The Brooklyn Daily Eagle from Brooklyn, New York • Page 35

7 THE BROOKLYN DAILY EAGLE. JTOW YORK, SUNDAY, JULY 10, 1022. The Cat and Henry Hull SUMMER MUSIC because vou can't fon' women on a subject like that. The can tell I by the way you handle a rolling pin or a tlatiron whether lh-y're strangers i lo you. Conking, ironing or sewing it tiikes only a glance for another Believe It or Not, Basil Sidney Does Not Care to Play Hamlet likes following another.

Each one is former 1'remler. He Is scheduled to return to this country In October. Albert C'oates. guest conductor of the New York Symphony Orchestra, 1 liu YC'H-riiiiii'hiu licin of '-llic Cut TlicnU-r, bravely awaits death. Gossip of Plays and Players By MAJJJX MAl'ItKli.

What ironical contrasts life presents. Just now the Theater Guild Is gaily snapping its Angers at the theatrical law that no serious play can make money during the hot weather. Despite the heat "He Who Gets Slapped" continues to make money at the Garrick Theatre. The Theater Guild must be richer for having produced Leonid Andreyev's play. But just a short time ago in Russia this same Leonid Andreyev almost starved to death.

A talk with Basil Sidney, who is the new He of the Guild production, emphasized the fact of America's fortune in having suffered so slightly through the war. Mr. Sidney is not the Englishman he is popularly supposed to be. Instead he is half Irish and half Spanish. He.

has been in America now for two years. Playgoers will remember him as the charming, though intolerant, "little minister" in the revival of "Romance." "I feel," said Mr. Sidney, "as if I had led a dual life, a life before, a life after the war. I used even to jb think differently. Americans can have no idea how inspiring their country is at the present time to a European.

Here in America there is hope, but the war has bled Europe even of that. In England no one escaped the war. There is not one family but has suffered ucutely. In Russia conditions are so horrible one cannot think of them without shuddering." The theater, like any form of art, is an index of the mood of a country. The English theater, according to Mr.

Sidney, is at present accomplishing nothing. It is worn out, tired. Americans, no doubt, are the lust to realize it, but the war has made America in reality a land of hope and promise to a weary world. Basil Sidney's finely sensitive face lit with sincere enthusiasm as he talked of this country. Some of the aura of Andreyev's trajric comedian seemed to cling to him.

But the aura may have been due to the unromantlc fact that he had not had time to remove his picturesquely pale makeup, the violet shadows from liis eyes nor his tango-colored clown's costume. Mr. Sidney is doing a unique thing in that he, a well known actoi, Is following Richard Bennett, another well known actor, in present part. In this country especially one actor dis AMCSEMKNTS SfiOOHMJf BEGINNING AT NOON TODAY desirous of himself creating his part. "In Europe," explained Mr.

Sidney, "it is a common occurrence for one prominent actor to follow another. This is a good custom, I believe. It affords the public an opportunity to see more than one interpretation of the same character, to realize that there may be several points of view. To one who genuinely loves the theatre there is something almost thrilling In seeing two actors, equally good, play the same part, and play it quite dir ferently. It is more difficult to follow someone else, you know, than to create the part.

For example, while having mv own interpretation of He, mlcht unconsciously wish to play por tions as Mr. Bennett happened to play them, but because I am following him I feel I must avoid doing anything that Mr. Bennett did. In other words, an actor who is following another is hampered. He is not quite free." Somehow the obvious question as to whether Basil Sidney wanted to play Hamlet managed to ask itself.

Foolish question! Was there ever an actor but wanted to play Hamlet His answer was far less hackneyed than the question. "I am too old to play Hamlet, he replied. Basil Sidney is. and looks, so young that this was funny. At the moment I wished that I myself had reached that maturity of years that would have enabled me to pat him on the shoulder and ask patronizingly: "Just how old are you, Mr.

