The Boston Globe from Boston, Massachusetts • 77

THE BOSTON SUNDAY GLOBE-JANUARY 20, 1946 Fins ftmr aimup MUSIC AND MUSICIANS Director Hitchcock's Odd Lingo Often Confusing to the Movie Camera Man HOLLYWOOD, Jan. 19Alfred Hitchcock has 1aneua2e alr his Lingo Often Confusing to the Movie Camera Man HOLLYWOOD, Jan. 19Alfred the Movie Camera Man HOLLYWOOD, Jan. 19Alfred Hitchcock has. a language all his Theodore Who Will Act a Leading.

Part in "Deep Are the Roots" Theodore Newton, due here at the colonial Jan. 28 in "Deep Are Who Will Act a Leading. Part in "Deep Are the Roots" Theodore Newton, due here at the rninnint Tnn 9R in "rippn ArP Part in "Deep Are the Roots" Theodore Newton, due here at the Colonial Jan. 28 in "Deep Are I 1 What Makes Bobby Soxers Youthful Spirits, Says I outhful Spirits, Says. Phil Brito Wh Charlie Spivak His Shirt to Escaped Them Phil Brito Who His Shirt to Charlie Spivak Escaped Them KARL GEIRINGER, Boston Public Library lecture hall, Tuesday and Friday at 8, in the sixth and seventh of the free Lowell Institute lectures on "Joseph Haydn and His Time." Musical A Band Leader and a Singer Pay Their Respects to the Youngsters Who "Know All the Answers in How does a bobby soxer's idol feel when the sighs turn to screams, the dreamy admiration to lively kisses and his act to a free-for-all aimed at taking the shirt oft his back? Phi! Brito, whose roving mike rendition of "If I Could Be With You," at tht.

IIKO Thursday wound up with him under a chair, tie-less, handkerchief-less, his shirt and coat in tatters while triumphant fans marched off cherishing the pieces, says he feels "flattered" and that the time to be worried (even if you only have one other shirt) is when you get through a performance without a demonstration. The Melodies of Frederic Chopin Are Foundation of "Polonaise" Musical Score The music of Frederic Chopin, although composed almost exclusively for piano, has come to be recognized as having lyrical and dramatic qualities that make it suitable for the 'stage. Chopin never did compose for the theatre, however. "Polonaise," which will come to the Boston Opera House Monday evening, Jan. 28, is another Broadway production in which various Chopin melodies have been utilized.

"White Lilacs" of 1928. which was a stage version of the composer's life, also drew upon his music for its score. Undoubtedly the composer's own life lent dramatic color to his work. Born near Warsaw in 1810, son of a French father and a Polish mother, be was recognized as a piano prodigy by the time he was 8. "He was called a 'second says Grove's musical dictionary, "and became the object of female adoration, one instance of which had an important efrect on the circumstances of his later life." Chopin went to Paris in 1831.

For a decade he was a favorite of French society. His reputation as a genius in composition and as the lover of George Sand inflamed the Imagination of many writers of his own day and has since that time. His love affair, howeveak was a stormy one. At the peak of his career, be was stricken with an infection of the lungs. The last years of his life were a struggle with illness and with the redoubtable Mme Sand.

He died at 39, leaving an imperishable heritage in his mazurkas, polonaises, nocturnes, preludes, sonatas, concertos, ballades, scherzos and fantasias. His works show that he adored his native Poland as much as his adopted Francemany of his themes were drawn from Polish folk songs and dancesand so it is particularly fitting that his music should furnish' the setting for a story about another Polish hero, Gen 'It, f' 4 4 's k' "sx 4 il ilk, 4" 1 'C AO' ...1... 4v, 44 i I t14'lt 4, 1. ft "11114 1 1 1.0 in, '0'4 1 .,1 tA 0. CONCERTS THIS WEEK MACK HARRELL, Metropolitan Opera baritone.

