Redlands Daily Facts from Redlands, California on March 24, 1959 · Page 8
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Redlands Daily Facts from Redlands, California · Page 8

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Redlands, California
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Tuesday, March 24, 1959
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Page 8
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8 — Tuesday, Mar. 24, 1959 Redlands Daily Facts TELEVISION IN REVIEW * * By William Ewald NEW YORK (UPI) — The na lion. I suspect, will be swamped with favorable reviews of Monday night's "Green Pastures" on: NBC-TV end rightly so. The Hallmark Hall of Fame's live repeat 'the show was done previously in October. 1957 1 of Mare Connelly's 1930 play was a stunning accomplishment for tele-] vision, an exercise replete with humor, taste and inventiveness abandoning the matter without ever really getting its teeth into it. I do not mean to dispute the play's theology. What I am trying to point up is that "Green Pastures" muddles its own material. It is useless to say that "Green Pastures" is a naive work as explanation tor its lack of incisiveness, because it is not Unemployment Ominous Feature Of '58 Recovery By EDWARD COWAN U n ited Pre» International WASHINGTON — Although production is high and income has been breaking records from month to month, unemployment is still well above the •"normal" mark. This is a curious and possibly ominous feature of the recovery from the 1957-58 business recession. The highest administration economists concede privately that it might mean the nation is in for a higher average level of unemployment than in the pre-reces- a rather so-] s j 0 n period of prosperity, orldly: com-, „ , , . . , , . 1 Total output of goods and serv | naive. It is. in fact There were able performances! phisticated piece, by William Warfield as "Delplex. glossy, advanced in its tech Lawd" and Frederick O'Neal asjniques. Moses and a roguish one by Ed-j No matter. Whatever the flaw;die Anderson as Noah. The Deiof "Green Pastures." Hallmark Paur Chorus turned in a slickjHall _f Fame treated its parts job — almost too slick — in man-brilliantly Monday night. It wasjout of work in January, or SIN ufacturing a musical backdrop of'an achievement in which all'per cent of the total labor force, spirituals for the piece. I concerned can take pride. JThc jobless total ran to only four And now that I've said all the, n , L , Jand a half per cent of the labor SHORT RIBS By FRANK O'NEAL men were left more cost-conscious and more apt to retrench until orders and sales pick up substantially. A close look at the figures shows that joblessness is concentrated in manufacturing. It is precisely in this sector of the econ-j cmy that labor's productivity has improved most. Take automobiles, for example Federal Reserve Board reports show that December production was down four per cent from December. 1956. while employment was off by 20 per cent. Economists point out that production always rises luster than ices now is perhaps a trifle larg- job opportunities as the economy cr than in the summer of 1957lpulls out of a slump, since cm AUJ2Y OOP Bv V. T. HAMLIN before the recession began. But there were 4.724,000 persons Th« Channel Swim: NBC-TV's Dinah Shore will have 50 entertainers from Hawaii on her April 12 program. April 5 marks Miss Shore's 500th telecast. There's a good chance ABC-TV's Naked City may wind up on NBC-TV next season. Liza Minelli, daughter of Judy Garland, will dance with Gene Kelly on Kelly's CBS-TV special expected things and made everyone happy, I'd like to enter a few words of dissent about "Green Pastures" itself. As a viewer, I found myself admiring the production, but standing outside it. I felt little involve! ment — the events taking place were moving events, but they pulled only an occasional response from within me. . .. „, T , . . ,. , , , . . ,. „ April 24. Ida Lupino and Howard 1 thmk the reason is this: There Duff wj j] slar jn , ne seasons fi-i, !^. a .,! c „°Lr.?. m . at l? : enS !°. n M inal Lucille Ball-Desi Arnaz plovers make fuller use of their lacilities and lengthen the work week before hiring additional help. Longer work weeks and higher nay rates explain why wage and salary incomes in January ran at force in the prc-recession period. Why has unemployment failed a record annual r:itc of . $244,500. to improve as rapidly as other aspects of the economic situation? Economists give these reasons: —A workman can produce more in one hour today because of technological advances and greater investment by businessmen in better machines, drills, computers, forges and other •quipment. grown 000.000. Total person income — wages and salaries, rents, interest, dividends, proprietors' earnings — climbed to an all • time high rate of S362.300.000.000. But there is a limit to overtime. Once it is reached and demands for a factory's goods still-pour in. the boss has no choice but to hirci extra hands. ] Administration economists sav] THE STORY OF MARTHA WAYNF "Green Pastures." It is not so |"n .'l rnVrKn"i7Miv"n°^ —Tl,e labor foree ,ias ,u . < .i .