The Boston Globe from Boston, Massachusetts • 14

14 THE HOSTON r.l out; SATURDAY. DECEMBER 5. 1987 0 I I Stay away from The Stranger' A powerful update 'Still Killing STILL KILLING US SOFTLY Documentary by Jean Kilbourne. At the, Brattle Theater, Cambridge, presented by the Boston chapter of the National Organization of Women, tomorrow at I unrated. By Jay Carr Globe Staff In 1979, media critic Jean Kil bourne made a film called "Killim? fs Softly." Focusing on images of fomen In advertising, it showed incisively how advertising is more than sexist, how It helps create a (JHmate that makes violence more acceptable and turns women's bodies into commodities.

"Still filling Us Softly." Kilbourne's njw imn, is an upaate. anything, she says, the situation is rwrse. Advertising, she points out her slide lecture, depends on faking people feel insecure men as well as women. The idea Is tfiat, unless you Ingest, smear yourself with and otherwise THE STRANGER Written by Dan Gurskls. Directed by Adolfo Arlstaraln.

At the Beacon Hill, rated R. By Robert Garrett Special to the Globe This Is definitely not an adaptation of the existential novel of the same title by Camus. In fact, the only thing existential about the movie is the question you'll probably pose to yourself if you go to see it: "Why am I here?" An amnesia patient has witnessed a murder, and her therapist must help her piece together her identity and what happened. The murderers hover nearby, waiting to kill her after she has divulged an important piece of information. The Hitchcock-like plot elements are here, but this mystery The Outing' is THE OUTING A film directed by Tom Daley, written and produced by Warren Chaney, starring Deborah Winters, James Huston, Danny D.

Daniels and Andra St. Ivanyl, at the Beacon Hill and suburbs, rated (violence and nudity). By Michael Blowen Globe Staff A gang of toughs assaults an old lady and steals a magic lamp. They remove a jewel from the lamp and an evil force is unleashed. It kills the delinquents.

Later, a bunch of high school kids spend the night in a museum where the curse lurks. This is just the beginning of the hokey, mum-bo-jumbo that makes "The Outing" a loser from first frame to last. There aren't even any unintentional laughs. Of course, there are a few moments where the special effects wizards strut their stuff. In this case, an archaelogist gets his head turned by a ceiling fan and several kids get done In by flying, slashing objets d'art.

'S kinderefla GENERAL AUDIENCES 'THE CHAMPION LAUGH-OUT-LOUD COMEDY OF Michael Medved, SNEAK PREVIEWS "SCREAMINGLY FUNNYF' Jeffrey Lyons, SNEAK PREVIEWSWCBS RADIO Us Softly': jean KILBOURNE sume what advertising Is selling you, you are an ugly bag of palpitating sewage, unfit to associate with your fellow conformists. This point, hammered home In countless cosmetic ads, is obvious enough with women; men aren't CLASSIC USA Cntmjs SOMERVILLE oi ASSiMUT SQ III 9j 628-7000 General Cinema BURLINGTON MAIL BOUH nt IXIT 43 272-4410 showcase cinemas REVERE Ml CI lOulfll ID. 786-1660 III I MSI OKI) RTE. 3 CINEMAS Jet. Rtss.

