The Brooklyn Daily Eagle from Brooklyn, New York • Page 35

THE BROOKTTX PATTT EAGLE. SEW YORK. SCWDAY, XOVKMKKR 1. 10T7. fm WHAT iTsiIRRING IN THE REALM OF ART i.

u. 'i I Many Art Exhibitions; Few Displays Important and stuifs, are painted out or icene ioei. n.n.m mam-- furs and r. b. auttful In de- JW A sign and color.

Iter portraits, one of 4 A(L The a I lined AK 1 which is of herself one of Michael J. diawum the csporlallv 111 tnanii. Which 1 am.tH& ssststsssa ee calendar on tile back of the orange Touchitom 'TA tic works of those mentioned white tiling ihe no or as catalogue, arc very amu-ing and origi- JkTIJln th- exhibition Is a iMiueruess or ale nully seen. Thev are good likt nesses. i.fif jt st i ezamesqii.

hi ill life at-l I on View In Brooklyn, but also goo, arrangements with a. -ft iJaL 'V I M.ilis-e.lik.. figures I lists i Itrooklwi Mn inn. I -a'lcrn lark. each other.

They Perhaps the ph-sing canvas! JmWm. berg. Magcr. I'andiek and Itohland. In th.

ar. KIM of all li "Flowers." an a. rang, In JMhSfilk his mlcaoes I Pa' I ,1 ,1 white nml ereen. showUm a dark JKBTM. iSilFWIkdMv l.i.,n..

l.v rkarlr. Ilnii.nl. mH 1.1. A Tu. s-laV cent-, for children.

10 cenu; tree on hoiidays. Collection In dn'i art-, tthnology, natural hlatory a 1 teferenee books the subject. lithngrapha at museum through Ne- skinned woman white agamst JflV. fW9 ward Ilk at iM.uol leafy background clustered with large ffM ifclffff ijlia 1 Cliarcoal Hee.ls hy Mark Tobty at HQ live Hell and Huntington and poi.de, Knm-dlcr's. Wright have both tried, 'live hell to think thai i am Miat ov in the i CSHnH 1 i I charcoal heads shown at 's mmMKI of r.am,.-.

Wright Men. Mr risk n.ts. yr. a nis- Wright has not app.oiaterl th. possibilities! H9M little fix u.nu- Vi Rx i Z'sz on modern painting.

one I abstractionists. It is doubtful If It be adequately done, as pure painting, concerned only with abstract nrham Galleries. A Hro-klyn seulp- forms No can ever and rhythms and without any by a flrst-hand acquaintance. The interpretative landscapes of Charles Demuth done at St. Georges, Bermuda, and shown at the Daniel Galleries are exquisite abstractions In water color, suggested for the most part by tropical scenery.

At first glance they would seem to suggest the Cezanne water colors In the delicacy has gone further, and. while all modern painters must acknowledge their 5 pol t) rtp hlblt most rabid nuu-m mist must heads, striking enough on first imprcs- lng only 'he head and throat In heavy-black line against the white paper, but lacking in the charm, the elusiveness that has ever made charcoal the beloved medium for all great artists. He draws In a tight, art school fash- ui the saving grace Of lira 111,1,, i oosslb'iitles of modeling with a smudge here and shadow there. The sensitive grada tions of light and shade that can be I expressed the line Itself have not been kept. In a more up-to-date guise they remind one of the crayon portraits of tifty years ago.

