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The Boston Globe from Boston, Massachusetts • 32

Publication:
The Boston Globei
Location:
Boston, Massachusetts
Issue Date:
Page:
32
Extracted Article Text (OCR)

32 THE BOSTON GLOBE MONDAY, SEPTEMBER 18, 1995 'Benny' shows heart, horrors of Ireland 1 UAIII I HIGH BOOT BENNY Directed by Joe Comerford (Ireland) films and TV. His stock in trade is obliviousness. He doesn't want to be burdened with feelings or thought, and he can't stand being touched, he tells a patient cast PHOTO SETH GftEfNBERG Kyle Kessenleh, jeft, and Lorl Douglas in a scene from Brad Carlson and Eddie Schmidt's "Brotherly Love." It's sad to have to bid the friends good-bye after their 20-min-ute story. .7 i S.tm u. i ing agent, who hears him out although he's a day late for his appointment and doesn't seem to have grasped the concept of the resume.

When she asks if he brought a photo to leave behind, he pulls out an envelope of passport photos and asks if they'll do. His smattering of acting credits catalogs with deadpan cruelty and hilarity the smallness of aspiration and achievement awaiting so Hi -4-, hr, Blood smeared on a border sign between Ulster and Ireland quickly denotes the conflict driving Joe Comer-; ford's small-scaled but strongly atmospheric film about a delinquent boy with a gentle heart, caught up in the crossfire. Although he affects a punked-out look, everyone in the tight, tense community knows Marc O'Shea's feenny is a softy who prefers to avoid trouble and live semi-reclusively, earning his keep at a boarding school by feeding and caring for animals. They're the only ones with whom he seems to have much rapport, although the 'Idealistic headmistress, played by Frances Tomelty, har-tors conflicted yearnings for him, too. So, unfortunately, does the local IRA cell.

After the school's caretaker is found murdered, having been exposed as an informer, the locals tar and feather Benny. hostilities escalate and Loyalists usher in British soldiers for a bloody and illegal commando reprisal, -penny's facial expressions veer ever more desperately 4etween numb silence and a silent scream. The problem is that he knows what the schoolmistress does not that will not be tolerated and that he will not be left alone. It takes a bit longer than it should for the various story strands and characters to sort themselves ut for viewers. But once it's clear who's who and what they're up to, "High Boot Benny" is a grabber as its mnforgiving gray skies press down like a tombstone upon (3ie warmhearted but shaky alliance among Benny, the fieadmistress and Alan Devlin as an ex-priest and her sometime lover.

JAY CARR i UMIIM MU.4U many hopefuls, including this be nign sociopath. With his unearned. aura of self-delight, Sibertin-Blanc's Augustin bases his humor on charmlessness, ineptitude and mediocrity, suggesting a Gallic Rowan Atkinson. At work, he's lazy and a bit of a back-stabber. What he does best is create sympathy for those with whom he comes in contact.

All show enormous patience in dealing with his irritating humorlessness and self-focus, starting with Nora Habib's casting director. Stephanie Zhang makes a hugely favorable impression as a chambermaid who gently rejects his tentative overtures when he shows up and quizzes her on the job as part of his research for a hotel worker's role. "Actor Thierry Lhermitte seems kind and genuinely bemused when the intense Augustin auditions. It's no accident that his job at the insurance company, with its deadly routine that he finds comforting and cocooning, involves working with coma-related claims. The fact that he's pretty comatose is supposed to be part of the joke.

JAY CARR 'Sex': not tonight, hon SEX IS A FOUR-LETTER WORD Directed by Murray Fahey (Australia) Jie excels in mediocrity IF AUGUSTIN Directed by Anne Fontaine (France) down the Ceausescu regime, Bose Ovidiu Pastijia'sTi-misoara" snowballs into an unusually powerful documentary. It looks back on the events of December 1989 with an unsentimental eye. There is no omnipotent narrator in "Timisoara1 the viewer must piece together information from thejnter-viewees' words, while the deliberately overexposed black-and-white photography and distant hums and -music create an unsettling tone. The bombardment of testimonies is at first so impersonal it's The people aren't identified by name, and it's hard to latch "onto anyone emotionally. But the inside view of events from the protesters and the soldiers ordered to shoot at them is irresistibly fascinating.

