The Brooklyn Daily Eagle from Brooklyn, New York • Page 34

12 A THE BROOKLYN DAILY EAGLE. NTIW YORK. TUESDAY. SEPTEMBER 27. 1927.

Reviews of New Plays Motion Pictures Current Stagings Murder and Gin Vaudevlllians A Play by Mr. Maugham "Lulu "at Werba Actor-Author well in hand, leaving little for the others to do, which they do in mediocre fashion, with the exception of Harry Tyler, portrayal of a ham vaudevillian is almost as convincing as reality. Katharine Cornell Appears at the Moroco in "The Letter." a Play Whose Coming Has Been Eagerly Awaited. composing for 20 years the end ol the plav. "Speueasy" is the work of Edward Knobiout and George Rosener.

The latter an actor, currently appealing in "My Maryland." Mr. Knooloc may be remembered as the author of a certain play called "Milestone" and of another one entitled "The Faun." Just how he got mixed up with "Speakeasy" is a mystery to your correspondent. Of the actors, the less said the better it is. After the interminably long first act the ushers distributed little cards, the kind dubious characters like to give you on Broadway in the wee hours of the morning. They said: "Confidential.

This 'Speakeasy' will be open from Sept. 26 to Oct. The frankness of the management is amazing! For the first time in the history of the theater a manager publicly admitted after the first art on the opening night that his show was not worth more than two weeks. A By ARTlil POLLOCK. IT IS a thin, vivid play Somerset Maugham has made in dramatizing hi short story.

"The lttcr." Katharin" Cornell appeared in it last night before an eager audience at the Morosco Theater. It began with a murder and ended less effectively. In beteen one discovered that the reason the gave tor shooting the man as not the real reason. For those who have not read the story from which it grew, "The Letter" will prove exciting, though possibly not quite excitin; enough. Always the skillful manner in which it is staged and acted will make it interesting.

Miss Cornell, who has many plays to choose from now that her following Is large and her in almost anything assured, is seen scarcely at her Her roie oilers ttl'lc op- i "Shannon of Broadway" It Full of Vaudeville Humor. THF. "linvriM op RROArm'aT" ft re I'reaenred and Karl. B.x;he at thv; elarl.n B' i it Tilt CAST. Sho-iv .1.

noa F. Idle Heme. t'a Farre'i hnrl-a 11 lienme Nple liuy Ni. Jan. All mi I.en l.indhard Thoma.

M.ne.va llarrer Helen Xlehrni-nn Joje-pii Ke)nian-I hiek R-adford Krank llearn K-niiia Shans.m Ml, key Sin'. nun Jainea a l.f,i. Huunnf Sh-liten 1'eroy Mnmp Daphne WiLon Harry Tyler l-rnliuv Phil WilUr.l ia r.e. Sr I K.hlv Annie Allen AIL Allen A 'lueat Tn.n H.ll ti. K.

sravnvin lake Zeimier I a "i a re 1 ice lr Bertram M.ll.ir Members of the hoof and mouth industry, more plainly vaudevillians, were tickied last night by James Otea-wjn's "The Shannons of Broadway," a play concerning the tribulations of a small and bic time double act with a honky tonk hotel In the sticks. Being a play of the richly amusing vaudeville patois, not so very different from Mr. Gleason "Is Zat So?" here was ample opportunity for a run of tiags that would have the customers doubled up like a Palace audience with Will Mahoney. Mr. Gleon.

generally accepted as an authority on the correct thing to fay In the two-a-day or prize ring fraternity. dos Just this thing. He does it expertly, humorously and photographically. But where he fails to click with a rmart line about the Or-pheum. 4Cth at.

and Broadway, or some other tidbit, he flops as any vaudeville act flops when the dialogue goes sour. Those of our stanch supporters of "native" drama who anticipate a "Burlesque" or a "Broadway" are doomed to disappointment. There Is little real vaudeville atmosphere, only a hokum story shot through with wise patter apropos the vaudeville racket. For Mr. Gleason has stray vaudevillians in the house as guests at his tank town hotel.

Even Mr. Glea-son's dialogue with Lucille Webster, playing his wife and partner in a vaudeville act. is that of a doubles team, either he or Miss Webster feeding lines to bring out the gag line from the partner. But when "The Shannons on Broadway" goes vaudeville it has some of the smartest lines that have come down the street from the N. V.