'ople are the Ideals of a portrait painter; they are all represented -the smart, closely cropped little boy with the Eton collar; the brave and beautiful young man, with a suggestion of i'raxiteles In the brow; the young man in khaki, without one example of which no exhibition is complete; the stago favorite (this time Mary Garden I the oclety woman, the vampire, nte, the stern man of af-artist, then a brief essay ctlons and cubist drawi.ig. he sensitive thing and if a oung artist elect to express himself i this medium it would bo advisable see how the great men have done Tobey could spend many ends of Leonardo and Ranhael. or modern times, if he is Interested pit Cox, tyle Annual Exhibition at'ihe Liberal Club. To revert to the conventions of painting is to be most modern. The appreciate the refinement and exqul-vhite siteness of these landscapes, and the lavman who knows nothing about the fundamental principles of painting muft enjoy their sensitive color har- "King Knud." ''Exhibition Worka of Younf Statu, by Liberal Club, which has last word of modernism, claim that distinction shown are academic in 1 to cling to tho revolutionary ti.

edition of breaking conventions. Tho high water mark of shockers reached. I Many familiar names an here, al- though in tho ease of 'ol, nian and Becker used to seeing their blac work in the pages of The in tho oil and water present exhibition. Mauriue Becker Is still picturing East Sale types In dingy and muddy colo.s In bis endeavor to paint humanity stark and raw. Glen Coleman is more successful In his single exhibit of fields hedged in by fences and forming an amusing pattern.

Andrew Dasburg is represented by two drawings of nudes, dene with economy of line and of character and action. Dickinson, painter of unques tioned If morbid talent, shows a large of a In MUSICAL EVENTS i more than 'he 'cker i By Helen Applcton IUd. After an auspicious opening of the there was bound to ne a during the present week new openings of especial in even standard of good Mrl shown, but nothing there i of like Importance with the exhibition of Italian primitives at the Weinberger Galleries, tho Eakens Memorial or the exhibition of Contemporary their in spirit lacking in nnd bravery of youth: their painting has become a trade and Nature has become exhausted for them, as far as new discoveries, or personal experiences are concerned, The Milch Galleries are showing "The Fainter Friends," who exhibited last year at Macbeth's. This gentle and well-named organization for Its work is all of a kind and dwells together In harmony is a traveling organization, which shows its work In the principal cities throughout the country. Robert II.

Nisbet and Guy Wiggins arc the best -known to the general public. Mr. Nisbet shews again his "I.ingi ring Hummer." which was awarded the I lallga rien Prize. It Is a studied and el I -tin canvas, but lacking in the spontaniety and freshness of some of his smaller can-vases. His "Spring" is vivid and alive; his "Moonlight," a romantic, rather blue treatment of the subject.

Mr. Wiggins shows five canvases. "The Mttle Harbor." a ibmo-stcr fcoat subject, Is handled I big )nd has tine passages of olor i the greens aud blues of the boats, all being In a grey, restraint 1 mood. His "Grey November" lias been shown before; It is a snowy Fifth avenue scene, as Is "From the Library." George M. Hruestle shows by far the most forceful canvas, and the eye seeks It on one's entering the gallery.

"Melting Snow" Is not original in subject, merely a group of snow-covered houses and drifted fields of snow, but the subject seized hold of the palmer; he saw it, with the same enthusiasm that one as a child sees the first snowstorm. He felt the crispness and the dazzling quality of sun on snow. Red-field, Rosen and Gardner Synions have painted better snow pictures, but none of them has conveyed more the feel and tinele of winter. He treats his "New England Pasture j.ana witn me same vigor, our nis black unatmospherlc shadows prevent the canvas from being wholly successful. His "Autumn, New England," Is again a vigorous and personally-felt expression.

Carl J. Nordell shows "The Bummer Girl," seen last summer at "The Gallery on the Moors," at Gloucester. He paints a brown-haired, brown-eyed girl in a pink dress, but spoils the protti- of his scheme the had drawing of the shoulders. Edward Volkert paints arm horning nut cows, ne impossible purple cow of legend and story does Indeed exist, if we can trust Mr. Volkert's color vision, but I am inclined to believe that uurnle Is an idiosyncrasy of the artist, as his distances and his shadows are steeped in Wilson Irvine shows four landscape, but marred by an utterly unrelated cloud spot in the middle of the sky.

