The Bridgeport Post from Bridgeport, Connecticut • Page 40

11:00 AM mer chef. (2) (3) ir pendence Hall. (7) Preview i til Mif 1 KloblM "i TV lllB 1 Mr f. A A nbake." (Repeat le mood for a glimpse of an American clam here for a gan Craig Claiborne extraordinary 58 with the help some of th yes, mntry at the n', Long Island deGaulle's for 3) OVERY. "The telecast in Octp little.

ones are ustrated history both understam jt they have in presentation and the signing on of Independ the on-location adelphia's Inde (7) THE M. Blount, head Service ed jrarn mslak of live from Jefferson Memorial in Was ington, as well as patriotic se ections played by the Air For Band and sung by a group singing sergeants. (13) 6:00 COMMENT! Amon those airing their personal com mentary tonight, host Edw Newman introduces psychi trist Dr. Irving Bleber, an a thority on homosexuality, offers critical answers to stat merits made by the Gay Liber tion group; English a Anthony. Burgess, who a about America following his p'erience.

teaching at Princ ton; and Vietnam veteran Do Domingos, wounded in (he.wa who does, not wish to be cat gorized as a disabled w. .7:30 A I a'r Peg in a Roun Hole." (Repeat). Here's a 19 show that's aimed at the youn sters rather than the grownu in the house. It features an mated cartoons interspersed with Ludwig Von Drake's ja ber. about behavior tests.

Two the cartoons are quite enjoyab --one on bears cleaning up a ter littering in the park, and "Goofy the Dbg" episode water skiing. (4) ketry." Part I. (Repeat). This series did welt In its dramatic attempt to tell the story of the Kent State tragedy. In a fictionalized two part version, s'aintly senator (Hal Holbrook; accepts the hot seat appointment in his state, of heading a commission' to investigate shooting of two students by Na i a 1 Guardsmen during a peace demonstration.

But when TV fiction parallels recent controversial headlines, it feels con strained by a desire to remain fair, to give both sides of an issue which has already been covered by news accounts plus well thought out opinions from all sectors, a result, characters (the college chan cellor, the governor, local mayor, student leaders) are all badly overdrawn, and some dramatic values diluted. However it has been tackled and deserves a Salute for the attempt. (4) 10:00 --JOB FAIR. (Pre- mere). Here's a worthy series aimed at exploring ways and means of dealing with the high rate of unemployment in New York City, by offering information on available jobs, what and where they are, anc how to follow through to them.

Series host Joseph R. Erazo, Commissioner of Manpower and Career Development Agency, will interview a guest expert each week, beginning tonight with Jule Sugarman Resources Administration and Commissioner of the New York City Department of Social Services. Mayor Lindsay i introduce the series tonight. (9) 10:00 FANFARE. Philip Sousa: The March king)" (Repeat) A fine July 4th re- memberance of the man whose nnmfi has hftcnme a svnonvm Element of Surprise, Touch of Humor Make Silvermine Annual 'Unexpected' 22ND NEW ENGLAND EXHIBITION OF SCULPTORS AND PAINTING.

Silvermine Guild of Artists, 1017 Silvermine road, New Canaan. Through July 11. Open daily, including Sundays, from 12:30 to 9 p.m. Admission free. Expected this year from the New England annual exhibition was the unexpected.

Juror Lawrence Alloway forewarned as much with his views on one-trend, style-conscious exhibits. The work selected (only 168 from more than 1,000 paintings and sculptures) variously reflects the many stylistic facets employed In painting and sculpture today. Sculpture was whittled down from 59 (in 1970) to 32 pieces. The selection also reveals the critic's unique position of independence, his punning and challenging any convention as to what is or can be considered art. The sleek, calculated museum director's shows of the last two New England annuals came off impressively as "shows." But one more single-minded modernist show would forestall all sense interminable bore.

THE 1971 exhibition is not a bore, simply from its element of surprise. That a healthy diversity--traditional, modernist, postmodernist reigns over the art of today is Mr. Allbway's message. color boatscapes and Andre Wyeth emulations, but in a chievous moment slipped In of his little surprises an believable sunset. The much written word recen ly on the "new" realism and comeback of realism doesn neecssarily apply to the artists question here.