Sidney?" But if he were not quite so young, if in reality he were too old to play Hamlet, what an unusual actor he would be, were he to admit it so fra nkly. "When I was a youngster," he continued seriously, "I wanted to play Hamlet. After all Hamlet is a study of youth. Shakespeare did not, I believe, write him as a profound philosopher. He is a very young man who for the first time faces tragic disillusionment.

No sorrow is so bitter as one's first sorrow. The boy says to himself, 'I can't stand this. I shall But he learns that he can stand It, that he does not die. The second time he suffers, the pain is easier to bear. He is fortified by having suffered before.

Hamlet's reaction are not those of a man. They are the reactions of youth for the first time tasting the dregs and finding them Unlike so many foreigners, Basil Sidney does not condemn America or the American tieater for its worship of youth. "Why shouldn't America worship youth?" he smiled. "Youth Is America's gift to the world. She is young enough not to be afraid of ninking mistakes.

As for the theater. I should like to see the young people given not less but more opportunity. Why not let a promising 16-vear-old actress attempt Juliet insead of say ing to her, 'My dear, you can't hope to understand Juliet until you are 90. What if she does give a bad perform ance! she ays oniy one scene well she will have justified her promise, and she. will have learned some thing of the art of acting.

It's all nonsense this idea that because young actor fails the first time he fails for all time. Mrs. Siddons was a dismal failure the first time she ap peared in London. But after five years she reappeared, one of the greatest English actresses. "A young actor today," continued Mr.

Sidney, "makes a hit in a light comedy part. If he were next to essay Hamlet he would be ridiculed. Why? In America you do not say to tno young man of 25, 'You must not think ot making $1,000,000 until you are 50 No, you say to this boy, uo aneari it yonn, make a ml linn. And sometimes he does make his million. Why shouldn't America treat ner young actors la the same way it wouia maie tnem so much more ambitious.

Instead of beoemlng AS US EM VTS BR OOKLYJJ Direction EDWAI2D L.HYMAN gs- b3MMl- Ramou? Stage Play Louise Boslet RuthVatron lezzo '-Soprano. THE STADIUM CONCERTS Mcn Soloists to Share Honors With Inez Barbour in Phil- harmonic Programs. With one exception, men will carry off the honors as soloists at the Stadium Concerts of the coming week beginning tonight, supplementing- the programs that the New York Philharmonic under Henry lladlcy will plav. Miss Inez Kitrbour (who Is Mis. Henry Hadley in private life), who JAMES rIcnn Whose Overture on Negro Tliriiios Will l'luyed on Snlnnlay Niht sings tonight, is the only woman scheduled.

Her associate soloists for the seven days are the first of the Stadium Audition soloists, Harry Kaufman, pianist, and Andre, Polah, violinist. Wednesday is to be Symphony Nignt and Thursday Tchaikovsky Wagner Night. In addition, there will he special faetures of interest, with regard to new American comiioslt ions. On Saturday evening there Is to be played for the first time an "Over tore on Negro Themes," by James Dunn, a composer of Jersey City who has been heard several times at tho Stadium and is best remembered by Hie excerpts from his grand opera, "The Galleon." Mr. Dunn has gathered these suggestions on negro music Ski MARRY KAUFMANN First mill II Ion contest winner.

Will piny tomorrow night Liszt Concerto in K. from many curious sources. Three new compositions by Mr. Hadley, "Autumn Twilight." "Wood Pixies" and "A Night in Old Granada," will be given on Friday night, and on unos- day night Deems Taylor tone-poem, "The Siren Song," which has been heard before, and Joseph C. Droll Egyptian Sketches," which will be heard for the first time and has four striking movements.

Mr. Hrcil the composer of the "Legend," sung at the Metropolitan Opera House In 191(1. Miss Harbour will sing "Illch Thoure Hallo," from "TannhauHer," and Max liruch, "Ave Marin," from 'lias Feuerkreuz." Andre Polah Is to be heard in Max liruch's Concerto for iolin In minor. The Audition soloist, Harry Knur- man, Is to play l.iszt i.oneerin v. flat.