Seven Painters at the Folsom Galleries At the Folsom Galleries there is an exhibition by seven American painters, tin exhbition quite as innocuous as the I'ainter Friends, but of a higher aver-because of Howard Giles' two delightful littles canvases. "Surge" and "Fastport." The first is a deep sapphire pool, without a sky line and painted looking down upon It, much as Dearth painted his pools. Tho rocks and water have the wonderful lacquer-like surface of Dearth's pictures. Speaking of Dearth, there is a very fine example of his early work hung in an quite so subtle and exquisite, and it shows him to have been very much influenced by Monlicelli, but that same jewel-like quality Is, there that makes Ms maturer work the especial favorite of the lovers of the rare and exquisite William Ritehel's two large marines C3m INSTRUCTION THE CONSERVATORY NEW OPERATIC STAGE tor, Harrison Meserole, has "Military Valor," a male figure, strong in the "panoply of war," well posed. His "Pilgrim" is turesoue.

with lino sw, tire" Is conceived with sympathy, his "Goose Girl" with an animated bird in pose, and his "I'kiyma'e (Irl and cat, both show brilliancy, charm and force. BiaiUo Angelo succeeds with "Eve," a misery-haunted figure. The sinewy "Athlete," the appealing "Goose Boy," in marble, and "Mirth-fulness" each attest to AngVlo'a value as a sculptor. Marlus Azzl also lias a "Goose Boy." His "Flower Girl" is excellent. Leo Bayman, In a lovely "Faith." a.

Joyous "Fete," with figures, and a bronze "Belgium," heart stricken, have lines of appeal. Olymplu Brlndlsl, in his rabbits, his well-con strueted "MacDOUJfaU" and study of "Moiess," gives evidence of the study and excellent results. Duane de Champlaln in the "Portrait of Mrs t'hamplain" is strong, yet suave. In his "Snake Dance" and relief portrait of "Jeanne" ho goes Into other fields of modeling with effective results. In grouping of figures around a pyramidal shane.

life and Its Intensltv are rcefully suggested. Salvatore Fieri, "Tho Warriors KIM, and "Cold" is very fine in Anthony de Fran-I'awn." is delightfully hu oppos. man. Erwin F. Prey's "Blue Dancer" excels in swing, and "Woman" (with a child) vibrates with feeling.

Charles A. Hnfner in portraits of Edward Hanhrlek. Oscar Saenger and Adolph est, ably modeled. "King Knud," by George J. Lober; "Mount Menresa Crucifix" and a sketch for "The Virgin" show value, sense and character feeling.

James Nevelll's "Green Irving" and "Miss Charlotte Bralnard" have fine effects. Nathan Potter, In a study for a decorative figure and a fountain figure, is in touch with good ml" mlng artist. Abraham Rosensteln's "Truckman" Is striking in Its appeal. A sketch for "War Brides" tells the story well. Vincent Salerno's charming "Allegra," with her rose garland; his "Nymph," and portrait of L.

W. Quan-ehi, "Garden Figure, "Dawn" and the "Metropolis Builder" show the skilled sculptor. The Taos Society's Exhibition. The first national exhibition of the Taos Society of Artists at the Hotel Majestic, last week, Illustrated a new phase of American art, being history wrought out In brush and pigment. Work by well known men was shown, instancing a vanishing race.

E. Irving Couse exhibited "The Katc.hina Painter," "Song of the Night" and "A Pueblo Fireplace." canvases of force and picturesqueness. Oscar E. Ber-rlnghaus, In "His Favorite Pony," "Indian Courtship" and "A Trail in the Foot Hills," was colorful and keen "Wise Man, Hie Drummer" and "The Bald Head." showed feeling and technique, and truth. Victor Biggin's and "Shadow Street" were scenes of brilliant aspect and strength.

Her- "C'rows" and "Scouts" were canvases vhere values and colors made the icenes vital. Julius Rolshoven in 'Summer Deer." "Eagle" and "Rain Cloud" appealed to the sense of the picturesque. J. II. Sharp in "Watch- Indian Girl" gave both history and rugged charm.