Jordan Hall, this afternoon at 3:30 in the Richmond Celebrity Series. His program will include an aria from "The Magic Flute" and songs by Purcell, Hugo Wolf, Schumann, Borodin, Moussorgsky and Tchaikovsky. FREE MUSICALES, Gardner Museum. Today at 2, Jan Cherniavsky, piano. Weekdays at 2:45: TuesdayGrace Hunter, soprano, and Hazel Hallett.

piano; ThursdayNancy Trickey, soprano. and Lois Schaefer, flute; Saturday Olga Coelho, soprano and guitar. KLAUS LIEPMANN, violin; Willem Valkenier, horn, and Erwin Bodky, piano, Boston Y. W. C.

tonight at 8:15. This is the first concert of a new music project developing at the W. C. A. Pieces by Brahms, Schubert, Schumann, Bartok and others.

DR. IVILLI AFEL, Boston Public Library lecture hall, tonight at 8, In a free lecture-recital, "Beethoven's Workshop." JAKOB GIMPEL. Polish pianist. In his Boston debut, Jorctan Hall, Tuesday evening. He will play an E-flat Sonata by Haydn, Cho.

minor Sonata, Achron's Concerto for Piano Alone and miscellany by Toch, Scriabin, Debussy and Chabrier. THIRD SUNDAY SYMPHONY I Sir Adsian Boult will conduct the Feason's third Sunday afternoon concert by the Boston Symphony Orchestra In Symphony Hall, Jan. 27, at 3:30. The program: Trumpet and Air. Purcell-Woodgate; Poem, The Forgotten Rite," Ireland: "Enigma" Variations, First Symphony, Brahma.

LEO LITWIN'S ORCHESTRA Leo Litwin will conduct his in the fourth Sunday of light music at New England Hall Jan. 27 at 8:20. Mr. will be soloiset in the first of Tchaikovsky's B-fiat minor Piano Concerto, and Alice Farttsworth. soprano, will sing "Con.nals-tu le Pays?" from "Mignon" "II COLONIAL THEATRE MICHAEL TODD presents A New Comedy Adopted by WILLIAM 1005 front tbe Bei, Selling Novel by BELLAMY PARTRIDGE with ROBERT KEITH LULU MAE HUBBARD CHARLES MIDDLETON-HELEN CAREW Staged by EZRA STONE Setingsby WATSON SAIIRATT MATS.

WED. SAT. COLONIAL 2 WEEKS presents A New Comedy ot A Adopted by WILLIAM ROOS from tile Silo Selling Novel by BELLAMY PARTRIDGE with ROBERT KEITH LULU MAE HUBBARD CHARLES MIDDLETON-HELEN CAREW Staged by EZRA STONE Settingsby WATSON 'ARRAY? MATS. WED. SAT.

PHIL BRITO Best way to a bobby soxer's heart. Charlie Spivak thinks. is "sweet music." Ile always "catered to youngsters" and he knows that when they get that "dreamy it's kinda nice to be here or bring their parents to hear him, too. that he's hitting it just right. For a singer like Phil things are.

of course, more personal. lie knows that the songs addressed to one girl, "It's Been a Long, Long Time'' or "If I Loved You," for example, are the ones that do the damage espe- I cially heroism, "1 always sing to one i I. girl at as time. That girt gets ex-1 cited'' 1 sing 'If 1 could be 1 with you for just one hour, a girl is apt to call 'O. just 10 minutes "i and the rest follow," he explains.

"It's mob psychology." Follows Their Suggestions Because both Charlie and Phil consider bobby soxers one of the most important parts of their au- diences, "a part that's been over- '7 looked in the past," Phil says. they've gone out of their way to I get to know the youngsters. Charlie welcomes them after a asks them about their music studies and ambitions, even tot-lows up their suggestions to him like the one he got from a bobby soxer who thought it would be a good idea for him to record Santa Lucia because they were all taught i It in school. Phil talks with them. too.