A. Lines that warm the hearts of seasoned troupers, of whom there must have been many present last night, ludglng from their spontaneus reaction to the dialogue. When the female love Interest In the shape of the village belle enters, Miss Webster gets off this gem: "S-a-ay, this is the first thing in this town that doesn't look like a Monday afternoon at the Palace." But the pathos was sticky and funny, despite itself. Mr. Gleason's vociferous assaults on our native idiom are as funny here as they were in "Is Zat So?" He gesticulates as wildly, grimaces as vigorusly and generally appears to be having a fine time.

Miss Webster is a fair foil. Between the two they have the play nortunity lor line (ladings or even for the full play of that glamour this actress has about her. She shoots a man in a and thin, under great emotional strain, recites her reason: for doing so. Later on. confronted Villi evidence that shr has lied.

falls in a fa.nt. And still later she is ealled upon to tell feverishly of a I thameless to her husband. I One dramatic moment is scarcely more than a repetition of the others in her role, a repetition different onlj in intensity of feeling. Tnis is a woman oo has surprising command over herself, a woman aurprisingly serene, so her friends tell us. even when faced with the hangman's noose.

But there are many idea of her character the play, like the story, implies but does not reveal. In the story the implication was enough: in the play it is not. Leslie senile, well-bred murderess, is a lady of one dimension. And we do not know enough about her to 8he is the flat heroine ef a drama, dexterous mechanically, but still mechanical. To be sure, that drama unfolds with pat precision, leading the auditor on nd satisfying the interest it awakens with well-timed disclosures.

is narrative, though, rather than drama, bare narrative wijlv characters incompletely filled in. The Malay Peninsula and Singapore five it setting. Lesue Crosbie is the wife of an English planter, and as the curtain rises she jhoots Geoffrey Hammond, a neighbor, to death. Her husband has gone to Singapore for the night and Hammond, so she says, tame to the house, drank too much and attempted assault. But why, unobtrusively asks Howard Joyce, lawyer- and friend of herself and her husband, did 'she' pump five bullets into the man when one would have been as complete a protection to her honor? In the next act that question is partly answered.

cornea to fight, w'hen she la In prison awaiting trial, a letter she had written Hammond that day. There had been no doubt of her acnilttaj. If the letter a-eu into the hands of the prosecution there will be grave doubt. She is Heturning home with her devoted husband v.c finds it impossible to p-event his reading that letter. Then he knows Just why she tired, vengefully five times at Ham- HAIRBREADTH Wf THOSE ALLIti-ATORS i a Lenore Ulric i Brilliant at Star of the Bclatco Hit.

Little need be said regarding "Lulu Belle." which David Belasco brought to Werba's Brooklyn Theater last nignt. Any piece that has run for a full season in Manhattan must be fairly well known to the theater-go-era of the other boros of the Greater City. Suffice it to say that as a play the work of Edward 8heldon wd Charles MacArthur does not rank particularly high. But as a starring vehicle for Lenore Ulrlc "Lulu Belle?" must be considered as an astonishing I. and one that should be seen fcj very one interested in good acting.

It is dehghtful the way Miss TJlric gets under the skin of the octoroon woman of easv virtue anH niea, upon the stage. Her voice, manner awm niiic mis 01 ousmess make Miss Ulrica work stand out as one of the best nf ar-Hnff wen rn a tj 1 rt lyn stage in years, still it a not surprising. Miss Ulric is an actress of exceptional ability, and as she is led along by Mr. Belasco. her work is as nearly perfect as one could desire.

Of course, the mtp nf is showy enough to attract the atten- yj. any opticas, i ne coiorea woman of the streets of the "black belt" of New York vhn comes the toast of Paris allows Miss uinc 10 qo practically everything required of an actress. She sings, she dances and she nlat-o vdam Ut iCtll dramatic strength, all with equal l. "cver or a moment does She fall down in hnr UrnHr nf num. wcaiiug a real if not a particularly moral or ine company that acts as the canvas Unnn WhiMl Vl Ce TTIele wuib IJtlUltS her splendid picture Is not particu- uany Buua.

oiui rranK m. Thomas, as the colored lnvr uhn fiiiain, L-tiie Lulu Belle, is passing fair. Also, Jack xioiucjr Mvnggers enougn to oe a colored prize fighting champion. But the piece does not depend upon Its major actors for success. It wins levijutar approval on account oi its scenes of negro color and Miss Ulric '8 acting.

