The Brooklyn Daily Eagle from Brooklyn, New York • Page 26

BROOKLYN DAILY EAGLE, NEW YORK, SUNDAY, JANUARY 28, 1934 10 B-C Personalities of the Stage and the Screen and Tidings of Their Doings 'GIRLS I'M FORM' 4. A'. Matthews Has Toured the World A WIXD AM) THE RAW AT THE BROOKLYN STRAM) '1 A. E. Matthew-s.

as well known in the American theater as he is on his native London stage, returns to i i III 'III 1 a.lllMa fr It, 1 'it i i i scene from the version of lwi-chen in VniormS at the Criterion. These Players Improvise as Guard Against Their Success Ann Dvorak, who uppeurt ivilh Richard Harlhehnest in and bred. To bear and breed a new set of dramatists takes time. It cannot be done in the twinkling of the eye. The young men have to learn the new intellectual attitude and learn the trick of writing plays both at the same time.

That makes it hard. They have to hurry. If they don't write plays right off. as soon as they have learned to be intellectual, that way of being intellectual may be out of date. The older successful playwrights didn't have to learn to be intellectual.

All they had to learn waa how to write plays. If you are going to make men learn two things at once instead of one, you just have to wait a little longer for them to learn. That's the way it is. Meanwhile, don't be impationt. The theater Is not dead.

It is only in its infancy. And it will grow up. Remember how even the movies used to be in their infancy? And now look at them! K. Fields, Shorty McAUster, Frank Hopkins, Russell Trent and others. The usual midnight show is given every Saturday and today a continuous show will be given from noon till midnight.

Plays and Things Continued from Preceding Page brain, maybe. You go to see only a few plays, feeling sure that only a few are good enough for you. And on the off evenings you go to the movies, feeling that, though they may be beneath you, you just have to do something until good enough plays come along. That's why the movies are popular. We are all so brainy.

That's the way it is. We are much more educated than we used to be from reading and everything. So we are harder to please. The old playwrights have become outmoded. A new kind must be born AMUSEMENTS BROOKLYN Broadway in the featured and leading male role of "A Hat, a Coat, a Glove." Wednesday evening, at the Selwyn Theater.

The fact that the producers. Crosby Gaige and D. K. Weiskopf, are inaugurating the London orchestra pit system here beginning with the premiere in no way means that it is necessary for any atmospheric quality to surround Mr. Matthews while away from English soil.

Since his entry in the theater, which was at an extremely early age, it is doubtful if there is any country in the theater world in which he hasn't appeared. Touring the globe with individual suc-ceyes and repertory has brought the play total to 40 in that particular field and an additional achievement was two seasons in Paris with both English and French casts. Long engagements with Sir Charles Wyndham, Sir Charles Hawtrey. Sir John Hare and Sir Gerald du Murier are only a part of his 21 consecutive years in London, which included many command performances for the late King Edward at Windsor Castle and other royal residences. Such noted authors as Sir James M.

Barrie, Somerset Maugham and Sir Arthur Pinero have created roles for Matthews in plays specially written for him. He in the original cast of "Peter Pan" and appeared in several important revivals of Wilde's "The Importance of Being Earnest." Some of his many distinguished performances in America include "Bulldog Drummond," "Spring Cleaning," "The Last of Mrs. Cheney," "Interference," "The Happy Husband," "The First Mrs. Fraser," and "Mademoiselle." either featured individually or co-starred with such luminaries as Ina Claire, Biliie Burke, Violet Hemming. Grace George and others.

Like so many players of the legitimate theater, Mr. Matthews has made various excursions into talking pictures between productions both here and abroad. Returning to these varying shores only recently from an extended vacation in England and the Continent, A. E. Matthews appears for the first time this season in New York in "A Hat, a Coat, a Glove." Warner Theater Sets New Attendance Mark Messmore and Damon's "World a Million Years Ago" begins it? third week at the Warner Theater, with the claim that it has established new records for attendance at this popular playhouse.