It took the rest of Romania, and the world, a while to catch on to what was going on in Timisoara: Ceausescu downplayed the protests as the work of a few "fascists." An interviewee speaks of young people facing down tanks standing on garbage-can barricades in a "state of euphoria, hate and unlimited courage." A medic tells how ambulances were fired upon, and a soldier confirms that those were the orders could one follow sucji an One soldier's parents had phoned him to; fell him not to kill anybody. Ceausescu's secret police, the Securitate, infiltrated the demonstrators and the army. The film's most gripping passage is in a hospital, where the staff speak of trying to cope with the massacre. A doctor says he had been told that "at 2 a.m., the ball will start" Once the casualties flooded in, Securitate men roamed the corridors with guns, searching for dissidents. The photography in "Timisoara," which at times resembles X-rays, gets progressively clearer.

A potent age of triumph is the Romanian flag flying with a hole in the middle, where the communist symbol has been! cut out. Yet euphoria is held at bay; the final Jext reads "This film has no end." ZXXZ- BETSY SHERMAN rainless also olten pointless Augustin is a fitfully quirky take on the vagaries of the actor's life. Or, in-this case, non-life. It plays like an audition video showcasing Jean-Chretien Sibertin-Blanc as a prissy insurance company underling who aspires to be a bit player in This year's Boston Film Festival batting average has OttiBjKIMs Screening plans are subject to change without notice; for information, call 266-2533. TODAY'S FILMS At the Copley Place Cinema: "The Journey of August King" 10 a.nv, noon; 2, 4 p.m.

"Augustin" 6, 7:20, 8:40, 10 p.m. "Dadetown" 10, 11:50 a.ra.; 1:40, 3:30 p.m. "Timisoara" 5:45, 7:35, 9:25 p.m. "Moonlight and Valentino" 10 a.m.; noon; 2, 4 p.m. "Sex Is a Four-Letter Word" 6, 8, 10 p.m.

At tlie Kendall Square Cinema: "Vukovar 12:15, 2:15 p.m. "The Return of the Texas Chainsaw Massacre" 5,7:15,9:30 p.m. "Lucky Break" 12:30, 2:30 p.m. Film Shorts I Golem," "Mail Bonding," "Saving Souls," "Steam," "Brotherly Love" and "Local Mechanic Wins 4:30, 7, 9:30 p.m. "Johnny 100 Pesos" 12:45, 2:45 p.m.

"High Boot Benny" 5:15, 7:30, 9:40 p.m. TOMORROW'S FILMS At the Copley Place Cinema: "Half Spirit: Voice of the Spider" 5:15, 7:15, 9:15 p.m. "Timisoara" 10:30 a.m.; 12:20, 2:10, 4 p.m. "Sex Is a Four-Letter Word" 10 a.m.; noon; 2, 4 p.m. "A Modern Affair" 6, 8, 10 p.m.

At the Kendall Square Cinema: "High Boot Benny" noon; 1:45, 3:30 p.m. "The Return of the Texas Chainsaw Massacre" 5:15,7:30,9:45 p.m. Film Shorts I Golem," "Mail Bonding," "Saving Souls," "Steam," "Brotherly Love" and "Local Mechanic Wins 12:30, 3 p.m. "Without Air" 5, 7:15, 9:30 p.m. "Mushrooms" 5:30, 7:45, 9:45 p.m.

been high. Not many duds. This Australian import, however, is one of the unfortunate few. It's a night of revelations you doubt would ever get revealed as six pedestrian friends are brought together by the one who works as an advice columnist. Naturally, her own personal life is a disaster about to get worse.