Realism for the isn't new. They are just findi themselves In a new wave favorable wind, much the sam as those rigid abstractionists found themselves suddenly covered" with the famous sponsive Eye" show in 1966. SEPTUAGENARIAN Boulton has always modeled animals (and American Indian in the Renaissance tradition. to encounter a Boulton bron lion in a New. England Annual as startling as the idea of com ing face-to-face with an Ann Hyatt Huntington bronze horse a New England Annual.

Octogen erian Kate, Manning's quaint an charmingly primitive basket flowers is another surprise, mo so with the bestowal of the Larr: Aldrich award. This impish ge ture may backfire, however. directness and originality in Ka Manning's little flower bask will certainly outlive any of prize-winning daisies, mushroom or spilling apples. One West coast critic has com up with a label for the new phot graphic realism the "Ne a comfortable, well-used arm chair by Eleanor Rowley, a set of doors opening onto a salt meadow with a discreet suggestion of surrealism by Mac Squires, and two brilliantly colored unadorned, architectonic windows by Helene Brier. THE ABSTRACT WORKS, In the hands of Silvermine display artist, Robert Franco, can be made to look good in any setting.

He has coordinated a stunning display in Hays Hall (the leftovers hang in Gifford auditorium). the garden leaves much to be desired. Norman Tinker's small cement and pebble- studded architectural slab seems lost and lonely, while Olafs Zei- denberg's huge glistening blue plastic organic forms out of place in a sylvan setting. The look of abstraction is slightly post-romantic. Color's are softer and preiiie'r-- party- cake pinks, lime-ice greens, birthday candle blues and a sweet tooth for mauves and violets.

Raw canvas with sprayed monochromes or delicate calligraphy takes on a new elegance. Materials are flimsier, more perishable and capricious-- plastic bags, film strips, beach balls, string, And scale, in painting and sculpture, is less grand and commanding. Perhaps the diminished number of abstractionists serves to their advantage. One is aWare that their selection has been carefully 'Repetitions, especial- 1 ly in the" geometries, have been avoided. Second-generation abstract' expressionists' have as much voice as the hard-edged constructivists.

One is aware, too, that the currently popular, lyrical abstraction, for sonic reason, has just 'as consciously been omitted. The only conceptual work is 'Reginald Case's' papier mache 'stilWifes (a 'sea and landscape tableau). WITH' SOME of the' artists there is a 'feeling of having seen it one time too niany-- James -Meyer's 'enameled chrome scalloped cut-outs, Tim- line Ogdon's'c'olored plastic molded baubles' that resemble a hotel lobby 'perfume 'case', Sta Wie- mirrored 'slab, Hisao Hanafusa's rows of canvas- covered 'tubes. other familiar names Paul Camabho, Charles Daugherty, Leonard Fisher, i Jack Marshall, Marjorie Walzer, 'Robert Franco-- you will not seen it before. They bring a new vitality and verve 'fo an old 'format or invent 'a hew one.

Paul "cylinder." is npt as imposing as most', at his 'Stejv" Vprk' showpieces. But ft is beautifully subtler, niofe subdued, in his, new, of lavenders, and a continuous line of magenta, Charles Daugh- erty'a. concern for color relationships is made all the more dynamic in a new and larger format-- a color-banded circle within a striped ovoid. Jack Marshal has aban- daned his traditional sculptor's, materials for plastics and problems of light. His plastic bubble is the gayest, wittiest 'piece in the show.

Inside the bubble are 9 limp beach balls embellished in a patchwork of lavender, pink, blue, yellow, orange, and green (the same colors and design are painted on the exterior of the bubble case). Don't miss the fun by falling to step on a little foot pedal. The deflated forms slowly rise and swell into the beach balls. Marjorie Walzer, also in a new medium, is at her best in her new-found plexiglass modules and boxes. With meticulous craftsmanship she enlivens her geqmetric forms with soft colors --violets in "Spatial Progression" and yellows in her prize- winning "Yellow Capers." THREE NEWCOMERS to the New England exhibition (all prize-winners) added to the aforementioned names, are the most satisfying artists in this show- sculptor Joe Neil (Hartford), Ernest Dieringer (West Redding)j and August Madrigal (Bridgeport).

