The Philadelphia Times from Philadelphia, Pennsylvania • Page 16

THE TIMES SUNDAY SPECIAL APRTL 15, 1894. 10 SUNDAY MORNING, A TARDY RETURfl style suggested, opera comique, must give all her talent, her entire artistic sell to her work, and aa she continues in the legitimate field ht'rlnvH for art will constantly Increase and IS THE WEEK'S HluflSEPIlTS Continued From Pose 14. fined bouI, aud when one sees how entirely she Is a part of all those etceteras of home life that seldom creep into a professional -a-recr. the thought of her singing in public seems strangelv incongruous. It will be a pleasure to follow the career of this beautiful girl.

Tor it is certain to be filled with many triumphs not generally permitted to fall to the lot of mortals. Yet, whatever laurels may come in tho future, whatever changes may he wrought in her nature, many there are who will always rememher her as the pure-faced, sweet-voiced, youthful Princess Bonnie. Edith Townbkxd Everett. 1 PRESERVE IT fl aswrt and can prove thHt we Bull Pianos and Organs Clieatwr thiin nny other hrwlw. There are three reuwinn why, viz.

our own Instrument, here In Phllailelphlu. thereby aavlug middlemen's profits, shipping expenses, etc. A II our material, are nonglit on a strictly cash basis. It appeals to your ln'elhience that we secure our goods much lower than houses buying on time. Our ner.il expenses, such as rent, delivery system, lire reduced toa minimum.

IVK This THOUGHT that we can than others. our Instruments, ait prices and he convinced. il you want a strictly tlrst-rliws piano buv tbe matchless CUNN INCHKM fully warranted for 7 yearsandKlwrunleed to he as good as any piano made. We urc sole wms for several other makes of nlanus, snd also carry a larite stock of used and secnnrt.hnnd pianos tnken In cxchmipe for tbe matchless ranging in prices rroin ,75 to S2Ti. Among which are by Decker, Mver.

Knnbe, Chlck.rlng, Dlaslus, Hurrlhcton. Bradbury and many others. Unrans by almost all milkers, new anil slightly used, from 5 to 175. Kvery Instrument fully wnrrunted. hnsy monthly puymsnts If desired, rail at our wareroonu or wrltelor t'ataloKui'.

wlUi sjieclal prices urd terms. P. J. lWNINflll A r-ivttAW Manufacturers. Wholesale and Ketnll Dealers.

1717 CHKsTNLT UKIiT. will also give "The Mulligan Guard's Ball" and "McSorley's Inflation," one of the best of the Mulligan series, which bas not yet been pluyed in Philadelphia. General Manager Alhee, of Mr. Keith's enterprises, cabled the latter gentleman Monday that be would be at the lirnnd Hotel, Paris. Wednesday ond Thursday of lust week, and at the Havoy, London, Friday.

He wus due to sal I for home yesterday, and be added that he has a number of important contracts In his pocket, calling for the appearance on Mr. Keith's circuit ol many of the vaudeville celebrities of Europe. Next week at the Girard Avenue Theatre there will be acted for the first time ou any stage a new drama called "The Little Conspirator," by M. Greene, author of many successful plays. The preKent work deals principally wit the attempt or Cuban patriots to evert brow Spanish rule in Havana, and contains much that Is interesting and sensational.

Miss Amy Lee will play Ijolita, the little conspirator, and new scenery will be painted by Mr. Fetters. Next week and following Mr. and Mrs. Kendal ut tbe Broad Street Theatre will come Mr.

K. II. Kotbern tor his second visit here this season, when he will produce lor tbo first time A Way to Win a Woman," by Jerome K. Jerome. Mr.

Bothern has expressed himself as blghlv pleased with it, and if It proves very acceptable to Its audiences here it will nrobably be the leading feature of his repertory next seaHou. Mr. Hot hern's character ts quite distinct In thin play irom anylu which be has been seen here previously. Hoyt's "A Trip to Chinatown" will follow Ctiauncey Olcott at the Park Theatre, and will be interpreted by tbe original company. Including Harry Conor, Marry Gilfoll, Julius Wit mark, Hichard Carl, It.

A. Roberta, George Fitch, Anna Bovd, Margaret McDonald, KffleCHpuy.HallleMaddern, Sadie Klrbv and the other members wbo have been so long Identified with the Trip toChinatown" Company, and who appeared nt llovt's Mndfson Square Theatre, New York, during the phenomenal run of the piece there. This will be the first appearance In this city of the entire original company. TO MELODY LILLIAN RUSSELL THINKS THE TUBLIC TASTE IS IMPROVING. CARMEN DID US ALL GOOD The Fair Singer Thinks That fhe Day for Horseplay is Over in Comic Opera and That Art Must be Given Its Say at Last to in Success.

In tbis practical age of ours, it would, per-, haps, be too much to ask of the average theatre-goer to tl ream or musical enjoyment after the fashion of Gluck. or to be transported like Beethoven by sublime sentiment, 'by the violent contrast of a heaven sud denly opening in the midst of a protracted despair." On the other hand, we hear that people go to the opera, and the theatre generally, simply to be amused, to forgot their cares, to gain nt ideas. There are doubtless many who find pleasure in assuming that to this end it is essential to crowd the stage with crude things; to make light of everything that has a tendency to elevate mankind; to ignore the masters and Zoster on the public the libelers of art the professional pervertcrs of truth. They think public tasto depraved, craving for excitement, that word so constantly on the lips bf the flash young clubman and eeboiug through the columns of the sensational press. we take tho story of the playhouse during the season just coming to a close as a criterion, that assumption is easily reduced to its true value.

Granting that the policy of theatrical and operatic manager! is but the echo or public tasto, the lovers of art and music rejoice to record a decided advance all along the line. We sec less of crude things on the stage nowadays than even a few years ago. The public seems to have arrived nt the conclusion that it is a waste of time to allow one's self to be bored two hours and a half in order to gain live minutes' amusement, or rather being dazzled fur that period, by a topical song or a new dance movement. I remember reading "the account current" of a clever Frenchman's "evening at the burlesque." He set down in one column bis agreeable and in another his disagreeable experiences, or "sensations," I believe ho called them. I quoto from memory 1 Debit, Credit I'Y.

