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The Boston Globe from Boston, Massachusetts • 125

Publication:
The Boston Globei
Location:
Boston, Massachusetts
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125
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THE BOSTON SUNDAY GLOBE DECEMBER 18, 1949 "1 BROADWAY WIRE Holiday Week Attractions Notes on Atmosphere, Setting and Story of 'Summer and Smoke9 Thoughts for Sunday on Acting, Shakespearean and Otherwise Broadwayv hit of two years aso. by Vv the cast of "Mister Roberts." The project was started as a means of keeping members of the cast of a long-run play from going stale by giving them something new to work with. It also made it possible for some of the men who have small And on the Koussevitzky Foundation By CYRUS DURGIN It may be sunny or it may be snowing this morning. But the heart within soars high in contemplation of "As You Like It," the acting of Grace George and Walter Hampden in "The Velvet Glove, and the news of the, transference to the Library of Congress" of the work of tne Koussevitzky Musicoundation. roles in "Mister Roberts" to Dlav 'X leading roles in "Command Decision." Henry Tonda.

star of "Mister had a small cart in the From this corner, "As You Like x' extravagant fireworks display, as the script demands. The music throughout the play catches and extends the mood created by the tense drama. The story is a simple one, the consequences appalling. It sounds new notes on what Williams has called his major premise, "the need for tenderness and understanding and fortitude among, individuals trapped by circumstance." In this instance it is the story of Alma Winemiller. daughter of a stern, fussy minister and his giddily demented wife, and the "boy next door." John Buchanan, roistering young doctor ton ot an admirable old doctor.

Alma is a tremulous, high-strung young woman who has- loved the sensuous young man since childhood. Through the shock land schoolmarm" had got in the way of her acting, which, further, was on the mannered side. But with Rosalind. Miss Hepburn has' blossomed out. Her scenes in the Forest experimental production.

The two performances were attended by agents and talent scouts who were given a new line on the abilities of some of the players they might scarcely have noticed in "Mister Roberts." It" represents one of the Theatre Guild's finest achievements. It is a production, as observed last Tuesday morning, of charm, taste and imagination, with animated direction from the English Michael Benthall, and truly beautiful settings and costumes by the English James Bailey. of Arden have a new musical oual- A decadent atmosphere ocemo to furniih the background for "Sum tner and Smoke," the Tenneee Williams play which will have its flnt showing- in, Boston at the Wilbur Theatre Christmas Day, Dec. 26. And like Williams' other plays, "A Streetcar Named Desire." and Th Class Menagerie," "Summer and Smoke, places a frustrated woman in the center of this curious setting.

The scene is Glorious Hill. and the time, the turn of the century through 1916. The play is in two parts: Summer and Winter. With delicate traceries of wrought iron the designer, Jo Mielziner, has established the Winemiller Bectory on one side of the setting, and the home of Dr. Buchanan on the other, with a garden between, in which stands a statue of "Eternity." Because a graceful framework nas been used to indicate walls, both the interiors and exteriors can be shown simultaneously in a most picturesque manner.

The rest of Glorious Hill is seen in outline against a backstop which is star-studded, greyly darkened, wanly sunlit or aflame with an This is a healthy sort of activity i ity in the speaking voice; a new and winning animation, and a new freedom in which the character is allowed to grow. That. I believe, is acting! that well might be done oftener by the casts of long-run plays. By JACK GAVER NEW YORK, Dec. 17 (UP) The shows will be available to visitors to Broadway during Christmas will number at least 29.

Among them will be two productions that open next week. These are the revival of Bernard Shaw's "Caesar and Cleopatra," starring tilll Palmer Sir Cedric Hard-wicke, due at the National Theatre next Tuesday night, and a new play by Garson Kanin called "The Rat Race." This latter opens, at the Barrymore Theatre on Dec. 22. Three openings Christmas week will bring the total to 29. On Dec.

29, Grace George and Walter Hampden will appear in a new play, "The Velvet Glove." The following night brings "How Long Till Summer." and on Dec. 28 the eight-week drama "Season" at the municipally operated City Center will tee oft with a revival of Goldsmith's "She Stoops to Conquer," starring Celeste Holm, Brian Aherne and Burl Ives. Seven of the shows available will have been running at least a year the musicals "Kiss Me. Kate." "Lend An Ear," "Where's and "As The Girls Go," and the plays "Born Yesterday." "Mister Roberts" and "The Madwoman of Chaillot" "Kate" and "Madwoman" achieve their first anniversaries during Christmas week. "Born Yesterday" will be four years old if But most remarkable is the gen "Mister Roberts" and "Where's Mr.