"Abie's" Fourth Week 'Abie's Irish Rose" becan its fourth week at Teller's Bhubert Theater last night before the customary crowded house. The audience was, as usual, convulsed with laughter throughout. vonsiaering me attendance last night and that during the preceding three weeks, the production will hit a high spot among the best drawing plays seen in Brooklyn. The Bushwick Harry Beresford, the well-known Broadway comedian, is the principal vaudeville attraction on the bill at B. F.

Keith's Bushwick the first half of the week. Mr. Beresford appears in a condensed version of his success, 'The Old Soak," by Don Marquis. The screen feature is "The Small Bachelor," starring Andre Beranger and Barbara Kent. DRAY IY.

HERE VE "The Merry Malones George M. Cohan Return in a New Song and Dance Show at Erlanger't. TUB MEHKT MAI.OXKS Ceo, j. a a. HE an.l li'i.

l.y ilfji a at Krtunger Theater. THE CAST. Annotincereaa Uia. Jane Mannera Ma'tm l.eo Henn.ne liavj.i l.nnd .11 llur Ilia Havwaet Ann helle Mr. Mar.lni.e l.ai.--.

Newnold Mlaa Mai Jan. Iliona We "tt. K.lwai.la Weatllf(i Molly Kennedy 'tin Mrt Inne. lleen Ciiarlie Malune. t.lvi alker Krand (Jtli.

Krank Mxatees Wititiiiore Mr. t'ohan saiah K.lnar.lx ra.sy Hall i-'liarlty George M. Cohan came back to town last night bringing, as he was not above admitting in a characteristic little curtain talat, his dancing shoes and American flags with him. The occasion was the opening of his new song and dance show, "The Merry Malones," at Mr. Erlanger's new theater in 44th st.

Mr. Cohan has brought with him. Irom the cultural and experimental byways of Boston, a nicely balanced and consistently entertaining production, tunesome in its music, clever in its lyrics and lively, if not exactly abandoned, in its dancing. It is, for the most of its modest little libretto and colloquialized dialogue, just such a gathering together of songs, dances and moderately funny sayings as one would expect George Cohan to gather together. It is ventured, moreover, that the smart first night audience which was present at the Erlanger last night, would have been disappointed had "The Merry Malones" turned out to be anything else.

Here, rather than the musical comedy of conventional pattern, is a song and dance show in the very literal meaning of that so often misinterpreted designation. Did it not have a single other lilting composition, "Malone Malone," a particularly charming and contagious little ballad, would still be enough to carry the show along to a moderate success. Were it without a single other dancer, the conclusion is foregone timt Mr. Cohan's own little bit of soft-shoeing would be more than enough to win the thundering approval of the occupant of Mr. Erlanger's new and remarkably comfortable chairs.

There is, of course, a wisp of a story concealed among the more attractive gestures of "The Merry Malones," a frail little yam about a rich man's son who runs away from home to jerk sodas in a Bronx drug store and to pay ardent court to Molly (Polly Walker) Malone. It is at that juncture where the Bronx Chamber of Commerce turns out with all its blaring of brass to welcome this son of a billionaire that Mr. Cohan has found his only possible chance to bring on his Stars and Stripes. And everybody, including Governor Smith who occupied a seat in a box, applauded and knew that Georgie Cohan was once again George M. Cohan.

Back! w. or Josephinel ry WELL, ANYHOW I SHE Di HER DOES KWORK. SHE'S TELL "PFECTiy INTELLIGENT IE IS. 1 Uaattpi in: Jamma Gfaon, who appear in his own ptay, "Tho Shannon of Broadway" at tho Martin Bmck. A New Revue The new "Artists and Models" revue, the fourth, came last night to the Majestic Theater for a weeks run prior to moving into its Manhattan quarters at the Winter Garden next Monday.