Kr. A pretty ballad J-W Topical Uut-t, second act l.o0 Noisome finale F.xeelienl scenery, third act 0.00 Fat dhnko, like a keg of 1.2f The prima donna sang off' the key and forgot she wan a lady .50 Chorus men, drenped as lords, atu- beyond description 1.00 The chorus ladies all elbows and set faces 1-50 Orchestra, oommenduMe 2.25 Skin dancing, very ancient 1.V) Comedian, very low 1.0t Three Jokes from the Ark 2.00 Pretty young woman playing hoy's pud 3.00 Man playing female cook 2.00 starch of ttie Amazons, seen at least twenty-flve line 2.00 interval lor refreshments 8.D0 Grumbling neighbors 1.25 Accident to so-called comedian, who not his none smashed for his bulmonery by one of the fairies (funny) fl.00 Totals 17.75 15.75 Debit balance, two francs. To this our Frenchman added ti francs for his orchestra chair, figuring up a dead loss of twolvo franca, nearly 2.50. Judging from appearances by the tone of the amusement programmes offered, numerous Americans must have indulged in keeping an "account current," such as tho Frenchman quoted. They may not be aware of it, but certainly they have cbunged winds for the better iu matters theatrical and musical.

During the late Italian opera season, under the direction of Messrs. Abbey and Gran, Bizet's charming opera, Carmen," achieved tho greatest moasn re of sue-cess. Time and again I have met there the name people, men and women, belonging to different classes of society some of them had never bo 'ore visited places of amusement where music was played, for art's sake, aud not as an accompaniment to gorgeous cxhitii-tina and that sort of buffoonery which is generally supposed to address itself to the gallery gods, hut the absence of in years gone by, was a much regretted in the boxes and orchestra stalls as in the cheaper regions. Perhaps some well-meaning friend had encouraged them to their first visit. They came, saw that good music is us noble as it is inspiring and entertaining and fell in love with it.

They could nut help doing so, with its sweet melodies, its enchanting airs, that swell iu affectionate and caressing modulation. 4 I beard one woman sitting behind me at tbe opera aay i But the play is not absurd. 1 always understood the libretto of anything approaching grand opera was indescribably silly." And that woman probably went to see "Wang" and similar "comic operas" half her lite and was greatly edified, if not by their tone, then by their humor," their disregard of logic. It was, I beliuvo. fifteen years aero that I read on a theatre programme somewhere in the West the statement that the author of the play produced made no claims "of having written a coherent story, and that bis plot was hopelessly involved." This announcement must have made a bit, for in subsequent seasons I have met it many play bills.

I always regarded it as an exchaneo of confidences feiween a worthy author and a public worthy of the anthor. "The play is not absurd!" Surely, a compliment to the gr at Bizet, and an at testation to the speaker's breeding. It would be charitnMe to think that she confounded opera comique with "comic opera." But those are details. Now that the pu lic preference for good music has been airly established, we can trust American goo'f sense to assert itself and take a bold and firm stand against tbe influences of inferior minds, and those musical and theatrical producers, who mean to achieve popularity by assuming that the public wants clap-trap and vulgarities. As I said before, theatre-goers in late seasons and especially in thut ataut to close, have abundantly proved their preferment for opera comique, and I am sure that the day of legitimate opera comique is at hand.

This 'mean death to buffoonery and horse play, and the triumph of the womanly woman on the stage. I am not one of those deploring "tbe deterioration of chivalry," of which we read once in a while. The chivalry of old was but a shallow compensation for the many wrongs inflicted upou womanhood. To-day woman holds a more respected position iu America than ever before. She reigns not only by her beauty and grace, bat likewise by her mental gifts, her natural talents.

Americans, I am glad to say. have outgrown tbe liking lor mauish women, lor everything in women that smacks of a disregard oi womeu's inherent qualities. The stage being but a reflex oi real li the womanly actress and artist secures to-day tbe greatest measure of public estimation and approval. The old school of French opera comique, whose revival seems, to he on the tapis, will have no usr lor the extravagant display of the burlesquer. In suh operas as "La Grand Dut-buss," "La Perichole." "Girofle-Girofla." every pirt, no matter how small, requires an artist to Interpret it The production of such works is.

therefore, not only calculated to Improve pot-lie taste, but also the character and artistic progress of tbe performers. Instead of assuming parts requiring but a small amount ol mental activity and there ore permitting nay. suggest Ing a mere perfut tionary performance, the si us or, appearing in musical comedy of tho her methods improve. And the refined influences experienced by the performer, will again reflect upon the audiences, whoso bet tor feelings are aroused, tpus me playhouse will, indeed, become an educational institution. Somebody, I believe a French writer, has para phra sod tho diflerenco between burlesque and opera comique, that is.

between horseplay and musical comedy, as follows: "Thero are two coquettes, who laugh and He, but in music no one laughs and no one lies. At the most they smile, and even tears aro next neighbors to smiles." The fart is, when the great masters of music are gay they never cease to be uoble. Their humor is not that of a mere brilliant epicurean, it makes no mockery of honest feelings, it is not satisfied when the gallery applauds. There is delicacy and discretion in th ir gnyrty and whole-souled love of perfect and happy beauty is at the bottom of their endeavor. Let it he understood that I do not underestimate physical culture, tbe advantages of a taste ul and inspiring toilette, and, indeed, the exercise of the greatest watchfulness with regard to things that might have a tendency to improve one's stage appearance or detract from it.

I often expressed myself to that effect, and I repeat it. It is an actress' duty to provide, in tho matter of stage costume, tho very best, the most appropriate and the richest she can afford. It is an obligation she owes to the public as well as to herself. I am somewhat of a painter and generally make outline sketches of my costumes before they are given to the tailors and milliners. I always insiBt upon selecting my own rotor combinations, and in this, as in all other matters, follow the best masters of all times.

