The Brooklyn Daily Eagle from Brooklyn, New York • Page 50

BROOKLYN DAILY EAGLE, NEW YORK, SUNDAY, AUGUST 28, 1931 News of Music on Two Continents jhe Local Theaters and Motion Pictures 2 'SPEAK IS MR. DURANTE'S LATEST fOlsen, Johnson Make Hokum' German Music Xo vers 'Gather for the Sumtner Wagner Festival in they have developed1 their own confined my appreciation of the technique in how best to enjoy the performance and to fortify themselves against the long duets and the. hard wooden seats. The true Wagnertte as he has developed in Germany finds nothing in the least contradictory in going into ecstasies over the rendering of a certain passage the while he pops a "wuerst-chen" In his mouth or tosses down his "grosses dunkles." The food incidentally the Wagner performances is jexcellent and cheap. A dollar and a half for dinner with wine and if you prefer a stand up meal, wine and champagne can be had at 10 and 25 cents a glass as well as coffee, tea, salads and cold dishes.

And speaking of celebrities, the outstanding one at the Wagner performances was Adolph Hitler, accompanied by his right hand man. Dr. Hans Hanfstaengel, who before the war was a well known figure In' New York artistic and social circles, a Harvard graduate and director of the Fifth Ave. branch of the" famous Munich art firm, Hanfstaengel and Son. Hitler sat near me, so that I had an excellent opportunity for studying his appearance.

Frankly I was not at all Impressed. He is insignificant and does not in any way suggest the magnetism that has been one of the most Important factors in -bringing the National Socialistic party to its present strength. But I have since heard that he reserves his spell binding for public occasions. Here, he was merely a private individual enjoying his favorite opera, which Dr. Hanfstaengel told me later he was hearing for the 80th time.

And it was certainly to his credit that he made no effort to attract attention to himself in true fascist manner but disappeared between the acts when he could so easily have made a sensation. Although I hesitate to assume the role of music critic and so have I It Seems Mr. Bed Is Really A Perfect Hive of Industry festivals to the incidentals It seems safe to say that Madame Gertrude Kappel carried off the hpnors of the first at which she sang the roles of Kundry, Isolde, Venus and Brunhilde. As always, her interpretations of these epic roles has a nobility and an "ewig" quality that Is profoundly moving. In submerging her personality to that of the part and in not calling attention to herself as a personality, she exemplifies, as Mr.

Cushing has pointed out, the distinction between the artist and the prima donna. Another event of the cycle was the tenor, Julius Polzer, who. looks the part of an epic hero although his voice leaves much to be desired. But as a matter of fact it is quite as good as many a voice we have heard at the Metropolitan without the redeeming qualification of a handsome and poetic appearance. Polzer is the true Wagnerian helden type, tall, blond and without a suggestion of the German tenor's invariable proclivity to develop a generous waistline.

And what is more, he neither wore bricklsh pink fleshings as Siegfried or the ludicrous white stockings in the scene In "Parsifal" where Kundry washes his feet. Unfortunately I saw only one of the Mozart performances at the Residenz theater "Zauberflote." The costumes and sets might have been Inspired by Nymphenburg porcelains, and because Sir Henry Beecham, the celebrated English conductor, acted as guest conductor and was given an impressive ovation. Mozart performances should always be heard in small and intimate theaters. But a special quality is given them when they are heard in the Residenz Theater, the most perfect example of baroque theater in existence and an architectural equivalent ot the music success In "Another Language" while still so young, a career of acting is one that simply must be followed still further. But Mr.

Beal, instead of being upset at finding that he has two strings to his fiddle, has solved his problem by playing both of them at once and he is eagerly pursuing his art studies now, attending classes at the Art Students' League while continuing his apearances in "Another Language." This explains his being such a case-hardened addict to the practice of sketching his fellow players in each of the shows In which he himself appears. He first contracted this habit when he was an understudy in "That's Gratitude," yielded to the temptation of doing it again when he had a small part in "Give Me and when in "No More Frontier," at the Provlncetown Playhouse, he threw all resistance to the winds and abandoned himself for good and all to his weakness. In "Wild Waves" and now in "Another Language," he has no longer any hope of salvation from the habit and, accordingly, Mr. Beal has made of Dorothy Stickney, Glenn Anders, Margaret Wycherly and others in the company an album of charcoal portraits which exhibits as much talent in Mr. Beal with his charcoal pencil as he has as an actor.

