The Brooklyn Daily Eagle from Brooklyn, New York • Page 26

BROOKLYN DAILY EAGLE, NEW YORK, SUNDAY, JUNE 22, 1930. 10 'THE CARRICK GAIETIES' Home barns had lithographs on them announcing the first performance. On Feb. 13 Broadway saw "The Last Mile" for the first time. There were' 22 curtain calls.

The reviewers heaped high their praises with adjectives the like of which the linotypes had not set up in a long time. The sudden success of "The Last Mile" has not, however, been a skyrocket affair. Rather its rLse has been like that of a one-way elevator in the Chrysler Building for there it is, still on top. William Ran Away i How Playchoice U1 Qoes About lt Polycholce has completed Its first season and Jchn Krimsky, Its president, in his annual states that the play-of-the-month plan has been proven successful from the point of view of the theatergoer and the producer. Members have attended under, trie) convenient subscription plan th pluys-of-ttie-month: iJeath Holiday," Rebound," "Topaze," "Tha Last Mile, "The Green Pastures" and "Hotel Universe." Because of thej custom of naming the play-of-the- month and negotiating with tha producer before the opening of tha production, it was possible to obtain excellent seats for Playchotca members despite the fact that they subsequently developed into successes.

The Theater Committee is composed of Walter Hampden, Jana Cowl, William Lyon Phelps, John Jay Cunningham John Corbln, Emma Mills and Donald Freeman. The play-of-the-month is not selected because of the commercial possibilities it may liave'for success, but rather becaure of its artistio merit as well as its entertainment value Upon the selection of tha play, everything possible Is done to make it a popular success. A program over station WABC was sponsored by Playchoice every other week during last season broadcasted (he Interesting points of the playt by prominent people In the theater. The speakers included Philip Meri-valc, Donald Ogden Stewart, Prantt Morgan, Philip Barry and others. To further stimulate In the public an Interest in the theater, lectures hava been arranged In New York and Its suburbs.

Two new activities are being planned for next season. One is ft balcony subscription plan which will enable intelligent people of moderate means to attend the six plays Indorsed by Playchoice for the nominal subscription fee of $11. Mr. Krimsky believes that the balcony audience Is as important as the orchestra in supporting productions and a definite campaign Is to be launched to build up a large balcony audience. Playchoice is also trying to arrange with its selection committee to act as a Jury and to call the attention of the producers to certain flaws in productions before their opening in New York, The point of view of the audlenca should be seriously considered while the play Is in the stages of rehearsal and development.

If the errors are rectified before the critics and the first-night audience view the play. It should stand a better chance to succeed. Plavcholce, backed by a large sub. scription list, hopes to eliminate the chances of failure of a production which strives to be experimental and artistic and which might, perhaps, lack a certain amount of box-office appeal to put it across. To Become Actor A new Juvenile came Into view on the Broadway horizon last week in the "Garrick Gaieties," programmed as William Tannen.

This newcomer comes naturally enough by his talent, for he is the young son of Julius Tannen, the well known monologist and master of ceremonies. Strange as it may seem, coming from a theatrical family, young Tannen had to run away from home to satisfy an ambition for a stage career. Tannen Sr. had hopes that some day the firm of J. P.

Morgan Co. would require a new partner and that young William would step into the role, but overnight a few months ago William turned out to be a chip of the old block and is now enjoying the applause of audiences nightly at the Guild Theater. William is only 19 years of age. He Is a native New Yorker and attended school in Kew Gardens, his schoolmates Including Dorothy and Paula Stone. After being graduated there he went to Lawrcncevllle School in New Jersey.

Here he first showed signs of his ambition for the stage, plunging into the theatrical activities of the school, acting and writing. Four months ago he suddenly folded up his tent at school, departed in the night for Washington, D. and Joined the National Theater Stock Company. He was given minor roles in several productions and when he was assigned to a major part In "Brothers" he wired his father to come on and sample his histrionic wares. Tannen Sr.