The Dinosaurs and their contemporaries, recreated with animation and sound and vitalized with every semblance of life, have given jaded Broadway a new jolt in the wav of thrills. Bromberg and Alexander Kirkland, the leading performers in "Men in White," have ventured as many as a dozen variations on their characterizations in the play. And Bob Lewis, who is entrusted with the role of the irresponsible "Shorty," is constant trying out a new song in the middle of his scene. No one ever has the remotest idea what he is going to do next. The result of all this, of course, is an unfailing vibrancy and freshness in each evening's performance.

This is the Group Theater's way of coping with the supposedly deadening effects of success. AMUSEMENTS MANHATTAN Skating; Afternoon Even in hall; Artrrnnon Eveninr m- CENTS Dwiqht D.er. Wlinan and Tom W.atherty ir.i.nt QHE LOVES ME NOT The Pfnmn'n ComedT Srnnsh lilt by HOWAKH USIiRAt Adaptfd from Edwird Hop'l Nol "A comical a swirl of hilarity of zest and fresh humor." I'nllork, Jl hlyn ktiffltt Ifith ST. W. of R'wiT.

I.Ae. 4-l2H Evv (0 3 Mat. Wed. 2 Jrd Harris Production CREEN BAY TREE The rORT THEATRE. W.

4K ST. EVC.S. 'miinfM nfnnrnaT inn turnsiT, Open7T0MOR'W EVE. at 8:40 ARTHI tt HOPKINS nre.enli JHE JOYOUS SEASON PHILIP BARRY New play witb LILLIAN GISH- W. 44th 81, lit Mat.

Thur. Harris Production KATHARINE HEPBURN The LAKE MARTIN BECK W. 4.1 St. PE. d-0100 WHEN an organization with the aims and ideals of the Group Theater opens its career on Broadway, the sager and older commentators of the dramatic scene regard these youngsters with a quiet tolerance and either confidently await their early demise or hope they will be able to survive the unavoidably numerous discouragements and setbacks intrinsic to ambitious ventures.

For three years the Group Theater dutifully followed tradition by presenting five different plays, one of which would earn a little money and occupy the boards for a spell, the next of which would promptly lose all the gains and disappear from the theater in a week. Now, suddenly, long before the predicted time, they have gone and obtained success. Their production of "Men in White" in association with Sidney Harmon and James R. Ullman reached its 150th performance last night at the Broadhurst Theater. And how.

so many want to know, is this organization taking its success, a success they are certainly not used to. and one they were hardly prepared for? In the first place, they approached the season with a program of four productions, all of which they have been prevented from preparing because 1 they are a fixed acting company and can do no more than one play at a time. In the second place, their theories call for frequent and intensive changes of role among the young and growing performers i thnt a full rnnop arrl frn style may be developed. How do they resign themselves, then, to a long run in a single play and the devitalizing processes attendant thereon? The answer is in a word: Improvisation. AMUSEMENTS MANHATTAN OPENING WED.

Crofhy Caujc I). role in the ncw'plny to arrive at the across the stages of the nation for more than a quarter of a century, Eugene was the first to make his stage debut in the chorus of "The Belle of New York." Willie followed soon after as a song plusier at Proctor's" 125th Street Theater. Later they joined to form a vaudeville act and together made their bow to Broadway audiences in "The Whirl of Society." They have been on Broadway ever since. Coming Back to Date Continued from Tieceding Page parently he would like to make it clear that he can be more clever than the younger playwrights. In his effort he goes to too great length.

His comedy is more clever than true. It.s characters are full of jokes lather than feelings. They arc hard people who have nothing but surface. Mr. Thomas left out their emotions in his concern to give them wit.

But they are funny and they talk intelligently in well turned phrases and they entertain. It Doesn't tlhantrc I Mr. Thomas surely would say that human nature does not change, that the young people of today are at the bottom the same young people he knew when he was their age. They havp different vo- cabularies, a slightly different set of ideas, new topics for conversation, a greater frankness on certain topics, but they are still only human. With the unshakable good taste of his own generation he refrains from indicating that the young of now are freer in their talk AMUSEMENTS MANHATTAN 1 EFFORT TO SEE WIUIAM BOEHNEl, World-Megrcm SWEDEN (IS 55TH ST.