III en- courage them to take all the courses k. in music they can if they want a l't singing career. and try to hold them 1 off from show business until they're I I at least 18." lie tells them also 1 that "it's better to be a big frog in a little pondthat they should start out in their home town and build up their voice before trying a big city." 1 CHARLIE SPIVAK 'You can't belittle the kids today, they know all the answers in mu- sic," he says and points with pride to the fact that he always goes right on with the show, shirt or no shirt, "so as not to let the kids down." Charlie Spivak, also at the RICO this week, whose band leading and that note he holds for a minute at the end of his trumpet solo "Summertime" never fails to stir up the 'teen age squeals, (he was once forced to take a cab for just one block in New York to escape the mob) champions the bobby sosers too. "They're for our success, and besides they have a real understanding of music," he says. What makes a bobby soxer tick or swoonis analyzed by both men las a combination of youthful spirits (the same thing that made Mama faint over Valentino) and the fact that these days the radto, records, and talking movies are helping the kids to get to know their idols bet-I ter than Mama ever knew Valenl.tino.

They Want to Show Off "Theyre familiar with all our music. When they actually hear us play it in person they're aroused to a pitch of liking it so much. they want to show it." explains Spivak. They even ask me why I don't always sing my songs like the recordings," adds Brito. The increasing number of courses in music now given in high schools also has a lot to do with the hysteria and so does the fact 4hat "there are a lot of talented young.

sters in our audiences." They not only know the music from the ground up, but "they're the big stars of tomorrow," according to Charlie and Phil. Tall til rif0 1 I 1 1 i I INVI i 7, 4,, itt; 4t'iISiira A A 4040...,..1, All 'ft 1.av, Nkt VI Lost Them Who in a Cab yotaloot condott WITH OUR "INTERNALLY DIFFERENT" KIND OF SHCESI To help prevent digging in on your sore callouses. our shoes have a radically different soft construction Inside No separate arches to 'sear! Shoes individually fit from impression of your stockinged feet! FOR WOMEN I.Att7mt )v)111111 LI 0 treq," COMFORT SHOP 30 Boylston Street OPPOSITIE COISOff "LISTENG ,.11. CAN YOU a HEAR NO lion Then let me ree that tb Parana' barterer and tramDikter Allin-Ono" Hearing Awl as ad more trouble than a entaratte ease or enottgoa- Shoo vainly Into a pocket or under elottung CiPnre a now convenience both in bearmg and's PARAVOX rad sue Sbnitt the beststitni ollinetot east that carnet all alionatata at Um act Porta aleasitned oath as tehonaket preciatom Single cent Set extremely durable Hearin" efficiency superb Moderato cost battery expense, COMM 1 I. ebony er Ivory ttootta ewe.

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rit I 0 II 7, 0 ,,,.7, i .7 1141ele zr, It 0 I FOR rvallb Vie I i WOMEN 1- -friedisclo 0., i i Littil id, r. rf iii It OP 1 4 1 rge LI 0 174: irasua comFora SHOP 30 Boylston Street COISOff SLOC, the Roots," is a recent resident of Hollywood. having sprouted in "What Makes Corp "Two Years Before Mast," starring Alan Ladd, and "Miss Susie Slagle," headed by Lillian Gish and Veronica Lake. Mr. Newton was destined from the creaking cradle to be a red-headed, freckled-faced Princeton rooter.

When he was a mere stripling, he just had to attend Pingry, a swank prep school in Elizabeth, N. where his father was a member of the faculty. As all Pingry blindly went to Princeton so did the young Newton. At Princeton, he did not romp off with scholastic honorsas he did at Pingry (sans the aid of his pere). After 212 years on the campu3, he flunked out.

He attempted to find temporary haven at Columbia University, but mathematics and physics were PO easier to digest at Morn i ngside Heights. He then took refuge in Philadelphia as a bank clerk. At night, he donned the sacred sock and buskin at the Hedgerow Theatre under the astute eye of Jasper Deeter. When his father heard of the youngster's nocturnal transgressions, he veered him to the more righteous path as a respectable teacher of Latin, English and history at Tome Institute, Maryland. By 1927 be had saved enough money to bid a lasting adieu to his pedagogical career and to accept a meager role in the touring company of "Three Wise Fools," which presently led to a portly part and a more lucrative engagement in Ring Lardner's "Elmer the Great." Since then the Newton name has bobbed up in numerous Broadway bonanzas, including George M.