Journeyed down to Washington, saw and was impressed. The family seal being stamped on his new career, young William came to New York and secured his present engagement in the "Gaieties." Now, Tannen Sr. has put his hopes in his younger son, Charles, to add some commercial fame to the family name. This lad Is now attending Lawrenceville School, with his goal being set by Tannen Sr. as the "best lawyer in the fitate." i But you never can tell about an actor's son, as William proved.

Charles may torn out to be the best lawyer practicing on the American stage. AMUSEMENTS BROOKLYN one developing a flair for low comedy, but Broadway couldn't recognize the less flamboyant gifts of a coming comedienne. So there was a certain admixture of surprise in the most enthusiastic reviews. The play ran a good deal longer than a mere succes The second production at the Playhouse ran a year. It was written bv a rising young dramatist called George Broadhurst.

It was. called "Bought and Paid For." Broadway had its Joke by reading the copy on the house boards in one sentence: Playhouse Bought and Paid For by George Broadhurst. The show made money all right a great dai of rePTi'V, which every Saturday night I carried In a satchel and deposited in a broker's office in the Hotel Astor as tuition for an education In Wall Street. Now, the record of my Playhouse for ultimately I bought out my partner the roster of its triumphs and its flops, is available in the newspaper files to all who care to look It up. Or it may be seen more pictorlally by a glance at the framed mementoes hanging on the walls of the Playhouse lounge: A scene from "Little a flash of "Lights of London." with Douglas Fairbanks, Holbrook Blinn.

Thomas A. Wise and Marguerite Clarke; or, more recently, an autographed program of "Street Scene" and a copy of the Palitzer Prize certificate. Actors famous a decade ago, others now famous, have trod Its boards. Young playwrights have had their chances: established ones have had their failures. One bit of history, not generally remembered, is that Grace George preceded the Theater Guild In the modern repertory Idea.

Five contemporary dramas were announced for the season 1915-16: Shaw's "Major Barbara," Langdon Mitchell's "The New York Idea." "The Earth," by James B. Fagan; "The Liars," by Henry Arthur Jones, and Shaw's "Captain, Brassbound's Conversion." The company included Louis Calvert, Conway Tearlc, Mary Nash and John Cromwell. Broadway said we'd never last through the season. Yet we did we presented all the plays as announced. But we weren't so fiwsighted as the Theater Guild, we did not build up a solid foundation of subscribers; we were not so clever as they, devoting our first entr'acte to music Instead of sending out a pretty girl to sell season tickets.

We ended the season In a blaze of glory we had carried out the contract done what was thought impossible. We hadn't last as much money as had been predicted, though we had lost some. The second season started with signs of encouragement from all sides. And then Well. then, our opening play, "Eve's Daughter." proved a mistake.

Our second play, rushed on, was Henri Bernstein's "L'Eleva-tion" a reigning success In Paris. But New York would have none of So, with pocketbook emptied. I ave up a scheme which the Theater Guild, having none of my gambler's blood In their veins, have organized In business fashion and carried through to its present national success. Now, don't mistake my words for envy or an expression of regret, I'm too Interested in tomorrow to waste any time on yesterday. And bigger business men than I have come their croppers In the theoter.

Do you remember when the Century Theater soon to vanish literally from the face of the earth was opened? William H. Vanderbilt headed a group of millionaires who proposed to establish a National Theater. A young man from Boston whose fine artistry was expressed in terms of the theater Winthrop Ames by name was brought on to supervise productions. Three famous architects supervised the wdrk of building. Opening night the most dlstin- i audience ever assembled In New York was gathered under one roof.

The production E. H. SoUiern and Julia Marlowe In Shakespeare's "Antony and Cleopatra" was gloriously staged. But The acoustics of the magnificent theater were fatal. The actors couldn't be 1 heard back of the 10th row! Of course, by means of sounding AMUSEMENTS MANHATTAN LOW'S IVOMDER, NOW! VALENCIA Back By WILLIAM A.