Mr. Kaufman has hitherto appeared on the concert stage In the capacity of accompanist, chiefly for Zimbalist. The program for Monday night follows: Overture to "Hlenzl" Keenea 1'IUoremiuen Mateienet oncerto lu Flat L'zt Mr. Kaufman From Symphony No. ft Tchaikovsky a.

AUrg-ro enn Rrnzia b. AIlrRro inolto vlva'-e Indian Sketches Gilbert a. Prelude b. Iiivneatl'in c. Camp Imnt'O il.

Ktiakn Dance. arnlval In Turin Svenrleen On Saturday evening this is th pro gram: Overture to "Raymond" Thomas KKyptlan Hallet l.ulglnl (a) Clair le la una MacDowell (Ii) of the Janizaries Hosmer Siegfried's Rhine Journey, from "tJotterdiunmerutiK" Wairner overture Ni-ki-o Th'mes Dunn The Lost Chord" (trumpet solo, Oustav Helm) Sullivan (a) March, "Kulns of Athens" Hect hoven tli) on the Khoie" (IraltiKcr Dance of the Hours I'oiichelll In adtlition to the Wagner-Tchal- kovsky program on Thursday night, the orchestra will play tins week Dvorak's "Tho New World. Tsehal-kovsky's "Symphony Tat heticpic," the Love Scene from Richard Strauss 'Feuernot," Beethoven Symphony No. 5 111 Minor, MacDowell Suite In A Minor, Debussy's "Tho Afternoon of a Faun." Just a Pew Notes Bandmaster Sousa has announced that in November lie proposes to devote himself to the writing of an opera on strictly American noes. i ne Sousa band's personnel now numbers and the season will befrin in Al bany on July Later Montreal, Rochester, t'tica, Syracuse and Phila delphia will be visited.

In the last- named city the band will piny for live weeks in Willow l'ark. Ifrnace Jan raderewski sailed for Europe on the (ieorso Washington yesterday en route to his Swiss home on Lake Geneva. The pianist, it has been announced, does not expect to ko to l'oland, of which country he is the RKSTAUHAXTS. my nj i 1 i V. woman to know whether it dime naturally." Tl Trnl MmiiiI kivnc.

It is not often that an ambitious young man can sit In his seat of plenty ami prosperity and gaze right Into the face of the old days of hustle and doubt. It is really a very human and satisfactory thing to do, even If you can add to tho enjoyment by making faces at the past. Anyhow, this Is a prlvllego that circumstance and sev eral managers have given to Richard W. Keene. Not so long ago he cmo to New York from Philadelphia wilh a pair of nimble legs and confidence that he could dance.

He took a hall room on the downtown side of Just above Mb and then he went out to hunt something that might have a salary tied to it. In the evenings, just a little leg-worn and a trifle, set back, he would sit by the window of his hall room and watch the electric lights of the theater signs take on an Inviting glow. Across tho street was another brownslone house, from the windows of which some ono else also gazed hopefully outward. After some weeks that wero pretty dark, Keene secured a dancing engagement at Rector's. Following this he added another at Churchill's, and he used to run between the two places to keep his double dates.

kf course, William Collier says it was the young man's lirst Broadway run. Then Sam Harris ami Irving Berlin camo along wilh tho "Music Box." Then Keene was engaged for tho with his clever partner, Emma Haig. Now he sits In bla dressing room every evening, calm and comfortable, and looks across the street into tho hall room where ho used to live and hope, Once he saw a young man In tho hull room and, for old time's sake, he went over and asked the. fellow to dinner, thinking he, too, was a struggling dancer but he was a plumber and prosperous. The Apex of Realism.

Instead of property money Frank Reichcr, as the bunk cashier In "Morn to Midnight," at the Frazoe, is nightly embezzling the real thing. The property man bought German mark notes and counts on the honesty of the stage crowd fo return what they reap. So far the first purchase has lasted, hut if the mark increases in value nobody knows. Tim Movie Theater of Tomorrow. Ever so often predictions have been offered us to the future form and substance of the motion picture, but little conjecture has been made as to the theater which is to house this motion picture of the future.