3 110 256-0611 "THREE MEN A BABY" PQ 1 "PLANKS, TRAINS AUTOS" 1 30-7 OO-B 30 "FLOWERS IN THE ATTIC" PQ13 "HELLO MARY LOU-PROM NIGHT II" 9 30 "THE RUNNING MAN" 130-7 00-9 30 "FATAL ATTRACTION" 00-9 30 "CINDERELLA" 1 30-7 00 "HIDING OUT PG13 2 00-7 15-9 30 1)11)11 AM COMM 1 2 INI fll MS FOR LESS 326-1463 1. LA BAMBA PG13 7 00 ONLY 1, "THE BIG EASY" 9 00 ONLY 2 'THE SICILIAN" 7 00-900 I'OXIIOKO FOXBORO 1-2-3 543-5612 TEEN WOLF TOO" P6 "FATAL ATTRACTION" 2 00-7 00-9 30 "THRE MFN ft A BAHY" PG 2 00-7 00-9 30 I HAKI I FRANKLIN CINEMAS 1-2-3 528-0620 "CINOEHFLIA" "LESS THAN ZERO" "THE RUNNING MAN" "DIRTY DANCING" PG13 2 00-7 00 7 00 9 15 2 00-7 05-9 15 2 00-7 109 15 UTTI.KTON FLICK CINEMAS 1 2 486-0305 "FLOWERS IN THE ATTIC" PG13 1 30-7 15-9 3(1 "CINDERELLA" 1 15 2 45-7 15 "If S3 THAN ,10 ONI MAVWHI) FINE AMIS THLAIHfc "MY LIFE AS A EXXJ" "DIRTY DANCING" "PRINCE SS EHIIIlP" B(I7-2100 7 (10 ONLY 9 00 ONLY 7 M-9 00 Mil I OKI) MIIFOMO CINEMAS 43-11B1 "THREE Ml A BARY" PQ 00 7 00-9 15 Dwiwy "CINDERELLA" 0 00-7 00 "LE THAN ZERO" 45 ONI ROUTE 4B5 CINEMA CENTRP 473-2141 Mnh Rrnit 45 lo Ealt 10) "FATAL ATTRACTION" 9 00-7 OO 15 "PI ANE S. TRAINS 1 AIIT09" 2 00 7 10-M 15 "THE RUNNING MAN'R 2 00 7 15-9 15 IJAST MILTOM CINI MA AIL RIAE8I300 "HIDING OUT PC113 rwi wuii 1HF Nl VI FNfllNG RTOMY" 1 00 (SmI 001 mm v2r I 'p. is murdered by poor scripting and directing. Peter Riegert stars as a graceless shrink.

He's paired a hopelessly flat-footed cop who's idea of solving the crime is to shout at the amnesiac witness because she can't remember aaf-thing. Riegert's approach isjo speak psychobabble, and makja clumsy and unethical romantic advance toward his patient. i Part of the plot involves two of the film's characters who watch a schlocky murder mystery. And so we have the unintended irony ofa bad movie within a bad movie.Jn the end. Riegert attempts to explain to the dim-witted cop the convoluted mystery.

The real mystery is how Riegert got stuck, in "The Stranger," which is quiiu.a come-down from his starring role In the charming "Local Hero." a hokey loser If there was just a glimmer, pf talent in the acting, "The Outing" might be seen as a learning experience for a future star. Directo Tom Daley looks as if he's studying to graduate from being a hack to a high-priced one. This slasher movie is making a brief stop at theaters while orCJ's way to your local video store. It was even sponsored by The Movie Store a chain of videocassette stores. 11 And so It goes.

Today's Calendar 1 Tim Berne Hank Roberts Saxophone-cello duo performing at the Newton Arts Center, .61 Washington Park. 8 p.m. $7. Royalty of Doo-Wop Special Earl (Speedo) the Cadillacs, the Belmonts, Hank Ballard the Midnighters, Eugene Pitt the Jive Five, Joe Stubbs' the Falcons. At the Berklce Performance Center, 136 Mass.

Boston. 7 and 10 p.m. $19 and $21; $50 Includes reception. Steve John: Martin Candy; Planes, i Trains and Automobiles rVrnounlrVim' HajtWi fcrfirij General Cinema FRAMINGHAM in iHOfii woric US-S070 872-4400 SHOWCASE CINEMAS REVERE ci souiai 10 286-1660 Vr tin mm Jjtlljrr-HtSH Ml Jim Uma tf)7m rV 1 II Sfi'iv IWih.l ll W.M "TWO THUMBS J-J SISKEL A F.HERT fi V. 4 THE MUWJS Ut Tt Vi riuit AND Glory 1HJJ P.

tea Daily 10 15. 1 00, 400.7 15.945 Fri.Sal Late Show 12 Daily 12 30. 40 5 50. 7 30 ana 10 00 COPLEY PLACE 1(I0 1ANUS USA Clnamaa NATICK IMtO" 0ll WOIID 6SJ S00S 337-SB40 USA CINFMAS imarr tan am, DANVERS SomerviHe, NalicK Reere 1 5 TECHNICOLOR KJ1 it-TV fc. Ajfl 'l 4 exempt, either, as Kilbourne wryly Illustrates, using an ad In which an uneasy cowboy comments on the length of his phallic cigarette.