BRADY WHEN 45th St. was the dge of the theater district and the Shuberts had converted an old barn Into the Winter Garden, When Longacre Square was only dimly lighted at night and one looking up 7th Ave. gawd into darkness, looking down saw Broadway ablaze, When all the popular restaurants were in the vicinity of 42d When A. L. Eilanger was undisputed emperor of the theater: when Marcus Loew was running a n-rtJ Nickelodeon in East New wM Zukor iu run-Ung hales Tours in a little store on 14th when Joe Ujblnnc had a tiny cigar store on 6th Ave.

and got his cut-rate tickets by having boys buy up for a quarter apiece tile lithograph "skulls," When there were no movie theaters with a capacity over 300. When Shakespeare didn't spell "ruin," six or eight prominent actors and actresses prospering each year In Shakespearean repertory, When the whole worlu raved about Gilbert and Sullivan operas and Victor Herbert was the rage of Broadway, When six-dav bicycle races at Madison Square Garden were individual efforts, no team being necessary, and the endurance of the winner the big Idea. When, as I started out to tell you, I had turned from the fight game and was making my way In the show business, I soon decided that the only v-sry to exist was to -have a theater of one's own. There were very few producers who did, outside of the Syndicate which controlled the Ameiian theater at that time. You could build a theater-yes.

it the Syndicate soon found mean of taking over control. However, being a gambler, I decided to take my chance at bucking the powers. I started looking around and at different times I held options on the site of the present New Amsterdam Theater, on that of the Rialto. the New York Theater Building, the Astor Theater, the property where Dan Frohman built the Lyceum, and many other equally valuable locations Now. In those days land was cheap and building materials not at all what they are at present.

My partner and I he was E. Clarence Jones, a banker. Who afterward married Mcirgie Blossom, wife of the well known musical composer well, my partner and I talked It over. I made it clear that I was not out afterthe glory of building a theater. I wanted the more solid satisfaction of keeping it a while.

So. being as I believe I've said before a gambler. I decided to take a long shot, to pioneer beyond the glow of the white lights, to build a house In the hinterland of darkness. I selected a lot. to the considerable amusement of Broadway, occupied by an old church, on a street that had no business buildings in fact, hadn't even a lamppost.

I bought a lamppost, had it put up and how they laughed at that! It may sound amazing today, but the land cost only $310.000 today it would cost at least $300,000. The theater, at a cost of $165,000. was built in a year "Brady's Folly" Broadway called it. I named It no, not Brady's Theater, as they expected: I wasn't building myself an electric sign but a home. And when in London one night I happened to look up and (see over Cyril Maude's Theater the slen "Plaiyhouso," I said to myself: "That's a pretty title for a theater.

It's so Indicative of the purpose and the word has a pleasant sound. I'll name my theater that." So this bit of theater nomenclature, which has since become so popular throughout I the larid. was used for the first time in America? for a new theater on W. 48th St. which was opened ADril 15.

1911, by Grace George in "Sauce for the Goose." Who was she then? Broadway railed her "Bill Brady's wife." Broadway knew her charm and her loveliness and the piquant tilt of her little blond head, but they didn't know all the brains It had in it. Broadway could spot a young emotional actress on the make, or AMUSEMENTS MANHATTAN (TJimjYSN6TflOM5 Musical Smash Hit of the tear IMPERIAL THEMRe 45 ST. of rTWAtEVS830MATS WED. end SrT. SHUBERTO Little 44 W.

of el E-. Sharp GifU Tit' Wed Sat. UlflS Hit Millie Box 45th' Kv. '40 music oox Mbis Thur, 2 TOPAZE i x. it Kith FR4NK MORGAN Mai torif CiHtun COMEDY HIT Clarmrp Driniit "nJLJ 1 1V- Mats Wfd.

ft flnl. 2 .10 Artists and ModeU theatre rooi.rn to rhri 4Sth wat. tv 8:50 UIOTOSCO Mj'Iikm Wed. Bt. 3:40 A I-ASSION- comVov I iung Sinners FIFTY MILLION FRENCHMEN with Win.

niton. Gfoevlevc Tub! it, Hflen RrodVrirk Evgs Mat. Wed. Sals. 2.30 LYRIC THKATKK.