Still. I never allow my desire to make the best possible stage appearance to overshadow the essentia) part of the role I am to sing. To do so means nothing short of neglecting art for selfish consideration, a thing no performer can indulge in without endangering his or bur chances of success. If we inquire into the lives of footlight favorites of either sex we find that only those enjoyed lasting favor with the public who gave themselves up to art, body and soul, for art's sake, non-cgotistically, without undue reliance upon their outward advantages. Arter nil, it is study, the perpetual amplification of one's talents, the widening of one's ar tistic horizon the continuous improvement of ono'e method, that count with the great and fickle public.

Every year wo read in the newspn papers of new stage debutantes, ex colling in physical charms. They become the rage, the photographers offer them heavy royalties for net mission to produce their counterfeits. Then there occurs a halt, the newspapers stop talking about them they drop out, Why is their career, so promising at the outset, cut short? Iu nine out of ten cases because thty ignored the necessity of study and gave all their time and thought to the gratification of their vanity. A young woman once pointed out to me what she termed 'one of those ridiculous newspaper fibs." It was a paragraph sUtmg that from time to time I put myself under the instruction of an old teacher, Madame Cappinnnt, and that I o'ten asked her advice in matters musical. Wheu I told my acquaintance that, with all my experience, I constantly took recourse to the teacher, her astonishment was unbounded.

Why," sbo cried, "whoever heard of such a thing?" adding that she had thrown all instruction overboard when she first secured a ten-lino singing part. Every singer of prominence is deluged by offers of known and unknown composers, all promising to write for her benefit a musical composition "that would exactly fill her want." Tell me which are tbe ideals of these composers, and I will tell you if their efforts are worthy of consideration, I do not hesitate to say that if our composers would use as their models such operas of the French school as I have already named, their work would be far better and successes not so rare. So much for the duties and responsibilities of performers and producers, obligations they owe to the public as well as to themselves, to art as to society. But these are not tho only ones, to a certain extent, and in the manner indicated accountable for popular taste, as displayed on the boards. A great deal, too indeed, a very great deal depends on the critics.

I am far from being opposed to honest musical criticism aud I think tho writers on the daily press are honest and judicious iu their judgment, even if they do lack charity. The charity which I would like them to pro-less and exert in the interest of art is not of the kind that covers a multitude of sins, nor of the sort preaching disinterestedness and practicing egotism. I am not referring to the criticism which demolishes great reputations, or exalts them to the skies either, nor do I take thepartof performers who say "Imust make a noise to become famous." A French cynic asserts a "passable duchess" could be made almost of any little act reus. I do not agree with him. but rather think the Paris critic right, who says "tbe air of a fashionable woman.

above all of a clever woman of the world, is just the very hardest thing to catch." It cannot be imitated nor imputed to anyone by an I seek the indulgence of critics for the as pirants to musical honors. Nearly every city iu America boasts to-day of a number of new beginners and novices in the realms of art eager to obtain a hearing and of placing his or her talents into the servire of an. They labor, tbey slave and study, often under the most adverse conditions, tbey put their whole soul into their work, and what is the result? When nt last they are permitted to make their debut many critics, anil too often tbe leading ones, smother their little lights by a few heartless remarks, a sarcastic parallel or downright abnse. The writers have not the time, ten not the inclination to inquire into tbe merits of the individual case submitted to tin with a score of others. Their ear or rye has been displeased, their standard of excellence has not been approached by the novice.

There are people uncharitable enough to think that critics, though men of tast. cannot feel real emotion that thvy delight in scoffing at everything not up to the murk. I bold that lack of time is chiefly responsible for the failure by many of their number to encourage young talent. Take one out of fifty cases that have come un leF observation within the last few years. Here is a young woman endowed with a certain amount of talent, stndying for the operatic stage.

Her ideas, naturally, are too vague and too new; she has some suspicion of what is awaiting her, but no insight into affairs. She knows wbatshe can do, and, perhaps, unconsciously regards some of her shortcomings too lightly. Still, she studies her part faithfully under tho best instruction obtainable in short, she does everything to deserve consideration, if not success. Finally, her first appearance is announced. Tbe critics, who have heard and admired the best in the debutante's line, are, for that very reason, prejudiced from the start.

Comparisons obtrude themselves. Nobody thinks oi making amends for the novice's Inexperience, nobody is willing to praise ber for an earnest endeavor, her enthusiasm. She alls flat. Jier lack of experience rates for incompetency, ber ambition for caprice, or, still worse, for an undue amount of assurance. The majority of critics wiil judge her harshly, some will humiliate her to the extent of utterly crushing out ber devotion to art.

It is with reference to this state of affairs that I said the steady advancement of art depended a great deal on the critics and. I will add. on the charitable -disposition of critics towards young talent. If it in true, what I read in a French magazine the other day, that each year the number of real artists grows less and less," we must not blame the performers, the playwrights and composers, the public atone, but also the censors of professional doings and of society in general. A critic who only condemns the inferior phases of art.

without giving encouragement to real tab-nt, to budding genius, misses great opportunities for doing good. Art is divine and universal. To make it felt everywhere, authors, tbe publio and critics should work hand in hand. Lillian Russell. time when Julia Marlowe presents it In her coming engagement at tbe Walnut.

Clara Qnalltz, the famous dancer, is at the head of the French pantomimic ballet at the tiraod Opera House this week. Phyllis Allen, tbe phenomenal contralto, will sin? Home of tbe latest snngs ut tbe Grand Opera House the coming week. "Ruh City," a farce-comedy with wonderful mechanical effeeU, Is an early spring book tug at tbe Walnut Ktreet Theatre. The Del Melys, French duellists, direct from PnrlRlan ca fen, are with Hlr ChHrles Womb-well's Novel tie at tbe Grand Opera House, There are no better vaudeville companies upon tbe road than that of Irwin UrosH which appears at UUmore's Auditorium on Monday next. A feature of the orchestral procramme at tbe Purk Theatre Ibis week will le lleartel's serenade for the 'cello, performed by G.

ti. Grede. The special engagements for week aline Girard Aveuue Theatre are conspicuous evidences of Mr. Holland's liberality of management. A party of fifty people from Pittsbnrg will attend tbe performance of "The Princess Bonnie" nt.

the chestnut Ktreet Theatre on Wednesday evening. Alice Shaw, the famous whistling lady, who appears at tne (irand Opera lioune this week, Is one of the highest-salaried artists on the vaudeville stage to-day. Smith and Campbell, who appear at Gll-more's Auditorium next week, rank amoug the tunnies best and most original fun-makers now upon Lbe stage. A cablegram from Poderewskl from Italy states that his farewell season in America, and last ttppenrunce here will commence on or about the 2d of January, 181) One of the funniest afterpieces ever seen Is that entitled tbe "Highway Itohhery," which will be given at Gllmore's Auditorium this week by the Irwin Company. The costumes to be worn in "Pique" byMhs Ethel Chase Kprugtie, and Miss hatberine Forrest are marvels of good taste, richness aud tbe art of the modern dressmaker.