Phallic imagery isn't new In advertising, but, as Kilbourne shows In her well-chosen illustrations, it's being used much more blatantly now. Young girls as well as adult women often are draped submissively and longingly over a series of thinly-disguised phallic symbols, tacitly reinforcing child porn's claim to legitimacy and the assertion that innocence is sexy. From images of little girls used as sex objects, it's a predictable leap to the cold, detached violence being pushed by affectless New Wave types, such as the woman's corpse in a garbage can depicted In one jaggedly chic ad or the dismemberment and submission to maie violence to be found in others. Everyone has an illusion of being personally exempt from the blatancy of advertising and its No thrills or chills in 'Prom Night' HELLO MARY LOU: PROM NIGHT II Directed by Bruce Plttman, written by Ron Oliver. Starring Michael Ironside, Wendy Lyon, Justin Louis, Lisa Schrage.

Rated R. At the Charles Cinema. By Betsy Sherman Special to the Globe The makers of a little exploitation movie called "The Haunting of Hamilton High," in an astute -bit of trend-spotting, noticed that movies these days are either named after familiar song titles, or have the same name as a previously successful movie, with a roman numeral after it. So, to be doubly sure of smash success, they retitled their opus "Hello Mary Lou: Prom Night II." They were right, at least, to be concerned. "Hello Mary Lou" is a miserly slice-and-dicer: "Carrie" without the bucket of blood, "The Exorcist" without the green goop.

Originality is not a prerequisite on the exploitation circuit, but one would appreciate a new twist here and there, or some strong characterizations, or at least some great special effects, none of which is to be found here. A trunk in a musty old Hamilton High storeroom opens onto a flashback of 1957, when Mary Lou Maloney used to heat up the school corridors. Mary Lou was what they used to call fast: She writes her phone number in red lipstick on the wall of the church confessional. When she Jilts her rich boyfriend Billy at the prom, Billy drops a lighted stlnkbomb on her from the catwalk while she Is being crowned prom queen. Whatever those old prom dresses were GLOBE ADS PAY BEST TRY ONE AND SEE NATICK NATICK FLICKS Slwrwood Pla 653-5757 "MY LIFE AS A DOG" "DIRTY DANCING" FG13 (Stereo) 1-3 30 "TEEN WOLF TOO" PG 30-7 25-9 30 WEST NEWTON WEST NEWTON CINEMAS 1-4 1296 Wash SI An 964 (060 -MY LIFE AS A DOG 12 45-2 50-4 50-7 30-9 30 "THREE MFN A BABY" 100-3 00-5 00-7 00-9 00 "THREE MFN ft A BABY" 2 00-4 00-6 00-8 00-9 55 MEAN Dt FLORETTE" 1 30 4 10-7 10-9 30 NORWOOD CIN, 1 A 2 "FINE FILMS FOR LESS" 762-8320 1.

"THE HIDDEN" 7 00-9 00 2. "HIDING OUT" PG13 7 00-9 00 (PROJFCTIONISTMANAGFR WANTED) ItWDOIIMI CINEMA RANUOIPH SHOPPING CINIER 9U3-8b64 "BABY BOOM" PQ 20 "HELLO AGAIN" PG WEST KOXIUIIIY VltlAC.fi CINE MA AmpM Fret Pwkmg 325-0303 "WISH YOU WERE HERE" II SCTTUATE IIAKKOH PIAYHOUSF 1-2-3-4 545-0045 "THE RUNNING MAN" 15 "BABY BOOM" PG 7 00-9 10 "FATAL ATTRACTION" 7 00-9 10 somi iiviin; SOMFRVIUE THFATRE 55 Dllvl Sq 625-1001 LIVE COMFDYI From Due I tkonlh Myntwy ThMlw OR RCIENCF MEETS IAN 8MOAI FS 0 On HUT MOM II AM CINIMA12 "TFFN WOLF TOO" PG 700-900 "HIDING OUT" Pf 113 700 000 SIDK.IIION PI HE ARTHCTR IAIN I WINS 1 1 HI 344-4hh6 "PRINCESS BRIDE" PG UAIIIIAM WAI THAM HK.K-Wmm il ll Hit Vt 640-4444 "HIDING OUT" PG13 30-7 30-9 30 "TFE WOt TOO" PQ 30-7 20 "STAKEOUT" 9 30 ONLY SOUTH WEYMOUTH CAMEO THE AT RE 1-2 OIIR 16 335-2777 FATAl ATTRACTION 1 00-3 15 7 15 9 30 fUNES. TfUiKS AUTOS 1 1 00-3 00-7. 1 5-9 20 media, Kilbourne says, but there's no escape. Each day's barrage of images approximately 1,500 -wears us down, helping establish culture-wide criteria of normalcy.