It is the same kind of aggregation of comely girls, gorgeous costumes, broadly sophisticated sketches, good dances and voices as the previous three editions, showing a progressive degree of excellence. As presented last night, much of the machine-like precision which marks the mid-winter showings i6 still to be attained. The perhaps too long program of 25 episodes can doubtless stand pruning, also, without loss of entertainment value. The billing features Florence, Moore, Jack Pearl and Jack Oster-man, with less prominence for a score of others, including Nitza Ver-nllle If that be she a graceful blonde, whose dancing, especially of a combination Apache and tango, will be the prize piece of the show for many observers and who will be a magnet to hold the gaze when her participation in scenes is less energetic. Owing to an extensive rearrangement of numbers and considerable changes which the composition of the numbers themselves seem to have undergone between the printing of last night's programs and the rising of the curtain, identification of players was none too easy.

On the fun-making side the honors go unreservedly to Jack Pearl, with Florence Moore a close second, though Jack Osterman twice took the house by storm with songs that were sirupy sentimental. The music, credited to Harry Akst, with additional music by Maurie Rubens, is pleasing and at times catchy, though none of the pieces appear to have the quality of "hits." The chorus is well above the average as to figure and features and is very well drilled. Lyrics are by Benny Davis, with additional lyrics by H. Kiern Bren-nan; dialogue staged by Charles Judels, dances by Ralph Reader, ensemble of ballets by Jan Cyra and setting by Watson Barratt. The Messrs.

Shubert are the producers. Bv C. W. KAHLES 3 "Mllr nniiyi WERE ALL ABOUT TMT EETTEH LUCKTfrORTOW.MEBBV,1, By H. J.

TUTHILL I SIMPLY CANT 'Speakeaty" a New Melodrama, Opens at the Mantfield. "SPFaKKAST i.lodramn tear Eri alM ra. Koaener. fr.a. Fri.i.njer.

jnc dealer. I AST. Rn.1.l. CamplM-l He.fru. Le Ixtea l.eo rarroll Bo-mer Ha ilia Kh.maJt.r John Cron Hall R.

Vinton Kdard Woaal. at.vena ti a. nie.1 l-r tlMan-t 111. Manade ft 1 Till Rtta Pant Martin I'alay Old Ae.nl. "ia2y' Te.l.l, Willy iiey "Mm ie Jfe.

Altee S'wvlii i Jek Vlrk.ry Vlrsmlft "It's that damn booze that bust us." says Mln" Drnton to "Fuzzy" Arnold one minute before the final curtain descends on "Speakeasy" at the Mansfield Theater. Manhattan. These few words may give you a fair Idea of Just what sort of a play It is, but if you want to know more about it. it may be briefly stated here that the above mentioned "Mln." owner of the speakeasy, is about to sell her innocent niece to a vicious villain in order to save her own neck, when the pure little angel's sweet young hero a wealthy Princeton graduate calmly bumps off the scoundrel. Of course, this little murder does not disturb the placid happiness of the young couple; "FuBsy" Arnold takes the blame on himself and denounces himself as the murderer, "A melodrama of today," says the program, but the plot, as well a.

the characters, are as old as my grandfather's whiskers. Especially that "Fuzzy." For he is one of those perennial cabaret pianists eternally drunk on absinthe and eternallv dreaming of "THE' opera. Yes, and he tears up the music he has been AMrSKMFMTS MA XH ATTAV ANNOUNCEMENT Mail orders will be filled in the order of their receipt for the Gala Premiere of WARNER BROTHERS' Supreme Triumph AL JOLSON IN The Jazz Singer WARNER THEATRE Broadway at 52d St. Thursday. Oct.

6th, 8:30 P.M. Prompt)' Prices for tho Premiere. $2, $3, $5, Plus Tax AL JOLSON will be present in Person Seats Now For First 4 Weeks 60c, 75a, $1.10, except Sat. and 75c to $2.20 JOLSON'8 "ll At- Mnla. Thtira.

gat. THE MUSICAL BOMASCE My Maryland with JTTOLYS HERBERT 30 Balcony SnH at Sl.00 00 11.50 200 Bt 2.00; JM nt ft.SO II.UAM TOX Present. Tho Motion f-letnr SUNRISE "A SONO OT TWO HliM-CNS With ormphonlo MoTletono Aeromnanlment Sen nnd Her I The VATK AN Bf.MTO I CHOIR HI SMIUM To Volcea on tho Movtetoonl Tho Mnaietonn ITa The. Theatre. 41 W.

of nnj To Ire. Ihallr, rwMla Krarieu Women Go On Forever! with MABY BOLAHD TnmtTT 4Mb W. mt B'a TWICI DoUlV JO Wj'AO INGS NATIONAL 41 H-Kt- A. n. WOOl IS' MKLODKAMA THE TEIAL OF MART BUGAN witb Amm Harding Rex VhtTtrmmm ROnTTT th 8t- w- of wr.