PLyHOUSEl Cant. N'ata Midnil. jii.i ami .1 in in I r. ai. RADIO CITY MUSIC HALL JOS t6.

-IHOWPlACIaltK. NATION OPENS NOON TODAY WARNER -BAXTER in "AS HUSBANDS GO" with Hln Vintn CclharlfM 0ui Wirnrr Oland and a stag tpctacl mutual (Mauty MHA-Wf OO Qua PAMT I si I ii rnallfinal PrrmltM'cT "HELL 0N EARTH" ft i.thtfut in four Inffrirnl fount, in l.tuunxi'ir Al with WLAOIMIR SOKOLOFF (of Mn.tflw Art) anfl Vrnt Ruuh (now in ex llr Lac mii aihk. nih si. i nion WAnstFR BROS. llrMt MiKlral! OP IMI" POP.

Prices 4 i-lL7111V11iJ "PrllKhirtil rntrrlainmfnl 1 i nhiilntranhlc rharm and Ih BIU I Hr.iuty In natural folnr TWEEK I rxmil.ltf artl.try avrll "LLIV wrlttfti narration rn- 1 rhantmrnt ol native Swrdi.hmiislr." fiiyf, 1. I AMUSEMENTS BROOKLYN in Samuel Goldwyn's ROMAN SCANDALS with RUTH ETTING and the GOLD GIRtS DINNER at 8 Maria Dremlor John Barrymora Wallaeo Bo.ry Joan Harlow Lionel Barrymora Leo Tracy SHOWING TODAY ft 5 5 ft 1 To most people, including those who have studied the technique of acting, this means little more than the preliminary stages of exercise in characterization, where an exemplary incident or a kind of human being is assigned, and the experimenting actor is expected to build up a scene of his own by memory associations and by observation of this aspect of life. This is intended to give facility and to extend one's obvious scope. But improvisation, with the Group Theater, is not limited to preliminary exercise and forgotten as soon as a production is achieved. It is part of a method which goes on during performances and becomes even more valuable when the performances have continued as long as those of "Men in White." An actor's prime goal in this organization is to avoid giving a mere imitation of his own impersonation of the night before.

To achieve this he will sometimes say only part of a speech, so that the person opposite whom he Is playing will not merely wait for his proper cue but respond naturally as if this were an event in life. Sometimes he will shift his position on the stage in order to have an occasion for intensifying his voice projection or simply for changing the direction of the voice. And often he will add a joke or a new bit of business or even a new song i since many of the comedy scenes in "Men in White" offer such possibilities) which keeps him intensely aware of what he is going to say next and certainly has the rest ot the company constantly on the alert for unpredictable developments. In pursuance of this method it has been calculated that J. Edward AMUSEMENTS MANHATTAN JAN.

31 SEATS NOW K. II ritkopi prrsrnl Orchestra Pit Price Plan I'nrfifrvrrt Orrh. Seats Tor Eve. Performance Mte, Matinees incl. lax sold at Box Office minutes before curtain time! MX GORDON ROLAND LAURA HOPE Presents YQUNG CREWS HER MASTER'S VOICE tnlire Bilronv Si.

No Hither I'l VMOl Til W. nth St. Ev. Matinee Thursday and Saturday, Opens TOMORROW NIGHT HOTEL ALIMONY A (mrdv KOVAI.E Thralre. W.

SI. (II. t-lllll MACKEREL SKIES Vmltt Kmbl Tim "A m.rv.l "I r.tma. ht Tf Trnwhririae. Cttr.

Withrnpnnn A PI AYHOI SE. W. IKth St. In Wed. and to inilN SHI TPARI) JR.

prevents MAHOGANY HALL IlMOl' W. nt Broartwav vis. Hi. Matineei Wed. Sat.

at 2: SO THE THEATRE Gl UT) present MAXWI.I.I. ANDERSON'S new plat MARY OF SCOTLAND HEIFN PHILIP HFI.FN with WES MKRIVAML MENKEN A EVEN Wet ot Rroadwav Evil Mats. Thur. and IEN IN WHITE Eve. to "Imparl in ihc theatre warm wilh hfr and high in aspiration.