Kilbourne hardly has to add that ads sell values as well as products, and that the values espoused by many of today's ads aren't healthy. Those who aren't young, beautiful and flawless are worthless, say even the most harmless ads, where wrinkles, blemishes, scars and even pores cease to exist. In Kilbourne's updated analysis, ads continue to teach men contempt for women and the feminine side of themselves. All encourage people to think that life's problems are best solved with products. Promoting product awareness, they work against other, better kinds.

With skill, humor and acuteness, Kilbourne encourages action against these society-weakening images. Never shrill, her indictment is, if anything, understated. WENDY LYON fair to foul. made of, they sure went up In flames awful quick. The scene returns to the present: Billy is now the high school principal, the guy he caught her with at the prom is now a priest, and Billy's son Craig goes with a nice girl named Vicki.

Vicki's strict mother won't let her buy a new dress for her senior prom, so she looks for a suitable costume in the school storeroom, opens the trunk, and unleashes the spirit of Mary Lou. which (we are later told by the priest) has been pacing around in purgatory just waiting for the chance to get revenge. It isn't until about an hour into the film that Mary Lou's raunchy spirit begins to take over the previously Pollyanna-like Vicki. Actress Wendy Lyon does a good Job making the transition from fair to foul. The film Is also somewhat enlivened by the presence of Michael Ironside, an actor who can suggest more menace with the whites of his eyes than most can with their whole bodies.

As the principal, he only gets to look terrified a couple of times, and doesn't get to look really Intense until the very end of the movie. Otherwise, the characters and cast members are run-of-the-mill. Movie Times Alltlon: "Hello Mary Lou: Prom Night II." 1, 3, 5. 7 20. 9 30, "Outing." 1:15, 3:15, 5:15.

7:30. 9 40, 11:30 Atmbly Square: "Planes. Trains and Automobiles." 12:45, 3. 5. 7:20.

9 50, midnight; "Three Men and a Baby." 1. 3:15. 5:30, 7:45, 10, midnight; "Num." 12 20. 2 40. 5, 7:20.

10, "Flowers In The Attic." 1:15, 3 30. 5:30, 7:40, 10:10. midmghl; "Teen Wolt Too." 12:30. 2:45, 5. 7:20, 9 30.

11-30; "Cinderella," 12 45. 3. 5. "Hello Again." 8 30, 10 20, "Baby Boom." 1, 3:15. 5 20.

7:30, 9 50, "Running Man," 1. 3 10. 5:20. 7:30. 10, "Les Than Zero." 1.

3:10. 5 15. 7 40. 9 50. 11 50; "Suspect." 12:30, 2:50, 5:15.

7 40, 10:10. 12 20; "Fatal Attraction." 12 15. 2 25. 5. 7 30.

10, "The Princess Bride," 12 45, 3. 5:10, 7:50, 10:15. midnight Beacon HIM: "The Stranger," 1. 3 10, 5 15, 7 30. 9 45; "The Outing," 1, 3, 5.

7:20. "Less Than Zero," 1:10, 3:15. 5 20, 7:40, 9 50 Brattle: "Ossessione," 3, 7 35; "Postman Always Rings Twice" (1945 version). 1, 5 25, 10 Charles: "Hello Mary Lou: Prom Night II." 1.315. 5 30, 7 45.9 55; "Three Men and a Baby," 1.

3.5 30. 7 45. 10; "Flowers In The Atllc," 1. 3.15, 5:30, 7 40, 945 Chert: T15, 330. 545.

8, 10 15. "Suspect," 1:15, 3 30: 5 45. 8. 10:15. "Falal Attraction." 1, 3 15.

530. 7 45. 10. midnight Chestnut Hill: "Nuts." noon. 2 30.

4 55. 7 25. 9 50; "Running Man." 1. 3:10, 6 25, 7 45, 9 55; "Suspecl." 4 15. 7:20.

9 55; "Princess Bride," 3, 5 25, 7 45. 10; "Falal Attraction." 12 15. 2:45, 6:10. 7 35, 10; "Boy Who Could Fly," noon only Cinema (7: "Planes, Trains and Automobiles. 1, 3 15, 5 30, 7:45, 10; "Running Man," 1, 3:15, 5:30, 7 30.

9:45 Circle: "Hollo Again." 5, 8 30. 10 15. "Cinderella." 12:30, 2:10. 3 45. 5 15.