One of his drawings of two friends, Bruce Macfarlane and Marion Burns, was published In The Eagle last Spring, on the engagement of those two actors In "Intimate Relations" with Blanche Ring. When Beal decided to undertake an acting career to save his eyes, he took immediate steps while still at the University of Pennsylvania by appearing in several Mask and Wig AMUSEMENTS BROOKLYN pv2 AJESTIf Fkou: NErint S-2720 Mist Jimmy, tometimet known it jeaturee with Butter Keaton in thit week' film at Loew'e Metropolitan and Valencia Theater: By HELEN APPLETON READ, sian Lorresponaent me catie tv Aug. 17. rne wag' 2 VI ner an Mozart festivals are again bringing music lovers to the Bavarian capital. Not quite so many as in other years, It is true.

There were vacant seats at all of the performances, when sold-out houses were invariably the case in other years, and even atj "Tristan," always the most popular of the series and which was given only once this season. But that in this year of the "crisis" (as the depression is termed over the festivals have attracted the numbers that they have attests to the quality and spirit of the performances at the Prlnz Regenten and Residenz Theaters and to the enduring charm of the Bavarian capital. Munich is the sort of city that immediately exerts its spell over tlie visitor and continues to whether he comes here for the first or twentieth time. Rilt ntt-Anri'infta of ho Wind, ao tivals gives just that added zest, brings one's stay there to a focus, makes party out of it, as it were, that mere sight-seeing can never accomplish, much as there is to do and see. Going to the festivals, moreover, does away with that lonely, separate, transient feeling that all travelers occasionally expe rience.

Tickets to the series create a feeling of having entered into the life of the community. The ritual of attending the series, me putting on ot evening ciotnes for a performance that commences at 5 In the afternoon, the dashing up the to the Prinz Regenten Theater if it is Wagner, in the hotel omnibus or taxi, the preliminary stroll about the garden to look: the audience over for friends or celebre-ties, the delectable supper in "die lange pause" and the raison d'etre of it all the performances, all coin-bine to make it a festival in the true sense of the word. I wish that something of' this spirit could be captured at the Metropolitan and that going to a Wagner performance were not regarded by the majority of opera goers as just going to the opera. Something of this spirit does exist In the special Wagner matinee series, but the lack of unity in the performance, the bad taste In In troducing two or mor Rrunhlldes in a single cycle of the Ring, detract considerably from the festival spirit. An unusual number of American tuuridis wejc iu unc uuuieiiue una Summer, and Judging from their detached attitude they had come in the spirit of including a Wagner performance as part of doing the sights of Munich.

Their attitude! and the fact that the majority of them wore ordinary daytime clothes detracted considerably from the festival quality of the scene. Not that I believe in the former hard and fast rule or allowing only evening dress at Wagner festivals, but tradition should be respected to the extent of putting on some thing more festfve than ordinary ..1,1,1. i -1 viuiiica. nuuuci'Duicu diiucb film sport dresses somehow don't quite fit into the picture. For the Germans these festivals are festivals in the traditional sense of the word, to which one wears 'one's best and at which one also enjoys good food and drink.

And it is not a case of buffet food, but a good, hearty and delicious menu, anything from beer and sausages to champagne and roast chicken. American Wagnerites tend to be a trifle scornful or amused at the German Wagnerites' whole-hearted enjoyment of his food. They seem to think that there is something essentially incompatible about feeding the inner man and the soirit at the same time that to dash from the lov duet of "Tristnn" tn class of "dunkles" or a pocal of Rhine wine is paradoxical in the extreme. I am quite frank to admit that I enjoy my Wagner in the German tradition and find that good food and drink help in the enjoyment of the music. After all, an uncut Wagner performance is a taxing affair no matter how much you may enjoy it and the German Wagnerites have been enthusiasts for a far longer time than we have, with the result that AMUSEMENTS MANHATTAN ETHEL BARRYMORE 0 'Albee Stage it Is really the invention of Charles Dickens and appears frequently in that author's novels.