They don't particularly like one another, or themselves, and before the night is over the revelations and betrayals and recriminations leave the beach littered with casualties. Would people ever expose themselves so readily, knowing the consequences, unless a screenwriter needed them to so he'd have a movie? This one never persuades you they would, or that they're even characters. A lighter hand might have fashioned comedy from this antipodean misery derby. If it were only earnest, or only amateurish, it might have had a chance. But the fact that it's so inescapably both consigns it to the downside of sexblab.

JAY CARR From rockers to rabbis rtlfc.TV7 I SONY THEATItS 1 I WNIUl CtNIMA 'l I CINflHl CINEMA 1 I GtNflAl (MM 1 I SONY THfAItlS -NOW CHERI CHESTNUT Hill BRAINTREE 10 BURLINGTON 10 FRESH POND TI HWH WllWIOiW III. 9 At HAMMOND SI. JOHti W. IIMH 111 III. Ill EXIT 32k (USH KIND MAIL rLAlllNU I 336-3870 II 277-2500 8480070 3299200 I 661-2900 CINEMA I I SHOWCASE C1NIMAS 1 I SHOWCASI I I SHOWCASE CINEMAS SONY THfATIIS I SONY THEATRES fWMINGHAM 14 DEDHAM WOBURN REVERE SOMERVILLE DANVERS 6 nuncuitiiWNwwMu in.

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h. mi. ill wit 24 SOS 628 4404 1 1 326 4955 II 933-5330 II 286-1660 II 628-7000 1 1777 MS! if it 1100 FILM SHORTS I SPECIAL ENGAGEMENT NO PASSES OH DISCOUNT TICKETS ACCEPTED funny as Hooper's tongue-in-cheek "Texas Chainsaw Massacre Part 2." The only reason this movie may be remembered in years to come is as an early weirdo performance by Matthew McConaughy, who is ready to become the next Tom Cruise with his starring slot in the upcoming John Grisham adaptation "A Time to Kill." As everyone knows, these movies stall out with the teen-agers soon to be carved up. There have been worse than these four; the one genre fans will instantly recognize as the ultimate survivor is insecure Jenny, nicely played by Renee Zellweger. The quartet go for a drive on prom night and take that fateful wrong turn.

The dominant personality in the house of butchery is Vilmer (McConaughy), a tow-truck driver with a mechanical leg and a penchant for slashing. The handsome McCon-aughy's Vilmer makes Woody Harrelson from "Natural Born Killers" seem like Woody Harrelson from "Cheers." An innovation in this sequel is the addition of a kinky woman to the wacko-pack: Darlene is played with zest by Tonie Perenski. There's relatively little blood shown, although Jenny gets bashed around a lot. Marilyn Burns, the survivor from the '74 has a cameo. The series' figurehead dimwitted, masked, chain-saw-swinging Leatherface is played by Robert Jacks.

This 'Chainsaw' needs sharpening RETURN OF THE TEXAS CHAINSAW MASSACRE Directed by Kim Henkel (USA) After the droolingly mediocre "Leatherface: Texas Chainsaw Massacre III," it's doubtful anyone was clamoring for another sequel to Tobe Hooper's 1974 splatter classic. This new one is a shameless rehash, with nary a shred of the original's primitive power, even though it was written and directed by Hooper's co-screenwriter on the original, Kim Henkel. Henkel tries to milk the series' blood-crazed cannibal family who terrorize the backwoods (they're based on real-life mass murderer Ed Gein), but doesn't make a movie as chilling as the original or as The six shorts in this program all show technical assurance on the part of the directors. Their narratives are generally engrossing, but the only one that rises above "pretty good" status is Brad Carlson and Eddie Schmidt's "Brotherly Love." It's actually sad to have to bid the film's pair of young woman friends good-bye after their 20-minute story has wrapped up. "Brotherly Love" is a period piece from way back in 1985.