"Flowers In The Attic 1 10 310, 8. 7 30. 10. midnight; "Planes, Trains and Automobiles." 17 50. 2 50.

4 50, 7 20, 9 45, 1145; "less Than Zero." 12 40. 2 40. 4 40. 7 25. 9 50, 1 1 50; "Dirty Dancing." 1.

3. 7 35, 10. midmghl Coolldge: "Vigil, 1. 2 45. 8 15.

8, 9 45 (also al 1. 2 45, 4 30); "Tampopo." 3 45. Heard Mermaids Singing," 2. 8. 9 50 Copley Place: "Cry Freedom." 10.

1, 4, 7. 10; "Hope and Glory," 10 15, 1, 4, 7 15, 945. midnight; "Positive lOOO a.m., 12 45, 2 45, 5. 7 45. 9 45.

midnight; "The Princess Bride." 10 15. 12 30. 2 45. 8. 7 30 9 45.

midmghl; "Sammy and at 9 45 only; "Cinderella." 10, noon, 1 45. 3 30. 5 15. rBby Boom." 10 30, 12 45, 2 45. 5.

7 30, 10, "My I He as a Dog," 10 15, 12 30. 2 45. 6, 7 30 10, "Dirly Dancing." 7 45. 10, midnight; "Maurice," 10, 1. 4, 7, 10; "Haill Haul Rocli n' Roll" at midnight, "Slreel Trash" al midnight Harvard Square: "Cry Freedom." 12 50.

3 45. 7, 9 bO "House ol Games," 12 45. 3. 5 15, 7 30, 9 40, midnight: "Walker." noon. 2 15, 4 30.

7 30, midmghl, Berlly," 12 30. 2 45. 5. 7 50, 10 15, 12 16. Snmrny and Rosie," 12 16, 2 25.

4 45. 7 40, 10 15, 17 15; "Rocky Horror" at 12 30 a Janus Cinema: "Hope and Glory," 12 30, 2 40, 5, 7 30 10 Nickelodeon: "Anna." 1 15. 3 30. 5 45, 8, 10. midnight; "House ol Games." 1.

3, 5, 7 30, 9 45. midnight; "Walker." 1, 3. 5. 7 30, 9 30, midnight; "Dark Eves," 1. 3 16.

5 30. 7 50, 10 10, 12:15, "Bartly." 115,3 15.6 30.7 45,10 15.12 16 Paris: "less Than Zero." 1, 3 15. 6 30, 7 45. 10 Revere Showcase: "Hello Again." 9 1 "On-rjarella." norm. 1 45.

3 30. 6 15. "Three Men and 1 Baby," 12 30. 2 40, 4 50, 7 20, 9 45, 11 55. Dirty Dancing," 1 35.

3 36. 8 35. 6, 10 20. 12 30: "Planes. Trains and Automobiles" I 75.

3 30, 6 35. 7 65. 10 15. 12 25. "Teen Wo Too," 12 36, 2 40, 4 45 7, 9 76 11 30; "Ouling 1 10, 3 10, 5 10, 25, 9 40.

I I 50; "Dealh Wish IV," 1 20. 3 25. 5 26, 7 50, 10 10, 1210 "Suspect," 150, 0, 745, 10 20, 1235, "Nuts 12 16, 2 35, 4 55, 7 35. 10 15, 12 30; "Falal AMratllon 1 30. 4 10.

7 10. 9 50. 12 20; "Running Man" 12 45. 3. 6 15.

7 40. 10, 12 15; "lesa Then mo 12 50, 3 10. 6 25. 7 55. 10 75.

12 35. "Flowers In The Attic." 12 30. 2 35. 4 40, 7 15, 9 35 11 40; "Meiio Msry I ru Prom Night II." 12 40, 2 45, 4 55, 7 10. 9 55.