Joe Neil's elegant black and white environmental structures were first seen (and never forgotten) in the Hemingway Gallery (New York) last November His entry for the Silvermine show was a series of four open- frameworks, fitted into one. From each box is suspended by hooks, clear. 'debatable plastic squares. "Made in America, No. 18," in its complexity and architectural reference' to mass and plane, creates its own environment.

It seems strange for Ernest Dieringer to win a prlM for his sprayed monochromes on raw canvas "Icarus he has been known colorist. His mastery at juggling squarei and the vestiges of Ms former color sense tan be seen in the Gifford auditorium in "4 4 4." "Icarus Souartf is nonetheless beautiful, cool and quiet meditation on the chromatics of the Cubists. At the same time his shifting squares of transparent whites reveal some pronounced futurist ideas In the realm movement between static and dynamic elements. The futurists' theory never did work, for their lack of technical know-how. Dierlnger's moving planes August Madrigal is an intensely cerebral artist for a watercolorist.

His "Red Temple" won the Lord and Taylor award but his "Blue Temple" is even more beautiful. It is always amazing that his work can be so sparkling and jewel-like in color when the whole architectural structure has been developed from supreme logic (an Albers logic ol relationships), i Perhaps by the time the 1S71 New England Exhibition fades into history, it may not go down as the worst show, but neither will it be remembered as the -MARTHA B. SCOTT PALLBEARER KILLED ROVIGO, Italy (AP) Guilio Comiero, 28, was helping to carry his aunt's coffin to the cemetery when he tripped and the coffin crushed his skull, killing him. (4) 8: CO-SUNDAY NIGHT MO DIRECTIONS. "Inner onT Thoughts from Outer Space.

he most interestm ne twor Russell films tailor-made for TV. Sta a Captain ng peter Falk, Vitf Morrow an John W. Young, and Air Force Lawford, 'it concern Lt. Col. William Reid Pogue three adults who cons ider (only, the latteri to heist because they all are bad a his first outer, space neei bread.

Amateurs th discuss''their i feelings they are, carry out the ro about God i relationship bery.of a. mone to mankjnd, affect- in 'excitii ed outer space. 1:30 ISSUES A AN- ments. Peter Falk's role is tl oughest, since he, must chang rom a straight as an arro SWERS. General Maxwell D.

guy, and his character reverse Taylor, USA, Retired, former will -probably greeted wit United States Ambassador to skepticism. Oni the'other, hand South' Vietnam, and one of the swinging P(6 t.e.-r Lawfor people involved, in the contro- emerges as most convinc versy over the publication of the ing; ham Pentagon papers, will be interviewed by ABC correspondents Bill 'Gill and Bill i from "Washington. (7) (S) 25(3) 8:30 VANISHING WILDERNESS. "The Chain Life." (Repeat). of th 2:00 BASEBALL.

series and a York: Mets vs. the A a a provocative glimpse into, Braves, from Shea Stadium, part the Americafe. consume (8) (9) might be able to'. play.in-stem ming the tide of'one' form 2 0 0 BASEBALL. pollution --the substitution, York Yankees vs.

the Boston an organic pesticide for Red Sox, from Boston. (11) eliminating pests, from 'crops- citrus fruits. is also waukec will costly desire for unconsidere be telecast this time, ocean front housing. (I3)(49) Gather round with your children bandwa. (13)' (49) CHAMPIONS, for today Is the competition between the men's and women's track and field teams from 'the United'States and the U.S.S.R.

Jack, Whitaker, Ralph Boston and Bill Toomey report oft the action. (2) (3)' 5:00 SPECIAL. "The Torchlight' Tattoo and the Air Fo-ce, Band Concert," Another holiday specia'l offers demonstrations by the A Drill Team, and the Old Guard and Drum Corps, at the PREMIERE TODAY AT 6 P.M. Frank and searching interviews with the principal personalities who shape the issues of the day that affect 'the citizenry of Connecticut and its neighbors. TODAY- GOVERNOR THOMAS J.

MESKILL answers the questions of DERBY D'OENCH, Editor, The Middletown Press CHARLES FJ. MORSE, The Hartford Courant BILL MILL, WTIC News MODERATOR DICK BERTEL, WTIC For the sound of marching feet, and -an opportunity to find out who John Philip Sousa (18541932) actually was. and how he became so celebrated. Interviews, film clips and stills to bring the documentary to life. (13) (49) i Ballet Theater to Try Patron'Seat Plan NEW YORK (AP) Instead of holding a benefit performance during its summer season, American Ballet Theater will sell special Patron Seats for al performances.

