The Boston Globe from Boston, Massachusetts • 68

The Boston Sunday Globe 'An trust 7. 196(5 IBS Sound in the Roun3 Taking Those Boots Out Walkin' Agam Ygfe? Record lime 4- Iii )ii i j.u tu uw. i. ili i j.umiuWai UJJ i i i.i iiu w.u jg ji ai, iii.i inn. i 11 uaji ji 4 i i if -r Counts, Too By ERNIE SANTOSUOSSO Nancy's daddy you know him, the singing bridegroomhas gone international.

He and the new Mrs. went to London last week. Miss Sinatra, whose family ible and the performance Discology Soimd By MICHAEL STEINBERG LOOK ALIKE: Keith Allison won a TV contract because of his resemblance to Beatle Paul McCartney. Keith has appeared on "Where the Action Is" and has now been signed to a Columbia Records contract. His first release, "I Ain't Blamin' You," is now available.

The man from U.N.C.L.E.'s pal displays another side M.U.S.I.C.I.A.N. On these 12 tracks, David conducts the orchestra in renditions of popular songs of the day. McCallum sound gives the proceedings a definitive air with a bravura performance of "Shadow of Your Smile," "Michelle," "Call Me," his own "Far Away Blue" and "Five O'Clock World." Comment: McCallum doubles in brass and strikes gold. Blues Project Live at the Cafe au Go Go" (Verve Folkways) One of the pleasant memories of Newport, the Project joins segments from a four-day New York Concert. It's literally an electrifying experience to hear "You Go" (remember Howl-in' Wolf?) and "Jelly Jelly" (also recall Billy Eckstine with Fatha Hines?) and Tom Flanders' soul-lifting "Catch the Wind." Comment: The Blues Project in a successful venture.

SOUNDINGS The Cyrkle. whose hit single, "Red Rubber Ball," has been riding high on the charts, have been signed to appear on the same bill with the Beatles Thursday, Aug. 18. at Suffolk The Pandoras have done so well at the Sahara in Las Vegas that their booking has been extended to five weeks. During the past five weeks, the girls have shared the bills with Henry Mancini, the Kingston Trio, the New Christy Minstrels and Mrs.

Miller, the matronly about the best thing that could happen to the big beat. Throughout the four-day run of the recent Newport Folk Festival the rumor most prevalent was that Bob Dylan was planning a surprise appearance. He didn't, but Columbia has just turned out a two-record album. It's' titled simply "Blonde on Blonde" and features his current popular singles "Rainy Day Women No. 12 35" and "I Want You." It's a typical Dylan: exciting, a little strange, a poesy potpourri but at all times a Dylan production.

The familiar talk-sing voice, if you can Call it a singing voice, is the big lure. "Rainy Day," with its jogging harmonica-laced gait, is familiar to Dylan fans and "I Want You" with its recitation of imagery are currently red-hot as singles. One complete side of record is devoted to Dylan's reading of his "Sad-Eyed Lady of the Lowlands." It's Dylan at his most esoteric best in this wailing tribute ute filled with sense-boggling word figures. Also included: "Leopard-skin Pillbox Hat." "Most Likely You Go Your Way and I'll Go Mine" and "Absolutely Sweet Marie." Capsule reviews: "Music: a Bit More of Me," David McCallum (Capitol) Sensuously the most ravishing work of Schubert's Ts the great major string quintet with two cellos, recently recorded by the Amadeus Quartet with Wil-Iiam Pleeth (Deutsche Grammophon 19105139105. While there is always corded in rather lifeless per- Thore to playing music than formances by the Vienna 'Waking attractive noises, the Philharmonic under Karl TWnd in this work is of Muenchinger (London 9453- particular importance, and it 6453).

Where the Amadeus with Then, a Schubert Lieder -Ifs disagreeably unsteady collection sung by Dietrich first' violin tone fails right Fischer-Dieskau, including 'ffi moreover without special some of the most familiar distinction. songs und Weinen," "The recording to get is "Du hist die Run," "Heiden- etill the Stern Casals etc. roeslein," "Hark, hark, the (Colubia), or, if you prefer Lark," "Die and something less high-pressure, some less frequently heard the'recent beautiful one by and very beautiful ones like Vienna Philharmonic "Sei mir gegruesst," "Waldes- jQaartet (London). nicht," and "Auf der Riessen- 1 koppe." The singing is su- The great major Sym- perb, the playing by Gerald bony is a more extravert- Moore is good (Angel 36341), 4 companion piece to the and the record is highly Quintet. There are recorded recommended, jwrformances as remarkahle I also recommend warmly ituiheir highly diverse ways Fisdier-Dieskau's record of gts those of Furtwaeneler, Heine settings by Schumann, iseresi, Klemperpr, and Tos- again including some famil- ranini.