Cohan's "Gambling" and "The Tavern." "A Sleeping Clergyman' "Accent on Youth," "Dead End," "The Man Who Came to Dinner," "Wine of Choice" and "American Landscape." Peggy French, of "Voice of the Turtle," Has Reason to Be Very Fond of Boston Though she realizes that it is a theatrical bromide for an actress playing an engagement in Boston to- state for publication that this is her favorite city, Peggy French, nevertheless, insists that such is the case with her. Now being seen in the role of the hardbolled actress in "The Voice of the Turtle" at the Plymouth Theatre, Peggy points out that at least part of the reason for her affection for Boston stems from the fact that she got her first chance in an important production in this city. She had the ingenue lead in "You Can't Take It With You," which had run of several months here. George Kaufman, co-author and director of "You Can't Take It With You," put down Peggv as a comer she was barely 17 at t'Ne time. When he east "George Washington Slept Here" he gave her a very prominent role in it.

Still later when he was lining, up a Chicago company of "The Doughgirls," he again called upon Peggy's services. In all three of these productions she was seen in Boston. She also made several friends here during run at The Beachcombers a local night club. So that all in all even without counting her current appearance in "TheVoice of the Turtle," which may well outlast her other runs here can be readily noted that Boston has played a rather prominent part in Peggy's professional life. Last Summer Peggy and her sister, Eleanor, got up an act for a hospital tour which lasted well nigh six months.

It was an experience which she will not forget for a lung time, if ever. Movie Schedules EXFTIF.P.--"Marie.toula," 325. 6:25, "Dear Octopus. 2:00, 5:00. 8:00.

Club." 1:00. 8:40. "Moodie." 2:35. 5:25. 8:20.

Girl." 2:10. 4:40. 7:20. "Bad Boy," 1:00, 3:03. 6:05, 8:40.

GLOBE Show. 3:47. 6:00. 8:5.. KEITH-BOSTON Feature.

1:55, 4:00. 6:05. 8:15: Stage Show, 1:00, 305. 5:10, 7:15. 9:20.

of St. MarYs" 1:20. 3:55, 6:25. 9:00. KENMORE "Stage Door," 1:00.

3:50, 6:45, "Unexpected Uncle," 2:30, 5:20. 8:20. LOEWS ORPHEUM "corporal Hargrove." 1:00. 7:05. 10:10: 'Meet Me on Broadway.

2:40, 5:45, 8:50. LOEW'S STATE "Corporal Hargrove." 1:00, 4:00, 7:05. 10:10: "Meet Me on Broadway." 2:40, 5:45. 8:50. Girl," 212, 4:52, 7:32.

10:00: "Breakfast for Two." 1:07, 3:29, 6:09. 8:49. 2:45, 6:00, "Bed Dragon, 1:35, 4:50, 8:05. at the Waldorf." 1:20, 3:50, 6:15, 8:45, Club," 1:00, 3:50, 6:45, "Life With Blondie." 2:35, 5:30. 8:25.

SCOLLA Youna to 1:00. 3:50, 8:45. 9:30: "The Strange Mr. Gregory." 2:45, 5:40. 8:20.

SOUTH STATIONThe Three Bronte Sisters of the Moors; The Derby Decade; A Variety View; Travelogue; Person-QdditY; Cartoons, Latest News. TELEPIK CINEMALuzon to Tokyo: Romance of the Diamond: Cartoon; Variety Acts; Travelogue; World News. Continuous. of Dracula." 1:00, 3:15. 5:30.

7:45, 10:00: "Under Western Skies," 2:15, 4:30, 6:45. 9:00. Main," 1:15. 5:15, "Confidential Agent," 3:05, 7:05. WASHINGTON STREET OLYMPIA "Too Young to Know," 1:10, 4:00, 6:05, "Strange.