The two engaging masters of ho kum known to vaudeville and motion pictures as Olsen and Johnson met while both were students at the University of Illinois. It Just seemed natural for them to become friends and amateur theatricals were the best thing they did. Olsen could play a violin and Johnson a piano. They figured out a little vaudeville turn and It wasnt hard for them to get a try out, and a route soon followed. Getting away from professional foolishness, however, the boys have their serious side, as anyone connected with the vaudeville business will tell you.

They work like the proverbial Trojans and are ever on the lookout for sew material. Every occurrence of any consequence sets them to thinking about gags, so their act is a sort of kaleldoscop with something new at every turn. "Block Water" au Majestic Sept 5 For his first dramatic offering since the palmy days of "Whita Cargo," Earl Carroll has selected a melodrama from the pen of Samuel John Park, "Black Water," and Brooklyn will be the first to glimpse this promising affair the week of Sept. 6th at the Majestic Theater. "Black Water" deals with the ever interesting story of what becomes of the persons who disappear and drop out of sight from their former associates as though the earth had swallowed them.

It depicts life on an ancient seagoing vessel that anchors outside Ambrose Channel until it accumulates a cargo of human mental derelicts and then takes them to remote South American ports. For this particular cruise the ship has aboard 17 characters who have been in the public eye of their various communities for different forms of moral turpitude. The play reveals their attitude towards the conventionalities of life and their reactions towards one another in -a highly dramatic manner. An indication of the Importance placed upon this play by Earl Carroll is the fact that he permitted it to completely alter his season's plans. He brought home with him from Europe the rights to "It's a Girl," a London farce hit.

He had this set to music and planned to open his first new theater with the musical. When Roy Walling submitted to him the manuscript of "Black Water" he was so imprAsed by the potentialities of the piece that he set aside the musical show and plunged into an immediate production of the melodrama as his first offering in New York of the new season. Always In search of the bizarre, Mr. Carroll looks upon "Black Water" as the greatest melodramatic novelty he has encountered in many seasons. The show Is being staged by Roy Walling, who performed the same task, in association with Mr.

Carroll, for "Laff That Off," "What Anne Brought Home" and "Mary's Other Husband." While Earl Carroll name has been eminently linked with "Vanities" and the revue form of entertainment, it was in the. dramatic field he made his debut as a producer and that form of production has his greatest sympathy. "Black Water" has a large cast, 17 players in all, and as a result of the lack of productions, Mr. Carroll has been able to assemble a most exceptional array of players. AMUSEMENTS BROOKLYN All Week Hell VJmn.J WL.1 w.r Hell An Aft on R.K There axe several definitions of the word "Hokum," ami there are even greater number ot opinions as to its origin.

Educators have declared motion pictures to be of the greatest value in teaching because seeing is understanding as well as believing. Therefore, whereas, wherefore or whatever the term of qualification may be, why bother about looking up the meaning of the word "Hokum." If you want to know what it is, see Olsen and Johnson at the Albee. In a half hour's time you will learn all there is to know about "hokum" and have a whale of a good time in the bargain. Olsen and Johnson know hobum outside in and inside out. It Is probable that there never have been two greater experts in this particular kind of comedy.

And while we are on the subject of hokum, it may interest someone to know that while most people think the term Is a recent one and was coined to apply to the theater. Americans, they out-walts the Viennese, they out-reel the Irish and they can dance better than the French. And while America has not yet produced a Pavlowa, our girls on the average are more graceiui than most of the foreign young women. "With the exception of a few outstanding European dancers, most of those who come from abroad are somewhat mechanical in their routine. They go about learning the dance as they would a trade and they lack the initiative and pep of the average American girl." Miss May recently returned from London, where she was starred in the American musical play, "Fol low Through," produced by Charles B.

Cochran. She last appeared here in Zlegfeld's "Rio Rita." Believe it or not, with apologies to Ripley, James Barton, star and principal comedian in "Folies Bergere," claims that "if you want to make people laugh, first learn to laugh yourself." incidentally, Mr. Barton, aided and abetted by a company of Broadway favorites including Ada-May, will present "Fol les Bergere," described as "a variety revue at the Majestic Theater, Brooklyn, commencing Monday evening. "It's really remarkable how few people know the way to laugh and enjoy it," says Jimmy. "I've begun to think it's a cultivated taste like eating olives.