Hlr Charles WomhwelPs wrestling lion Is at tbe Grand Opera House this week. lie comes direet Irom Roster Hint's. New Vork, where for ten weeks he was tbe reigning success. Theatre parties are 'present at Mr. Keith's new amusement palace 4n tioston nightly and one can almost always rind a literal gathering of tho Hub's social lions in the privute boxes.

One of the most pleasing sinning soiibrettes that has of late appeared before a Philadelphia audience is Miss Maud It ay on who appears at Gitmore'B Auditorium the week of April Fred Lennox, the principal oomedlan of "The Princess lionnie Company, will In-trod uanum ber of new erses ti to bis snng, "My Burk Cuuoe," Ibis week ul the Chasm ut Street Theatre. Frank Moran, nnold Philadelphia favorite, Is ith Sir Charles Womowell's Novelties at tbe Grand this week. He will be glad to welcome bis friends and relate a few funny stories to them. All the members of the Irwin Company which appear at Gilmore's Auditorium this week are aturs. but the bright- particular ones areKvana und Huffman, character duet-Ists and Impersonators.

During-the action of that favorite Irish' comedy-drama, Mavourueen," at the Park, ChHuneey Olcott will introduce the popular "Molly "The ChrlKtmas Tree," "Tbe Auld Countree" aud Mavourneeu." Mr. William Owen, who will play Raymond Lissing In "Pique, ut the Glrurd Avenue Theatre tbis week, is a leading actor ot reputation, and won great success while associated with Mr. Lewis Morrison In "Faust." Willard Kponserwlll send two companies on ine roaa to present" uerrinceKs mmnw during the coming season. Both of them will be thoroughly nrst-olass in every particular, comprising the best artists obtainable. Will 8.

Rising, the popular favorite, who captured Philadelphia in the days of "The LlUie Tycoon," has been tempted into the vaudevilles bv Mr. Keith und be will be beard In ua exteusive repertoire of songs tbis week. Delftur and Pehrlmont. the French onora made so great a hit at the Bijou last season, win enter upon anouier lour oi Mr. Keith circuit to-morrow.

I hey will heard In a grand selection of costumed opera scenes. B. K. Keith's Union Square Theatre in Now York bas completed its first month of all variety, and the results show that Mr. Kelth'w New York enterprise wtauds us high In tho opinion of metropolitans tin does either bis Philadelphia or Boston theatres.

In proportion to Its population no city In the country bas more bicycle riders, amateur und professional, thau Philadelphia. Tbee ptople will have a rare treat In witnessing the work of tbe champions, Shock aud Van Km burg, at the Andllorium this week. Mrs. Kendal mndesucu a remarkable Impression In tbe wluter engagement at the Broad Htrect Theatre, as Panlt In "The See ond Mrs. Tanqueray," that ber reappearance Id Pinero's remarkable play, at tbe Broad, on Wednesday and Saturday nights, will create wide iu teres "Sbilob," the attraction at tbe National next week, was first produced in this city by Manager Kelly about two years ago and made an Instantaneous hit "Shlloh" in very much Improved since first seen, and with it great cast and beautitul scenery will undoubtedly pack the National.

Members of the Grand Army of the Republic will find undoubted enjoyment In listening to Dave Braham's Grand Army march and chorus "Sergeant Hlckey, of tbe G. A. in Kdward llarrlgan's latest comedy success, "Tne Woollen Stocking," which will be this week's attraction at the Chestnut Street Opera Houbc. "Three of a Kind," Nellie McIIenry's charming comedy, will no revived at the (ii-rurd Aveuue Theatre on Monday, April i(0. Miss Amy Lee and Messri.

Doaue andMid-oleton will be seen In their old parts, and as the comedy has nut been played here for a year aud a half. Its reproduction now will be most welcome. The strong men are now at It. Sampson, Paudow and Louis Cyr each claim to be tbe champion strong man of tbe world. Bump-son in competitive contests nas shown greater strength than auy of tbe three and will be on exhibition shortly at the Walnut Street Theatre as a niae Issue to Duncan Harrison's play, "Tbe Paymaster." The grandest production In which Lillian RuhhcII has ever appeured Is thai of "Girotle-Girolla," which ts now crowding the New York Casino.

Hhewtll be the attraction at the Broad Street Theatre In the same opera tbe week of May 7. The original New Wk Cusluo production, with the mot sumptuous mlse-en-sceue evergivenon tbe corn ic opera stage, will be brought intact to lbe Broad. Mr. A. T.

James, tbe enterprising Theatre Ticket ExcbHnge man at the HotelfiLarayette and Metropole and Hets building, always has ome of the best seats In the boues. Call on blm at the above-named plaresaud examine bis choice selection oi places. Mr. James also curries In connection with his theatre ticket office afull line of Key West and Imported clears aud cigarettes, also all tbe popular paper, periodicals and magazines. Tbe usual eel brat ton of Shakespeare's birthday at tbe Forrest Home will take place this year on Tuetiduy, April iU, instead ot Monday, the wbleb Is lbe proper anniversary day.

'ibis change Is unavoidable us nothiug could beobtuiueu for a performance on Monday owing to It being the day of tbe week on wbtcb all the theatrea bave rehearsal. This year the enWrtaiumeut will be given by Miss Julia Marlowe aud ber com-puny, who are tbat week to play an engagement at the Walnut Street Theatre. Mr. Rlcbard Mansfield bas arranged for some entirely new productions lor next sea-ion and the famous successes of his repertoire will be laid aside. Messrs.