Prince, recognized these Charley?" suspend for one, week after tonight's performances. RAYA GARBOUSOVA will be this week's Boston Symphony soloist, playing Haydn's Cello Concerto Thursday evening and Friday HELEN MARCY has a leading role in Bernard Shaw'e "MUalliance," with which the Brattle Theatre Company close it Fell ton in Cambridge tonight. The week before Christmas is tra seven or eight years as an actor of talents and promise, has perhaps made no such sudden progress in his work, but his Orlando is as credible as Shakespeare allows it eral acting ensemble. This cast includes a few older actors, with Shakespearean experience behind them, but more young actors whose work with the Avon playwright must be limited. All the same, the acting has an over-all cohesion that can be expressed in the American sporting term irteamwork." No one ditionally one of bad business and actors equity contracts permit such suspension without penalty to producers.

The rule is seldom taken to be. Mr. Prince presents hin ss or nis a icononc enthusiasm. lor a Mexican girl, the murder of his father and month of illness. Alma holds fast to her love for John only to lose him just as she has brought her proud spirit down the earthy level of the man she loves.

John marries a guileless and very young girl, while Alma goes out with the first man who speaks to her after she has lost John forever. advantage of on Broadway, although it frequently is invoked on a healthy young man of good background, suddenly given to wtitir.g verses to his love, suddenly distracted by this new emotion. stands out like a sore thumb, in rela the road, and in the case of these "Dance Me a Song," Fairly Awash With Promising Young Entertainers Although nobody is starred or even featured in the new musical tion from "Mister Roberts" In 96 weeks. Ray Bolger, star of the musical, gets a physical workout every performance that is brutal, so he, too, can use a brief respite. Both shows will be back in business Dec.

28. tion to the others, and that is remarkable, especially at the virtual But the important thing is a sense beginning of the production's career. of drive, and passion which nukes two shows bad business isn the reason. Both are still doing extremely well despite their long runs. But Henry Fonda hasn't had a vaca- urianao creaiDie ana not a xar.ias- tic fool.

These qualities Mr. Prince revue. "Dance Me A Song, which Hepburn and Prince Certainly Katharine Hepburn, the Rosalind, and William Prince, the Orlando, have not acted much Shakespeare. Yet individually and definitely has, and to this extent his Orlando is admirable. Mr.

Prnce Dwight Deere Wiman brings to the Shubert Theatre Tuesday evening, has some work to do in polishing Says She "Just Loves those who have contributed sketches, lyrics and tunes are Hoagy Carmichael, Sammy Tain, Harold Rome, Milton Berle. Henry Morgan and Joe Stein. Directed by Robert H. Gordon; sets and costumes by Raoul Bene Du Bois. Third and last week.

"MISALLIANCE" Brattle Theatre. Cambridge. George Bernard Dec. 27, the cast is fairly awash together, they make a pair of lovers. his speech.

Not that it is drably or impertinently colloquial, but it not quite so poetic as it may with names that have been or soon it stays until Feb. 4, and "Mister That's Lenore Lonergan Talking in tne fanciful mood of the play, highly attractive to modern audiences. Two days after the Colonial open Roberts" will be two years old Feb. 18. will be in lights above the Broad way theatre marquees.

Take Joan McCracken. for in Lonergan, whose name stirs fond Lenore Lonergan just loves Bos Superb M1m George The acting of Grace ft The Velvet Glove" is an example memories for countless playgoers, she has been acting ever since she stance. An overnight success as "the was four years old. Her brother, girl who fell down" in the original ing, an elderly theatre-goer said to me: "But I did think Miss Hepburn is quite different from Julia Marlowe or Ada Rehan." No doubt she is different, and why not? The acting of Shakespeare, apart from of superb theatre art. This is the sort of acting wherein the personality of the Iayer is' submerged into the character, and is the high Shaw's comedy, acted by Helen Marcey, Molly Spencer, Miles Morgan, Bryant Haliday, Thayer David.