Barbirolli, who has iar songs Lotosblume," iiist recorded it with the "Du bist wie eine Blume," Julie Orchestra (Angel 363- "Die beiden 8)t is not in that league, but more unfamiliar ones, jmt his performance is most some of which are very beau- Jnusiral, free of exaggeration tiful indeed, especially "Der and coarseness, and gave me arme Peter," "Belsatzar," and much pleasure. "Mein Wagen rollet lang- sam." Again, superb singing Among Schubert's earlier and equally superb playing symphonies. No. 3 in is by Joerg Demus, but with especially entertaining, while the piano too far in the a more ambitious piece, background, "fiaj always seemed one of One of the finest late 19th tfm 'duller ones. Both are re- century symphonies is Dvor Coffee House Circuit Barry Skinner Where Are You? By ROBERT GUSTAFSON It was one of those nights at the Turk's Head last Saturday night.

The sign in the window informed me that Barry Skinner was the featured performer. I walked in and took a seat. "IIIIIHIllllllllllllllll! II IHIIHIIIIIIIIlllllllllllllllllllllllllllllllllllllllllllllllltliliiinillllllllll'IIII pSpins and Needles 45 Sweepstake "Wild Thing" by the Troggs continues to hold down first place this week in the Top 20 Sweepstakes but Sam the Sham and the Pharaohs is riding high with "Li'l Red Riding Hood." The Billboard list follows: This Last Week Week Sinatra and Basic the Inn I Swinging By WILLIAM inis musi De tne recora monm oi me year ior a il. eprise because they've just Standing long playing records. ak's minor.

No. 7 (old No. 2). Leonard Bernstein's performance with the New York Philharmonic (Columbia 6228-6828) plays up its heavy Brahmsian side, but I find this treatment very effective, and this seems to me altogether the best recording of this work now available. Vol.

IV of the Vox Boxes devoted to Dvorak's chamber music contains the well-known "Dumky" Trio in minor, whose 4th and 5th movements are especially strong, and the equally fine, though less familiar, flat Piano Quartet, Op. 87 (VBX-71-571, three records). It also includes the diffuse hut often attractive Trio in flat. Op. 21, and, Piano Quartet in Op.

23. and the fairly trivial Bagatelles for harmonium, violins, and cello. The performances by the Pumka Trio with assisting players are quite musical hut also sloppy, especially the intonation. All Dvoraks humor and sense deserted him when he came to write his "Stahat Mater," and its pompous blasts and mnans that go on for what seems like a lifetime of slow music are simply preposterous. The performance by soloists and an orchestra and chorus from the Westphalian town of Recklingshausen, Hubert Reichert conducting, is fair, but the work needs something really persuasive (VUX 20236-52026, two records).

the full Sinatra, swinging on the beat wildly one minute and then tourhing you softly with a ballad the next. And all along the way those great Sinatra remarks from on stage which make him the hippest of the hip and the of the Here are some of the songs he delivers, "Come F'ly With Me," "I've Got a Crush on You." "I've Got You Under My Skin" (possibly his greatest record ever). "Street of Dreams," Me to the Moon "Don't Worry 'Bout Me," "Angel Eyes" and "My Kind of Town." Sure, Sinatra is the star of the album, but once you hear that Basie brass you know they have made a major contribution to the true greatness of this album. This is only August, but our guess is now that this album may possibly win a Grammy Award. It certainly rates it.

Frank, you're making a picture in London now and dining with Mia, so you'll never see this review. But we love ya, Frank, and when I leave for that island in the Bay of Bengal, this LP is making the trip with me. Buddy Greco has been appearing locally for the past two weeks and we hope you had a chance to hear him. We caught his superior act at Blinstruh's several months ago. He's a classy smgpr, a fine showman, an accomplished pianist and he swings when ho belts out a song.