Zimmerman aud Nixon huve arranged a special engagement of Mr. Aiunsiiein ior one wera oniy at the neat-nut Htreet Opera Houha the week or May 14, during which he will play tor positively the bust times In this city "Beau Hrumineli' "A Parisian Romance," "Prince Karl and Ir. Jetty 11 and Mr. Hyde." The sals of seats for Mr. Manslleld will begin on Monday, April 30, Colonel Robert G.

Ingersoll ti one or the mom iloineHtlc and home-loving of men. Be ts exceeuinxiy mnd or uts lamlly, and, although HUpponeu to be a man of much lorce and will power, yet be suffer from tlie tyranny oi one ol the younger members of bis family, Robert G. Ingersoll Brown. Young Brown wtm born Auut 7, calls Colonel Insernoll'd daughter, Kva, niotber. Kooert G.

Ingersoll brown Is the son or Ralston Brown, the banker, and Is the pet ond pride of his grandfather, tbe oratorical co loiis I. Mr. Henry Meyers, tbe accomplished either soloist and teacber, has bis aunual zither recital at the New Century Urawlug Hoom on the evening of May 1, which promlaes to be a great MueoesH. Mr. Meyers has many times been a most popubir contributor to the entertainment of tbe Pen and Pencil Club sod at the dinners of the Clover Club, and several prominent members of these and THEATRES IN LONDON New Plays and Operas Which Aro to be Produced Soon.

Copyright, 1804, by the Associated Press. London, April 14. Tbe theatrical season showed no improvement during the past week. Another of the expensive productions of the season, "Mrs. Lesingbam," at the Gar rick Theatre must now he pronounced failure, for it cannot last more than a few weeks at tbe utmost.

Miss Elizabeth Robins as the heroine has been unable to exi-ite any interest in her portrayal of the character allotted to her. and that usually charming actress. Miss Mary Moore, and John Hare have unsympathetic parts. The rest of the company are very bad. The second edition of "Don Juan at the Gaiety Theatre was greeted with rapturous applause yesterday evening.

"Don Juan" has been largely rewritten, and the burlesque of certain music bull 'Living Pictures," one of the features of tho new "Don Juan," is a great success. The "Myatery," or oratorio of "Bethlehem," of Professor Alexander Campbell Mackenzie, principal of tlie Royal Academy of Music, once intended for the World's Fair at Chicago, was performed for the first time on Thursday evening at Alhert Hull. The scholarly work was well received. George Alexander has fixed April 18 for the production of the new four-act play by Henry Arthur Jones which is topaeceed "The Second Mrs. Tanqueray" at the St.

James Theatre. Sir Arthur Sullmnvs opera, Ivnnhoe." is announced for production at tho Berlin Opera House at the eud of the present month, Bernard Shaw's new play, which is to succeed the ill-fated ''Comedy of Sighs" at the Avenue Theatre ou or about the 23d instant. Is a skit on things that he. It is a burlesquo of romantic drama. The scpne is laid in Str- via during the Servo-Bulgarian war.

and there is no lack of local color in tho names of the characters, odo and all being; unmistakably national. It is rumored that a certain actress, whose name has long been associnted with melodrama in London, has been offered 250 (M. 2501 a week, for three months certain, to support James J. Oorbett in "Gentleman Jack ot Drury Lane Iheatre. W.

8. Penley has issued iuvitations to ft dance at the Globe Theatre to-day to celebrate the five hundredth performance in London of "Charley's Aunt." The play which "John Oliver Hobbes" and George Moore aro writing in collaboration is to be published in installments in the new quarterly, Th Ycliow Book, the first number ol which will appear about tho middle of April. The title chosen is "A Fool's Hour." The annual summer garden at Earls Court is to be known this year as the Exhibition of Industries," aud British manufactures of every description will be on show. Among the general attraction will bo the gigantic Ferris whcol from Chicago, 300 feet in diameter, ft show in the arena and a real ice skating The Lyceum Theatre reopened to-day with the promised toviviiI of "Faust." Willio Edouin is engaged in writing a piny to be called "A Rash Engagement," which will be produced at a matinee at the Strand Theatre during tho season. In the autumn Georgo Alexander's company will be joined by Miss Evelyn Millard, who pUyed the heroines in many of (ha re-, cent Adelphi melodramas.

-The handsome new building jnst completed in South Kensington for tho Royal College of Music, will be opened on May 7 by tho Prince of Wales on be bait ot tne vueen. An unusually large contingent of English vocalists will be touriue tho United States next winter, including Messrs. Lloyd, Wat-kin Mills, Foli, Normand Balmond and Mes-dames AH-ani and Antoinette Sterling. The Emperor of Germany was so pleased with tho music of Leoncavallo's "I Medici" that he immediately commissioned him to write a new German patriotic opera for next season in Berlin. The extension of Madame Wagner's rights in ''Parsifal" by the Austrian Emperor has led to nn important alteration in Austrian copyright law.

Hitherto in Austria copyright bos extended to ten years after the death of the authoror composer. A modification of the law has just been passed by tho Austrian Parliament extending copyright and performing right, whether musical, theatrical or literary, to thirty years after the author's death. Sir Augustus Harris has arranged with M. Sardouforthe production at DruryLancof two oi his plays Don tjmxoto" and La Patrie." It is possible that Mrs. Langtry may appear in the latter.

In regard to the row ot the Savoy Theatre, where "Utopia, Limited," has been holding the fort, no new play being ready, D'Oyley Carte wnnted to revive "The Mikado," hut W. S. Gilbert refused to allow this unless the beroino'i part was allotted to an artiste who was objectionable to both Sir Arthur Sullivan and D'Oyley Carte, consequently the negotiations are at a standstill. Verdi, the great composer, is to receive the Grand Cross of the Legion of Honor upon the occasion of the production of "Falstaff" in Paris. Upon tho same occasion Auihroiso Thomas is to receive the Grand Cordon of the Legion of Honor aud King Humbert, of Italy, will also confer a high decoration upon him.

