The Boston Globe from Boston, Massachusetts • 124

The Boston Sunday GIob Jcne 12, 1966 2S-A Record jp: Time Discology New 'Don Carlo' Release Reveals Woms Qreatness By MICHAEL STEINBERG London's new album of Verdi's "Don Carlo" (A4432OSA1432) makes an important, even exciting, addition to the catalog because, better sung, better conducted, better produced, it gives a moisj vivid sense of the work's greatness than any previous recording. Spnw Needles 'Once Upon a Time5 Jazz As It Should Be By WILLIAM BUCHANAN The great Earl (Fatha) Hines, whose pianistic wizardry is being revealed nightly at Lennie'i on the. Turnpike in West Peabody, is the star of an exciting Impulse album that was recorded in January. Sound in the Round The 'Qoodies Are Coming "Don Carlo is love and politics in collision, and most But 'Baddies' Follow By ERNIE SANTOSUOSSO Lately, everything seems to be happening in pairs. How's that? Well, there's the Mama's and the Papa's bringing their "Monday, Monday" up to Hampton Beach in the near future.

Then within one week, the "Goodies" and the "Baddies" will invade Greater Boston. Another couple of pairs, right? For several years King Curtis' saxophone has been heard at recording sessions which have featured Bobby Darin, the McGulre Sisters, Sara Cooke, Andy Williams and Nat Cole. He's also headed his own combo which we've heard several times at the Baby Grand elub in Harlem. His new album on Atco (a subsidiary of Atlantic) will help him further to become an established star in his own right and not merely a much sought after studio musician and sldeman. Those who loved Nat Cole's work will be delighted with the release of a new Capitol LP entitled "The Vintage Years." It's a wonderful collection of songs that the group recorded in 1945, 1946 and 1947.

In the early days of the Nat Cole Trio, Nat's singing played only a minor part. In later years it was the dominant characteristic. But in these recordings you'll hear a During the past 30 yean the finest jazzmen in history have either made recording dates with Earl Hines or actually worked in one of his bands. And so it is with the latest Hines album he's working with the greatest, most of them past or present members of the Duke Ellington orchestra, plus assorted side-men who could hold down chairs in any band. Hines recently cut a Verve LP with Johnny Hodges and The Rabbit plays an important part in this one, too, both with his alto saxophone and as composer of two of the selections, "Once Upon a Time," which is also the album title, and "Hash Brown." The genius of Earl Hines is apparent throughout this set both in his solos and as an pianist.

And some of the genuine all star musicians who made this recording date include, in addition to Johnny Hodges, Cat Anderson, Ray Nance, Clark Terry, Lawrence Brown, Buster Cooper, Paul Gonsalves, Richard Davis, Elvin Jones, Bill Berry and Sonny Greer playing drums on "Black and Tan that she or Solti should have permitted its release. Taken altogether, Tebaldi's is an acceptable performance and much better than Stella's on the Deutsche Grammophoa set Grace Bumbry is a superb Eboli, fiery, seductive. She is unfailingly musical and her voice has force, warmth, color, if not quite the cutting edge and precision of attack needed in the Veil Song. Carlo Bergonzi takes the title role and does it beautifully, with gloriously easy high notes, pure and aristocratic timbre, an elegant sense of phrase. He has an odd habit of thickening into "sh" so that, for example, he tells Elisabettta they will meet, not "lassu" but "las-ciu," and at such moments his blood is not quite blue enough.

The great performance here is Fischer-Dieskau's as Rodrigo. It is un-Italian insofar as no one ever heard an Italian baritone sing like that, but it is by no means anti-Italian. In fact, it is just the kind of performance one wishes Italian singers would give. Vocally and musically the singing is a marvel, every phase of it, and dramatically everything is imagined and worked out perceptively and with love and feeling for the telling detail. Nicolai Ghiaurov is mag- of the great moments in it are those of confrontation.