Mr. GregorY, 2:45, 5:24, 8:25. ND BIG WEEK loon jr zAter jatG WOW ROM AND ALCM beIVE MEN MAO MTN HEILKALLURE I 'LID-WILT I I EPSON OWES PENNY. LEW LINE .4,,,,, .1111, Vitra a AN Sivillf414110141V omft Barlesk St Sat'. rifilia7 uRLEs 4 Hontwor St SefOsisw 'PEACHES' "Air Coral Sweetheart" Queen of Shak MARY LANE ALWAYS SOMETHING DOING 9 A.

M. to 11 P. U. BURLESQUE at WARD VALERIE PARKS BINDER As ROSEN Rol Ira Diane Rotspat 30 GirlsCast it 60 Next men.mik SmeltsAt Letajack Lament MIONTI SNOW FRMY IACCIrki CONSTANC TT II iaLos -4 "PARIS UNDERGROUND" WO leXIMIVATVI LUZON TO TOKYO From U. 8.

and Jan Official Films POPULAR RAVELOGUE semlAt'cis, BAD Boy MEN MAO MTN I 4- )411P6 LAUfirg I sip14 -) Roy leN WALT waSi ATODOES MINI? AWES PENNY. LEW EINE. 1.11, erra AN SIVAPEISMCIVit l' A ASINOBoded St lats. 22.230-713-10 SNOW FRMY Haroow.da ct 1114 Cara. INIMMTHEICHEATERUNINMS i i i i 1 tl i own in the making of "Notorious." which he is producing and directing for RKO Radio.

For example, he suddenly halts a scene between Cary Grant and Ingrid Bergman to inform her that she has egg on her face. "Yes, I could feel it," Ingrid replies. But no egg is removed or is visible as the stars resume the scene. When Hitchcoek says an actor has egg on his face he means the actor hqs a vaguely embarrassed expression caused by too long a period without lines or a lag in action. "Hitch" removed the egg by speeding up the tempo of the scene.

But Hitchcock's penchant for colorful expressions sometimes throws people off. A little later Hitchcock shouts to Layne Britton, makeup man: "Put some makeup on Miss Bergman's button." "Yes, sirs" Britton replies, in to industriously powder Ingrid's nose. "No, no, no!" Hitchcock says impatiently. "The button." Britton pauses, remembers prizefight slanguage and begins working on Ingrid's chin. "Okay, now, Boss?" Britton asks.

"The button," Hitchcock begins, then sighs deeply and walks onto the set. There he carefully points out a silver button on Ingrid's dress. The button has been catching the light and blazing like a searchlight in the scene. Burlesque Bills tLOBEMyrna Dean is doing a specialty of the house currently. Others entertain- ing include Mike Sachs, Billy Ha.

3r7.21It vrw'rfc ri gen. Alice Ken- -1: nedy, Diane King. Lou Powers, Dick 0 0,,, Hayman, Mary te-' 3 Welsh and Floyd Hanky. a 1 3r. O'Rourke" a Is "High Powered" are the films.

te- 1 OLD TIOWARDValerie Parks back again. Also On stage are Binder Rosen, 10.s...0, A Diane Ross, Pat Daly, Joanne Malone, Cleo a nfield, the Hillman Morris Morris, Holly Leslie and Tommy Oliver. The films are "Tonight and Every Night" a "The Bullfighters." CASINOPeaches and Mary Lane share a double spotlight this week. JOHN FEENEY'S PROGRAM For his first Boston concert. John Feeney, Irish tenor appearing in Symphony Hall, Sunday night, Feb.

19, will sing representative Irish folk songs, ballads and legendary narratives. One of Mr. Feeney's most popular selections is "Fair Una," sung in the original Gaelic. SYMPHONY HALL-COM. 1492 FRI, 8:30 Boston Symphony ORCHESTRA SERGE KOUSSEVITZKY, Conductor SIR ADRIAN BORT Conducting QtsYMINY Tom'w Eve.

at 8:30 BURT011 HOLIES QUEBEC and GASPE NEW FILMALL COLORALL NOTION TICKETS: $1.50. $1.20, 90e INC. TAX N9vo, JORDAN HALL THIS WED. EYE. -Jam 23 at 830 4 RUTH KRAYE it DuneaSury Young Artist Awird 4 Paul UlanowskY, areopat thi 52.40, 1.80.