S. L. Rothafel, who directs the. nr-tislic destinies of the Capitol Theater, made some predictions at the spring convention of the Society of Motion Picture Engineers recently held in Boston. He predicted a new shape of theater, radical changes In tho method of lighting, revolutionary progress In projection apparatus.

Ho believes that the Government will endow mo-lion picl urn theaters. "What changes do I expect?" Tie said. "Let us begin with the theater structure. The theater of today Is entirely inadequate. It Is an outgrowth of the old speaking theater, with its relics of stage, boxes and overhanging balcony.

The theater of tomorrow will be In the shape of an egg, without a stage and minus balcony overhanging. It will be larger; It will neoomniodate perhaps fi.OUO people at one time, and it will be located out of the heart of the city, where real estate rates are cheaper and Bpace more abundant. "Development of present systems of lighting will make the greatest strides in tb" next live years. In this respect, too, the theater or tomorrow win ne illlTerent. Projection of light from various parts of the houso upon highly sensitized screens will he utilized to gain effects.

Color will play a most Important part, and this will bo in the hands of a single operator sta tioned somewhere in the orchestra, who will piny upon a keyboard similar to that of the piano. By this means shades of color nnd Intensities be varied to suit the mood of the action. By combinations of the primary colors, emotions will be reflected upon the scrern. while the music from symphony orchestra synchronizing with the seting will fuse to make single impression upon the spectator We have experimented at the Capitol Theater to capture the nudlences mood. We presented changing colors on the screen as me orciiesua piayeu the overture to 'Tannhauser' ann brought them almost out of their seats bv the combination of lights, music and the picture." "Spice of 1922" Adelo Rowland sees side street in Puree.

life in a little TOMOKKOW Sri me Lon Taos. MeiKhan Vi ra lionlon nnrls Thos. Meighan The t.hot of estenluy uNoComedy SLCTION 1 rt-'iericK and l-'einiile Otenn Hunter New York; also Vaudeville SLCTION 1 JL'I i woo Brorcn a success earner in tno summer In London through nls conducting the performances of the Wagner "King" dramas In 'event Garden, has gained additional laurels In Il-aly, He recently directed two concerts at l.a Hi ala, Milan. The program con slsted of a Suite by'I'urcell, "The Voyage of Siegfried," Brahms' Fourth Symphony, which was new to that i lly, and "The I'oem of Kcstacy," by SctlablM. Incidentally, a daughter was born to Mr.

and Mrs. C'oates a. few days ago at their home In Surrey, Kngla nd. Klchard Hagoman, for many yeari a conductor at the Metropolitan Opera Company, has been engaged as associate musical director and first conductor of French operas by the Chicago Civic opera Company. Angelo Mlnghettl, tenor, and Cesar Foiinichl, baritone, neither of whom has appeared In the United Suites, ara among the singers engaged for th coming season of tho Chicago company.

Mlscha iOlman, who recently returned alter a two years visit to Kuropn and the Orient, will give tho lirst of his season's recitals at th New York Hippodrome on Oct. 8. Miss Queena Mario, who Is hooked for the Metropolitan Opera Company next season, made a very successful appearance as Mlml In the production a few weeks ago of "La Hohemo" at Kavinia Park, Chicago. Gabriel Fanre was acclaimed as th dean ol French composers at an unusual concert held under high patronage In the amphitheater of the 8or-bonne, Paris, during the latter part of June. Under the direction of William Lan-' don Wright a series of nix concert will be given in tho Gould Memorial library In connection with the summer school of the New York University.

Tho first concert took place on July 13. The remainder of th series will be given on Thursday evenings up to and Including Aug. 17. Miss Sue Harvard Is among the American singers being heard In England this summer. She gave her first recital In London last week.