Seats are being sold for $15, which is regular jrice of 57.95, plus a contribu- to the ballet company. The company is dancing the New York State Theater through Aug. 8. HELPS SLEEPS South Africa (AP) Doveton Hale rlelps, 54, was charged with housebreaking intent to commit a crime "unknown to the prosecutor" after he was discovered asleep inside a government school. Helps testified that's all he broke in tor--to sleep.

The court gave him a.sus- pended sentence. But diversity (in this case) un- American Airbrush-Color-Photo fortunately, does, not constitute a raphy Reali sm." This could very good show. It Is an exhibit to ponder and take with a good dosage of humor. Amid so many conflicting styles, each viewer will be forced into making his own conclusions. For some, the reappearance of realism will restore the lost confidences of, the Western art tradition.

may grasp another timely message --cultural fatigue is upon us. The first precedent-shattering event was the awarding of more than half the prizes to realist painters and the top. sculpture prize to a arch- applied to the cool, precision! techniques of Jay Virbutis (Wate town), Richard J. Doyle, an Marvin Hayes (Wilton). Virbutis' "Dark and Silen could be a telephoto lens stuc of a cluster of growing mu: rooms, with a sharp-cropping outlines and raindrops that glisti Ijke crystal prisms --all colore with film-like brownish tonalitie It would make a fine illustratr for or the "Conservationist." Richard J.

Doyles' debt Charles Sheeler is as evident his debt to black and whi academic sculptor. Previously, a photography (his tones are th handful of realists had been tol- grays, and whites of film crated.only, to meet the require- without a tint of color). The ton nients of certain designated and contours may be cool an awards (such as a realistic New sharp, but the narrative conte England landscape, a marine of is over-heated with nostalgia an traditional painting). After nearly sentiment', a decade of neglect in awards and "The Fight for Survival" (a representation, the realists have tailed close-up'of a lonely ra gained ground. NO THEMATIC stone has be unturned--landscapes, (s sets, snow scene, crisp barn apples falling out of a basket field), seascapes, pbrtrai figures (the of the nude still-life, flowers (especially da es) animals, copies gre igurative paintings.

Allow spared us the Cape Cod wate for a holiday entertainment 9:00 MASTERPIECE THE tiring, historic Father; -Sgons, Alistair Coqfce Balzac: "he was neve: 9) '4C jharsh on himself- as on his i Sunday Post Television say iver jnarsn on mmseir- as on his char acters," with which remark 3:30 AAU INTERNATION- come to the close of this four part dramatization of Balzac' deadly morality tale. In fact, would seem as though everyone Father Goriot, to hi grasping daughters, on down callous high society, is finall the fool, until there's little fo an'ambitious young student became but thoroughly corrup It's all so black and white we're left with little to respec or sympathize with, but muc to ponder from afar. (13) (49) 10:00 THE BOLD ONES "A Continual Roar of Mus vv 2--Tom "arid lerry 4--Modern Farmer 11--Davey-Goliath 2--Penelope Pitstop 5--Insight ra ject Know 8--Faith for Today n--Christophers 11--Day of Disc'ery Corner 3--Christophers 5--Mighty Mouse 7--Faith 8--Christophers 9--Oral Roberts 2--Gumby' 4--Library Lions 8--Sacred Heart 1--Joya 5--Wonderama 7--Christophers 3--Teacher 9--Davey Goliath 4--Story Time I--Popeye Around --Sunday School 7--Thou Art With Mt 8-We, the people 9--Discovery School to Go Mjch. Heritage 7-rSmbkey Bear 2--Public Hearing 3--Challenge 4--Direct Line 5--Flintstones 7-8--Discovery II--Abbott, Costello -12 Noon- 2--Newsmakers 3--We Believe 4--Research 5--Movie 7--News Confab. 8--Opinionated Ma 9--Hour of Power 11--Movie -Face the Nation 4--Moot Question 7--Answer 8--Consumer Repor 2--Movie 4--Meet the Press 5--Movie 7--Directions Day 9--Broken Arrow World Freely 7-8--Issues Ans.

