The San Francisco Examiner from San Francisco, California • 26

Pag 26-. tf. Examlnrr MoJ.y, Mr. mi cccc 'Ballet '62' Set For Fall Tour Part 2: The Lis A Concert Group Makes Up Its Music While Audience Listens "BALLET '62," followinf the brilliant summer success of "Ballet '61" and "Ballet '60," will go on tour this fall, with the local Dana Attractions management in charge of its California and other Western bookings. Taylor Story The company comprises 16 young dancers of the San Francisco Ballet, and its repertory will include Michael Smuln's "Ebony Concerto," Kent Stowell's "The Crucible," Jeannd Herst's comic "Cocktail Party" and Lew Christen-sen's "ProkofieffWaltzers." WORLD PRIMinil NtW NUDIS CUTIS MR ADULTS ONLTI PLUSI "LOYI Ml MADLY" 1 by Auden, Housman, Kafka and Nietzsche.

These songs seemed to me stridently tiresome (progeny of Schoenberg's "Pierrot and no better were two Foss instrumental pieces called "Echol.w State College's Chamber Music Series audience younger this time than usual heard the concert with curiosity and plenty of respect. pen next?) and even a sense of form. Ai a musical utterance, they brilliantly paralleled the free form idioms and experiments that nowadays pervade many other art movements in painting, sculpture, ry and theater. Last on the program, Grace Lynne Martin an extremely skillful high soprano, joined the group in Foss' own settings of words NOW LAYINGI if eHAvTllil iIaS MffilJC HAMitJOS SULUvS S. HUROK Two DJitJnauJifitd Soviet Arihhl Tha Fabuloui Violin Virtuoso IGOR SUNDAY, MARCH 11 OPERA HOUSI 3 P.M.

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IEX 7-0717) A All Asincln. ROM DANA By LOUELLA (Second of The movie National Velvet made a star of Elizabeth Taylor, but at the tame time it presented a problem. She was potentially valuable property but she was an adolescent. And the studio had learned that there was always an "awkward always a period when the pretty children became adolescents gawky, unsure. And the grownups could frequently have very Hemorrhoids (PILES) Successfully Treated WITHOUT SURGERY DR.

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Rectal symptoms may be only one, or all of the following! bleeding, protruding, itching, leg. or back pains, nerrous-nemi, irritability, feeling of fullness, pressure, or ineonw plete relief, stomach disor. ders, headaches or general run down feeling. If you have any of the all. menu mentioned above come in at once.

Dr. Roy's exam, ination is gently conducted without embarrassment. Only those eases that will respond are accepted for treatment. Modern offices at 2535 Mission St. (Bet.

21st ft 22nd San Francisco. VAlencia 6-1000. a SUBURBAN THEATtSRSBEEiSa1 EAST DAY MARIN v. 0. PARSONS i Series) ilittle of the charm they had possessed as children.

But Elizabeth saved the studio worry. When she was 15, the males on the MGM lot were turning their heads at her approach. One day she was a child. The next she appeared in the commissary in a costume with a plunging neckline. She was no longer a child.

GREAT BEAUTY She was put into picture after picture. The reaction? The consensus was expressed by one critic who wrote, "What did the story matter anyway? The audience lost itself in Miss Taylor's beau ty." We were friends and saw each other quite frequently. One day she unburdened her self to me. 'Louella, she said, "I'm an actress. I wish they'd stop talking about my being beautiful.

It makes people ignore any talent I may name." There was the time when she was, as she put it, "en gaged to be engaged" to hand some, ail-American football star Glenn Davis. While Davis was serving with the Army in Korea, Elizabeth went to Florida. Soon she was being ardently wooed by William Pawley son of millionaire industrialist-diplomat. Elizabeth returned the gold football to Davis and accepted Irom young Pawley a massive diamond ring. This was a real engagement DIDXT LAST But it did not last.