Jerry Kilty, Robert Fletcher. Jan Farrand and Peter Temple. Last performance tonight "HEART OF GOLD" Hasty Pud. production of "Oklahoma," she fol Lester Lonergan III, Is also carrying on the family tradition. ton.

Having, been here only a couple of weeks previously in "Texis, Ll'l DarlinV in which she felt herself unsuited to the material, -Lenore has bounced right back into town again as one of the principals of "Alive and Kicking." the ebullient Big Business Expected Traditionally Christmas week brings the best business of the year in the theatre. It still isn't too late to get tickets for most of these attractions for that period, but things like "South Pacific," "Kate." "Death of a Salesman," "I know My Love," "Lost in the Stars" and "Gentlemen Lenore started as a child-actress lowed that engagement with featured roles in three films. Return est type. At the same time itss certain enauring principles regard in the Noel Coward-Ben Hecht film. George portrays the kind, gentle, wise, but resolute Mother Superior ding Clubhouse, Cambridge.

The ing the speaking of his lines and the fundamental nature of his "The Scoundrel," and continued in ing to Broadway, she was immediately eneaeed as leadinz comedi musical which William R. Katzell famous characters, is bound to with such engaging simplicity that the character seems absolutely reaL enne for "Bioonier Girl," and when iwna nasty ruacang Club show, acted by an all-male Harvard cast through Thursday nifiht William change with time. a succession of stage roles that called for obstreperous childishness or precocious adolescence. Now that she's older, taller and Prefer Blondes" are just about out CONTINUING HERE "AS TOU LIKE TT Colonial Theatre. The Theatre Guild's superb revival of the Shakespearean comedy, done with charm, taste and Imagination, with Katharine Hepburn as Rosalind and William Prince as Orlando.

Others are Ernest Thesiger, Cloris Leachman, Aubrey Mather, Judy Parrish, Bill Owen. Pat Englund, Frank Rogler and Jay Robinson. Directed by Michael Benthall, with settings and costumes designed by James Bailey, end costumes executed by Edith Latyens. Second attraction in Theatre Guild-American Theatre Society series. Second and last week.

THE VELVET GLOVE" Wilbur Theatre. A gentle, leisurely and precise comedy by Rosemary Casey about a Mother Superior who succeeds in dissuading an im- perious bishop from discharging an ardent young liberal professor from a convent college. Grace George, as the Mother Superior, and Walter Hampden, as a kindly old monsignor, are costarred, with John Williams as the bishop, and James Noble. Dean Dixon, Barbara Brady and others in the cast Produced and staged by Guthrie McClintic. Setting by Donald Oenslaser.

Second and fast week. It seems less acting than mere never saw either Marlowe or S. Wheeling wrote it; James Mae- that show had run course sne stepped into another comedy lead in "Billion Dollar Baby." Then in February of 1949 she Rehan, and no doubt am the poorer of the Question. The shows not already mentioned which will be available are "Ballets behavior. The same tms may be used in relation to Walter Hampden's characterization of Monsignor Alien staged it, ana James yen able did the Hanrec slimmer, she hopes that playwrights lor it.

But I wonder what the per formances tf their prime would and casting directors will discover her other potentialities. If her parts continue to keep pace with her age, seem like today? There is no an de Paris," "Detective Story," "Diamond Lil." "Howdy. Mr. Ice of 1950," "Miss Liberty." "Mont-serrat," "Texas. Lil Darlin." "That Burke, the ailing and crotchety, but similarly wise and kind old clsnc This deceptive simplicity, and.

the swer, for the memories of those who ar does her role in "Alive and Kick aid see tnem obviously areinflu- technical expertness which under ing" she'll be ready in 1975 to be and Ray Golden are presenting at the Shubert Theatre for another week. i Still on the sunny side of 20, Lenore already has a formidable career in Thespis in her past. Certainly, she fixed herself in the memory of present generation playgoers as the original Fuffy of "Junior Miss," and as the adolescent Miss Fix-It of "Dear Ruth," she added fiore lustre to a reputation that al-eady had grown to sizeable proportions. Lenore did not arrive on the theatrical scene by impulse or Her family had trod the enced by the lact that they were Lady," "The Closing Door," "The Father" and "Touch and Go." the schoolmarm, say, in a revival of younger when they sat raptly be fore the two famous actresses. lies it, is not acquired in a few roles.