Most people laugh as if they hated to part with that much joy. The quickest way to get a laugh is to laugh yourself, and to do this you must have a sense of humor. That is something you hear a lot about, but seldom find. If I had my choice of all senses and could have but one, I'd choose my sense of humor; it would make up for the loss of sight, hearing, speech, touch and taste. "You know the only fellow who can preach a convincing sermon is the one who believes what he says himself.

Well, it Is the same way with a comedian. Unless you think you're funny, and your jokes seem so funny to you tha you laugh every time you think of them, they'll never get across the footlights. Every normal man or woman is always waiting for a chance to laugh, In fact, most of the time they'll laugh just out of spite, without waiting for the right opportunity. That's the reason I shoot my jokes across quick. I'm afraid they'll laugh themselves foolish before I've told them the Joke at all.

But unfortunately, all people are not normal. Some were born with an ingrowing grouch, AMUSEMENTS BROOKLYN Pa tie. Flatbnah de Mldwood. mm Klngawav, Klngi Hgy.ConeT 1st. At.

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gSl rSgsHSJS55 i frill FABIUO A rrn ir a. i n. uoomea Winner Prle Prle Priee and The ducer, his behind-the-scenes role in "Another Language" and Beal's very much on-the-scene role In the play. Both young men hope that their luck holds and that they can continue to appear in Broadway stage plavs. At the moment they profess indifference to motion picture offers, wishing to fight out their careers on this line rather than Hollywood's.

And then, too, there's always the idea of that comic strip. AdaMay Says Our Dancers Are Best Ada-May, singing comediennend dancer, who will appear In a prominent role in Max Rudnlck's "Folles Bergere" at the Brooklyn Majestic Theater this week, believes that American girls are the best dancers in stage work today. "From conversations I have had wjth frequenters of theatrical productions in various parts of the country," Miss May says, "many of them think that the more accomplished dancers are Imported from Europe. It is true that Russia has supplied us with a few exceptional dancers of the ballet type, but for every foreign woman who has scored a personal triumph in this country there have been a dozen native dancers to create a furore abroad. "The European dancers are highly specialized," she continued.

"Each nation has Its own peculiar type of efeaai one that the two friends are holding in reserve until "the tune is ripe." Last Fall, Beal called on Jed Harris in search ot a part and showed that producer, as token of his stage experience, a program of the Mask: and Wig production of "Faust, Ph.D." Glancing down the program, Harris asked Beal where the man was who had played Faust. Beal replied that Craven was his close friend and Harris asked that he, too, come to see him. As a (result. Craven obtained the role of the office boy in "Wonder Boy" last Fall, though Beal himself was turned down for a role after he had made a reading for Harris. Shortly after, however, he found a part in "No More Frontier," at the Provlncetown Playhouse.

Later Beal helped Craven obtain another job. When given the part of the microphone frightened crooner in "Wild Waves," he introduced Craven to the director to the end that Craven had a small part in the play also. These good offices in Craven's behalf were a reciprocal deed on Beal's part, for last Summer Craven was stage manager and general office utility "man for Arthur J. Beckhard Sum mer stock company, and was instrumental in obtaining for Beal the part he now has in "Another'Lan-guage" when that play was tried out in Greenwich under the title of "Hallam Wives." Craven, who has ambitions toward playwritlng, had been turning out pulp-paper magazine stories with Alan Williams, who had Introduced him to Beck-hard, and from this began his connection with the ascendant pro AMUSEMENTS BROOKLYN productions. In the Spring of 1930, his senior year, he took the part of Mephistopheles In a collegiate burlesque of the Goethe play, in which he met Edward Craven, another senior, from Memphis, who was playing Faust.

This was the beginning of a friendship which has continued to the extent that they are almost a Damon and Pythias of the Broadway stage, since, la addition to sharing living quarters, each has helped the other considerably in beginning his theatrical career. Craven Is now the stage-manager of "Another Language" and it was through him that Beal met Mr. Beckhard and obtained his present role in the play. Immediately after being graduated from college, Beal was given a place in. Jasper Deeter's Hedgerow Theater Repertory company near Philadelphia, where he played leading juvenile roles not only during the Summer of 1930 but 1931 as well.