Tjrguilmg actina the town RnoDlirRvT TIE. II V. R'wav MUinee Wed, and to flO MORE LADIES A N.w Cnmplty by A. with MI I.VYN DDI I I TII.E WATSON "A DEFINITE HIT." Il.l: llr, 'J'nl BOOTH W. of Ev.

Mutinr.t Wrfliinri.y Saturday at PEACE ON EARTH nD BIT, MONTH HARRY I I.Mhlt BARNES "Eeu nlav. of nnr have equalled it." CIVIC REPERTORY Th.ntre. 14th SI. A Mh Ave. WAt.

Evis. 3Q' SI CQ NO Mill. Wril. A 2:45 TAX MAX GORDON tirejenlj ROBERTA A Nrw Mlisfrnl Cnmrtlv bv JEROME Kl UN and OTTO HARRATII NEW MS'I ERDAM. W.

4'1 St, Fvs SI to Plui Tn. Malt. A tn S2.M!. phi tax (Ot RTMY Hi ntt nresents SAILOR, BEWARE! Thr pro-irlniii Natal f'nmHv MTE! 4. E.

of y. Evs. Matinees Ilmrsday and Saturday. i ILOt'W'S VALENCIA, Jamaica Av M-tl-M ESKIMO Wife Trarlera) I On Stare HERB WILLIAMS FRAMES I.ANdEORll and others TODAY WITH LOEWS 'Ad'" VAUDEVILLE TODAY LOEWS GATES. Gntesfc DINNER AT 12 gr.at Ann Pritrhnrij J.

Gnldll LOEWS DAYRIDOE, 72d Av. DINNER AT 8. 12 gnat Harry Hnwaril TODAY ON LOEWS PERFECT TALKING SCREENS TODAY LOEWS KINGS, Flatbllsh-Tlldcn Avs. KAY FRANCIS. HOUSE ON 56TH Ritlrda Carttt LOEWS PITKIN, Pitkin and SaratoBR JAMES CAGNEY.

LADY KILLER, Ma. Clark. LOEWS RREVOOR'f Brev rt-Bpdford Four Marx Ouek Soup; Havana Widow. Joan LOEWS CENTURY, Nostrand-P'kslde Marlon Golnf Hollywood, Bm Croiby; Our G.n A HAT, A COAT, A GLOVE A. E.

MATTHEWS ond NEDDA HARRIGAN SELWYN THEATRE Rear Balcony Seats 40c (No Tax) LOEW 4IITH 46th N. Utrecht. LOEWS KAMEO.E.P'k'v Nostrnmi. LOEWS MELBA, Llvlnsrston-Hanover LOEWS ALPINE. C9lh and Filth LOEWS BEDFORD.

Bedford-Beruen. LOEWS BROADWAY, B'way-Myrtle. FEATURE FILMS frank Lntrlon. tcho has a leatlinfs Howard Brothers Revisit Old Home After an absence of more than Irr, years, Willie and Eugene Howard have returned to the scene of their early successes at the famous Winter Garden as the stellar comedians in the new edition of the Ziegfeld "Follies." It was here thev first rose to fame in the early days of their stage careers and it is here they are currently registering their greatest success to date. It has been a long and successful trail that the Howards have followed since they last were seen across a Winter Garden stage in one of the memorable "Passing Shows." George White signed them for his "Scandals" in 1926.

and but for a brief period when Willie was starred in "Girl Crazy." they have been with a new "Scandals" every season until the present "Follies" camr to town. Botti Willie and Eugene regain the Winter Garden as their home. They now occupy the same dressing room they occupied during the decade they played here in past seasons. It is one of the quirks of Fate that they should have left this stamping ground when prohibition came in and returned when prohibition went out. "It is," remarks Willie, "as if prohibition never existed.