SUB WAS A STRATEGIST. How She Schemed to Get Hid of an Undesirable Servant. From toe Indianapolis Journal, Tbe young husband was somewhat surprised wben his wife ca me Into the office. 81ie opened the conversation at once. I want enougD money to go out of town for a few days," she said, and you will have to take your meals down-town for a few days." Why, what does this mean It means tint this I got a messenger boy to come 1o tbe bouse for Mary Ann to tall her tlmt she was warned nt her aunt's, and us soon asBhe got around the corner I nhm un the house and looked it and ran away.

When nne conies oaca sob won i nna any one there. We don't owe beranvthlug, no it's all riirbt aud 1 wanted to discharge her, but you kuow 1 never would usre to tell her to go, and 1 knew you wouldn't dare, and don't vou think your little wife knows pretty well how to niauHoe? Bay yes. now. or I'll breakdown and cry right here In ihe office." Not a Promoter of Whlnkers. From the WiubingtOD star.

It's a queer thing," aald the man who ob serves closely, "tbat you never find a barber wtao Is nn AnarcbtsU" "I should say not Yon wouldn't expect a man to work oiralust hla own business. wnnM you?" The Sidewalk Wizard. When the day gets mild and JtiBt as people do with Hge; And the Run makes red and yellow Picture on the azure page Then we aay "farewell to daytime; Then we banlnh books and Hums; Then the city take Hh playtime Then tbe organ-grinder comes. How the heart goes lightly chiming To the melody that springs From some simple poet's rhyming, Pulslosr tbronuh the vibrant airings! Children flocn with Ihcvs beaming Old age, top, tbe muaic bums-All is youtb In fuet, or seeming. When the organ-grinder comes.

And the dancers, lithe and merry, Trooping, haste line hordes of elves, Weaving webs thai blend and vurv, Known to nooe except themselves. TTls a lalryiand in true life, Where no grief the spirit numbs, And we nod a sparking new life When the organ-grinder comes. Washington Star MISS ELEANORE MAYO. THE VOUTHFlJli PHINGESS B0JJJ1IE MISS ELEANORE MAYO'S BRIEF BUT SUCCESSFUL CAREER. ONLY SIX WEEKS ON THE STAGE Without Preparation for a Professional Career She I Ins Taken Her Place In the Front Kauks-Her Childhood Days anil Her Present Homo Life.

Only six weeks on tho stage, hut prima donna in one of the most instant of recent comic opera successes. Such is tho unusual story of Miss Kleanore Mayo, tho charming and youthful Princess Bonnie in Willard Spenser's In test musical effort of that name. A record of such immediate triumph seldom falls to the lot of one who enters the profes sion a novice to all stage methods, and whose life prior to the initial bow to the public was spent in a manner utterly adverse to such a career. In conversation with Miss Mayo at her apartments in the Gladstone, tho visitor was at once impressed with the peculiarly irresistible quality of extreme youtb, which is one of tho dainty singer's most potent charms. This combined with a thoroughly high-bred and graeious nir makes the beautiful girl most interesting and altogether lovable.

Clasping her hands together she said "i have never been interviewed and I really do not Rue what there is about me that could possibly interest tho outside world." Being assured that there Was a great deal that people would like to know, she went on in adc- light'ully girlish fashion: "I have spent most of my life in a convent, for I went thero when IwasS years old aud remained until I was 17." "You are 19,1 understand," queried the writer. No, I am almost 21," was thesnrprisingly candid answer, given with roost refreshing naivetto. and proving more than all clso that pretty Miss Mayo is as yet a stranger to the wiles and devices of tho great world in which women never dream of making themselves out older than they are supposed to be, but generally clip off a few years if they can by any possibility make tho publio hciicvo tho pk-asaut, little notion, 44 1 have always song, but never had any idea of going on tbe stago," continued the youthful hostess. In the last four vears my father has met with severe financial losses and the thought occurred to mc that I might put my voice to some profitable benefit; thereforo I went to New York and snng for Mr. Duff, and without more ado I was en gaged for 'King Kene's singing in that for four weeks and theu assuming tho role of Princess Bonnie, which part I have sung for two weeks as you know.

That is all there is to my stago career so far. "Do you like the opera?" was the next very natural qncstiou. "Oh, yes, indeed but I am ambitions for greater things, and when I close my engagement with Mr. Spenser I expect to no abroad and study lor grand opera. I enjoy the heavier, more classical stylo of music, and mv fiiends tell me my voice is much bettsr suited to that style than the frivolous airs of comic opera.

"When I was a child in the convent tho Sisters trained the children to singthe Masses and I thcight nothing of singing in my high treble all those marvelous works of Mozart. Millard ami others. Tho Palms and the Stabat Mater were to me what tho ordinary catchy melodies of the day are to the general run of children, and I presume tho taste in stilled in my earlier years is what prompts me to sock a higher plane now, notwithstanding the success I have achieved in comic opera." "Your father is Frank Mayo, is he not Yes, and he is tho dearest and beat man in the world, perfectly devoted to my mother and we children." "Then there are others beside youraelf?" "Oh, yes; a brother and sister. My sister Is at the same convent in I mint, New York, that I attended, and though she hasn't any musical genius she has a most decided literary taste and writes phenomenally well fori child of 14." Was your mother an actress?" "Oh dear, no; sho never knew any actors save my father, and so far as ray knowledge of the stage goes, my father might just as well have been in some other business, for I do not believe that I ever saw more than a half dozen rehearsals in my life before I weut on the stage myself. I have never had any training and I can assure you I am just frightened to death every time I appear.

A strange thing about this is that as time ges on, instead of being less nervous, I am more and more so. Perhaps this is owing to the strain I have under gono in the constant rehearsing, for I am not as strong as I look. But there is one thing I do want to say, and that is that I cannot express my gratitude sufficiently to those witn whom I have come in contact since I first entered the profession. Everyone is so good tome ami you know If they wanted to they could make a novice like me fed very, very unhappy indeed." As she sat in ber pretty flower-decked room, attired in a smart tailor gown most becoming to her lithe figure, womanly curiosity regarding her costumes came to tbe fore, and that very interesting topic was entered upon only to he met with a severo repulse, for the little lady remarked with a smile: "The choice of clothes does not bother me at all. My mother has always selected tbem for me, and I have not a word to say in the matter.