Em Maxwell Asderaoa'a LomtCf Saturday's Children Oprslftv Toolcht HeA. HoW The Uninvited Guest EOYALE 'm. Km.s:M wimhkop'ame- C1LB01T at bl I.IHV Onrm Co. The MIKADO r.ATT.TY 'T I TWICB DAIL th St. I 3 lit an4 CtA th B.

D.MII.I.E-") mNGIUNGS BLUruRU Anmta, rnlten A Throe. p. f'laaaliae. Marry Baseal, rultoa Badlotd. Jnjr, Aii-iar 1 aat.

AUtar I aat. I Other Theater Newt In Main Section AMUSEMENTS I.QXG ISLAND. Cn U'l 1 JrWMK Vt 1 175 Mnla. Wed. nntf JWOODEN KIMONO It Week I.IHI.S "onnnr ConeaTta.

1 to II AMFSFMKNTS BROOK majestic zssrrzt. Tlw MK8KN. rmnt Inter laiteat Heron All-Star Cat Include. Florence Moore Jack Pearl Jack Osterman In tha Jr 183J nerle. Artists and Models CONTINUOUS-IP KEXT WEEK (iEATS HOW Mea.

SHI BEKT In Aaanriallna with Lavruc. Weber 1'reaent HnwlTS fenturr Tlieaalra Prodnctloa BON I TA A ew Shahrt MaptntT Timy of th trahQ) BROOKLYN WHAT PRICE GLORY MORNING MATINEE 10:30 25c to Noob Wnk Days Olher Parformanreaj 12-i-4--8-li) P.M. PROLOG "SPIRIT OP 1818" With SO People Art Lnadrr at Orrh. and Entrtnln.ni rhna. Bennlnrton, Wnltfr Ntnltri, Kldora BtauifoTd, Baaha Ktndler, BaUTt ileurntte A All Thla Weak! RESURRECTION atoa Broamliia Oth.

Acts Ttert Weah "Ben-Hqr' sept. Si. is JACKIE COOGAX la "The Bn.le fnU" "DACE MAGIC" With Paulina htarka t'ppeert Orrheatra Sept. si, is "STARK LOVE With Lnnanal Cant Keed Ho.vr. In "lioyal Amerloan" Wymphony Orrhgatrm All Thla Week! BEAU GESTE BIO VAtUETIl.LB Pnora Opno at "Beaa Grate" nt Inxraariifs! lUVINOSTON-SI iBREVOOKrl IOEOTORO vt V0CT PI 1MEO ROOF tASTPlHI WERBA'S BEOOKLTN IjUta.

Wed. flat. LENORE ULRIC LULU BELLE M.XT MOMIAV EVEMNO Wil DAILY THEREAFTER LD IRONSIDES TWO WEEKS OXLT Nla-hta see to S1.60 Mata. SOe to SI CONTINUOUS NOO TO II r.M. Mats.

35 Evi.50-75 ACTS TIEAT.T A -ROVE Jb MAYK BH KEY BKOS.l EDOAB BEROENMMhs fattln" CtWaKal LIONEL ATWILLl Other Keith Acta "The Small Bnehelor" Andre Beraji.ee Howard A v. NOW Mata. WetlDeadnr and Hatnrdaj ANNK iFVMOI COMEOT Laat leaya KTOa HI GO a LES MISERABLES I al.eraaj rtlm nf rmaee, ruaenled at I. 1:1, S-'O. 7:41.