Everything seems the same at the Winter Gai-den. Here we spent our happiest days in show business and here wc have found real happiness again. Perhaps," concludes Willie, with a sly wink, "being in a big hit has something to do with it." Although they have been seen AMUSEMENTS MANHATTAN MAKE AN EXTRA ''The WOMEN in I irrM Lire with OTTO KRUGER An rirliir. Great Slane Snerlarlel APITOI n'way at r.l.t MAY ROBSON Mrlro-Cioldw jn-Mayrr rrMint 4 llllift in "QUEEN illll1F ACTf)D ID.Hy.J:jn, Tl. Sal.

noi UA Holt. B'y-43th S0e-K .10. t. 12. no AMUSEMENTS QUEENS Tf.

HA. 4-V100. MATS. WRD. Ac PAT.

PAULINE FREDERICK in Her Majesty, The Widow F.h MADGE KENNEDY ROI I PFTrat In "Autumn 20 ifSstH i ClJlfiEl UNITED NkvirW'T 1 1 i Ll A aC' rWm k. I ilili ir II I i i I i Ritz Theater next Friday evening. than the young (on the stage) in his youth. He makes his boys and girls as circumspect as if he were writing in 1910. almost, at any rate.

And he has them do exactly the things young married couples and older married couples did when he began to write plays. Perhaps he does so simply to prove that human nature never changes, perhaps his doing so is unintentional proof that he cannot change. When he was a beginning dramatist jealous wives did in plays exactly what the jealous wife does in his new one. They invited the women who were the cause of their jealousy right into their own homes and outwitted them. I Vivarily The wife in "No More Ladies" finds that her husband has been unfaithful.

She invites the woman with whom he has been unfaithful to a party in her home. That is the old trick. Mr. Thomas knows it and does not emphasize it. He gives the wife more than one string to her bow.

But the other string is just as old. She makes her husband jealous by going off at night with another man and not returning until morning. Her trick has the desired effect. It has always had the desired effect in the theater. Nevertheless the comedy has vitality and a winning vivacity if not complete freshness.

Its words are quick and sharp if they sometimes retard the movement. Mr. Thomas is gratifyingly articulate if he is not quite sure what his characters are really like or what he wants to say of them. And the play is remarkably well acted, neatly staged, beautifully decorated. In fact, it is very refreshing.

At Miinky's Minsky's Brooklyn Theater houses a new show this week with Minsky funsters, including Evelyn Myers, Louise Stewart, Billie Hughes, June White, Hazel Miller, Charles Marshall, Murray Leonard, Harry nitOOKt.VN 4CAPKMV OF MIJS.C- Thundiy Feb. 1. at 8:15 The New Italy Mut soil nl Vivittty lliustmUrt Voiut anl I -Ticket Now. Box Off. STfrltPl I "CROSS COUNTRY eTf CRUISE" 1ST.

SZt. r1 uKimRtmlt BwnictClalra Orclt. OlhOT 2ta ta a p.m. iV RICHARD Vbarthelmess in "MASSACRl" n. our rmnHTrNrn ppopi Os Stngs JACK POWEtt I AJf AN mi BROOKLYN OF MIJS.C Thtirtdir Feb.

1, at 8:15 BURTON HOLMES BAY RIDGE SECTION Fortway, 68th-Pt. Hamilton Loyn. Honor and Oh. Baby and Kin for ft Nlrht Stanley, 5th Ave. and 75th St Hoopla and My Lips Betray BEDFORD SECTION Apollo, Fulton St.

nd Throoo Av. I.ady and Cradle Ron Suzanne) Dickit Moot Jyi Gtn Raymond, Ktt -JT Jt'ntt Bctchtr lffify1 Loili Rnnlri iSaSfll OOOftS OPEN 12 NOON aflaVagtajaa VWy Li I iMIm certrude regcieIo I MulutiWrttatl 1 NIESEN CHILDS 5 ivallonal lit) Washington AV. Too Murh Harmony and Mldvhipman Jack Rrsent, Ftllton St. and Bedford Av. Ol.srn's Hip Moment and Devil's Mate Savoy, Bedford Av.

and Lincoln PI. Sitting Pretty, with Jack Oakie. Jark Haley, Ginger Rooarl ROROUGH HALL AND DOWNTOWN SECTION Cumberland. Cumberland Ac Fulton Bomb.hrll and The Mad Game Duirield. Dnffleld and Pulton Sta.