Jesse (Kyle Kessenich) and Meg (Lori Douglas) are a coupla chicks stuck in Bakersfield, Jesse would love to go out to Philadelphia to support Jiefidol Bob Geldof by attending the Live Aid charityjeoncert. The bad-attitude-and-proud-of-it Meg says, it. On the way, their friendship is tested and Jesse learns not to take do-goodism at face value. Both actresses are terrific; magic moments include Meg tossing an INXS cassette out of the VW convertible. "The Golem" is an updating of the Jewish legend of a monsterprotector fashioned out of clay.

Matthew Letscher is the man who suspects his grandfather has activated a golem. Ed Asner, playing the rabbi, jgives a star's name to Lewis Schoenbrun's thoughtful production, but his wooden performance (in a fake beard) suggests that maybe he should have played the Robert Miller's "Mail Bonding" is a whimsical" fantasy-romance that is, it says, the first all-digital production of a live-action motion picture. The magical computer effects are its notable feature. "Saving places deranged would-be evangelist in a sleepy townfJiEln-tends to keep practicing his brutal form of exorcisCHhtil he gets it right. Irving Belateche directs; star crosses the line into caricature.

ZZZZs Ryan McFaul filmed "Steam" in Connecticulfs an affecting story about a little girl in the rural norlwhp dreams about hopping on the train that runs through her town but never stops. Miranda Stuart-Rhyne is jjpised as the girl looking for more from life. More whimsy in "Local Mechanic Wins by Eli Despres. Dan Renkin is quite good as the title guy, who, now that he can quit his job, wants to become ja writer. His brush with the dark side comes in the form of brief friendship with a psycho (Michael McCarthy).

BETSY SHERMAN SONY THEATRES CINEMA 57 STUAATSr WAR AARK SO HOW PIAYIHG! SHOWCASE CINEMAS CIRCLE CltVEULM) CHKL SHOWCASE CINEMAS DEDHAM Rlt I A lit EOT ISA SONY THEATRES SOMERVILLE ASSAWSLC so nrEU SHOWCASE CINEMAS WOBURN 933SXJO mS6HVTHEAmS FRESH POND flttSH FONO MALL Ml-M GENERAL CINEMA BRAINTREE 10 off hemes m. arc a tai At-ion GENERAL CINEMA PEABOOY HORtHsmt swmMG cm SOA SJ? IM SHOWCASE CINEMAS REVERE ciisoumm 7K-IM0 Preview CLOCKERS on the Internet GENERAL CINEMA BURLINGTON 10 RTE IJIEJHTUS SONY THEATRES NATICK mi 1 0PP SHOWEAS HOfltO 65J-50O30J7 5M0 SPECIAL ENGAGEMENT NO PASSFS OR DISCOUNT COUPONS ACCEPTED (hrtpwww.mca.ceni)l After having Leatherface go through his paces chasing Jenny through the woods, Henkel's idea of an imaginative stroke is to put him in red lipstick and black widow drag. No thanks, Julie Newmar. BETSY SHERMAN Ringside at a revolution LEXINGTON FUCK 1 794 Mass. Ave.