Writ 4id St. Plntv of Oood Scats at Box Offir The Tntatre (in lid Present THE NFW GARRICK GAIETIES Clll.n THEATRE, W. of B'wut F'g- ft 30 Mats. Thurs, nd 2:30. THE LASTmTlE wllh THOMAS MITCHKI 4M H.

HARRIS 4i St, of B'w. Evg. 8 oO Mtst Ufri. and 8nt. at 2.30 LYSISTRATA7 Ti-r v'nv wm hmr nlnutl 4TH (CTREE IHfATRK.

Went of B'way Even. 8:30. MaU. Wrd. A Sal.

"Mihtiet Eyer $rm." Aniftinin "ALL QUIET US WESTERN FRONT" THK A fn(veMl Pirtur Pren, hy Crl l.aemmlr WTR 41 wbv A 47th St. V-TJ I IWII.4) OrUv 2.4S-H-4S flat and Run. 2 45 A 45 PAITL ASH and Stage Revuer AR AMOUNT JACK SONS WILL KUUIK) LONDON HAVE SCHOOLER In "SIM BloM." CanlUI State Sbov! Mldnltr Picture Every PITKIN II LV3ETDOPQLITAN eULTON MITH ft. LIVIN5TONTr BROOKLYN A.ji-1'-,.: froticisme revue at the Guild 'Last Mile' Qot There in a Hurry On every theatrical producer's desk there are at least 20 plays waiting to be read. Some of them potential hits, at that must wait weeks and even months for a reading.

And even then the producer is likely to pass up the manuscript and force It to trudge around until it lands on some other manager's table. But "The Last Mile." the sensational and exciting play about a stirring prison revolt, was a 20th AMUSEMENTS BROOKLYN IS TlATBUSH AVE. "NOT DAMAGED" th I nit M'tTiin Fvi H'lhcrt Ami. whit puitM (Wnriii swjnvKi in'T-ii" will 2.0SBORNE Kmt of Rtuiio Ooiirni-j antl ha mv in an F.mirely New Program The Iflrr Antm-rat 3.AL LYONS nnW hr Minim Qang 4. BOB "VEST In Von'K Sing tin 1 mtgh tfh him Vs.

FANCHON tvirviwv INTERNATIONAL IJea 7n fl aVy i A BJP" AMUSEMENTS BROOKLYN THIS 151 Theatre Saturdayl 1ft Famtim Klara 8 DAVIES in "The Florodor. Girl" I.OF.WS "ACE" JAH lateFe.turei ot "Sketch Book ROYAL ORCH." Other Loew "Are' Tl IMbJr "THE CUCKOOS" Mlf lrt Wooleel Wheeler: "Voke of llollywotid" mm "KINC OF JAZr with Paul Wkittaii KAMS0 ROOK NOW OPKN NANt'V In "The llevil'i llolidar" It Nunut "Oitr I omeily "THEY ARNrii ABOl WOMEN" Vun St Si hrnrkt l.angdon Comrdy SSNEYISL LADIES of LEISURE' with Barbara Stanmyrk; "Volfea of l.ollywnort" syBf 5riurii vj 'LADIES of LEISURE' with Barbara, 8tanwrli: "Colden UILLSIDE "THE CUCKOOS" WmIm? Wheeler) Lancdon Comedy 3 DAYS, FRI. START JUNE- AND GREAT FAR EAST ANIMALS All New Street Parade 11 A.M. Frfdar' CIRCUS GROUNDS 1 1 TWICE I DAILY I I HP mm "MARION MARION 1 ART "HAVANA "LADIES of LEISURE" with Barbara Stanwyck VAliUKVII.LE WH.LARO 1 1 Hums Haitrllfff 4IITH ST. i "Don Hume' fiATFS I Klgnor Frlroe BAY RllltiE Morrli ft Shaw I "THE TEXAN" with Gary Cooper "CAMPI'S ORI'SHFS" LADIES LEISURE" with Barbara Stanwyck Audio Revue SPONSORED dv rnuniMFn DEKALB AVE.