Later this soprano will sing at some fe. tivals In Wales. Michael Plastro, violinist, expects to give a score of recitals In Japan, China, the Knst Indies and tho Philippines before returning to America. In November. Ktlmiind Iltirke, tho Canadian baritone, who Is to be heard next winter at the Metropolitan, Is testing hl skill as a fisherman in his native country.

Walter Damrosoh, conductor of the New York Symphony Orchestra, who recently arrived from Europe, made a brief visit in Hits city and then left lor liar Harbor, where ho will stav until October. AMl'NKM MANHATTAN. ym 13. K. KEITH'S PalacE "'way -17th St.

Tel. Hryiint 4H0O Two Ilia Concert. Sunday, 2 A P.M. Wl'XIl IIII, 1NMM1 MONDAY, JULY IT Mrl TUB FOLK BAUDS MUS 2.2l HERMAN TIMBERG g.u (ieo. Chiton offer I A DRESS REHEARSAL I i with FRANK KLLIH CO.

8.40 FRANK VAN H0VEN The Dljpy Mad Magician IRENE FRANKLIN Tlifl Anifrlran f'omfdlrniw MARGA WALDR0N TOT 3.53 "OS Premier DaineuKe with Oeorce i iiaiprin in a unloiin JACK WILSON 1531 IWIIh f'hiia. Adams, Adele I viniNiey anil ll line nrd, la I "A ND.NHF.NSICAL RBVl'E" Third Week The Inlmllnble VAN SCHENCK PfniiantWTnnerof8ongland I.KON World's (, reel est Maaienl Kntrtiilnprs MA UK tranD IIIIOADWAY AT 47TH ST. WILLIAM FOX Presents A FOOL THERE WAS Inspired by Kipling's Poem, The Vampire Mirk Strand Topical Itevlew, HolnIMB STHAMl SI OIK'IIKSTHA CAPITOL KDWAItn nowKS. Manaatng Dlractor. CHARLIE CHAPLIN ill the Coined Ilevlval "SIKH 1.1)1'; It AIIMN" A First Nntlonnl Attrnotlnn .11 RF.YKS, hlleim I'lnnlst t'AIMTdl.

OIK II lOSTIlA t'niiltol lt lift 4'iirpa t'rciKntutlonn by Itothaftt RFf West 44th St. Kn. Snturrlays Only 2:30 DAVID IIKLASL'O Presents LENORE ULRIC as KIKI Moves Tomorrow Eve. to RE I'D It 2.n WJ, Mats. of ll'M-ny sat.

2:30 AN.NH NICHOLS' New Comerly Sueeess ABIE'S IRISH ROSE CORT fives. :30 Mats, We.l. Sat. 2:30 WALLM'IC null llty ASH In 'T A I'TA I NATIONAL lift. VV.

of fi' way. Evs. 1:30 Mats. wea. 2:30 CAT and the CANARY ABELMONT W.

4S. Pry. 004. FJvs. 1:90 Matinees Thurs.

i Sat. MEKEMPY With Grant Mitchell anil the Nnffsnfs. SAM HARRIS w. tM st. Eves.

SIX CYLINDER LOVE MUSIC BOX W. to Mais. Wed 8 sharp A far 2 15 irvixo iikkli.vs MUSIC BOX EEVUE HKSTAl" HANTS. High Rate 99 Health Dept. Oriental Cooking MEE JOE LOW 1188 Fulton, Corner Bedford Arena Luncheon, 35c Dinner, 50c, 75c, $1 VOl'Mi YOl'SO, Msrra.

unil tho Canary," in ilie National the season of 1916-1917. It. Is broad, simple and elemental and it is in the spirit of rollicking farce that Mr. and Mrs. Coburn and their company interpret it.

So far as is known this comedy of Mollere's has never been done in America by any other professional company. Whnt Nero Ate for Dinner. Interesting researches have recently been made to find out what strange dishes were serve1 to Nero, Emperor of Rome, at his feasts, one of which is depicted in the screen spectacle now at the Lyric Theatre. It appears that Nero was quite an extravagant lad. He served his guests with tinO ostrich brains, peas sprinkled with gold dust, lentils with precious stones scattered over them, beans mixed with amber and rice, fish and trollies served with pearl dressing.