Listen to his new Reprise LP and you'll add Buddy Green's name to the listof the better map singers you know, people like Jnp Wil- Hams. Bill Henderson. Frank Johnny nartman, Arthur Prysork, Tony Fpn-nftt and Sinatra who SING. Ya dig. Hpip Buddy sings a fabulous collection of soncs.

Richnes.s, warmth. Reeling, intonation Buddy's work has all these qualities now. And the arrangements here are just marvelous. August 10-13, 1966 1 1 2 3 7 4 4 5 11 6 6 7 2 8 8 9 9 10 10 11 14 12 6 13 16 14 17 15 30 16 26 17 23 18 12 19 18 20 20 WILD THING Troggs (AtcoFontana). LIL' RED RIDING HOOD Sam the Sham the Pharaohs (M-G-M).

SUMMER IN THE CITY Lovin' Spoonful (Kamu Sutra). PIED PIPER Crispian St. Peters (Jamie). THEY'RE COMIN' TO TAKE ME AWAY HA-HA A A 'Napoleon XIV (Warner I SAW HER AGAIN Mama's and the Papa'i (Dunhill). HANKY PANKY Tommy James the Snon-dells (Roulette).

SWEET PEA Tommv Roe (ABC). MOTHER'S LITTLE HELPER Rolling Stones (London). SOMEWHERE MY LOVE Ray Conniff the Singers (Columbia). SUNNY Bobby Hebb (Philips). HUNGRY Paul Revere the Raiders (Columbia).

THIS DOOR SWINGS BOTH WAYS Herman's Hermits (M-G-M). OVER, UNDER, SIDEWAYS AND DOWN Yardbirds (Epic). SEE YOU IN SEPTEMBER Happenings (B. T. Puppy).

I COULDN'T LIVE WITHOUT YOUR LOVE Petula Clark (Warner SWEET DREAMS Tommy MrLain (MSL). PAPERBACK WRITER Beatles (Capitol) FIAA SEAL. THE WORK SONG Herb Alpert the Tijuana Brass I WANT YOU Bob Dylan (Columbia). ERNIE SANTOSUOSSO name seems to possess Midas-like qualities, is also doing the Bovril circuit, at least that's what her latest Reprise LP, "Nancy in London," would indicate. However, the only link between London and this album is the British studio in which it was produced.

In this collection, Nancy is fortified again by an echo chamber for her smallish voice, and the beat-heavy drumming, and her Nancy-type brass section, the kind that combined to turn out her first hot biscuit, "These Boots Are Made for Walk-in' Most of the tunes are new, with the exception of "The More I See You," which I remember from the 1944 movie "Diamond Horseshoe," sung by Dick Haymes. In truth, I can't foretell the future of the songs on this LP. Some are Western-flavored, the obvious hand of Lee Hazelwood showing itself. It's Nancy, too, at her rocking-est. One often hears the question: Would she have made a success in show business had she not been Frankie's daughter? Granted, the road would have been considerably tougher, but, presuming she became the beneficiary of energetic promotion, I believe she could become a hit.

I have heard recordings through the years which have been spun ad nauseam into the public's consciousness and which sold handsomely, far beyond their merits. Aslo, on this album, Nancy sings songs such as "Hutchinson Jail," "Friday's Child'" "On Broadway." "I Can't Grow Peaches on a Cherrry Tree," "Step Aside" and "This Little Bird," all of which are rungs above one particularly bad million-seller of some 15 years ago. Remember "Oh Happy Ode to heartburn. Clara Ward is a singer of formidable stature and Verve has recently released the long-player "Clara Ward Hang Your Tears Out to Dry." In this collection Clara invests a dozen tunes, many of the current "pop" variety, with her kinetic spirit and awesome gospel voice. This time, it's gospel with a difference.

You can either sit and listen or take to the dance floor as this LP spins. My favorite of the batch is "Zi-a-dee-doo-dah" featuring Clara's heaven-sent voice and a refreshingly original sax-brass riff. Reading down the list, one spots many familiar rockers "Help," "Hang Your Tears Out to Dry" Then, there's a treatful reading of "God Bless the Child," the happily churchy "Cotton Fields" and an appropriate rollicking "Smile." In brief, this is rock in which the lyrics are intellig- KEENAN WYNN is grizzled marin scientist specializing in breathing techniques, during adventure cinema "Around the World Under the Sea," now at the Mayflower and threatert throughout New England. TODAY! -7 -H WAT. and EVE.