If they are becoming I am pleased, If not I wear them just the same, and the fact that I do not look well in them does not bother me the least bit." Just imagine ft young and beautiful girl who does not care for pretty gowns, but then this la no ordinary girl, as her marked success shows. Her whole li too, has been opposed to the frivolous side of existence, and evon though she has started out to carves career tor herself, she still retains tb quaint hnt refreshing ideas that all convent-bred girls are filled with. To see her pictures in shop windows is a source of constant embarrassment to her. To have to sign htr autograph on photographs intended lor people whom she will never know save in a business way is another thorn tbat rankles in her re-1 other leading clubs are taking subitantlnl interest In tbe Kither recital, Mr. Meyers will be assisted bv many excellent urtlsts, Including Miss jonpphlne ItichurdNon, contralto; Mr.

Adolph Bernhardt, bitrlloue; Higuor fSe-turo, harpist, and Mr. Brill, violinist. Among bis zither solos Mr. Meyers will piny his own arrangement of a new gavotte by Hmiser, Cholmeley-Jones' "Intermezzo" aud (by request) "Forgotten Sorrows," by Umiaf. There Is perhaps no com to opera or recent years tbat lias met with such suecess as Rob Id Hood." MettsrH.

Bnrnubee, Karl and Macdonald have made fortunes irom Us receipts. Its farewell engagement in this citv will be at the Parle Theatre week of May 7, and to properly commemorate its leave-taking of the public to whom it has become ho endeared a souvenir composed of the vocal gems of the opera will be presented to every purchaser of two coupon seats. A notable feature of this emrngement will he the appearance of Caroline Hamilton, the original and probably the best Maul Marian tlmt bus appeared in tbe role. Mrs. Alice Bhaw, sometimes called "the beautiful whistler," Is now endeavoring to cultivate the acquaintance aud approval of hor fellow-countrymen and women, after someyeursof what may Juntly be deemed a triumphant career abroad.

Mrs. Hbaw's gift, which, us Madume Murcbest says, Is a yen-ulne BnecleH of slnginir. Is known as whistling" for want of a better term. It Is the interpretation of the most modern, the most classic, the most beautiful music by the vocal orguus, yet without articulation. Muslelaus agree iu their estimate of the work, and she will now be heard by American audiences lor week in Philadelphia at tho Grand Opera House, beginning April 15.

The great French actor, M. Mounet-Kully, who Is now playing nt Abbey's Theatre, New York, captured the good opinion of the New York crltle and the strongest. Indorsements of tbe public by his performance of liamlrf, which was uccepted as one of the greatest representations of Ianilrt known to the stage. M. Mounet-Sully, with the eminent French net reus, Mine.

8egond-Weber, and his French company, under the management of MensrH. Abbev, Hchoeflel and tirati, appear In Philadelphia for one week only at he Broad ritrent Theatre the week of April 90, during which he will play llamlct and will oIho riroduoe "Krnaiil," "Uuy Bias," "(Kdippe lol" and other of bis famous Parisian successes, 'Land of the Midnight Sun," A. V. Pearson's big spectacular production, promises, from ull acrouuts, to beau important theatri cal event. The romance was written by Kdwin Barbour, who has already given us five successful plays.

Aside from the strong story, the Rceuic efleots are something grand. The convict tollers are seen working In the sul- phurmlneH, which explode In sympathy with I the eruption or the burning mountain Nkap-tar. The entire country Is rent in pleees by an earthquake. Another impressive scone Is the meeting of Althing, a ceremony where law and religion Innplre the people wlib rectitude under the rays or tho aurora borenlK It will be seeu at the People's Theatre this week. MATTERS MUSICAL The University of Pennsylvania Glee and Bnnio Clubs gtve a concert In the Academy of Music Friday evening: next, 'Vprii 20.

Great preparations have been made for the ovent and a very tine programme arranged. Professor Curl Gaertner's "Abraham Lincoln Memorial," which was underlined for periorinance to-morrow evening, at tbe Academy of Music, bus been poHtponcd for the reason that many of (he distinguished invited gueatH find It Impossible through business engagements to be present on that date. A piano recital mil be given by Miss Mary K. Halluck, ansiRted by Madame tselma Koert-Kronold, to-mrrow evening at Association Hall, programme represents a wide range of com pattern of the French. German and Italian schools.

It Includes the Etude (Klegte) Valse, A Hut major, aud Etude (Revolutionary) of Chopin Lls.t Liebes-traurae and Valse Impromptu "the first-movement of Schumann's Sonata In minor and compositions tor the piano by Scarlatti, Raft and HUler. Madame Kronoid will sing an aria from "Elijah" and nuiKieirom "Carmen." The programme will clone with Saint Saens variations on a theme by Beethoven for two pianos, which will be played by MLss ul lock with tbe asslstunoeof ber teacher, Mnurlis Leefsou. The last two concerts the Gennnnla Orchestra season occur on Thursday, 19th and 2titb Instants. Tbe season has been In all reaped a one of unusual sueceHS. Theaudleuces have been larger than ever before throughout the penoa or me annual exniuiuoo uu imvu maintained their size since Its close.

Many commendations aro constantly received by the leader and the Academy upon thestrongtb and beauty of the programmes, which are unquestionably as good and well rendered as any oflered In the country. Next Thursday's programme Is devoted to Italian composers andSpohr, and that of tbe week following Is very strong In standard numbers. With lbe fair weather of the spring music lovers Should evince their appreciation of the efforts or the Academy to furnish good music at a low price by ailing the galleries. COMING ATTRACTIONS Tony Pastor and his blgconipsuy of specialists will be the curd at Gilmore's Auditorium the week of April 23. The attraction at the Notional Theatre, next week.