- . . much a play as it ,s a series oi ^S^Z &™ fa ^ r '" an ° Utput a " d Z^JSLZZ* charming tableaus. There are no stresses or pulls within its structure. It merely proceeds in a straight line, pouring out its story like salt from and File." is tentatively pencilled in for the end of May on CBS TV's Playhouse 90. John Gielgud will star in "The Browning Version" on CBS-TV's a shaker. There U m> true prob-jshow of the Month April 23. SBC- ... n. . , ^„ s ornujbus w j]j ^ co i orcas t next Sunday when it beams out lem or conflict within the work. There is a sort of half-hearted attempt to superimpose two problems on its innards: One, the difficulty of communication between God and man: the other, the struggle between good and evil in man. But "Green Pastures" never really comes to grips with either of these issues dramatically. The first conflict — the difficulty of communication — it a film produced for the United Nations. "Power Among .Men". NBC-TV's new one hour color Western, Bonanza, will go before the cameras in Hollywood April 6—Lome Green. Pernell Roberts. Dan Blocker and Michael Landon star. Florence Henderson and Bill Hayes, co-hosts of NBC-TV's Mu atively fewer jobs are therefore available. —As in all recessions, business "solves" by suggesting that God', sic Theatre which will debut lacks complete understanding of himself, a preposterous assumption if one accepts an omnipotent and omniscient God as "Green Pastures" does. In terms of the play's own logic, it just doesn't work. The second conflict — the problem of good and evil — "Green Pastures" just sidesteps, quietly; Thursday, will star along with Ernest Truex in the series' April 30 show. "A Kiss Before Leav that day is now approaching. By the end of 1959, they say the jobless rate will be well below six per cent. But they stop short of predicting it will drop to the four and a half per cent of prc- recession days. In fact, they say the so-called "normal" unemployment rate of the 1956-57 period may not be achieved again in the foreseeable future. LOS ANGELES »UPI> - The J 1 * l ^°,L (0TCe is f owing by Southern California chapter of the aboul • 00 -°f mcn and , " omcn * .American Civii Liberties Union - vearKln a few > ears ' th ' 5 *. row,h has announced its support of bills ma >' te evc " .f "ter as the bump- pending in the Legislature to abol- cr crop of war bab,cs rcaeh Civil Liberties Union Opposes Death Penalty ish capital punishment in California. Chapter President Robert Vogel said Sunday night that capital punishment violates the Eighth ing". World of Ideas is set! dmendrnem 10 0,6 Constitution through June on CBS-TV. Marjorie Lord of the CBS-TV Danny Thomas show will spend the summer working at a theater in San Francisco which her husband, Randy Hale, owns and operates. j which prohibits "cruel and unusual punishment." It marked the first time in the 40-year history of the ACLU thai an affiliate has opposed capita! punishment. working age. Can the economy find enough jobs for these new secretaries, plasterers, engineers, lawyers, salesmen, cobblers, chiefs, trainmen, etc? Most economists answer "yes." But they hasten to add that in the coming months the outlook may not be too bright for the 'hard core" of 1,375.000 Americans who have been out of work |for 15 weeks or more. By WILSON SCRUGGS WILL VOU HAVE A JALL BGUT, BUT ^ WifiHTCAP WITH I/C-OTHE WWWU'VE CX COFPJE? B== w ACTU6,1 DON'T TWiun: BJOJGH TO HAVE ANVT-.N3 TKXGEE 'a AV COCOA, BOOTS AND HER BUDDIES T«S.S- By EDGAR MARTIN What we already know about your 1963 car The engine of your 1963 car will be lighter and will give you improved performance, including better gasoline mileage. We know this because Standard's scientists are already developing gasolines of the future. To test them, we use experimental engines installed in current model cars. The engines are obtained from auto makers and modified in our laboratories to match engine design forecasts. These future fuels are given the toughest possible workout — on the road, as well as on this "indoor highway." Here we can create almost any kind of weather or driving situation at the touch of a button. Gasolines are tested at varying speeds and engine" loads to simulate mountains, traffic, freeways . .. under climatic conditions ranging from 120° desert heat to 40° below zero cold. Your car of the future may never experience such punishing conditions. But if it does, we'll be ready with gasolines that will deliver all the power and performance built into its engine. Research that leads to new and improved gasolines is one of the ways the people at Standard ore planning ahead to serv* you better. T C&TCS. CP? PRJSCILLA'S POP By AL VERMEER THAT'S THE FIRST TIME VOUVE REALLV STRAIGHTENED UP YOUR F?OOM SINCE I DON'T KNOW WHEN! CAPTAIN EASY By LESLEY TURNER F Z KNOW. WE'RE AIL SHOCKED BY 1 THE TRA6EW1 MRS 8EU..ARE YOU BBNm SS ^* U "TKcSEA«AUH:5fWEKSt| H0L'SEKEEPE *i ICAKT BEUSVft Hi WOU'T BS COMNS HOME TCPAVi A5 USUAL 1 . ^CjJ POSITIVE: HB K=PT'£\\ ALL M THAT CE5K1' THE NOTES HE JLWDE AT NIGHT WERE ALWAYS- DE5TK>S=Di HMW..TKERES M FORMULA HSKEl TELL ME. 0ID HE EVER DI5CU55 W5 W«K AT THE PLANT? T- CH.NO! IT WAS VERY SECRET'. BUT I KNEW FRCtt H!S M0055i !F-HEWA5 MAKING PW3KESS. LATELY. KEP SEEN VEKV BLUE. THEM THE LETTER; CAWE THAT CHANGED W A LETTER.? ALL THAT: ^frowuKNC* EiTlS

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