1.20. .90 tax lad. TON 1 DELIA CALAPAIPianist BeethovenSchubertChopinBartok tax incl. THURS. EVE.

Jan. RI at 8:15 FISK JUBILEE SINGERS tax incl. SUN. AFTERNOON Feb. 8 at 3:30 EMANUEL LISTMet.

Bass For Children to palemtioe 32.40-1.80-1.20.90 tax incl. Helen M. Canterbury, 238 Hemnway Roston Corn. 5296 UPTOWN rva iDrices PAUL HENREID MAUREEN O'HARA "SPANISH MAIN" "Arles "CONFIDENTIAL AGENT" Lauren Boyer Bacall fiNieTtersT Mate 50th Year of Star Making 30th YearPupils, Peoria Ann Garner, Lisbeth Scott. Lee Tracy, Una Merkle.

Fred Astaire. Don Dunphy. Lauretta Tautor. Approved under (7.1. Bitt RADIO STAGE SCREEN (1) DRAMA.

Diction, Speech. Arts Depts. (2) VOCAL, Opera, Musical Comedy (3) BALLET alga TAP Dept. Separate chilaren's Theatre Annex Sa), Barton, 1780 B'way, N. Y.

C. CO. 5-8025 TUELEVE.oFE8.5JORDAN HALL Dr. James R. Houghton Baritone Richard W.

Ellsasser Concert Organist $2.40, $1.80, $1.20 at Box Office I RAMS "NOUSE OF I "UNDER DRACULA" I WESTERN SKIES" TODAYSUN. 2 TO 11 P. M. 7 VAUDEVILLE ACTS Featuring tho le Gregory Girls Alan Ladd, Gall Reuel In "SALTY O'ROURKE" Robert Lowry, Phyllis -Brooks in "HIGH POWERED" I (1 '4- -7-Iv t.a4,-..' tk. 'A' 1-.

1 4z, 1, i. 'te) ,,3 Ft BR HOUR ROWItill TER 'E G.I.VICTOA'Y PARALte tit A Id ututi "1 I I i I I I a a it 1 I i .1, -Or Animals in Movie Roles RUTH POSSELT, the Boston violinist. Hotel Statler ballroom. Wednesday at 11 in the fourth Boston Morning Musicale. She will play a Concerto by Nardini, Handel's major Sonata, and pieces by Villa-Lobos, Shostakovich, Prokofief, Milhaud, Bartok and others.

RUTH KRAYE, lyric soprano, Jordan Hall, Wednesday at 8:15. This will be Miss Kraye's debut recital. She is a Somerville girl. On her program are arias by Handel, Bontani and Mozart; songs by Faure, Fourdrain, Brahms, Schubert, Nordoff and others. BOSTON SYMPHONY Orchestra, Sir Adrian Boult.

guest conduc tor, Symphony Hall, Friday at 2:30 and Saturday at 8:30. The program: Comedy Overture, "Scapino," William Walton: Symphony in major, No. 86, Haydn, Trumpet Tune and Air, PurcellWoodgate: "Job: A Masque for Dancing," Vaughan Williams (first performances in Boston.) DELIA CALAPAL pianist. Jordan Hall, Friday evening. The program includes Beethoven's "Wald-stein" Sonata, Schubert's major Sonata, Op.

78. and pieces by Chopin and Bartok. TRAPP FAMILY SINGERS The appearance of the popular Trapp Family Singers in Jordan Hall Sunday. Jan. 27, comes during the chorus' fourth transcontinental American tour.

The Baroness Augusta von Trapp and her seven daughters will wear the colorful peasant costumes of their native Austria andwill perform new transcriptions of and English folk melodies adapted for chorus by Father Franz Wasner, leader of the group. SCOTT AT BELMONT HILL Henry Scott, humorous pianist. will give a concert in the Field House of the Belmont Hill School at 4 Sunday afternoon, Jan. 27. It will be sponsored by the Parents' Association.