1. Baajhinlnt at. Pet. I. EMU, hi KEENEY'S LITIntatoa St.

A Banorar TL Trlanile VK ST, A hlB (4KMIAV In "Tha Bu.1. (all" Fantaatlc Rain.itOIha, t'om'S ep. ze-sn. Or I- "1IKAI! I.KKTK" nKCHO.N TOMORMOV. OATES GATES MMai ftgOADVAV Turned '1 ALL PISArrEArJEP ArTtK THEIR Bfi BANQUET OF NIIP MEAT YESTERDAY "Th LeVler" A n'iv t'V Svner.et M-mtham.

Kendall at lite Tliaaiei. Mavtd l.y tiuth-rit iKi-'linuc. TUB CAST. lli.im..nd M. Illy h.i.i-bo M.

r. Bu.kl-r .1. W. Auatin Jnl.n Itonert Howard Jn. Allan t'tie 'ill Sen.

Jamea Vini'nt A Sikh wri-nt ol London Mr. pn-ker Mary 1 mt Setoil hune HI Sam Kim A Woman l.mlv rhone One Mra. Joy. Eva, Leonard -Hoyne mond instead of once In pelf-defense. Along its single track "The Letter proceeds absorbingly enough since it is heading always, save in the lirst scene of the third act, a scene entirely unnecessary, toward the solution of a mystery.

And yet it is a rather meager plav. All that is asked or Miss Cornell she does with ease, force and great thoroughness. A higher type of thing she can do to even better effect. "The Letter" leaves a large part of her talent unemployed. Allan Jeayes, playing the lawyer friend who defends and doubts her, gives as fine performance as the play permits, marred only occasionally by a slight overemphasis that seems to have been considered necessary for the proper articulating of the drama.

Otherwise he Is all urbanity and quiet force. Outhrie McClintic, about the best of American directors, has staged the play in a manner calculated to bring its best foot foremost. "Jimmie's Women" Jimmies Women," a comedy by-Myron C. Pagan, seen not long ago at the Cort Theater In Jamaica, opened last night at the Biltmore Theater, with excellent acting by Minna Gombell and Beatrice Terry. Oavin Gordon play Jimmie.

The plot concerns the efforts of a scheming mother to get her daughter married to Jimmie, a rich young thuk. To further her plans the mother engages a vamp to lure away daughter's less eligible but more favored youthful suitor, for how could mother know that the vamp and the rlieik were already married? HARRY AND TUIrJtS UAVF I THAT SISN THE PAPEA ToGe.THR, Aaj 0 X- WHAT COULD OO? I PRACTICALLY HAD ANOTHER GIRL HIRED WHEN MRS.) DARDANELLA I WALKED IN AND. 1 II I fiTAOTCft T-rt fH I WEEP. SHE LOOKS LIKE ANY OTHER, GIRL TO ME I know-- r3r PPPi SI1PP i WYEUSIMrOEeWn INK)RMATION TO OUR AFRAID ae.S.wVS lv4 lit- w. a Vi.

I I HOPE fl 1 I. I WILL YicV DIRECTS US OUTOFTHlf) A3 AWFUL JUNdLEl WBEEE- IrC YES.ANP NOW VJE CHi 6VNIM OVER AND EEADU That si6N 70 6ET SIAW AND NOW Wmow Wr'l I 6ET A SQUINT AT IT.1 WELL-) THE BUNGLE FAMILY Goodby Sibyl PLEASE OONY UNDERSTAND HOW YOU. GIPL? HA HA! FROM THE WAY YOU SAY C-IRL, ANYONE I WOULD SUPPOSE YOU WERE YOU'D BROKEN THE CHILD LABOR LAW BY HIRING I AND YOUR OVER- PLUMP GIRL FRIEND ARE SO DUMB AS TO IMAGINE THAT I WOULDN'T KNOW THE TRUTH ABOUT THIS IF SHE'S SEVEN WONDERS uF THE WORLD. A3 I A- TfW F.i&Z-t AFFAIR. WELL EITHER (Bjfl KriVe-.

3 0" I HE. colonel's truthful Explanation op being cried into employing SIBYL DASDANELLA IN THE home or RUBBER FENDERS. SOUNDED 50 REASONABLE THAT JOSEPHINE Id MORE AUSPICIOUS THAN EVER. LET ME HOW ME WONDERFUL WHY DID ASK OF ALL PERSONS FOR EMPLOYMENT?) 5 5e as I eA wvrnftN wmw I KNOW IS AWAY OLDER TUAll ff AKJI Its Not So Deep AND YOU THINK. SHE HAVE TO YOU Take Y' Time! SHE LEAVES YOUR I OR I'LL LEAVE THIS HAYWARD SAT The.