Walter Ufer's "Friends," "Lagui.a Indian Interior," "Povi Chigee" and "Cornfield in Taos" showed his conversance with the themes, and also his skill. Bert G. Phillips' "Corn of Taos," THIS AFTERNOON Emilto de Gorgoza's recital, Aeolian Hall. Ralph Lawton In piano recital, Greenwich Village Theater. Philharmonic concert, Carnegie Hall, with Tschaikowsky's Fourth Symphony.

THIS EVENING Concert in Metropolitan Opera House, Percy Grainger, solo pianist. MONDAY AFTERNOON Mme. Clara Clemens, song recital, Aeolian Hall. Bauer, pianist, and Thibaud, French violinist, in Beethoven Sonatas, Children's Museum. Brooklyn, Bed Uedroni aw r.e aim i-mim.

ree evry week day, 9 to 6:10 drawings by six club members. Exhibitions ii American Museum of Natural Hl- tory Delmar palntlnge of South flea life, to December 10. American Art Aseoctetion BeBu nlng Thanksgiving Day. the "Dfcva mond" Jim Brady Library collection. Arden Gallery Printed and painted linens and cottons, until further announcement.

War posters exhibition rlhigi.n Gallery National Association Women painters and eculp-tors, December 1 to 22. Exhibition of small pictures, etc. Art Alliance of A -Exhibition of works by master craftsmen, to December 8. Bahcock Gallery Exhibition by the Amorlran Society of Miniature Painters to December 1, and palntlngje by Bonaveeituni C. alloTT PI see of Dresden, Saxe and Serree.

Catherine Ijorillard Wolf Art Ctab Through November, palntlnge by Ida M. Curtis and Clara Mamre Nor- 1 Ehrlch Gallery Monotypes of MU I.ltzlnger, to December f. Inclusive. Ferargll Gallery John Folllnsbee'e works to December 8. A bronxe by Iloudon and porcelains, bronzes, from the collection of Georga V.

Curtis of Parle. Folsom Galleriea Group of eight American painters, to December 3. Gorham Galleries Flret exhibition of young American sculptors, to t)e- Goupl! Galleries Paintings by Pt- retto Bjanco, through November. Hahlo Galleries Drawing! and lithographs of war work in America, ber 1 GalLc and Klelnberger GaBeriee Loan exhibition of Italian primitives, aid of American War Belief, to November 30. Knocdler Galleries McBey's etchings and dry-points, through November.

Portraits by Mark Tobey. Kraushaar Galleries Etchings and mezzotints by Albany E. Howarth, "to November 30. Liberal Club Annual exhibition, paintings, water colors, etchings, drawings and wood cuts, closing Wednesday evening. Ivv Gallery Paintings hy foreign and American artists.

Ma -belli Galleries Paintings of New York by various artists, for two Museum, Central Parle Daily from 10 to 5 o'clock; Saturdays to 10 o'clock; Sundays, 1 to 6 o'clock. Admission Mondays and Fridays, 2S cents; free other days. Milch Galleries Works Jean Beauley, to November 27, Inclusive. Exhibition by "Painter" Friends, to December 1. Modern Galleries Paintings and water colors by Andre Derain, to No- Montross Galleries Early Chinese art, November 20 to December 15.

National Arts Club Annual exhibition of books of the year. Special feature, books written, printed and bound in Latin-American cities, to November New York Public Library, Fifth ave- rawings nnd etchings, ln-i pies by Meryon, Whlst-aden; lithographs by Pl-igwyn and Redon; original Mauve. Rodin and Isabey; merer, Rembrandt and De-Gallery Exhibition of Galleries Paintings by Fowl os Contemporary House Paintings by cs rt, i.amo anq pnoio-Miss Frances Benjamin 0 December 2. Oils and 1 Violet Mege. I.

mil A commemorative Tonettl. dedicated to the Punch and Judy Theater. Estella Music, 3 o'clock. MONDAY EVENING Metropolitan Opera, "Faust." Monteux conducting. Oscar Seagle, song recital, Aeolian Hall.