Is "Hhllob," which will be presented with a great cast. Kellar, In his famous Beanced of mngle and Its allied mysteries, will contlutio at Cameras' until further notice. Fred Woldmann's Specialty Company oi refined vaudeville art Uts come to the Grund Opera House week ot April 1 Rip Van Winkle," with J. E. Toole, a pop-ularyoung German dlaleet comedian us Hip, will be tbo attract lou at tbe Standard next week.

The present bill at the Museum, with Its great ruce among lady runners and other attractive features, will be followed by another decided novelty. Tbe flltb week of the phenomenal run of Willard Spenser's very successful comic opera, "Princess Bonnie," begins next weea at tbe Chestnut Street Theatre. Manager Carr, of the Star Theatre, bas secured for this week the strongest vaudeville show yet seen at tbat bouse. Hehasbome remurkable novelties for next week, which will soon be announced. Tbe next attraction at tbe Empire will be lbe merry comedr, "Dr.

Bill," from the Garden Theatre, New York. A curtatii-ralBer bv Sedley Brown, bntltled "The Light-Weigh will precede the comedy. "The Tornado," Lincoln J. elaborately-heralded d' ntna otenlc and elaborate splenuor, ts Manager BruaenburKh's attrac tion hi a in poputar reopie rneatre, amoving "Land of tbe Midnight Sun." "The Hdll Alarm" will be presented at Forepaugh's next week by what Ik said to be ihe best company ei unloved la it lnce lis orivlnal production. Soeolul scenery, fire engine, borves and all other accessories are carriea by tue company.

Next week, at tbe Chestnut Street Opera House, Mr. Hurrltran will give one or his nit ml brllllam corned leu, "Helliy and the In which his performauco of Rcilly, the 2awnbrokert aiterward Sir Edward Kriity, ButL la one of tbe mont realistic bits of original work ween ou the American stage, "Maggie Mnrpby'st Home" and mauy of Mr. Brabam's most famous airs are In "Reilly and the 400." Irarlng bis engagement at the Chestnut Street Opera House Mr. Harrigan THE DANbTKY NEWS MAX PleUHant Remembrances of the Witty nud Gonial Humorist. From Twonty Years of Wit and Humor.

Bailey James Montgomery Bailey was bis full name. He was boru in Albany. N. iu fought through the war In a Connecticut regiment, and afterward made himself famous writing- lor the Danbttry News. Mr.

Bui Icy 's wit bas a delicious mental flavor. In mot, It is always the ihrewd, thoughtful man tbat enjoys it It is not iu long, inane dialogues, but a flaab of thought. The humorist says a poor roan came to him wilb tears In bis eyes oue day, asking for help tor his destitute and starving children. "What do you need asked Mr. Bat-ley.

"Well, we need bread, but if I cant have that I'll tuko tobacco." One day a solemn and religious Dnnbury man ha i ltd a charcoal peddler with thequery: Have you got charcoal In your wagon?" Yes, sir," naid the expectant driver, stopping his hordes. "That's rlglit," observed the religious man with nn approving nod, "always tell the truth and people will respect you." And then he closed the door Justin time to escape a brick hurled by the wicked peddler. One day I asked Mr. Bailey If they had lazy men In Connecticut Lasy men he exclaimed, why we have a man in Danburv so lazy that instead of shoveling a path to the front gate he pinches tbe baby's ear with tbe nippers till the neighbors come rushing in to tread down tbe snow." Mr. McMasters was buying a home of Mr.

Bailey, and asked bim If the house wus cold In tho winter. "Cold?" said Bailey cautiously. lI can't say as to tbat; It stands outdoors." speaking of the Indian raid, Hays Bailey The Modocs have made another raid on our people, and murdered them, ITeverour government gets hold of these savages, gets tbem light where they cannot escape, gets tbem wholly into its clutches, some contractor will make' money." Mr. Bailey's bumor also consists in truthful descriptions of domestic Pfc. His descriptions are so true that they are absolutely photographed on the mind of the reader.

One can cIokc his eyes and see with hlsmiud's eye the very sceues depicted. The Muclitue Could Stand ft. From the Chicago Tribune. The stranger at the hotel approached tbe typewriter girl stationed In the reading room a nd said, with some era barrassment "1 want to send a letter to a man in Milwaukee, and I baven't time to sit down and write II It wouldn't take vou more than two or three minutes to click It off from my dictation, would It?" "No, sir." "An' that's what you're here for, isn't It?" Yes sic" The the man I want to write to bas played roe a scurvy trtrk In a business transaction, and I want to use some Dretty strong language. I didu't know whether whether you would" "I guess the machine can stand It," said tne typewriter girl, with ayawn.

"Fire away." A lawyer's Tombstone. From the New York Tribune, Levi It. Pierson, of Hudson, bas erected a monument fur himself and wife fn In his cemetery lou On one side It bears lbe following inscription "Fellow pilgrim: Help In trouble, if you get It, comes from nature, humanity, knowledge, here ou this eurlh, nowhere else thlnK of IU L. R. Tterson, attorney -a Haw.

No charges." On the reverse of the stone is the following lvl R. Plertton, Harriet bis wife. They lived and died hanp.v, and knew just as much about the lulure as any human being." It "Was So lutorestlngr. From the Detroit Tribune. Woman, dare not to defy." "She was pale, but resolute, and sbs met tbe angry eyes of tbe man without quailing.

"Give It to me." Wit ha savage snarl be seized her wrists. A cry burst from ber Hps. Brute she shrieked. The paper fluttered from her baud. With a smile ut inaliicnant triumph he snatched It aud, returning to bis colfee, perused in detail the cross-exam iDutlou of Colonel Beekia-rldge.

It TYottld Be Awful. From Life. A young girl ot 12 was spsodfugtbe summer where mosquitoes were abundant. The farm ers protected their faces while caUlng grass, the clergyman wore protectors or wire over bis hands while writing his seimon, and while milking tbe cows they built flreson tho oppoKlte side of tb( cows for the smoke to protect tbem. Thin girl, aged 12, was looking out mt be scene at twllfghu She said: "Dou't you think 11 would be an awful thing to spend your whole life here and then have to goto hell when you die?".