These mixtures would seem exceedingly Indigestible. and they certainly would have been if the guests' had consumed (he gold dust, gems, amber and pearls. It was not, however, the custom to do that. The gold dust was eaten, it would srem, but the other dressings were kept as souvenirs. This famous feast, with the strango dishes Inspired J.

Gordon Edwards, the director, to reproduce upon the screen one of the most amazing and Interesting scenes ever pictured, and this orgv may be teen in the motion picture "Nero." Somo of the other "delicacies" which were served by Nero at his feasts in hi" house of gold were camels' toes, tongues of nightingales and peacocks, partridge eggs, thrush brains, parrots' beads and the breasts of bumming mgales1 niriiH. as it took almost ion c-ht- tongues to make a dish for pt'i'sun, a is not narn to mm liutrj wliat a orucl and tcrrllilp RlnuKhter muHt havo occurrorl when NPro gave a Ills imcr. ifro was also ionrl or hrollnd poa- unn oeinfr a glutton hi; Introduced the fashion of serving stuffed wnu noiirn rianefi in ft'lnntln ovens ann Drought on wholp. Fountains of perfume sprayed delicious odors in every direction, and the celling of the dining: room In the House of (lold was eo constructed that when Nero pulled Rtrins a shower of flowers fell upon the guests. This incident also has heen reproduced in the motion picture "Nero," at the Lyric Theatre.

Grniliintcil From a Hrooklyn Convent. Eileen Percy, who graduated from a convent in Brooklyn just prior to her entrance Into motion pictures is again in Brooklyn In celluloid form. She starts today at the Brooklyn Mark Strand, in "The Fast Mall." Eileen was born in Belfast, Ireland, August, 1 902, and came to America in She lived in Brooklyn a short while and then returned to Belfast. At the age of she rami: back to America and enterrd a Brooklyn convent, from which she was graduated. She became an artist's model.

Harri.son Fisher, Penrhyn Stanlaws, Charles Dana Gibson, Howard Chandler Christy, Montgomery Flagg and other noted artists painted her portrait and used her as model for many magazine covers. "Dad's Cirl," Harrison Fisher's famous magazine cover, is a picture of Kilocn, aged 12. About this time Eileen Percy, became an actress. She appeared in "The Bluebird," at the Century Theater and toured the principal cities of tho United States wilh the show. She appeared In the Century Roof Revue, in the Follies, in the Midnight Frolic, with Elsie Janis In "The Lady of the Slipper." Her mother, shortly before she died, made Eileen promise she would give up the stage.

When her mother died hhn did this. Then Elsie Janis said to her: "Why don't you go Into pictures?" Elsie sent Eileen Percy to Douglas Fairbanks. Eileen was leading lady for Fairbanks in six pictures. She made three pictures with William Bussel, two with P.ert Lytell, two with Robert Warwick, one wilh Sessue Hay-akawa, one special all-star. Eileen then hied to William Fox and there became a star.

Motion pictures as a school of training for housekeepers is upheld by Viola Dana, Metro's tiny star. "In nearly every picture I have been given a part which at some point shows me doing work about the house," says the screen actress. "Nearly every one calls for a cooking scene. There was one In 'The Five-Dollar 'Cinderella's and now I am cooking in 'Page Tim "It's acting that has to be done The Greatest Thriller the Screen Has Ever t'sssm ft IOJ ta 1 rfl fff mf sissr -si tm-u ass 53 Based on LINCOLN J.CARTEES is Hut Roilolli Is Corrert. There are four ways of spelling Ro-dolph Valentino's first name, so the Paramount star explains the seeming nilx-up as follows: "When I was just starting in motion pictures I could not in any way influence the manner in which my first name was spelled.