Havana Widow, and Mr. skllrh Momart. 5nn Fulton St only Yesterday and Walls of Coll! SI. George Playhouse, 100 Plneaople. 2 Features Danrinr Ladv and From HeadQUarten Terminal, 4th Ave.

and Dean St Too Murh Harmony and Invisible Man BRIGHTON REACH SECTION Tuxedo, Ocean Pity. nr. Brighton L. I.lllle Women and The Chief BUSHWICK SECTION Colonial, Broadway Chauncev St Son of a Sailor and Rafter Romance CROWN HEIGHTS SECTION Worst Woman In Paris and Son of Konf Empress. Empire Blvd.

B'klvn Av. Midshipman Jack and I Loved a Woman Rivera, St. John's PI. at Klnitston Av. World Changes and Olsen's Biff Moment FLATBL'SH SECTION Flatbnsh, Church and Flatbttsh Avs.

Bowery and After Tonight Glenwood, 1475 Flatbttsh Av Wild Bovs of the Road and My Weakness Granada. Church and Nostrand Avs. Olsen's Bit Moment and way Thru i Keyhole Leader. Concv lsl. Av Durk Soup and Worst Woman in Parla Parkside.

Flatbttsh Ac Parkside Avs. Worst Woman In aarls and From Headquarters AVENUE SECTION Avenue 0 Ave. E. 16th St. Worst Woman In Paris and B'way Thru a Keyhole PARK SLOPE SECTION Carllon, FlntbURh and 7th Avs Duck Soup and Worst Woman in Paris Sanders, Prospect Pk.

West Ac 14 St. Golden Harvest: also Selected Short Stthiects AT Cf HTURY 0 RCU1T THEATRES TODAY At The RIALTO, MARINE, MAYFAIR MIDWOOD Theotrci Walt Disney's "LULLABY LAND" in Technicolor And or The PATIO THEATRE Disney' "THE PIED PIPER" ratio, riatbush nd Mldwood Jinn Crawlnrtj. "DANCING nrl "R(tfr Rominf" KlnfiwaT. KingsHdv. -Coney Isl.Av..

Inter Raftri. Jiek 0kH. "SITTING PRETTY" AvAlon, Mies Htrv rtnd E. lR(h St-Crotby. nri in Daviitt.

"GOING HOLLYWOOD" Albf itiarlr, Flat bush and Albemarte. 8wielhfrt, CHrltlophur Bbh" and "Rlfht to Ritmartfn Marine, Flatbush Av. and Kinua Hrv Rftlt. Armitrnni, "Son tl and "Riht Rnmanrr'' Miflwond, Ave. and E.

13th Robt. Armitrong, "Son of antt "Kin fur a Night" Kiallo. FlfltbUfih Av. and Ave. C.

Katharlaa Hitpburn. "LITTLE WOMEN" Swntthpart, Ctirljtothtr Bian" and "Alinva th Clanri' Mavfair, Concv lsl. Av. and Ave. U.

Crmlnril, "Danfinf Larty" i and "Ahovn th Clmid' Manor. Cnnev lsl Av and Ave, "THE KENNEL MURDER BASE" and "Wall of Gold' "lullumi- i Tk "'I I WMoai 7t rice uirti Aiaia-ai 't CASS, MACK A OWEN ,4 and Mhar RKO Aett" irf1 jkl PAICUO A tutu THE THEATRE firil.D prfsrnU VI. I ComeiiT AH, WILDERNESS! nllh crORGE M. COHAN fil 11. Til V.M Will By.

Evj.SO MiHncrs and Saturday. OPENS TUES. JAN. 30 ALL HORSES NEW MUSICAL COMEDY S1U IU ItT. West II SI.

SHIS NOW AMERICAN, VERY EARLY rt-mr 4-hr. ft VANOERBILT W. 4a St. Ttl. Ry.

n-01 3 Marilyn milleRcui WEBB HELEN BRODERICK AS THOUSANDS CHEER ETHEL WATERS Ml SIC BOX heat re. W. 4" St. Evs. nn Matinee Thursdav and Saturday.