9--World of Boating II--Westerners 7--Movie 8-9-BasebaII 11--Baseball 4--Movie 5-Saint 7--Movie 8--Movie 49--Sweden. 2--News 3--News 4--News 9--Flipper 4--Someone New 5--Movie 9-Movie 11--Jeannie 13--Nine Heroes 2--Hogan's Heroes 3--Untamed World 4--Walt Disney 11--Father Knows 5--Movie 7.8--FBI 11-Top This 13-49--Jean Shepar Skelton 11-Movie. 13-49-WiIderness (FMO Tho will be heard tonight 10 PJH. on, WTIC Radio 1080) 9--New York Report --Open Circuit --Johnny Quest 9--Church Up, Live 4--Man in Office 8--Cattanooga 9--Point of View --Little Rascals Three -Newslight 8--Bullwinkle --Cathedral --Superman 2--Pinpoint 5--Movie 13-49--Circus Parade Meet 3-49--Sesame Street Heritag 3--Perry Mason 5--Secret Agent 8--ABC News Spec. 9--Movie 3--July 4th Spec.

World 4--Sports Challenge 8-Beat the Clock 3--Face the State 4--Comment 4--Bonanza 7-8--Movie 9--Barbara McNai 13-49--Pere Goriot Palace 4--Bold Ones 5--News 9--Job Fair H-News 13-49--Fanfare Lindsay 9--Candid Camera II--N. Y. Closeup' 3-News 4-News 5-Davjd Sussklnd 9-Movie 1--Encounter 3--Movie Gentry 4--Movie 7-News 1--Ask Congress 8--Movie road track) and "I Remembei (a solitary figure of an aged ma cemetery bowing. before tombstone a "Mother 1 were both prize winners. THE CIRCULAR view vin Hayes' pet Siamese cat seem to be caught through a lens in a photographic blowup.

It the dramatizing of the subjec its exaggerated magnitude, an the intentionally disconcertin title, "Rememberance of th Enter Eye" that throws mos spectators off balance (and pe haps is the reason for taking th top Silvermine award). Mr. Haye is indeed a clever technician I slick spraying and slight out-o focus blurring around edges) a well as being quite inventive i his dizzying perspective effec (similar to those achieved with a wide-angle lens). The modernist of the realist is Salvatore Gulino (Harwinton, who reintroduces the subjects and compositions of great figurative paintings. In "Picnic" he combines the figures of Manet's "Dejeuner sur L'Herbe" In the foreground, with figures from Leger's "Family Portrait at the Beach" in the background, but without the usual logics of perspective.

Gulino is not alone in this new style. John Clem Clarke Is the most widely recognized artist to openly copy and credit the great masters. But Gullno is the first to be seen locally. The whole wave of artists fror San Francisco to New Orlean New York who are paintini heir references from celebratei works in cartoon fashion ar able, at the same time, to defin an aspect of our culture. Th problem is to an indivi dual style.

Few do. Gulino does manage rather sue cessfully to translate two trad! ional and most contrary mas ers into contemporary terms The manner is not too persona statement, but It is a state ment. Gulino's campy portrai Crow Indian" does not succeet all. THE MOST PERSONAL land cape from the realists should be passed over in its "backroom' acement (nor should the three mtrasting portraits by Michae! irk, Russell Lawson, Howarc Iverman). Gerald Van de tele's monochromatic "Winter ield" commands attention for its bstract expressionist handling nd ability to convey emotion thout recourse to narrative de- riptlon.

The subjects of doors, windows chairs has been cut down in too. But those that remain re deserving--a sensitive, rather unting chiaroscuro drawing of He took ge George Wright doesn't take 'advantage of anyone. He even dodges ants on the sidewalk, but the fact remains he did take advantage of us. He was in the depths of boredom and badiy needed some rest and relaxation. One'day he was even late for work, but when he did arrive the old sparkle was back.

A quick decision had been made to take a trip, and CNB 'was fluick to start him on liis way with a vacation loan, traveler's checks and worldwide charge with hia own CNB Charge Card. He hasn't even left yet and he's already a more enthusiastic person. You can bet yourboots that he'll be taking: advantage of ns again. hut, don't leaveit to advantage of us for your own good i Connecticut National Bank.