B61-6161 APOLLO 13 (PG) 6:45 UNZIPPED (R) SOMETHING TO TALK ABOUT (R) 9:30 TIMISOARA Directed by Bose Ovidiu Past ing (Romania) COOLIOGE CORNER 1 2 734-2500 TEMPTATION OF A MONK 7 40 BULLETPROOF HEART 5:55 THE DAY THE SUN TURNED COLD 1 THE FOUR CORNERS OF NOWHERE 9 55 CARMEN MIRANDA-BANANAS IS MY BUSINESS 3:55 CRUMB 3 45 IL POSTINO 5:40 FASTER PUSYCAT! KILL! KILL! THESE TIMES GOOD TODAY ONLY CAPITOL 204 MASS. AVE. 648-4340 WATERWORLD (PG13) 2:00 4:25 7:00 9:30 AMAZING PANDA ADVENTURE (PG) 1 SOMETHING TO TALK ABOUT (R) THE POSTMAN (IL POSTINO) (PG) 5 9 25 THE NET (PQ-13) THE BABYSITTER'S CLUB (PG) 1 25-310 NINE MONTHS (PG13) 35 CLUELESS (PG13) 10-9 15 POCAHONTAS (G) THE INDIAN IN THE CUPBOARD IPGl 1 25-5 30 Just as the demonstrations in the Romanian city of Timisoara snowballed into a revolution that brought FINE ARTS THEATHE SUMMER SI RT 62 697-8100 BRAVEHEART (R) 7:00 SOMETHING TO TALK ABOUT (R) 7:15 CLUELESS (PG1 3) 7:15 EI BRATTLE THEATRE 876-6837 MACAO. Mitchum UNDERCURRENT SIULMO 376 IHAPfcLO HD. 484-1706 WEST NEWTON CINEMA 1296 Waswngton St Route 16 964-6060 A WALK IN THE CLOUDS UNZIPPED 7:15 9:10 THE POSTMAN 1 10 BELLE DE JOUR Cath Deneuve 4 15 COUNTRY LIFE Sam Noill 1:50 4 30 7:00 Experience the Excitement! Kevin Costner! WATERWORLD A GREAT DAY IN HARLEM 1 5 9:15 only 2 10-4 10 BURNT BY THE SUN SMOKE Walt Disney POCAHONTAS INDIAN IN THE CUPBOARD AMAZING PANDA ADVENTURE 2:00 only 1-15 only RTE.

3 CtNEMAS-Oct. Rtes. 3 110 256-0611 CLOCKERS (R) 7:00 9:30 HACKERS (PG13) ANGUS (PG13) 7 MUTE WITNESS (R) 715 9:15 TO WONG FOO (PG13) 7 DANGEROUS MINDS (R) WALK IN THE CLOUDS (PG13) 7:00 SENIOR TRIP (R) 7 15 THE TIE THAT BINDS (R) 915 PROPHECY (R) 9 15 Entertainment Cinemas WESTGATE MALL BROCKTON-OFF RT 27 15081588-50501617)963-8833 Bargain Mais Bargain Tuesdays S4 50 UNDER NEW OWNERSHIP USUAL SUSPECTS (R) 12 30-2 45-4 50-7 30-9 40 HACKERS (PG13) -tLOCKERS (R) 1 TO WONG FOO (PG13) 35-7 05.9 30 The babe (G) 12 30-2 30-4 30 TIE THAT BINDS (R) 7 MORTAL KOMBAT (PG13) 12 55-7 10 McMULLEN (R) 9:30 only DANGEROUS MINDS (R) 12 25-2 10-9 35 fcNTLHTAINMENT CINEMAS 1-8 784-9300 Route 95 Exit 8 HACKERS (PG13) MUTE WITNESS (R) 12 20-2 20-4 ANGUS (PG13) 00 USUAL SUSPECTS (R) 15-4 15-7 15 9 15 TO WONG FOO IPGI3) 12 0O- 15 BROTHERS McMULLEN (R) 30 A WALK IN THE CLOUDS (PG13) 12 104 2fr9 20 BABE (G) 12 4:00 THE TIE THAT BINDS (R) DANGEROUS MINDS (R) 12:102 10 4 107:10 9 10 Kendall Square Cinema, Cambridge: Jeffrey." on three screens, at 12:15. 2:35, 4:50. af 1:40, 3:55.

6:10. 8:25. and at 1. 3:15. 5:30.

"jn Awfully Big Adventure." at 12:05. 2:25, "Hotel Sorrento." at 12:10. 2:40. 5:05. Vanya on 42nd Street" at noon.

2:30. 5. 7:35. 10. -Nickelodeon: "Unstrung Heroes." at 8:20.

10:45: "To Wong Foo." at 12:50, 5:30. 7:50. 10:15: "Unapped." at 2. 4:20. 7:20.