In the Fall of 1930, Beal stormed New York and found his understudy job in "That's Oratltude." Then, In Philadelphia, he took the comedy lead in a revival of "Ten Nights In a Barroom." He derives much satisfaction in remembering that role now. for In New York he has ap peared only in roles of callow youths suffering from violent attacks of seriousness, and he prefers to think of himself as a comedian. The rest of his first season in New York was mostly a series of discouragements, relieved only by his two-line bit in "Give Me Yesterday," and by the laying of sanguine plans to collaborate with Craven on a comic strip Beal to do the drawing and Craven to be the "gag" man. This idea, though quiescent now, is AMUSEMENTS BROOKLYN BEGINNING TOMORROW NIGHT Ermiiifi 50c la $2 M.h. Wti Sat.

SOc to $1 SAT. SEATS TOMORROW EVERY actor who will be engaged from now on to appear In a play with John Beal, the young Juvenile now performing the part of Jerry In "Another Language" at the Booth Theater, had just as well make up his mind at the very start when he signs his contract that he is going to have his portrait made by Mr. Beal as soon as the play in which they are to appear together has opened. For now, i his fifth New York production, Mr. Beal has definitely given in to the, insidious habit of sketching al! his' fellow players.

He has Just completed a series of charcoal drawings of the entire cast of 11 people, including himself, In "Another Language" and these sketches have been framed and hung in the ooth Theater lobby. Having done Just this sort of tning for his fellow players in every previous show in which he has had a part, Mr. Beal can now be set down as an inveterate fellow-player-sketcher. Nothing, It appears, can stop him from putting his drawing board and pencil Into action once he has found a group of other people sharing dressing rooms with him in the same theater. Mr.

Beal wo was born John Bleidung in Joplin, and found his present name with the aid of a friendly casting agent always Intended to be an artist rather than an actor and, while a student at the Universiy of Pennsylvania, he spent as much time studying at the Graphic Sketch Club and the School of Industrial in Philadelphia as he did in studying more academic subjects at the university. A short period when his eyes failed him made him reconsider art as a lifelong profession and instead he turned his thoughts toward acting. But now that he is no longer troubled with any optical weakness, he is returning to his old love, the draw, ins board. This does not mean, however, that-: he is going to give up acting. To one who has achieved his present AMUSEMENTS MANHATTAN THEATRE 47th STREET WIST OF WAT McCRATH GEOFFREY BRYANT 1 Another BIG Show at the Capilnt IN PERSON Chan.

ROGERS Leon F.RROL Ailwn STANLEY Art JARRETT Bernire and Emilv Extra, Jay C. FLIPPEN On the Screen 'The Last Mile' CAPITOL B'vbt at 51ft Street Chart CAYNO FARRELL "THE FIRST YEAR" ftoxyOrchMtro 70, lalltt, CNoryl, RoxvtttM wj A Hit nt, LIFE BEGINS THRFC SHOWS TODAY 4.1. I. TwtM anl -4j. RMwvetf mil rOPULAl frifM WM It II.

rCT7T Ju ki sunt JtMnry'iwNOznr KikTOIl g. PUglAIITE lLOEW'i 'ACE-' I BORRAII MINEVITCII Band HARRIET LEE and Boya and Other Big Loew "ACE" Aets 'lrT 0LSEN IN PERSON Ijl VI atrocities of 1932 Prior to Opening at Sam II. Harris Theatre, N. Y. MAX BL'DMCK preicntl JAMES BARTON in "FOLLIES BERGERE" A Star Studded Variety Revue with ADA MAY HARRY CARROLL FRED HILLEBRAND ROY SEDLEY NINA MAE McKINNEY ALAN K.

FOSTER GIRLS aj JACK OSTERMAN um Mmmun.m.jmMm "lUJW.) 'I' Opening Monday Night September 5 Beat on ml Hail order 9 now SAM H. HARRIS PRESENTS "HERE TODAY" A Comedy of Bad Manners By GEQRGE 0PPEM1E1MER Staged by CEO. S. KAUFMAN ith RUTH GORDON DONALD MACDONALD SALLY BATES CHARLES D. BROWN iooav mm utkn'K -ace" vai iikvu li-iumi IOKW8 OAT13.