JUNIOR MANSE TRIO and MARGE DODSON begins 7orjT SIWS II COril wJUD DIOR IR-rM0ITI8EBi TCI. S35-989S 'iT if I I A 4 The time was 8:30. The waitress said that the first set would begin momentarily. At 9 o'clock, no singer had appeared. The waitress said nothing.

At 9:10, however, she notified us that evening's performer was on his way, and his name was Ed Freeman. There was no word about Barry Skinner. FiftcFn minutes later, Ed Freeman did indeed arrive carrying a guitar case followed by an aide-de-camp also bearing a guitar case. Aide put the guitar case down and left. Freeman drew a 12-string from his case and draped it artfully on the curtain behind the stage.

Then he left. Was this, too, a false alarm? But Freeman returned 10 minutes later, took a six-string guitar from the second case and began tuning it. The houselights were dimmed; the stage light came up. Freeman pulled the microphone up from its knee-high position, tightened it, and spoke into it. It was dead.

He pushed the button down, but there was no response from the mike. He yelled. "The mike's dead," to the bearded dishwasher in the kitchen. Bearded dishwasher yelled, "The mike's dead." to someone I could not see. Seconds later, a young lady stuck her head out of the kitchen and said.

the mike's dead." Freeman v9 4 My 5k i f- KIT A rUSHlNGHAM looks lonely as lost child of "Best Actress" Julie Christie and title-role-player Omar Sharif, in color film "Doctor Zhivago," now at the Saxon. rW- 1 at BUCHANAN 1 11. 11 released some truly out- Take Frank Sinatra for instance, a fellow that occa- sionally gets into nightclub iisncuiis or runs on anu marries the attractive daughter of a famous movie actress. Or take William Basie who's been leading a band since the old Kansas City days in 1935. Or take Buddy Greco, who scored his first hit record in 1947, but is singing so much greater today.

Now all these goodies are on Reprise and available at record stores throughout the country as they say in the advertisements. Frank Sinatra, 27 years older, three wives wiser. 12 pounds heavier and a few million dollars richer than when he made his first commercial record for the Harry James band, is the co-star of one LP. His co-star is the other fellow I mentioned, Count Baise. As all you followers of show business know, Mr.

Sinatra makes very few night club appearances these years. He takes a helicopter to Newport once in a while or might show up for a couple of weeks in Las Vegas or Miami Beach, but that's it. Well, this new Reprise LP was taped at the Sands in Las Vegas with Sinatra singing dozens of songs while backed by the Basie Band with Quincy Jones conducting the whole magnificent production. Now there's some talent. Frank sings practically ell the snng.

hut when ymj have the Basie band on stage ihe singer must takp a breather, regardless of hrw great that singer is becau-e Basie has so much to sav musically. Perhaps mv mathematics is faulty, but I recall hearing Sinatra sing 17 songs and there are three Basie m-strumentals. In this album vou'll hear smiled stoically and said nothing. A few moments later, the bearded dishwasher said, "Try it again." Freeman blew gently into the mike. The roar made him jump back.

At 9:45 Freeman announced that the singer who was supposed to be there was not there and introduced himself. He allowed that a short while ago he had been comfortably seated at his dinner table eating a Freeman culinary innovation, namely, chicken stewed in maple syrup and orange juice. "Ghastly, worst meal I've ever eaten." He began with "Fare Thee Well." By the end of the set he had: Sung an Elizabethan song "written last year by Bill Keith." Described a drinking bout with Liam Clancv. Sung "Captain Kidd." Lengthily tuned the 12-string. Described his winning the guitar tuning marathon.

Played the guitar extraordinarily well. This, I hasten to add, is a far from complete list of his activities. Later, as I walked down Charles st. to my car, I came upon a young man draped laterally across a red Triumph, sound asleep. Could this have been Barry Skinner? Revive "Pigs" John Arden's comedy-drama.

"Live Like Pigs," will be performed through Aug. 14 at the University of Rhode Island's Summer Theater Festival in Kingston. Taking part is the original cast from the Theater Company of Boston. The Company gave the play its American premiere in Boston in 1965, then took it to Off-Broadway for a four-month run. Actors are Naomi Thornton, Josephine Lane, Paul Benedict.