This is a stage art and it comes only after infinite hard wore "The Corn is Green." But hopes to "A Streetcar Named Desire," which has seen two Broadway be able to play such parts long be But for the temper of these times. and many years of experience. To fore then with the aid of make-up, I venture to say that "Miss Hepburn's Christmases. will not be around this of course, Kosaiinct is-nighjy satisfactory, or In the meantime, she feels quite tnese two players, nail, nau ana hail again! Last Wednesday the monies and time. It closes tonight for a tour, starting Dec.

28 in Philadelphia. Also closing tonight is "Yes, will be once she slows down her speech a little, and the characteriza smugly comfortable knowing that the aims and activities of the Kous straight play or musical, tion has become "set by repetition. MLora, alter a two-month run, eaually at home in a part that de boards before her sufficiently to New Admirer sevitzky Music Foundation wera channeled into the newly estab It will open in Chicago on Dec. 26 "DEVIL IN THE FLESH" Beacon Hill Theatre. French film, produced by Paul Graetz, starring Micheline Presle Gerard Philippe, in a story of harrassed young love during the war.

This film nas won prizes in Europe. in the. Flesh" is not permitted to be shown on Sundays. Continuous daily performances. Fifth week.

CASINO BURLESQUE Tickets for two New Year's Eva shows are now on sale at the Casino Burlesk Theatre box cfnce. A gala show with a large cast of popular entertainers will be presented. There will be a midnight show at 12:00 and a milkman's performance at 2:30 a. m. Popular prices prevail.

Arthur Margetson, that excellent high style comedian, has been raised to stardom in "Clutterbuck," which opened recently on Broadway. tucked another feather in her cap by playing her first straight role the part of the pathetic little Hollywood extra girl in "The Big Knife." Then there's Ann Thorns Although born in Newport, R. she's known to every radio listener and theatregoer as the gravel-voiced bimbo from Brooklyn. Probably best known as Miss Thomas on "Easy she's also played Casey on "Abie's Irish Rose Lily on "Meet Mr. Meek" and of course Miss Duffy in Paramount's film "Duffy's Tavern." Strangely enough, she has never played the role of Miss Duffy on the radio.

Her Broadway appearances add up to the Impressive total of 43. Other equally well known players who will appear "Dance Me A Song" include: Monica Boy ar, Marion Lome, Erik Rhodes, Bob Fosse, Mary Anne Niles, Cox, Jim Kirkwood, Lee Goodman and Tina Preacott. make them Quite traversible for her. mands youthful exuberance, vitality lished Serge Koussevitzky Founda with the delightful A. E.

Matthews still present as the chief excuse for The grand-daughter of Lester ana young spurned lun. I must confess that I had never been a strong Hepburn admirer until Monday night. That flattish voice suggesting "a chaste New Eng- tion tne UDrary oz congress. The funds are said to amount to seeing it. Marc Blitzstein's musical play "When John Williams, who por "Kegina" will close tonight after a and the aims and activities are to encourage living composers by commiss'oning new work front theatrical memories of recent times trays Bishop Gregory, was trying on his vestments, which were made in a shop specializing on ecclesiastical garments, he met two monsignors disappointing run unless a last muv ute spurt in business causes a re prieve over the week-end.

AUVE AND KICKING" Shubert Theatre. William R. Katzell's and Ray Golden' new revue is very much alive, with George Tobias, Lenore Lonergan and Jack Cole (who -also has staged the dances) heading the roster of entertainers. Others in it are June Brady, Bobby Van. Mickey Deems.

Ray It was not a fashionable neighborhood in 1921 but since then it has become so-and much more valu with whom he struck up. friend able. ship. He read the excerpts on labor from the encyclical, and neither priest could recognize them. They Week's Vacation An unusual event of the week was the presentation for two performances of "Command Decision," a What seems to please McClintic most about his current play is that Hyson and Kay Koulter, Among were as surprised, as is the bishop Grace George is the co-star.

in the Duty, to learn tney came from an encyclical delivered by He was her stage manager in the Winthrop Ames revival of "The Pope Leo XIII." Truth" and the stage manager when Mr. McClintic and Miss Cornell them, and further, to secure performances for that work. This is a noble purpose, the one practical way in which a creative musical artist can be helped. On quick thought it might seem that little has been gained by transferring the project to the Library of Congress. But the reverse is true.