OaWl Bro.dwuv. BLONDE CAPTIVE: CM CuiWllM tat ttt TODAY ON LOCW'S PERFECT TALKING. SCREENS TODAY tOFW-S KINGS, ri.tbujh Ai wtm wmiM. Mrwiw LOEWS PITKIN. Pitkin 8aratoe 8k run Mr Smlh LOEWS BREVOORT.

Breroort-Bedfd. L. BASHYIIOBE. WMWmtM mmMMm i Cf LOEWS BEDFORD, Bedlord-Bergen. 1 "THE BLONDE CAPTIVE" LOEWS BAY Rlt)GE, 72d 4s 3d rrf.

LOEWS 4BTH 46 ft N. Utrecht. wViSTTuiiJm KAMEO AOpen Rof. E. Pty.

JJ'JV IT LOEWS HELBA. Livingston-Hanover. BY WHOSE HAND. Ly ft nir but nwr NEXT WEEK MATS. WED.

Prior to F.ATtT. (Br Arrangement dancing and the stage artists oi each land naturally mlgnt De expected to excel in their native steps. But the American dancers' are ver satile. They out-tango the South AMUSEMENTS BROOKLYN SHOWING TODAY at Sanejaiiok Farm, M. Nix, B.

Mlaaaf I in Ptmo' If Meldrm wjn WATER" Ror w.iiing) FEATURE FILMS BAY RIDGE SECTION F.rtwar. Dmrk Bonti Im Mviterr RMk BEDFORD SECTION An.110. Pultoa St fcThroon A Mmttj We O. t. HeJI: tin Th.

T4erfMt Art, MircT At. nd Pulton 81 Bit ta. Bjhlnd tht. Earl Carroll's Manhattan Theatre, N. Y.

1 kmA PASSPORT TO HELL 1 Ln.UJAUN...rAUll.UKAtm I AU-tTAI VAUMTIUI itWm SWV INT HARRY RICHMAW I ft PtHSOMt MILLJ iff WILL If On Srrn "Abort I NIGHT cm MILLS BROTHERS MAHONEY. Hi Manlar of 11m B. LADY" 9H0O KLY I A JAMES FAMOl'S STORY CROONER mm Praentt New "BLACK "CHARLOTTE GRANVILLE PALI ANOTHER LANGUAGE "Ai ihTfwd nJ truthful firally tudy oar Amcrlcta dr.nia (jiclrrri. George Jfon bathnn in Jndfff BOOTH. W.45 St.

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Kammv White and Charlea Wlnnlnger; Pael Rnbraon A IMA 7lh Are. at ontn LAO 111 coird bT PXrirrrilr Air ti Wm A1i Ordwi FlllfJ IM. Wtl. 4 Mt. z.

minn to Read Eagle Classified Ads. I Battalion Minion Dollar Let Pinkerten A Radio Patrol Take All di Avalanche Rollvwood dk Danger of th Areth) Hollywood dt The Traaa Ueil.rwood dk Th Ringer Cent di Reoerred for Ladle Tenderfoot A Stranger th Evening MAJESTIC BROOKLYN 'I todXy3 3rd BIG 6 1 8 50 WfCK. MOTEL A Mftrn-t PiVimit WORLD'S GREATEST Entertainment V.loe LUNA PARK XACrHTM, THE HI 'MAN CANNONBAU. Adulu l.V. Children loe, Inet Sat, tai Sam.

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Ocean Pty. nr. Brighton What Prlee RellTweed, wltk Ceaetaae Bennett ri'SHWICK SECTION Colonial. BroadwaTdtChauncey St Take All; alio Ferkldden CoaapaaT CROWN HEIGHTS SECTION COBgreM.8t.John'aPL-BnffIOTT of the Dragon: aba Week Eadt Only HI vera. Ul JotlD'a PI-at Kingston At.

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Martin JohateaS AVRNUB XI SECTION Avenge TJ Theater, AY. Jt 18 St. Married; alae Border DevUa PARK SLOPE SECTION. Ai.HttK AlDee squar Oltee a J.nnne lr.o n.aoa. Irtia B.ltl I "Bark street" PROSPECT fth Ave.

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