There is the Carlo-Elisabetta duet in Act IL for example, which starts with a young man pay ing respectful addresses to his stepmother and queen, and ends as an anguished, desperate love scene. The act ends with another of the great duets, the long conversation, also a curious blend of the personal with the political, between King Philippe and Rodrigo. Later there is the interview of Philipp and the Grand Inquisitor, purely political, but structurally and dramatically the counterpart of the Philipp-Rodrigo scene. After the scene with the Inquisitor, the crown crushed beneath the cross, there follows Philipp's confrontation with Elisabetta, an encounter that grows from duet to quartet with the appearance of Rodrigo and Eboli. Then there is Eboli's confession to the queen, and in the last act the beautiful farewell of Carlo and Elisabetta.

There are in "Don Carlo" two overwhelming soliloquies, Philipp's "Ella giam-mai m'amo" and Elisabetta's "Tu che le vanita." The latter is the grandest aria by Verdi, therefore in Italian opera, extraordinary in musical and expressive scope. Aida's "0 The "Goodies" go by a different monicker the Dave Clark Five and imbue their every appearance with a clean-cut, detergent, wholesome All-British look. The Clark clan is as non-controversial as a rock 'n roll group can get without being drummed out of the regiment. In many observers Dave's boys elicit ambivalent feel-inss: Thsa listeners mieht patria mia" Is on a like scale, bat it is not "comparable In invention, while the style of "Otello makes no room for anythinr so expansive. There ade also fine examples of more conventional middle-to-late Verdi, the best of them Eboli's don fatale" and Rodrigo's death, "0 Carlo, ascolta," and including things as attractive as Carlo's "Io la vidi," Eboli's zippy Veil Song, and Elisabetta's "Non pianger." And there are, to be sure, also the lapses like the corn-in-thirds for Carlo and Rodrigo and some uninventive bombast in the auto-da-fe.

The very best of "Don Carlo," however, represents the best of Verdi altogether. The mighty step forward in the later operas, "Aida" and especially "Otello" and "Fal-stafl," consists in achieving more intense concentration and a more consistent quality. But "Don Carlo" is a great work, subtle, humanly perceptive, musically rich and varied. London's recording, though not flawless, does invite one to perceive all that. Georg Solti conducts.

He has much of the needed Ver-dian fire and he has imposed a welcome sense of musical dignity and style. As always, his sense of pace is a bit odd. The big soliloquies come out somewhat disjointed and a few tempi are disturbingly slow (the Monastery scene, mia Regina" in Eboli's aria, the start of the prison scene). In general, though, Solti does a very good job. The Covent Garden orchestra is good, though one would really like to hear Verdi's astonishing scoring realized by a virtuoso orchestra.

Renata Tebaldi, the Elisabetta, is the cast's weak link. Some of her work is fine, notably the Act IV entrance and most of the last duet with Carlo. High notes do not come easily and she often has pitch troubles: in fact, "Non pianger" is so flat that it is astounding aengntrui balance Detween tne hate the big beat but, on the leader's soft vocals and the inventive work he did at the other hand, gladly welcome into their hearths these young Mick Jagger carrying the pennant have, via controversial stage antics acquired an image that calls up the descriptions "gutsie," "taunting," "rebellious" and other colorful epithets. Where Dave Clark seems gracious, the Stones' Jagger looks pugnacious, bmusickaff And the others in the cast Bill Wyman, Charles Watts, Brian Jones and Keith Richardtry their best not to be stereotyped as the lead characters out of the Boy Scout's handbook. Although they obviously spend big for their wardrobes, you can give, odds the Stones won't ever make the best-dressed list.

Their garb is best suited for the Army's test for color blindness. So, what I'm driving at in this profile of the Rolling Stones is this: Pat Boone they aren't, not even Sam Boone. Such a tough deal for them. Nobody loves thm except millions of hysterical, screeching, gone-beyond-recall fans did when it recorded in Fantasy" as he was originally 1927. men.

Beside the "Baddies," the Dave Clark Five are the Lone Ranger, Superman, Hairbreadth Harry and every hero on a white charger. Good looking blokes, too. Dave, himself, is matinee-idol material and actually took extra bits in some 30 movies. The other members of the group organist Mike Smith, bassist Richard Huxley, guitarist Lenny Davidson, and tenor saxophonist Denis Payton also convey a well-scrubbed appearance de keyboard. And there's also a chance to hear the bass of Johnny Miller and the guitar of Oscar Moore, who was with Nat from those first creative days in Los Angeles in 1940.

