program January through April and take roles in the Monday night play readings Six to eight stage management and technical theater apprentices will have special seminars and get on-the-job training The apprentices will serve as running crews for the productions and at the end of their term an apprenticeship showcase will be produced Each apprentice will get a $200-a-week stipend and will be eligible to join Actors Equity after successful completion of the program Producing Artistic Director Arnold Mittelman said the time is right for an apprenticeship program "ALL IN THE FAMILY'S" STARRING SPECIAL ENGAGEMENT COUPQe ACCCPTEO ABYSS (P613) 1 30 (4 30 TLS) 7 30 10 15 MOVIES STARTING BETWEEN 4 00 -6 PM EVERYDAY DESIGNATED BY (TLS) ALSO REDUCED PRICES FOR MATINEES TWI-LITE SHOW indrciiodOy US All Seats iifflitod to swtiftQ mi iinniam FLOmOa TURNPIKE AT K6N0AU DRIVE 271-8198 KENDALL TOWN 6 COUNTRY SHOPPING CENTER YOUNG EINSTEIN (PS) 1 30 (5 30 TLS) 7 30 0 55 RUDE AWAKENINE (R) 1 30 (5 00 TLS) 7 30 0 55 WHEN HARRY MET SAUY(R) 2 00 (5 30 TLS) 8 00 10 15 I BAKERY CENTRE NALL TAT REDR0A0 I57IRAVEI 662-4841 LOCK-UP (R) 2 00 8 00 10 15 WHEN HARRY ME1 1 45 (5 30 TLS) 7 45 0 55 TWI-LITE SHOW Indicitdd By TLS All Seals S275 Limitidto Siilmq jF iBinr 'f i a KARATE KID 3(pg) 1 30 (5 00 TLS) 7 30 8 55 WEEKEND BERN1ES(PG13) 1 15 (4 45 TLS) 7 00 0 30 BATMAN (PG13) 2 00 (5 30 TLS) 8 00 10 30 HONEY I SHRUNK (PG) 1 45 (5 15 TLS) 7 45 10 IS 00 THE RIGHT THING (R) 1 45 (5 15 TLS) 7 45 10 15 Y0UNC EINSTEIN (PG) 1 30 (5 00 TLS) 7 30 9 30 PARENTHOOD (pg) 1 00 (4 30 TLS) 7 15 0 55 UNCLE BUCK (PG) 1 00 (4 30 TLS) 7 ISO 55 --I 4999 SHERIDAN ST HOLLYWOOD 987-4680 (BEHIND 8ENNIGANS) THE AMERICAS 266-6646 SPECIAL ENGAGEMENT no passu an coupons ABYSS 1 30 (4 30 TLS) 7 30 lo 15 LICENCE TO KILL (PG13 1 30 (4 30 TLS) 7 15 8 5 BATMAN (PGii) 1 45 (4 30 TLS)7 15 8 55 PARENTHOOD (pgi 2 1 5 (4 45 TLS) 7 30 10 15 HONEY I SHRUNK 2 1 5 (5 00 TLS) 8 00 10 15 WHEN HARRY MET SALI 2 30 (5 15 TLS) 7 45 8 55 PETER PAN (G) 2 00 FRIDAY 13THVUI ir (5 30 TLS) 8 00 10 30 SPECIAL ENGAGEMENT NO PASSES OR COUPONS ACCEPTEO ABYSS (poll) 1 30 (4 30 TLS) 7 5o 10 15 LETHAL WEAPON 2 (R) 1 45 (4 45 TLS) 7 30 0 55 BATMAN (PC13) 2 00 (5 00 TLS) 7 45 10 15 WHEN HARRY MET SALLY (R) 2 30 (5 30 TLS) 6 00 10 15 UNCLE BUCK (PC) 2 15 (5 15 TLS) 8 00 10 30 PARENTHOOD (PG13) 1 30 (4 30 TLS) 7 30 0 55 TURNER HOOCH (PG) 1 45 (4 45 TLS) 7 15 0 45 ELM STREET (R) 2 30 (5 30 TLS) 7 45 10 30 LOCK-UP (R) 2 15 (5 15 TLS) 8 00 10 15 YOUNG EINSTEIN pg) 2 00 (5 00 TLS) 9 45 I I YOUNG EINSTEIN (PG)200 800 LICENCE TO KILL(pgi3) (4 45 TLS) 10 15 LETHAL WEAPON 2iri 1 30 (4 45 TLS) 7 30 10 30 ELM STREET V(R) 1 45 (5 00 TLS) 7 45 10 30 H0NEYISHRUNKPG) 2 00 (5 15 TLS) 8 00 10 30 BATMAN (PGis 1 30 (4 45 TLS) 7 30 10 15 LOCK-UP 1 30 (5 15 TLS) 7 30 10 15 TURNER ft HOOCH (PG) 1 45 (5 00 TLS) 7 45 10 15 FRIDAY 13THVIII(R! 2 00 (5 15 TLS) 8 00 10 30 PARENTHOOD (pgisi 1 45 (5 00 TLS) 7 45 10 30 MERI INSIDE MAU OF PALMETTO tXPR SPECIAL ENGAGEMENT no PAssts on coupoe aocuteo ABYSS (mil 1 30 (4 30 TLS) 7 30 10 30 SPECIAL NOPAssta an colons ABYSS (PGis) 1 30 (4 30 TLS) ENGAGEMENT ACCfcPTto 7 30 10 15 BATMAN (PG131 100 (4 15 TLS) 7 15 10 15 HONEY I SHRUNK (PG) 1 15 (5 00 TLS) 7-45 0 55 PETER PAN (6) 115 3 15 PARENTHOOD (pgij) 1 15 (4 15 TLS) 7-15 1015 ELM STREET (R) 2 00 (5 30 TLS)7 45 8 55 TURNER HOOCH (P0) 1 45 (5 15 TLS) 8 00 10 30 LOCK-UP (R) (5 30 TLS) 8 Ci 10 45 THE AYERlCAN TRIBAL LOVE ROCK MUSiCAL WITH ROGER BART R0MAIN FRUGf KOV THHIJ SEPT 3 atthe HIRSCHFELD THEATRE CLARION CASTLE HOTEL RESORT 5445 Collins Avenue Miami Beach FL BOX OFFICE 865-PLAY 1 -800-828-PLAY GROUPS 1 -800-THEATRE TICKETMASTER 358-5885 LICENCE TO KILL (pail) 1 45 (S 00 TLS) 7 45 UNCLE BUCK ipo) 1 45 (6 00 TLS) 8 00 0 45 LETHAL WEAPON 2(r 145 (5 15 TLS) 8 00 10 30 BATMAN (PGii) 1 30 (4 45 TLS) 7 45 10 15 ELM STREET (R) 2 00 5 45 8 15 8 55 TURNER HOOCH (PG) 2 00 (5 00 TLS) 7 45 8 55 FRJDAY 13THVIII (R) WHEN HARRY MET SAUY(H 2 00 (5 15 TLS)7 30 8 45 jzznsm 1 4 Wi jBNi Oil nfTi nVnflNii Cmiti.