The Koussevitzky Music Foundation is a private enterprise, th Foundation in the Library of Congress takes on the aspect of a public function and a sense of permanence. The next step conceivably might be to encourasaC public opinion toward official appropriation of government money to increase the fund and the scope of the Foundation's work. Not that such a step will be taken soon. But it is a good idea to bear in mind. she starred in a repertory season at "The Playhouse." Now he is her were married Sept.

8. 1921. On Oct. McCLlNTIC Continued from Preceding Page Mildred Natwick played Frossle in ''Candida" and went on to other triumphs. Back in 1924 Ruth Gordon was a McClintic actress in "Mrs.

Partridge Presents." Much later she was to star in "Three Sisters" with Miss Cornell and Miss Anderson. Is it any wonder that a new McClintic production is hailed with excitement by the New York drama editors? His present play was first suggested to him as a possibility by his wife, Kit. She was one of the Christopher Award judges, but long before the play was chosen for the $5000 fhe had told her husband that he should read it. He had already decided "that it was an exciting, warm and charming story worthy of production. Incidentally, a criticism in Boston indicated that a bishop would not be unfamiliar with a Vatican encyclical, as happened in the play.

Says Mr, McClintic in rebuttal, 8 of the same year Miss Cornell producer. Filmed in the golden West by n-G-M from the scored her first impressive acting I. "The Velvet 'Glove" Is to open the triumph in "Bui of Divorcement." Booth Theatre in New York Dec. 26, it is tne same theatre where I. as AY stage manager, rang up the first cur tain of its existence back in 1913 best Western story the Saturday Evening Post ever printed! WWfcWIWUI bIWIIIIIK.

JVl k-H ea I II IE -Xdm with the Winthrop Ames production. The Great says Guth rie with satisfaction. On Dec. 23 of the same year Mr. McClintic made his first great success as producer of "Dover Road.

"That was a lot to happen in such a short space," says he. Anyway, with the proceeds of "The Dover Road" McClintic purchased a house at 23 Beekman place in New York, where they already had an apartment. From that day to this they have lived in the house, which harbors some of the greatest He's especially pleased that now Miss George is the star of "The Vcl vet Glove" because, he says, "she taught me more about the theatre when I was a stage manager than any other star I had met." II fui ui lire I of the famous I JFaulknerovel! Teday Only Doors Open OlMa de Havillaiid WILLIAM riMTHE DUST" DAVIO BRIAft CLAUDE JAJtMAN jr. A JAUNOHBtKANDEZ I AeiAitNcinowMXyl 1 WYLER'S Bnlnn ictodson m-t-m-t I i i TieiLL-reciia iia TAe BIGGEST $how Value Town mum sua: ii in 1 Aadrey TOTTt CyeJ CHARISSE RlcHarel BASf MAT Barry SULLIVAN 7 STARRING GT PL QUL-TIUtGMUTSsp MCEIBEEMAN VANESSA BKOWN SELENA MIE piftetolkiWILUAM WYLER ScNteplty by Retfc ni Aufwiet Cettt Beted epoa their uge-pUy flBBT 1 3irirT--jj GOOPEQ Sl I I'll I Hayes COMING DEC. 28 mm Plus 2nd Hit! POL I TAN WWJ.

VTl A SAM WOOD PRODUCTION MU new herdlnB. iwuah-lovlna role It terrific! Screen Play by Marguerite Roberts Based on the Story by Luke Short Directed by SAM WOOD x7 tfh nn 11 a bi City of 1001 Pleasures! "Th SrreHen "Geotbre Mr. "for Wfcem The led totk RESERVED SCATS JVyUIl Hi ZJ ii Ml by ARMAND DEUTSCH irviof Berlin's NOW ON CALK ALL MEW 'SttW YEAR'S 9 MI0NITI SHOW a Kieiro-ewowyoMiyer nctur i ft nn VU-. JAN, St ajrnrm wtt mm LC3V'S Bing Crosby Fred Astaire iU rnr Sa HKt mam THERE'S TAYLOR JEAII HAGEfl JOUIi LfclIITIRE "Be sure to see kh show" Hereld. "Thoroughly deligKHui show Completely hilarious Spec tacularly good.

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