So the papers and others took the commonest form the German or Austrian anil made it "Later, when I became, better known and became associated with Paramount pictures, I wanted them to use the Italian in my case the proper form, spelling it But there were objections to this it was thought people would imagine I had a brother with a similar name, and so on. "So we compromised on This is tho French spelling, and as I'm half French it was quite satisfactory. "But the English equivalent is 'Rn-dolphus' imagine a combination like that, 'Rudolpbns Valentino'! "So now It Is 'Rodolph' and I hope that my friends will understand the reason for the change and just why it all camo about." Tho Molion; Term-ntonnry. In celebration of the Moliere tercentenary, Mr. and Mrs.

Coburn and their company of players will give "Le Malade Imaginative" (The Imaginary Invalid) In English in the University Gymnasium on the evenings of July 25, 27 and 29, with matinee on July 29. "Tho Imaginary Invalid" was originally produced by Mr. and Mrs. Co-burn at. a series of matinee perform ances at the Harris Theater during complacent because, he has one or two successes to his credit, the young, actor would keep on striving.

irsr, he would want to play Hamlet, and if that failed the first time, he would try again until ho could acquit himself honorably. And after Hawlet would come Othello, after Othello, Lear. In that way he would always have something for which to strive, a never-attainable horizon, in the ef fort to attain which he might become a great artist." AMUSEMENTS BROOKLYN FULTON ST. FLATBUSh AVfc ConcrrtH Meek July 17 TED LEWIS The High-Hatted Tragedian of Seng With HIS JAZZ1CAL CLOWNS LAUGHL1N WEST NAT NAZARR0 With "H1TK" nnd M00RE and MARY JAYNE WYETH WYNN BOB LEO TIP MAE WEST JOHNNY BURKE t'oin ei-lB i''k July 17 Ulil Time Slum of THE COME BACKS With JAMES B. BRADLY, GEORGE W.

CUNNINGHAM, AL EDWARDS, EDDIE H0RANnd JOSEPH N. NORCROSS CARTMELL HARRIS AL SHAYNE GILF0YLE THORNTON FLYNN DREAMS JOSEPHINE HENNING TfcT ETROPOLITAlll Kiilton. t-ml tli nnil I.lvlneston St TneHilny. Velnrilny liilv 17. t.

AMCK I.AKH null CONRAD NAGEL In "II tTF." (A l.m-iv-Mcfrn lIctnr" Ilarrv STKITH A llnrry O'XKAL 7 Miilflft nnil Other Frhlnr. Snliirly. Siimliiy l. til. "STROKK OF IIIDMIiHT" First Time nt I'linnlnr I'riecs IIH LF.H-.llmmle Tho Comply Stars Mndnme Ilullnrry Co.

Others JEEPUECHASE THK Fl'NXY PLACE 7lami Surf and Puol Bathing "BROADWAY HOWARD AVE. FRANK GABY SPOOKS" KErtcSSff2 TonyAlmanac Mermaid (rowmrflArHstkAchieVnt Topical BeVlGU nary Fabian. Gearaac Tin ITpAnnA 7enor A FOOT TWPDC NtAl SUNDAY ViihaCaSFoTPrraut; BRIGHTON WBKK IIKfJIVMVf; TOMOHHOW. I'MH FISMKST CilllL FA MY I.ATU ST A FOLLIES WARREN and O'ORIEN BAILEY Nf THE TAINJ ARAKIS NEWS V1EWSITOP1CS OFT Fl Av .11 17 MAT. KVK.