ZZ; LAST WEEK ONLY BEG. )NLY BEG. MON" JAN. 28 THE NATIONAf COMPANY Broadway's Current Dramatic Smash Hit d'USSEAU and JAMES GOW ELIA KAZAN NEWTON ROBERT HARRISON TAX INCL. 0 RpHEum LATEST NEWS OF THE DAY DAYS 1 WYNW-4EAN PORTER ON BROADWAY" THE NATIONAL COM' PAt GU rtIrR MMMmni ittfiAti KERMIT BLOOMGARDEN Bring Moans from Stars emd GEORGE HELLER prowl irtiOsm I webmor 119122P VR 0 on 2 A1 RIA A Ploy by ARNAUD Staged by "E1311711 ATWATER THEODORE By SHEILAH GRAHAM HOLLYWOODAnimals! Just tell a movie star that the plc- ture contains a big part for an animalfish, fowl, bird or beast and the ensuing scream of anguish can be heard all over Holly- I wood.

But not all the animals are dumb or mean. Here's how some of those you have watched in pictures are trained to corn- pete and work with human actors for the screen. You remember that when Capt Rickenbacker was lost in the Pacific, he and his companions prayed for something to turn up that would be edible? Finally, a sea gull alighted on Rickenback- er's hat. In the making of the picture, "Captain Eddie," based on Eickenbacker's life, a sea gull had to be trained for the important sequence, Trainer Curley Twiford received permission from the State Fish and Game Commission to catch gull. He agreed to feed it a diet of fish and at completion of the picture to turn the bird loose at the spot where he had caught it.

bird loose at the spot where he had caught it. SEATS NOW 01.00, LAO. 140, 1.20 WED. SAT. $2.40, 1.00, 1.20 nesse seed stamped, addressed envelope for return of tickets TETTE IN BOSTON ONLY ONCE Efforts to arrange for a second Boston concert by Maggie Teyte have beep unsuccessful.

The great English linprano makes her only Boston appearance Tuesday night. Jan. 29, in Jordan Hall. The program: 0, My Beloved, Giordano: Mins tin bols enlitaire. Mozert; Olseaux if thus les ans, MOzart: Vedrai carino.

Mozart; Un moto di gipla. Mozart; La letire tie stenevieve. Debussy: Fetes Ga lantes: Les inaenus. Le fatale. epilogue sentimental.

Debussy; Chevaux de boss. Debussy; Beau soil-. De bussy; Chansons de Bi Mts. Debussy: La Flute tie Pan La chevelure. Le tombeau de Naiade 'F rolic Ballades de Francois lit Bon, Debussy; Chanson Trinte.

Dupery: Lets Roles d', Impishph Faure: DIM. Prisem, Faure; BI Mes Vera avalent des Arles, Hahn; L'Invitation au Voyage. Duoarc. IIOUGHTON-ELSASSER Dr. James R.

Houghton, baritoric, who will give a Joint recital with organist Richard W. Elsasser in Jordan Hall. Feb. 5, is a member of the faculty of Boston University College of Music. Mr.

Elsasser is 19 and doing graduate work at the B. U. School of Theology. Aaron Richmond presents TODAY HALL Boa 0Moo Opens at 1:30 LEADING BARITONE Metropolitan Opera Company Gores Reeves, Ptanid Mt A (Baldwin Plano) awn 0'11 0118E)2REELL 8:30. P.

M. Jordan Hall 600 to $1.60 (Ste nway) POLISH PIANIST 1st, Y. Times. Jan. 9.

1046. wrote: 'arge audience oreetrd his ptauina with cheers and ovations. flEXT 3:30 0 ,11 deonn Hall rrinnGo FAMILY fi SIEGERS Tue. Jan. 29 Jordan GREATEST ENGLISH SOPRANO MAGGIE SUN.