9:20: The Brothers McMullen." at 1:40. 4. 7:50. "The Usual tit 1:05. 3:25.

5:40. 8:05. 10:30 Revere: "Braveheart." at 1. 4:30. 8: "Clockers." at 1:30.

4:30, 7:40. 10:30. and on another screen aUL 4ilfl, 10: "Angus." at 12:20. 2:35. 4:45.

7:10. "Mute Witness." at 12:50. 3:05, 5:20. 7:40. 10:10: "HackeTs." at 12:15.

2:30, 4:50. 7:15. "Magic the Water, at 12:45. 2:55. 5:05: "The Tie That Binds." at 7:55 'Jo Wong Foo." at 1:30.

4, 7. 9:40: "The Prophecy," at 12:45. 2:50. "Something to Talk About," at 5, 7:25: "Babe." 12:30. 2:30.

4:35: "Desperado." at 7:10. jd'Jji Walk in the Clouds." at 2:35. 5:05. 7:35: "National Lampoon's Senior Tnp." at 12:40. "The Usual Suspects.

12:40. 3. 5:15. 7:45. 10:15: "Mortal Kombat." at 12:35.

3:05. 5:25. 8. 10:25: "Dangerous Minds." at 12:55. 315.j5:3a 8.

10:25 Somerville Theatre (Davis Square): "Burnt by the Sun." OLDHAM COMMUNIIY -AMPtf PARKING 326-1463 SOMETHING TO TALK ABOUT THE POSTMAN 5 0O-7 Waisei KIDS 900 at "Bulletproof Heart." at 5:55: "The Day the Sun Turned Cold." at 1:40. 7:50: "The Four Comers of Nowhere." at 9:55 p.m.: "Carmen Miranda: Bananas Is My Business." at 3:55: "Crumb." at 3:45: "Faster, Pussycat! Kill! Kin!" at 2:05. 10:05: "The Postman." at 5:40 Copley Place: "Angus." at 11:15. 1:45. 4:15.

7. 9: "Or. Jekyll and Ms. Hyde." at 11:15 a.m.; "WaterworW." at 7, 9:45: "Dangerous Minds." at 12:15. 1:45, 2:45.

4:30. 5:30, 6:45. 7:45, 9:15, "Last of the Dogmen," at 11. 1:30. 4.

6:45. "National Lampoon's Senior Trip." at noon: "A Walk in the Clouds." at noon, 2:30. 5:15. 7:30. 10 Fresh Pond: "Angus." at 1:20.

3:30. 5:40. 8. "Hackers." at 1:50. 4:20.

7:20. "Mute Witness." at 1:30. 3.50. 6:05. 8:15.

10:30: "Braveheart." at 3:10. 5:30. 9: "Clockers." at 1:10. 4:10. 7:10.

10: "National Lampoon's Senior Tnp." at 1:20. 3:30. 5 40. 8. 10:10: Apollo 13." at 2:50.

5:50, "Desperado." at 1:50. 4:30. 6:50. 9:30: "The Tie That Binds." at 12:30. 2:40, 5.

7:20, "Mortal Kombat." at 1:30. 3:50. 6:05, 8:15, "Babe." at 12:40. 3. 5:10.

7:30. 9:40 Harare1 Film Archive at Carpenter Center for Visual Arts: "Summer Iraertude." at 7:30: "Three Strange Loves." at 9:30 Harvard Square: "Unstrung Heroes." at 1:30. 3:45. 5:55. 8:05.

10:20: "To Wong Foo." at 12:30, 2:50. 5:10. 7:30. 10; "The Brothers McMullen." at 2:15. 4:40.

7. 9:20: "Beyond Rangoon." at 1:30. 3:45. 5:55. 8:05.

10:15: "The Usual Suspects." at 12:15. 2:35. 4:55. 7:15, SJ40 Janus: "Kids." at 1. 3:10.