Larry Brygg-man, Barry Primus, Blythe Donner, Roberta Collynge, Anne Gordon, Harriet Rogers and Robert Fields. Following "Live Like Pigs," the Company will do Peter Weiss' "MaratSade." Co-Stars HOLLYWOOD (UPIi Rod Steiser and Virna Lisi will co-star in "Thp General and the Lady" in Rome for Carlo Ponti. Cast for 'Scandal' HOLLYWOOD UPI I -Universal has Anthony Perkins, Maurice Ronet and Yvonne Furneaux to star in "The Scandal" in Paris. 733 Boylston iU, Re. CO 7-3960 Downiuirt from INNER CIRCLE 733 Boyltton St.

Ret. CO 7-3960 DowniUir from INNER CIRCLE TODAY ONLY STEVE KUHN TRIO SHIRLEY HORN von. trio THE CiWBMDGE CPEK4 WORKSHOP MADAME BUTTERFLY OtHKtanrlinr ith A V'n Kmw 11 St 1 fhtttrs). rc II tm Tirfc.t. si Ml.

Till TB mnrnlfisT. TAi'j Wtik at the Berkshire JtENOX; MASS. ffTANGLEWOOD SUNDAY, AUGUST 7 i. 10 SHED ilOSTON SYMPHONY ORCHESTRA. STANISLAW SKROWACZEWSKI, Conrfuctof BBER: Md Meditation tni Dnc? of Venyeflnce iWNTSAENS: Puno Concerto No.

4 JhiBnsm "BEETHOVEzN: Svtrphon No. 3 is- TUESDAY. AUGUST I 00 THEATRE IENOX QUARTET HAYDN: Qurtet In minor, Oo. J5, 3 s-TOK- Ouariet No 5 BEETHOVEN: Qurtet in minor, Op. 1 'jr- WEDNESDAY, AUGUST 10 GALA EVENING AT TANGLEWOOD Jenefit of Ibc Berkshire Music Center I J.

30 THEATRE, MAIN HOUSE, CHAMBER MUSIC HALL Performonces br Deportment! er the Music Center 1.00 SHED IOSTON SYMPHONY ORCHESTRA ERICH IEINSDORF, Cenrfuctor end AARON COPLAND, Conductor BRAHMS: Verietioni en Theme ef Hfln KORNGOLDr Msriettes tied PUCCINI: "Si, Mi Chiemeno AAimi," from Le Bohemt Verenice Tyter COPLAND: Lincoln Portrait Senator Edward M. Kennedy, Narrator BOSTON SYMPHONY ORCHESTRA end BERKSHIRE MUSIC CENTER ORCHESTRA COPLAND: El Salon VvAGNER Ride of the veikvnei TCHAIKOVSKY: 1B12 Overture Tiireworks Display ever the Lokt Tickets: 5. U. $1 General Admission: $2 50 RIDAY, AUGUST 12 7:00 SHED WEEKEND TCAiKOVSKY: Trie for tnd Cello n-HMIi, Mars, McCall SHED BOSTON SYMPHONY ORCHESTRA SIXTEN EHRLING. Conductor Svmpnonr No I Symphon No.

4 SATURDAY, AUGUST 11 10:10 SHED BOSTON SYMPHONY ORCHESTRA if OPEN REHEARSAL 1:00 BOSTON SYMPHONY ORCHESTRA tKlcn ItlNSOORF, Conductor HlhiCEVITH: Symphonic Ve'amorpno'n SHOSTAKOVICH: Concerto for Voicn-ce'io Orchestra. Op 107 'Stephen Kates TCHAIKOVSKY: Lisas S'e-e a-d Arioso from The Oueen of Sp8e yfifiDI: Introduction, Willow $on and JUe Veria from "OteHo" Jan Marsh WAGNER: Dawn and Sefried Rhn Journeir from "P'e GorrdsmT.eru-q TCHAIKOVSKY COVPETITION PRIZE WINNERS rTfrtefs: (Bo Seat'. ti 50. IS. 4 50.

13 50 Tmi. Chamber Music: 3 50, 13. -General Admission to Lews, 5 on hours hfnre eirn concert Ppr-Bestan Symahonv Orrhtra ifftt. ait children reeerdlesi 4 Wr a ticaet. Blt T1rrhnne Hour tele-filmed ps-b'v mdudine: cns of each HW arrtiitm and audience, over the NBf.

teesuion and other srntmns. For Thief tnjnrnalinn: Lennx (41 1) RCA knnd, 3 a I vitnrriii'iii tin ii i i Film Times ASTOR THEATER "Who' Airairl of Vilnius Woolf," 1 00, 3:10. 8 20. 7:30, 8:45. BEACON BILL "Th Ruasiani Art Comm." 1:00.