midnight Wee! RertMiry Village: "Wish You Were Here. 7 15 9 Movie ichdult anOecf to unlpcld chttnat 5 I A ft NOW PLAYING USA Cintfflil COPLEY PLACE 266-1300 USA DANVERS RM 138 I Alt 34 777-7555 593 2100 DQLB STRQ Jj iOOt-SV STEREO SHOWCASE CiNEMASl SHOWCASt CINEMAS CIRCLE DEDHAM ciivhand ciicli iii. uinnniw 566-1040 376-4955 General Cinema FRAMINGHAM tit IkO'NIS OIlO 235-8020 872-4400 WHEN II 5nr LUattgJteneijlUortd VISIT FLORIDA i coming march 25 Fox and the Hound from iSMfl PICTURES USA Cinema lfSMOWCASE CINEMAS SHOWCASE CINEMAS CINEMA 57 CIRCLE DEDHAM SlUAfil Jt HI AS HIH SO CIIVIIANO ClflClt I ft I Kit I SA 482-1 1222 566-4040 336-49S5 7nTrTiinTml USA C-nrn USA Cmntni BURLINGTON MAIL DANVERS SOMERVILLE BOUII I3a tH 43 Bit 138 til! 14 a' ASHMHf SO tU 272-4410 J777 S93 3100jt 628-7000 Ute Show Tonight At Circle, Dedham, Danvers, SomerviHe Revere No Passes At USA Cinemas NERM A hair-raising comedy starring Jason Bateman. DEDHAM REVERE II I II 6 '660 JOMERVIUE Vo'oo' Late Show Tonight at Odhnm, Revere SomerviHe II ACTO ACTON CINEMAS 1-2-3-4 263-8372 1. "THE RUNNING MAN" ft 1 30-7 10-9 45 2.

"FATAL ATTRACTION" 00-9 45 3. "PLANFS. TRAINS AUTOS" 45 4 MFN A BABV" PQ 45 ItllGTO CAPITOL 204 MASS. AVE. 648-4340 JUDY GARLAND In "THE WIZARD OF Or REGENT CINEMA 7 MFOFOHO ST.

843-1 197 "WISH YOU WF.RE HFHF" 7 00-9 00 oiu ii ni i itoit( TRIBORO CINEMAS "CINDERELLA" 1J "DIHTY OANCINQ" PQ13 1J10-? "TEEN WOIF TOO" PQ 1 00-3 "THE RUNNING MAN" 12 45-2 695-4411 45-2 45-4 45-7 00 30-4 30-7 20 00-5 00-7 109 10 45-4 45-7 40-9 40 20-4 00-7 00-9 20 50-4 50-7 30-9 30 50-4 50-7 40 9 40 1-3-5-7 20 9 20 9 00 ONLY "FATAL ATTRACTION" 1 "FLOWf RS IN THE ATTIC" PG13 12 50-2 "PLANES. TRAINS I AUTOS" A 12M-2 "THHFE MFN AND A BABY" PQ "LESS THAN HO" "PROM NlflMT II" 30 4 30-7 15-9 15 III I MOM STUDIO "FINE Fll MS FOR LESS" 4H4-170S "WISH YOU WFRF UFME" (PHO.irCTIONIST WANTFOl Itll ltK A hH-LEHICA Fl ICK- WLllWCA KU OIAL hO FLICK Dm1 "CINDFRFLLA" 0 12-1 45-3 30-5 15-7 00 "BABV BOOM" PO 7 16-9 30 "DIRTY DANCING" P013 1 00-3 30-7 20-9 30 "SUSPECT" 9 30 ONI "TFFN WOI TOO" PO 100-3 30 IIOSHfV ICA CINEMA 266-5151 INSTITUTE Of CONTEMPORARY AHT .5 Roylnlon Sltwl 4ANOOS: THE EXILE Of fJAHIirL" 7 30 Wofli Funny 4ml tihqUnlml" flln1 riiookijm: COOLIDGE CORNER 1 4 2 734-2500 JAY CAHR. ntwlnn Olulm 1i "VIGIL" 430 6 00 8 00 9 45 a. "TAMI'OPO" 3 45-7 40 MFAMD TUP MI'HMAIi) WNUINfl" 2 A 9 AMItKIIM.i: BRATTLE THEATRE 876-6837 VIMOnlH "OHSI rilf )NF" 3 no 1 3fi WMMtii i iiinj.s twice a mm twm 1 no 5 The best action movie of the year. Don't miss wnw, wo-tv, niw tork sciiiv.inzL':iGGm US CINtMAt OINCMAl CINtM USA CINtMAt CINEMA 57 CHESTNUT HILL SOMERVILLE HUAM It MU1 IQ III.

al HAMMOND It al AlklMIIT 10 III 277-3500 628-7000 INOWCASt CINFMAS OCNCEtAt. CINFM OFMCKAI. ClNIMA REVERE BRAINTREE BURLINCTON MALL ITI. ci a louiai ao. iouih iHoai fiaia aoun hi mi ai 286-1660 848-1070 373.4410 Lais Shows TcMqM at.