The Morning Call from Paterson, New Jersey • 37

Tbo Morning CaH Thuwdaf, October 23, 1969 37 1 Today Radio Highlight Two Discs Extol Warmth Of Home i :5 v. f- Jin 1 :00 p.m. WFUV-FM: Havh-aness' Saint a a Symphony, Brahms' Symphony No. 3. (:30 p.m.

WEVD-FM: Grieg's Piano Concerto, Beethoven's Symphony No. 3. 7:00 p.m. WNYC-FM: Boro-: din's Prince Igor: Po-lovtsian Dances, Prokofiev's Piano Concerto o. 3, Tchaikovsky's Symphony No.

6. 7:05 p.m. WNCN-FM: Bo-rem's Flute Cello, Piano Trio; Songs; Second Piano Sonata. WHN-AM: Basket-' ball. San Francisco at New York Knicks.

8:05 WQXR-FM: i n-demith's Weber Themes Symphonic Metamorphosis, Rachmaninoff's Piano Concerto No. 4. i 7 4 l- I Sound And Fury 9:00 p.m. WNCN-FM: Barber's The 1 for Scandal: Kir-chner's Violin Sonata. 9:05 p.m.

WLIR-FM: Includes: Haydn's Overture In Copland's Vi-I Trio, Frescobal-di's Canzona IV, 10:05 p.m. NC -F Bu-soni's Walzer und Gal-opp, Khachaturian's Ar-. menian Dances, Srae-tana's The Bartered Bride: Dance of the Co- medians. 11:05 p.m. WNCN-FM: Music to 8 a.m.

by Bach, Stamitz, Monteverdi. 11:10 p.m. WQXR-FM: Albi-noni's Adagio in Haydn's Horn Concerto No. 2. a.m.

WQXR-FM: Music to 2 a.m. by Beethoven, Mozart, Debussy, By BART TESTA Special To Th Call Two very different singles are on the charts which speak about the warmth of home," "Love of the Common People" by the Winstons (Metromedia S-142) and "Runnin' Blue" by the Doors (Elektra from the album Soft Parade). The Winstons last record, "Color Him Father," was a huge success in its depiction of the hard-working black father in the ghetto. "Common People," written by the same team of Hurley and Wilkins, picks up on the same theme, that even in the ghetto or perhaps especially there the strength of the family bond gives hope and courage despite poverty. The chorus: FISHING EXPEDITION Country Joe and based rock bands, appear tomorrow night at the Fish, one of the original San Francisco- Rutgers University's New Brunswick campus.

Be a model. just look like one which continues through to the chorus, a brassy crescendo in the mood of their last hit "Touch Me." The lyric mentions "runnin' scared, runnin' blue, runnin', back to L.A." Musically, the singer runs from the country (the fiddler's call) back to the big city. this call to arms when it declares "don't fight, too much to lose." Perhaps the Doors are ambivalent, but I suspect that the music not the words reveal the song's message. "Runnin' Blue" opens with a fiddler's call, a very different sound for the Doors, one Since 1939, The Barbizon School of Modeling on Fifth Avenue In New York has graduated thousands of girls Into modeling careers and helped countless others achieve "the look" that helps any career. Now, Barbizon has a branch.

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His song, by the way, has almost the same message. THE DOORS, on the other hand, are not at all "family The home "Runnin Blue" talks about is "the dock of the bay" which comes from Otis Redding's song. Robbie Kreiger wrote the tune and even mentions Rdr ding "poor Otis deacMndx gone For this black soul singer who has become a star after his death? 'the dock of the bay was a place of depression and defeat where he wasted time having found the struggle of life useless. It's paradoxical that the Doors have picked up tn thir theme. They've long been the most vehement on stage in calling for revolution.

Both "The End" and "When the Music's Over" have become classics among radicals who freely quote lead singer. Morrison's demand "we. want the world and we want it nowl' Live In tli lova of ttte common peoola Pride In ttie heart of a family man Daddy's gonna buy you a dream to Clin to i And mama's onna lov you lust as much as the can and the can. The beauty of the Winston's style is that they always manage to get us to identify with the characters they portray in their songs. UNLIKE JAMES BROWN, who invokes us by arousing a physical response with his gutteral soul style, the Winstons use words and set their songs against the horns much the same way as a painter presents a figure against its background.

Emory Gordy's a a e-ment achieves this effect beautifully. He contrasts verses i i the cold world outside the family to reassuring chorus syncopating the solo vocal line with the drums and bass run. The solo verses are evocative and slow against the syncopation, but the chorus bursts forth in vocal harmony -and orchestration. Len Chandler, a black folk rangementwhen he recorded used the same arrangement TONIGHT TONIGHT REAL OLD FASHIONED RALLY Sponsored by: Second Ward Democratic Co-Ward Leaders and County Committee FRANK X. GRAVES FOR MAYOR Firemen's Exempt Hall 8:00 P.M.

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