MASONIC BODIES I BET. SENECA AND CYPRESS AVE, MILLER BROS. troll fj.jl'l...,-..iw,..irl 11 I BEDFORD Theater. Century Limited. It all happened so suddenly that It seemed unbelievable to the author until he actually saw the play on the stage.

Herman Shumlin, who Is the producer responsible for the play now in Its 18th week at the Sam Harris Theater, read the script two days after it had arrived from the typist. In less than 10 hours he had signed a Dramatists Guild contract. In two more days Chester Erskin. Broadway's youngest and most talked of stage director, was pacing the floor nights laying out the show. One wee later a cast had been assembled, and "The Last Mile," with an all-male cast, went into rehearsal.

In a month Hartford. AMUSEMENTS BROOKLYN BELIEVING! 19Ciot tit, M. HM. NEVINI5 ST1 'W MARKELL FAUN 6. One Btg Vwiia 7.

Jimmie LYONS Monorig 8. fredrico FLORES Mfnn)' fnrrmost teivw 9. OSAKA BOYS Rarrefj im and 3i(ivnw 10. JOE ROSE Ai.rohattt-1 lancet The Famous ll.SUNKIST Beauties 9 Ot Luic SbaM Tndar at MAVflowor BRIGHTON BEACH Santa, 91 SHOWING TODAY If DONAHUE O' GUNS -GINA MALO ALBERTINA RASCH GIRLS Holloway, young comedian in the Playhouse story. This last anecdote has a bearing on It.

For it makes clear what I started out in the beginning to explain my pleasure in the success of "The First Mrs. Fraser," which gives Grace George the best modern role she ever had. It's always great fun for a Broadway producer to have a hit in his theater. But there is. In this case, a deeper satisfaction for Grace George's husband In having Bill Brady's wife "back home" and in adding a framed sheet of newspaper clippings Broadway's tributes to a certain comedienne to the walls of the Playhouse lounge.

AMUSEMENTS BROOKLYN. HOLD EVERYTHING with JOE BROWN and WINNIE UGHTNER Pooitiely the) hananeX comedy ever made. Tha langbinf ane-ciior to "Gold Digger of Broadww" At the Orf in LoulM M. Roesch the Olrl Tou'll I.ovi to ln With tf'rtM rniAPOH KLl I W--. KKO it YORIUKINCr anci -como-ny in nev munotn vettiion of' 'old family tm tvnri in nev hiurioui hit DERICKfON BROWN HAL JEROME mi LEE TWIN with Oloria Cewy Ull 1 PIOPLI LorinR Smith Co.

I a. aramount MAURICE CHEVALIER hi "The Bii Pond" RUDY VALLEB in peraoa tn (alaeroje reviw I Bar! Abel at the Organ I EEPLECIIASE fultii The Funny Place I Rin If Midniehl Khow Ever; Stlurdaj p-sn1 iflWVia: now 1 mil LVS" IIS Sterling board, this defect was soon remedied. But Sothern and Marlowe, disappointed by the fact that "Antony and Cleopatra" had been unable to overcome the handicap of the opening, withdrew. The second production, "School for Scandal." was without a star. Some one had to be found to play ady Teazle a polished comedienne, Winthrop Ames looked over the field and selected as his choice Grace George.

And thus, as a re- suit of two catastrophies, Grace George got her first great chance In New York. She played a Lady Teazle that oh, look back and read the papers for yourself. "Bill Brady's wife" had turned the tables. I became known as "Grace George's husband." No, I'm not off the track of my AMISEMENTS MANHATTAN ROXY Htb M. tDfl Ufa AV under Personm Oirecnon -I ROTH A PEt -H(V Gt Tnvr Share Fun from the Rollicking.