5:20. 7:30. Alston: "Mortal Kombat." at 9:40: "Apollo 13," at 7:20: "Babe," at 12:30: "Last of the Dogmen." at 10:05: "National Lampoon's Senior Tnp," at 1, 7:30 Assembly Square: "Angus." at 2:30, 4:50. 7:15. 9:30: "Hackers." at 2:20.

4:40. 7:45. 10:15: "Mute Witness." at 12:30. 3. 5:20.

7:30, 10; "Clockers." at 12:40. 3:30, 6:25. 8:40: "Braveheart." at 1:10. 5. 8:45: "A Walk in the Clouds." at 1.

3:30. 6. 8:40: "Desperado." at 1:50. 4:20, 6:50. 9:10: "The Tie That Binds." at noon.

2:20. 4:40, 7:20, 10:10: "National Lampoon's Senior Tnp." at 12:20, 2:30. 4:50. 7:10, "The Prophecy," at 7. "Beyond Rangoon," at 1:30.

6:15: "To Wong Foo," at 12:50. 3:20. 5:50. 8:15. 10:45: "Babe." at 2, 4:30 Brattle: "Macao." at 4.

"Undercurrent," at 5:30. 9:15 Cheri: "Hackers." at 1:20. 4. 7. "Braveheart." at 1.

5, "The Tie That Binds." at 2. 4:40. 7:40, 10:10: "Desperado." at 1:40. 4:20. 7:20.

9:50 Chestnut HHI: "Unstrung Heroes." at 1, 3:10. 5:20. 7:30. "Mute Witness," at 1, 2:15. 5:30.

7:45, "Brawe-hean." at 1:15, 4:45. 8:30 Cinema 57: "Mute Witness." at 1:30. 4:30. 7:30. "Clockers." at 1, 4.

7, 10 Circle: "Angus," at 12:50. 2:50. 4:50. 7:15. "Hackers." at 12:30.

2:45. 5. 7:20. 9:45: "dockers." at 1. 4.

7:10. 10; "The Prophecy," at 1:10. 3:15. 5:20, 7:35. 9:50: "The Tie That Binds." at 12:40.

2. 5:05, 7:30. 10; "To Wong Foo." at 1:30. 4. 7:25.

9 55: "The Usual Suspects," at 12:40, 2:55. 5:10. 7:40, 10:05 Coolidge Comer Theatre: "The Temptawn of a Monk." SOMERVILLE THEATRE .55 Oars So, (T) Rcnc 625-5700 BURNT BY THE SUN IR) ALWAYS A BARGAIN AT $2 50 ALL NEW ENTERTAINMENT CINEMAS All STEREO Bargain Mats Bargain Tuesdays S4 50 1 Ne 10 Cardinal Cusfiing 508-588-4850617-963-1010 ANGUS (PG13) MUTE WITNESS (R 12 40 7 10-9 25 BRAVEHEART (R) 12 00-3 45-7 30 NA1I0NAI LAMPOONS SENIOR TRIP (fl) 12 15-2 154 15 WALK IN THE CLOUDS (PG 13) 7 POCAHONTAS (G) APOLLO 13 (PG13) 7 00 9 35 PHDPHFCY IR) 12 30 2 40 4 50 7 30 9 40 HOffS FRANKLIN CINEMA 6 (508) 520-3101 Franklin viHage Shopping Ctr Exit 17 off Rle. 496 ANGUS (PG13) 12 9:30 HACKERS (PG 13) 40 BRAVEHEART (R) 12:30 4 00 8 OO TO WONG FOO (PG13) 1:10 3 50650920 DANGEROUS MINDS (R) 1 30 4 30 7 309 45 APOLLO 13 (PG) Escape to the Movies BARF THF GALIANT PIG (Gl Sal A Sun 12 152 15-4 15 ILIIJIUM. II Mil I I -II at 7.

9:40 mON18 mm mtmmnmmw uenoies nanaicappeQ jr. Accessibility I Moi'ie schedules gre changes. MiiiffittA.

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