Re I Tanltr alao Bmlcen Rearta mt Braaadarnr SOMEBODY'S STENOG Claim the.y D04Y 1 see HAve Got Bf Thou6ht To xese.F VJELL, Vje MEVVAILL AjeveR BORO BALL IECTION TlT.lt, raltai St, llrrUa A. Prir Larai alaa Taad.TtU Pll SB WICK SECTION Colaalal. B' war A Ch.unoy nhart Bnaarartk. Tha Bhtoal COMET ISLAND SECTION T1la.Opp.Staplcha...Th. a mall Bavrhetori alaa taaderllla rLATBl'SH SECTION Alhemarlr.

riat Villon ntlla. Hard PWHIee) llaneri, Kama Ajte-u 1 1 1 me-t Re epcuL. UtAi A UN INrtii'-a- A Vti HT inu Cir- rvHi AVW That 5tijfp makcs AJkfc. I IKtO 1 STARTED A MOVCAACmT TO AKJc MtM STOP a F0RCETT0 BE To A10 MATTfeR. TIPPiMG TH6IR.

HATS Tenturr. Neatmnd Paelde Tnlleea Mnaa-n, WHAT THEf iAY. To rarraaat. riat. A All-Mar taat.

Tha lereat Hall Mnlhall Ellenland. Hit Ctiuteh Tlllle the Toller I alao Kneed. Kanlth Hln.aarnr. Kin.a Lir. Mtnn nllla.

Itnlieat Kama TvAO bAMtlS ARSUIMG 11 lllllll APjOUT that VERY I i ThimG TH6-Y 6Toob Ji gSjl Ml SEAT Oaj lender, I -Nen klr Ave. All-Mar taat. l.lnrt.n. Ill EUlbaah A. Iloharl Roawnrth, Tha Blood fhlp MIIUil Sllld Marine, riat--KIa llrw.

Mlltoa ailla. Hard Boiled Hal.ertr Sama Ma, fair. C. Av.A. Iawla Stone, Trtnea of Headarallerai alaa Taadevlll HMwaad.

a A 11th Bt Ilohart Tha Hjooat Ktila allatian. nad Mnnlia. KnoatMUQ4 Callahane and nachlr hat Mew Uoutde re.liirs nlhahaaa aad Mi.ruhre riatna i Prlmiiat an Ralrlo th larra af Mike nanm allele, fcellr, nittlel alao rtaniiav neee era ml tha Went Mct'oy S.alra.E II ai. A Newklrk Johaar alker. rarkatde, rialMiah A.

I tea 1 roa. rar TrtNv i 1 altalta. 10U ElaUurt Baaarajrth. The Blaaal T. GREKNrOINT SECTION Oranpalat, III afanhat AT.

Satan Bavrheleri alaa TaadeTllla Bn.L SECTION Ciatharlaaa. Mdaer. leaat at tha a. ma FARE SLOra AND BQWNTOWN tllanlte. Flathnah A TVaaa.

Mallaea Held. Tha Itatln Kama Kan.e Baaar. IM rialluah Mallaee Re id. Tha RaMia I arlloa Rf. fi'd'n.

Klat I llllaa t.l.h. Annie latarta Fame I rratal. waahln.loa fet. illlam Balnea, llatn.ld. I4t Hlan.lie nareet, ntn.eali alao her.

Ilea Jtarin Halda "JatntT Idea. it 4 e. A II St Ionian Faaenda. I radla naatrhere atlaanl. Waah A lrenet Ben I.

ton, 1 ho Tender Hear F.lleen Parr i Ot'ord. state PI. A FlaC Av.rtea Mllaon, KM Proaneet, tlh St. A Ith Smnll Baehelarf alaa Veedatllle laraalaal, 4th A'. A LUllaa l.tah.

Anna. laaarle BIDOEWOOD SRC-TIOW rartheanrav IIS Wre, All-star taat. Mihamll. tan.it nTw.rk. it.