TUESDAY AFTERNOON Tina Lerner. piano recital, Aeolian Hall. TUESDAY EVENING Flonzaley Quartet, Aeolian Hall. Kitty Cheatham, annual recital, Carnegie Hail. WEDNESDAY AFTERNOON Rudolph Reuter, piano recital, Aeolian Hall.

THURSDAY AFTERNOON "Carmen." Monteux conducting. THURSDAY EVENING Metropolitan Opera, "La Bohome." Papi conducting. FRIDAY AFTERNOON Gabriel le Gills, soprano, recital In Aeolian Hall. Tvette Guilbert, recital in the Theater du Vicux Colombler. FRIDAY EVENING Metropolitan Opera, "Prince Igor," Bodanzky conducting.

Theodore von Hemert, song recital, Aeolian Hall. SATURDAY AFTERNOON Metropolitan Opera, "L'Elisir d'Amore," Papi certain wooly qual- which prevent- him from being one of our foremost interpreters of the sea. Everett Warner, who is doing camouflage work, shows an autumn and color. Other exhibitors are A Bremer, with two poster-like California landscapes; Charles Rittlnger, with "Becky," a study of a green taffeta gown of the 70s. and Harry Franklin Williams, with two landscapes, "Vcr- the latter neing teruretation of vivid month.

Work By Master Craftsmen I Art Alliaiuv of America, striking effect with the minimum of labor and expense, has made the American point of view machine-made; It Is pleasant to feel that this point of view is gradually being superseded by the realization that quality is only obtainable by the bestowal of Individual thought and labor on an object-namely, handwork, The neat lines and geometrical exactnes of machine work was once deemed the height of desirability. Machine patterned furniture and machine woven carpets and textiles, superseded the charming irregularities of hand carving and Nine i spite the workmanship. designs were hide- 1 with people studying the de-id stitches of laces and tapes-other countries. Tho renewec In knitting, which started be- embroiderers, workers, are nil sculptors raftwork, for is beautiful that lasting value Raphael drew or rtoons for tapes tries, the creates! scuintors of th Renaissance turned goldsmiths and France and England, and America which has been unresponsive to thb form of artistic expression, is produc ing Master Craft Work. Some of the best examples are being shown at the exhibition of Master Craftsmen at the galleries of the Art Alliance of Amerl.

inipoi tar.ee of this fine the I esent The both In Eurone tends to undermine and re-rts both practical and fine, tard the and yet in th will be needed In the redevelopment taches to this movement Alliance to preserve and forward the work of the practical craftsmen through this period of economic Nearly a score of different crafts are shown, all of professional excellence in design and technique. The first, gallery contains jewelry, silver and hand-wrought iron. Samuel Yel- lin shows a fine display of wrought-lrnn knockers and hinges, as well as candelabra and a wrought-lron flower piece. The Blanchards show a easeful of hand-hammered silver, graceful in shape and with that unmistakable silvery color of hand-wrought View. ics of hand-bound Dudley of Brook-cially Interesting in Wonderland," ones Montgomery "Greek, Roman 38" bound in dark r.

Miss Kbirei.ee s. Miss Fanny volume of "Alice with a design by ,1, Flags on the cove guished volume of Smith, also of Brooklyn, shows a case of exquisite hand-wrought, Jewelry among which are a carved ivory ameo set in delicately wrought gold vy leaves. Meyer Rlefstall shows ome exquisitely marked volumes lent exceptionally fine books on exhibition. oikmar have fork State landscape, by forcing her and by painting country roads hte. Uer still life, made up of OrlenUl nin landscapes; i 'harles Hittlnger, with nn or- conducting.

Symphony concert Helfetz, violin recital. Carnegie Hall, 2:30 o'clock. SATURDAY EVENING Metropolitan Opera, "II Trovatore," Papi conducting. Symphony concert, Carnegie Hall. Concert by music department, Hebrew Educational Society, Sutter and Hopklnson avenues.