Tuneful Comedy Romance THE NEW MOVIETONE FOLLIES of 1930 YOatnrlnr EL MAR.IORIR WHITE, Ol.l ltR OF.L FRANCIS. FRANK RII.H-AKDSON, MIRIAM HF.ECAR ON THE STAGE GILD A CRAY Glamoroiu. gnrjtroua dancing alar. In an Oriental hprrtnrte in 4 aeen- "ALADDIN." with a rant or vocal nd dtntf arliiU and entire ROXY or ligation I Si IM1KOWSKMNA, KOXV SVMI'IIONV ORCHESTRA MIDNMiHT PICTURES World IaifPt Caeling Plant Ms lor rtwrnri Bewro. Mr.

Dlrertor MARIE DRESSLER POLLY MORAN In the l.anfhinc Panic "CAUGHT SHORT with ANITA PAOF fl'iaafsifd hv EJdir Cantor' book. A Metro-Gold uvn-MaYer-Caamopelltan. Production THl KR-lipSTAiE RF VI'E" Tertdv 3orct. Ffflfn WiNnn. Cayitoliam he-ter Halt f.irli, flum hiik.

Hrartt Metrotone Newt. A DRAMA of JAIL BREAK with rnnrarf ACFL. Pernlre Claire, Raymond Harketl Si Ralph Inc Warner Broa. Refrleraled "With iiO at the SOUTH FOLK" I I Tfl at 41nl tl I V- Nitt Owl Shown DOLORES DHL RIO and EDMUND LOWS tn "The Bod One" ARTISTS at 49tb rtMi'SEMKN'TS NEW JERSEY. MAMMOTH SWIMMING TodT.

yiatrnoi)ficTrt hwkn Hudson mve nocth atootN or Tut to journal Gcjumi, tlercej City, I I si "COOLED BY OCEAN BREEZES" nn vjrnn.fTvi theatre bi EVES. WED. and BROADWAY PRODUCTIONS NEW YORK CASTS UV.SWILD WEST ana 1100 PEOPLE S00 REAL INDIANS-COWBOYS WORLD'S CHAMPION TRICK RIDERS! A TORRID TALE OF THE TROPICS "JUNGLE LOVE" nj Fimn hf.rendi:en with AGNES AYRES NINON BUNYEA HERBERT RAWLINSON BOYD DAVIS M.M rtKKK I'KIOU TO BKUAUWAV "who cares: Selected From the Hiti of the Lambs' Gamboli of 1930 BEDDED CLARK McCULLOUCH STRIKE UP THE BAND Evening Mats. Thurs. and Sat.

2-30 TIMES St. THFATRE.4-.'ll W. B'J 'wVptk GEORGE COHAN in The Song and Dance Man Ht ClbratPd Ampriran Comeriv FUTON Thftrf 4th W. of B'wa? Evre 8 40 Pop. Mnts Wed and Sat.

2:40 GEORGE WHITE'S FLYING HIGH APOItO. Wet lli St. Mt. WrilNrHIAVS KATI'RDAY THE GREEN PASTURES MAMffFIFI THFATRF. W.

Strict Matlnrrtt Kerinrsdat nnd 41 Urdu fait SSriiV I EVENINGS 8:30 Rrork Frmbrrlon present STRICTLY DISHONORABLE Comfdf Htl Preston filorcei 'triqprt nv 4ntalniltt Pi-it Mr Pemhrrtnn "Thf jolhrt, moot romttnlir i-nmcdv the Ifflxon," irtlnn t'nt'm-K hmjir. Tbi attraction Nvr at Cut fUtfa Thur. A Sat. 10th Month RE1NAL0 WERRENRATH BOBBE ARNST CEORCIE PRICE, WILL MAH0NEY IT'S A WISE CHILD last Presented be 1IAVIII KKI As((l "HIRK IS A I II A KHS AKM WFATHI.K I ANNOT Ml.l.T." Inntihin, l.9,r il III (SI Till tint tih t. ol B'war lv.