FEB. 3SYMPHONY "Most exciting vianist of our rime." Time Mal. RUBINSTEIN Chopin Recital (Steinway) SUN, FEB. 10-SYMPHONY NEEIVET FRI. FEB.

I5-SYMPHONY Coloratura Soprano, Metropolitan Opera PATRICE SUN. FEB. 10-SYMPHONY HALL rifFEEN OUTSTANDIHO IRISH TENOR $1.20 to $3 (Baldwin) SUNDAY EVENING CONCERTS LEO LITWIN and His Concert Orchestra NEW ENGLAND MUTUAL HALL Clarendon and Floalaton Sta. COM.1282 NEXT SUN. Jan.

27. at 8:20 P.M. Tickets 110a. $1.20. 010.

$2.40, tax inc. At Filene's and Box Office I I MOZ imslosolom0-4t Lo '1 ofitiolTONIGHT SUNDAY MIDNIGHT rhy Inrc TETE tl1J0118E1 I 01 101 icto i ef' ARO reilitri NDAY SUIDNI GHT I Right First Time quent day that production ix held 1 up because of the stallion's indispo- Curley hired a man who wore the sttiOn. clothes and hat that Fred MacMur- Ravens and dogs are the smartest ray as Rickenbacker would wear for the Raven has worked in 70 films non-humans in the business. Jim. the scene.

He placed the bird on the an 24 mans hat. Then earns $60 a day. Jim can type. operate with a he stood about a cash foot away and open letters. and dropped the bird light a cigarette.

IL) on the hat from a distance of six wYohuat to do. o. him inches. Finally he he not only copies I toss the the action per- Go Oakk AP' -1" 1001 1 7 I 1, i s1, tvITLit is-ratrviert. tt44.t.ep, 1 A 7.

2: t. 'i a --kt .,...4 I '-'11-z at -'t. IN' -I 0) 7 III lilltt" I '041 I 1k4 1, v- -4, 0 i 1 5, 7', $4t i 4.:.... ay. boecogvel comedy, at Jim took a letter from a mailman, flew through an open window and deposited the letter in the hand of a man lying in bed.

Jim was discovered on the desert in a starving condtion when only a a letter from a mailman, flew through an open 1 window and deposited the letter in the hand of a man lying in bed. Jim Was discovered on the desert in a starving eondtion when only a few weeks old. Remember Elsie the Cow, in "Little Len?" She co-starred with Kay Frances and thefted the film. Elsie was given the works for her movie debut. Her hair was dyed blond; her nails manicured.

But there was only one way to get her In the mood for actinga hard kick in. the hind quarters. Feet Hurt? i i I 1 the hat. He did this every day for several weeks. But everyone ex- pected the actual "take" to last sev- eral days.

The gull fooled them. He was tossed from behind the camera and landed squarely on Fred's hat in one "Mr. Josephine Beach." a trained rat, has appeared in more than a hundred and fifty pictures. He is 14 inches from the tip of his nose to the end of his tail and weighs four pounds. "Mr.

Beach" earns $35 a day and works about two days a week. He has sharp incisors but a sharper mind. He never bites and 'tis said you could trust him with a baby. (Oh yeah?) His trainer has to show him only once where to run in a picture, and he always takes the correct route. "Smoky" Millionaire Smoky, a coal black.

4-year-old stallion. is the star of "Smoky," the Will James story. His owner, Jack Lindell, is also the owner of Rex, King of Wild L) Horses, now re- tired at the age atof 30 on an An- zona ranch. In five years of star- ring in pictures, Rex earned for the studios, 000,000. That ain't hay or horse- NIL fehers! "It takes me from one to two months to teach the average smart horse to react properly to my silent signals," Lindell tells me.

Jack stands behind the camera and signals, and his horses do the rest. If Smoky gets sick, 20th Century-Fox are paid on the insurance policy $25,000 for the first day of non. work, and $25,000 for each mine IL0 RSD t- IT DR. SCHOLL'S FOOT COMFORT SERVICE FOR FOOT TROUBLES Don't suffer needlessly. Do something about your feet.

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