Louis Graveure, song recital, Aeolian Hall. cacy and precision of line, his heavy, sensuous tropical branches droop and creep across the formal upright patterns of his houses. His interpretation of Callas makes one feel as If no one had ever really seen one until now. Ills sensation of a boat at is another exnuislte intei pr--tt Ion. He also shows a small group of drawings.

These have a literary qual-Itv and enn be described by subject He but phasizlng In synthetic In his cabaret scene especially (and SETTINGS FOR THE WEEK Neuphaus, piano recital, Academy of for children, Aeolian Hall. Jascha ton, Philadelphia. Washington, Syracuse and other cities are now being organized. A committee is organizing the Brooklyn branch, which Is expected to reach a thousand mem-Boston Again on Decern- it by the Boston pianist the shadows of greiit. fd 30308 a rh BT Nr 43M illeally piled with purple grapes and of Hs scenery in favor of expensive promised us this year.

lo the change of date from the usual The American aety of Mineral 'uumff tear, i o-f Vf ZmTX t. ZZ nS''Z 'Zt -ro. Wa Hi iN compote and candlesticks, would have ask too expensive )rrf'v "ring dates Mniegie Hall. The of excellent I H.rm"y 1 arable are exquisite yellow tb most nnd d'Ang. ZZV'Zt'w "rnZs'u which mif ortu naU-Ts BrookKn has bucourt.

i "'TERMS: $10 1 Boston, which could hehopVd 'for 'was that In 'the lilL" "he eve, Among the familiar Orange It was natural that the new staging In all its activities the opera company the directorate and the management? So it happened that although the new art of the theater, with its adaptation of the effects of ultra-modern painting, its more realistic lighting, Its greater Impressionism and lesser realism, had long been a common sight in Broadway theaters since the coming of Granville Barker and the later advent of the Washington Square Players, it remained for the present year, with Its engagement of Richard Ordynskl as stage manager, to herald the coming of the new Into the Metropolitan. Its shadows had been cast upon the staid conventions some time ago. Cer tainly Cnlnvine's flat settings in "Boris Godunoff" were far from the stern realism of the Ring scenery or the conventional interiors of a "Traviata" ballroom, and Jones did excellently in his work on the "Canterbury Pil- no definite policy was followed. The examples of the new few and far between a kind of sporadic growth that sprang up in pite of careful cultivation of the stereotyped. Then came the two seasons of the Russian Ballet.

Although distinct the i. except the first It was incorporated in the last iart of the season's subscription ertheless the settings of Bakst and his fellows and the stage management ith its insistent demand tor beauti ful stage pictures had considerable effect. Questions Involved In Coming of With the engagement of Ordynsk he do and how far will he be a I revival of "Faust" to see the Ideas of ordynsai wortung out to the full. 'with convention and allowed h3 im- agination to workSo we looked upon and KOEHL INSTITUTE Tto'l 1 'XT'TZuuZn with'V'arrar. ZZ communl'tv rem" 'ShT'' TvUTomZi "n9 I'ieees.

Nim, Ha ,1 1 p' 1 1 1 f. -K 1 1 a Miss Gain will lead hl?" 1 Iw'miimlM lieob.r ml eonto'ur' '1'ouelisto adorable p.u-.-i, tea-set win, win al i nmri Touchstone William-, well i.mni..!,- table and luiei, hiirmonizing. the "fxi, Boheu.e." Thursday evening, T.ied-iv and Cold'' voinm worn an in K' Tei.n,,g.i arils- la eiu ler, 'i" table blue, and tli- I Ihe Ii-ii with Marlin and Scott I eicning, ue- -q and pr' huenuer linen embroidered I I'api conduct in. 1 "l'eg-y 'are e-ieb 'eminently s. lii-ookiyn: Xe Veil -a 1 1'.

i "i't Cotthold in I and en ven i a I i od ueer must p'la co "Prime Igor." Iriday evening, with Mclormack nt tho Academy Vest fill. -he innovator Amato, and Sunday. 1 Lucy M. Stanton in "The Silver Cob- ta scenes of real beauty, each complete in itself, each existing for and of Itself. J'ure color was used at every oppor- reallstlo as significant.