A I. 8 40 Mm. Thlirli, mij Bui. APRON STRINGS hlh Funniest Plav in Town It (iter Prvnr De Anfell 1 IH STRf ET THF.ATRF.. AIR OOf FD Kvg it 50 Mars Wen Hat.

LOST SHEEP HILAFlnra I COMEDT i Fen. M. Men. Thr. SI.11N THf.ATRF.

Went ol aT left Sean it Boa Offlco, II la ii iivkm At IIAKUMA.N Fr.t 1J I lit, WITHOUT ADVANCE IN PRICES, THURSDAY, JUNE 211 CENTURY CIKC11T THEATHKs" SECTION Gavnor a rhaa. Farrell In nteh Snrlefv Bluei FEATURE FILMS NIIKAKER in The Divorcee Garbo, Anna Christie, and Alia Frtnrh Gerttf SHEARER In The Divorcee KING in The Vagabond Klnr Gavnor St Chaa. Farrell In High Society Bluei CRAWFORD in Montana Moon POWELL In The Beneon Murder Caie SHEARER In The Divorcee KING In The Vagabond KiBf in Alhemarle, Plfttbush Ar Albemarle. Avalon, Kaiif.s Hmhwuy Jt B. 18th 8t Cmprese, Empire Blvd.

B'lclyn Av. Parraaut. Piatbush Rogers Ava. Klnowav. Kings Hgwy-ConeT At.

Manor, Coney Island Av. Ave. Marine. Flatbush A v. A-KlnasHKwy.

ifiavTair. voney jsi. av. Ave. Mldwood.

Ave. 3 At E. at. Patio. 574 Piatbush Av' Rialto, 10R.1 Platblllh AV Shcepihaad, Sheep.

Bay Voor. KKO Circuit Theatrea. There's ATBUSII Janet NOIIMA Greta NORMA DENNIS JOAN WTI.I.IAM NORMA DENNIS liAHT I IIAHI.ES in ine iean HUGGI.I.S In Voun, Man of Manhattan One Near Your Hume! Let's (ill BEDFORD SECTION TOMORROW Apollo. Fulton St. Thrriop Av Puttln on the Rltr; aHo Honor.

Some Rraeni. Fulton St ti Bedford Av. Nhe Couldn't Say No; Romance of the West. BOROUGH HA I.I AND DOWNTOWN 8ECHON Momart, Fulton St. Harrv Rlrhman.

Puttln' on the Rita Same Oxford. State St. Flntblllh Av. Evelyn Brent. Framed St.

George PlayhouM. lofl Pineapple Hlh Society Bluei: alio The Hide Out Same BRIGHTON BEACH SECTION Tuiedo, Ocean Pkft'V, or. Brighton L. Janet Gavnor, Hirh Soelelv Bluei Same FI.ATBl'SH SECTION Avora Villa, 3819 Church Av Aileen Prlnele, Soldiera and Woatea. Oavnor PARK SIXIPE SECTION Lor, I'nder a Teiaa K.K.O.

Alee. Aioee ttquara Midnilht Mvstcry. B. Sherman Vnud. R.K.I).

Kenmore.ChurchPIthinh THE VAGABOND KING, with DENNIS RING Vnd. R.K.O.Madiun.ldyrtle-Wvc.koffAva THE VAGABOND KING, wHh DENNIS KIVO Vaud. R.K O. Orphean). 67S Pulton Bt THE VAGABOND KINO.

Kith DENNIS KINO O. Rmhwlrk. iH Honard. Tnr VAGABOND KING, with DFNMS KING R.K.O. Tilvoo.

Opp. Steepierhare. Tnr VAGABOND KING, mth DFNNIS KINO R.K.O. GreepBAlnt. Manhat AT.

VAGABOND KVG w'th nrvvn Kr Proinet. 9th St. Stb VAGABOND KING, wllh DENNIS KLNQ.