HiZO IV THE WORLD SULLY Sl HOUGHTON DOIVIGER BROS IVAN AKKItOOMS, 34 Flatbunh Ave. Keeney's Theatre yvlimHton St. nl llnnovrr ri. Mfind.r, tucsilBy, Mednrsday RUB YE DeREMER in "THE I'XfOXQlEREn WOMAN" A Tnle of the Frozen Norlh Thnrmlny, Friclny, Saturday, Sunday Jack Holt and Bebe Daniels In "OIITII of he RIO GRAKDR" An AlmorliliiK Itomiuiep of Love and Advetilnrp on the lexlenn lloriler I iinl II Ik Anuclpvlllc Allrnetlimit CONEY IHI.AMl FIRST 1IAI.K SHOWS DAILY 'ml nn All-Slur shmv. LAST HALF I LK Miie Mnr-a-, iml Ktntulph Valfiilino in "The IMlrlnu Little lievil." Lurry 'luim Comedy, llig itmleville bhow.

I'AKK SLOI'K ANI) DOWNTOWN porothy t'hlllipH, Onre to K.very Witnilu Huwley. Truthful Liur Alniu Klilieus, Fini! the oiniin Ilrlrne huihviek. The t.litriiuiN Fool My Old Kentucky Hume; ulbo Vaudeville IiIimI.vh Walton. The Trouper Bunny, 314 Flattnih Av CnrUi'm, Flat. A 7th Av Iluffleld.

249 Dutneld. Kilrn. r.th Av. th Krrnrv's, an National. Wash Ppk New Atlantic Flat.

Dean. I-ronpeet. 9th St. 8th Itert Lytell, The Fine Itetween I'he I'rimitlve Lover: aUn Vuudevillc IVI 1SS Seats Selling ut l'KASK 1'IANO Ol'ES EVKIiY EVEX1XG BISOM'S DANCE LAND Surf Avenue, Coney InIiiimI (2 Blocks from Steeplechase) cooi.kst axd I1AM.HOOM 1 AMKHU'A CONTINUOUS DANCING with World's Host Ponce Mufio by Original Dixieland Inzx Ilniul ani Busoni's Synconnted nrchatni POPULAR JRICES TCnrii i rin I ch itM' vc'r' Dixie Fro lie, Frt. v'i5! yo rhnrffo for Itanrinft Under Same Mk.

liiillroom, iis Iiiirinnudes Y. City I Pryor's Band ENTIHK SHASO free i-'re Circu4 3 HILL SL HON Thiimfw leifrhnn. Our LeudiuK: Citizen The Sama ItLIII Olil) SF.CTION The CronsrendH of New Xnrk also Vaudeville Cumberland. 327 Cumb'd. Hertford.

Bed A Berjren Bed. Fulton Norma TnlmiidKe, Itegcnt FLATHLK1I Centurv Noitrand A Hob. Iliisrin Larnum. StruiiKe Idols rundy-i Walton Flat Uor. Careth Kon't Write I.rtteni AVm.

Farnum Kina-Mvar Klnfm Av Hack Aicalnsl tne Wall; also oineily linden 815 Flatl.ush Av llimhes. Don't Write Letters Haven Midivooil. Av. .1. E.

13th Helene hiubvlek. The I.liirious Fool Itnt.l l'arkUle 7S Flatbuah All-star ast, 3 latriiiiony a Failure? Tin' imo Kiulto, luxo T.N.F., 16 St. Newklrk. PrWeilla Dean, 11 ihl III SIIWK Colonial. B'woy A- Chaunrey All-Slnr C'nst.

Male llalsey. way ilaisey in- CrotisroaiN of t.KKKNPDINT HOTEL MONTAGUE RESTAURANT J) ins-ms MovTAfirp TnrFT Tw Cl.m WtKAKFASTS. 7:00 to BrSO. Bl'KDAVH. to 10:00.

ISe to Me. LCNCUU. 12:00 to :00 P. son. DINNER.

:00 tm 1:00 P. M4 l.Mk imjtSDAVS AMI SIMIAYS, CHICK K.N DIN NEK, fLOO, i KIDAV, LOUSiUi Ul.N.SEU. 1.V0. Greenpoint, 825 Manhat. Av.

Constance TiihnadKe. The Primitive Lover; also Vaudeville liKlt.MTON IIKAt Rocking Chair Movies D. Dalton, The oman Who Walked Alone. The Sam.