And one sat through the opera with a visual joy that made the music easier to hem All this is hut a beginning. As enm- la ir shadow so the "Faust" many tional organization, with Mr. Morgan i th manntrlnir dl real or. New York, Brooklyn. Newark, Paterson, Tren- 1,200 members.

It is planned to form aii llillv Hum lav choirs Into a with Mr. fh manntrlnir ,11 real or. New York Frederic Resseguie AZ EBzBBF organ 'and theorV. to5UNG- 4i has. iim.ii i- 11 I f.vZZ''' t'ZZilh ho nt: a "'aither.

in ''Die '-'m' s' s.nden'ts Muzio, M. nu u'. i and Morgan Tristan, i Z-' ami Is- i A.ZlnZ,Z E. ANTOINETTE BOUDREAU 5S, awi irvi-' 'i? i l-'--fi gTifeK '-ISaJUtt TEACHER SINGING Kr, by A 1 mm BuKUwlek r- -eores mte.l i 7 will sing the "Pagliacci" prologue and I i children, iwo women and a strong faO1 ETOWC.M0RRIS. Z' ing'and carVing of a In Slage Set- songs.The ZJZ ZZZ, continue hi nZZZZZZrZZZ, 5 r.MlZ7Z..

fl l'm: Vi SrB tF. Kleinbergeri I At th" Touchstone C.allerles are accomplish. There are signs of the 1 cine plac-s e-Jhihuion sue- 01 unoMa- the palnlings of Violet MeKe. a revoliHion. however.

At th Ben.nt of St. Mary BwpltoJ At the oil ui Choir Silsnendi cessfullv Sherman Potts and Mrs P.alriAC I WOELBER SCHOOL OF MUSIC SaTris'Iffi 1 nine that was sent to Fiance as a ZZh li'i'ions 'the u' experiences ZlZ b'e'r "season. aCt" I'ltU'ehild Fuller, Ahee ktneb. ANNOCNCl VIOLIN "'i'''7mi'il umii' Z'Z'l rn and nh. SH'H uZB I "'REMOVAL VOCAL INSTRUCTION i 725 AVENUE 'ABB.

TOU'lllNSKl. i-'V-'t le.l I r'iVhl and hair "'f h-ft' The v. Pirticlpating "ZZ "Vc'le mH 17th Mreele I.JONBI. wilsAiiii. true of the sn: My is I I 1 for 'now States Marine Band i hi 'il'me si lome this t' ''ru- m', lln 1 SST' ill'-: SSS'' 'l oMbfmv NcTrnvbcra In Mnnhattnn.

uLzZimilS LOSTIBmON fi MUNSON iNMHUlh ui- mm ZzZZzzzz "vrM HiZ ZZfZzZZZzzz rzz zzzz, wiomoTox.av. Ta: zzzi Better. zzz" zz, fsir niinillnilT vim I canvases, but she to sec the the Armenian llelief Association, The A.ol.,,:, Hall Mon- good feeling for color and form in American R.ll,f S3 111 Mr. RH e.Mini Park color nnd bent of Africa in New Hut It remained tortbe sumntiioi.M Manhattan branch now numbers A 10. with Ma- I portraits and the Hoots lor- olor and heat of Africa In a New Hut it remained i i the sumptuous and Hshan- I -nee." Annie Hurlburt Jackson's one BPS formerly of the I miniature Is that of Mrs William II.

Jfcf AdMle, 50c Slturdlyi, II Dos'ton' ml ra Coinpuny. as Voung. "Winifred" and three other VC L. i is known as a miniatures comprise the lio's'ton ruuj ojr isaran a. v.uwn, see.