She went back on the dating merry-go-round, and after a time it seemed she had caught the solid-gold ring. This was Nicky Hilton, son of my friend Conrad Hilton, owner of so many hotels throughout the world. Their wedding was reported fully by the newspapers. And so were the doings on their European honeymoon, ogo a3 ELIZABETH TAYLOR "Louella, I'm an They had little privacy and the newspapers were able to give firsthand accounts of their quarrels, their disa greements. Their biggest blowup came when they were in the south of France.

Nicky left his bride alone night after night in favor of the gambling ta bles. As soon as they were back in California, Elizabeth filed for divorce. And now, for the first time, the radiant, healthy Elizabeth Taylor lapsed into sickness. Overnight she appeared to wut. ner vitality was re placed by languor.

It became an effort for her to work. It became necessary to is sue the first of the "medical bulletins" that have since marked Elizabeth's life. She told me her marital breakup was harder for her to take than most of us suspected. Her recovery was hastened, I believe, by the attentions paid her by Stanley Donen, the talented young director. The pair were seen everywhere.

He stood by staunchly during the time that she was waiting out her divorce. At about this time Eliza beth made another of her controversial statements in an interview. She said. "I have a woman's body and a child's emotions." (Tomorrow: The era of the "domesticated" Liz.) (Copyright. 1961.

by Louella 0. Parsons, from ths book, "Tell It To Louella." published by G. P. Putnam's Sons. Distributed by King Fsstures Syndicate.) By ALEXANDER FRIED TOO MANY cooks spoil the broth.

But four composers all composing simultaneously! turned out to be better than one, in a strange, fascinating concert at San Francisco State College yesterday afternoon. The performers were the Lukas Foss Improvisation Chamber. Ensemble. All four of them are finely gifted, trained players. Based at UCLA, they carry on a widely discussed experimental career.

What they do is to make up music seriously and with fullest possible imagination right on the concert platform, while their audience listens. DISSONANT MUSIC Dissonant their music Is. Yet it is no more so than a lot of modern avant-garde composition. In yesterday's program, their series of extensive "Studies in Improvisation" struck me as being more inventive and truly expressive than several normally composed pieces by Foss alone, which ended the concert. Really the Ensemble doesn't improvise with as complete spontaneity as the word "improvisation" suggests.

The performers start out with a sketchy but definite blueprint of themes and treatment. As they go along, they create and pass back and forth to one another all sorts of melodic, polyphonic and rhythmic effects, carrying on for considerable lengths of time. TEST TUBES Their method of improvisation has more the spirit of a chemist, working deftly and thoughtfully at his test tubes than of a jazz jam session. Still, they did let loose in a few wild, exciting outbursts. One piece teamed them with a tape recording of themselves.

In another, cello and clarinet were having a merry dialogue, until suddenly three or four whacks at a drum shut them up. In still another, Foss played the piano while percussionist Charles DeLan-cey tapped the strings inside the instrument with drumsticks. Richard Duf-falo was the clarinetist, Howard Cole the cellist. The improvisations had expressive quality, a rich tonal palette, a feeling of suspense (what would hap- immmimfiiiiimimiiiiiiiiiiiii 'Take Me Along' Opens Tonight The Garden Court Dinner Theater opens its new production tonight (at 8:45) of the Broadway musical success, "Take Me Along," with Dan Dailey and Helena Bliss. The show, which Bob Merrill adapted from O'Neill's "Ah, Wilderness," has been staged in the round by Oliver Cliff, who is also featured in the cast.

iiimmimiiiiiiiimimiiimiiiiiii TONIGHT at 8:30 tal'miKm'uwnimcour HHTI tt 1:3 (En. IUN. 7:00) MATS. Sit, San. 4 Hill, tt 2 dO.

All SuU Swerved Mill OraV. Flllad. Box Offtee Oms ms 1:00 i.n. taealal eeailSera. Via to PirtlM.

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