HELD OVER 2 MORE WEEKS MONTE ARI.O Ballet russe i ro i rhem 3 BEACH IIEAI' DAM BE ST. JAMES 41 H. nl iraT fcvery Fv. inf. M.M.

W.d. anb Sat. SI to Malinecs, 1 to kY TUUK LEAVE DOROTHY HOWARD KENNETH ilU LINDSAY M.lcKENNA "(HIKHEIT, AM) IIIMAN WILL HE ONE OF THE I'ET ri.AY'S IN TOWN." Ai'ii'iititi MOFOSCO W. SI. Evti.

III Matjnrrs Wednesday Saturday, THE THEATRE OUtt.D present Eugene O'Neill' New Hay Days WITHOUT END HENRY MIM.ER'S E. of B'wa bifft. iu. Mat. Thurt.

and FARL CARROLL'S mi hdkr VANITIFS mi AT HIE MA.IESTIC Thea 44 St. Etc. 511c to 1 Wed. Mai. 10 Sat.

Mat. Me to FALSE DREAMS: FAREWELL; "l.tveiv aim encrtHMnn -i "It them." i IITTlE 44 W. ot B'way. te. 4-1551 EVES.

$1 to SO Wfd. Matt. 5ne 2MPm 8:43 feat. Mats. 5Uc to J2-50jTax 1 i tri.

III. MatsThurH. and llo MAT.TODAY, TONIGHT 5 LAST 8 DAYS FINAL ENGAGEMENT JHE PICCOLI Of PODRELTA Every Eve. Ine. AOe in i'i.

Mats. Wert Frl. at P. M. Sal.

and itn. at P. tn SI. Sl'lr. (Till DREN'S Perl.

II a.m. AMBASSADOR way I Al RENTE RIVERS lm7 nreent The PURSUIT of HAPPINESS Delight fill Comedy on Hundllng" hurnU AVON Thrntrt. 45 St. ot B'wiiv. CHi.

4-7fifin E. 8:4.1. II le 12.50. MiU. Toriny 1 7t-W III.NRV III I I In TOBACCO ROAD THIRD MONTH A new nla by JAEK KIHKL4.ND on Erklne CaldweH's Nivrl Sth SI.

1HEATRE. E. or B'nay. Kva. ft 10 Matinee.

Wed. and Seats In H'i POTTER and IIAIGIIT present WEDNESDAY'S CHILD .1 A I'l'ni l.EOt'Ol.h A I "One of (lie finest and most, rom passionate plavs of th fp.ion V. y. EONfiAt HE THEA 4flth E. W.

of R'wav vrv tt. Mats. Wett. A 2IEGFELD FOLLIES with FANNIf BRICE WILL' E4 EUGENE HO A BO VER TT MAR. SHALL.

JANE ROM A A TR Iff A HOW MAN. VILMA A BUDDY FBHFN T)(H fin8V olhf WINTER HARDEN. wav A nth St. in Matinee Thursday and Saturday. 4) nsaVC i AIIUT AlOee Sauars lirrliuilr Lilian H.ry.v In "I AM SUZANNE" I'ROSPUCT 9th Ave.

IIKII V.nleriU SITTING pntTTV." alth lark Oat. .0 MAMvn.N Mvrlle-VVvclcoff KKn "SITTING PRETTY." lt Jark Oakis "SITTING PRETTY." with Jark n.kta lack Main DVKIilt 86th St. nr. 5lh Ave. "SITTING PRETTY," llh jack nnkla Jark Hal.v KUIII nichmnnd Hill "SITTING PRETTY." wit H'k n.kn a J.rk HaKy BUSHWICK B'waV-Howard friHnri "SITTING PRETTY" A "BLINtl ADVENTURE III.VOII...

Steeplechase KKn PRETTY." with Glnn.r Rnmri (iRFKNPOINT.fl25Manh'nAva. i J'entwre. "SITTING PRETTY" 4 "BLIND ADVENTURE-' andHockwell 'tuluies "SITTINQ PRETTY" i "FIGHTING COD.