3:10. 5 20. 7:30. 9 40. BOSTON CINERAMA Khartoum, Mat.

Sat .4 Sun. 2 p.m.. evet. Sun. 8 extra showi Sun.

Holi. 5 m. CENTER 'Wild Angels." 2:50, 6:15. 9 40; "Girl Getteri." 1:10, 4:35, 8:00. CHF.RI "The Blue Max." 2 00 7:30 m.

CINEMA. Kenmort Rq "Dear John." 1:45, 3:40. 5:35. 7:30. 9 30.

CLEVELAND CIRCLE "Assault on Queen." 1:00. 3 10. 5:15. 7:30, 9 40. EXETER "Patch ei Blue." 1:30, 3 S0, 5:30, 7:30.

9:30. "The Dot and th Line." 3:20, 5:20. 7 20. 20 pm FINE ARTS "Tom Jone." A 45. "Never On Sunday." 7:15.

10.15. of Music." Eve 8 30. Sunday 7 00. Mat. every dav 3 p.m.

I.OIWH ORrHEI'M "Arabewjue." 3.15. 5.30. 7:45, 10 On. MWFLOW'ER "Around World Under Sea." 2:25, 5 45, 9 05. "Son of a GurifiKhter." 1:00.

4:15. 7:35. Ml SIC HA LI "Torn Curtain." 100. 3:10. 5:15.

7:30. 9.45. Bottom Boat." 1 on. 3 00. 5:00.

7:00. 9:00. PARIS CINEMA "Morgan." 2. 4. 8.

8 and 10 p.m. PARK SO. CINEMA "Dear John." 1:45. 3:40, 5 35. 7:30, 9 30.

WOT "Walk Don't Fun." 130, 3.30. 5 30. 7.30, 9:30. AXON "Doctor Zhivago," daily 2 p.m.. eve.

115. Sun. 2 and 7:30 SYMPHONY CINEMA I "Juliet et the Spirits." 1. 3:30. 10 m.

"Fel-lini's 8l." 3:15. 8 m. I'PTOWN "The Group." 05. 8 55. "Lost Command." 1 45.

6:35. RF5t END CINEMA "The Shop Main Street," 1 55, 4 20. 6 40, 8 53. 1 I Thaj'ra dirTernt DAVID. DELIA ROSA ami BROOKS plug tha PHIL MOnRISSON TRIO tV HIHIK Sun.

Waggi Scott Trio Bant lg itl la. n. f- 7K7.1VW 73) txlrtn Smm Mm 2nd ANNUAL CONTEMPORARY MUSIC FESTIVAL nnvvnniv mi rrr CDiiwcuirv matvp SIDNEY POITIER helps blind girl played by Elizabeth Hartman in social problem film "A Patch of Blue," at the Exeter Street TheateT. CASTLE HILL Ipswich 1-356-4351 THIS EVES. NEW YORK CHAMBER SOLOISTS fiarlea Rrniltr.

T' Alhert Fllr. Mrlrla pin n. CenM Tr-i. r4Hn Taeb, T4lm Aleiaa4er Konarwell. fll Ti-e'4 at Ca'l Mill 4 night of M''lM World Premieres: CRUMB, DAVIDOVSKY Gu-st Composer and Lecturer: GEORGE ROCHBERG three conceits by the Alian Chamber l'Uyers: IV: CRUMB.

ROGFRS. LATTER, MprnMk. 12: IltO SKV. FINE. BIRI.

KUFFFRMW A H. MHU R. r.I ROCHBERG. Gum Artists: Alice Hm, i.in,;, Anna Fcfrs HonaM V.f jr-Tirj. Fnturc by Mr.

pen to the p.m., Senior Center. All cowuts p.m. Center. three omens for 57.50. open rehraroH, ra ray at 11 A Sen.

or Center, open to the ptihhc lk rww: 4 conjunct ti rh -i M-i. Sehnfl. PPFERT K. IECKWITH, LEWIS AFL AX, Mw Ptreetrr; ELLIOTT SCHWARTZ, CcrdiMtor. 1 -x lX rr, ft ft, a.

a. A a a I a. a. a-A A- i. i I i.

fcU-Lfc Mii.