The tunes are: "When I Take My Sugar to Tea," "The Frim Fram Sauce," "Your Nobody 'til Somebody Loves You," "I Miss You So," "You're the Cream In My Coffee," "That's What," "But She's My Buddy's Chick," "Naughty Angeline," "Baby, Baby All the Time," "I Think You Get What I Mean" and "The Best Man." This is jazz as it should be played by the men who have contributed so much greatness to the music they love. I don't know how many hit records Frank Sinatra has had since those first beginnings with the Harry James band in 1939, then with Tommy Dorsey and in later years with various musical directors but now he has another big record, "Strangers in the Nicht" and it's naturallv the flMrf---TVfl void of shock reaction. throughout the world. Yes, Since banding together in they are nobody's babies but the record purchasers who 1960, the DC-5 have amassed ninceni as rung rniupp, ricn-voiced, musical, histrionically powerful. Martti Talvela is superbly effective as the Grand Inquisitor, and there are first-rate performances in small parts by Tugomir Franc as the Friar and Joan Carlyle as the Celestial Voice.

The singers who do Tebaldo, Lerma and the Herald, sound a bit too English so, at times, does the chorus, especially the ladies. The recording uses the 1887 score, one incorporatnig the 1884 revisions and restoring the Fontainbleau scene from the original version. All traditional cuts are opened. The recordings were all made in Los Angeles and Pi i have lodged the group's latest London single, "Paint It, Black," a raucously booming Middle East-type tune into the million-seller class. title of his new Reprise album.

ew xorn ana tne seiaom neara, i nai wnav was in ax Cole's scat song answer to tit 1 the classic, "What's This?" that the late Buddy Stewart and Dave Lambert recorded with the Gene Krupa band. a mixed fortune in pounds and dollars and sold some 12.5 million recordings which covers such hits for Epic as "Do You Love Me?" "Glad All Over" and Bits and Pieces." And to add a touch of pomp to their story, the Clarksmen were the only pop music group invited to a Royal Command performance before the queen of England in 1965. How's that for bloaters? Then, there are the "Baddies," alias the Rolling Stones. Where the DC-5 evoke smiles of indulgence, this other quintet are conversely facile at whipping up tsks! tsks! of reprobation. The Rolling Stones, with There's little left to say about Sinatra except to repeat that he's the chairman of the board and perhaps the greatest singer of popular songs since the invention' of the phonograph record.

The songs are wisely chosen here and in addition to "Strangers in the Night" you'll hear, "My Baby Just Cares for Me," "Summer Wind," "Call Me," "All or Nothing, at All," "You're Driving Me Crazy," "On a Clear Day You Can See Forever," "Downtown," "Yes Sir, That's My Baby" and "The Mast Beautiful Girl in the World." 'Caesar Returns "Julius Caesar," one of M.G.M.'s all-time hit films, begins a re-release engagement Wednesday at the Mayflower. The big production, widely acclaimed during its first showing, stars Marlon Brando, James Mason, John Gielgud, Deborah Kerr and Greer "Baddie" Miki Jagger annual fashion show at the Waldorf Astoria. The Pandoras modeled as well as entertained at this prestigious conclave. The other major item for the Pandoras is their forthcoming 10-week stand, beginning June 21, at the Sahara Tahoe in Lake Tahoe, Nev. Gary Lewis and the Christy Minstrels will be on hand to listen to the band.

The Sandelles have embarked on a Summer-long coast-to-coast tour that includes Hank Brown's Twisto-rama, Utica, N.Y. (TV); Herkimer, N.Y "Youth "Swing Lively Show," Lansing, Mich. (TV), Lee Bagley TV Show, Tulsa, Teen Club, Tulsa; "The Teenbeat Club," Las Vegas, "Teenbeat TV Show," Las Vegas; Playmore Ballroom, Fort Dodge, la. "Johnny's Record Hour," Albuquerque, N.M., and "Johnny Appleseed's Dance Halt," same location. The Whirlwinds have recently completed 33 straight week-ends at Boston's biggest all college mixer In the Sherry Biltmore Hotel.

Through popular demand they have been booked to return Sept. 9. The Whirl Winds have appeared with such groups as the Beach Boys, Chad and Jeremy, the Supremes and Gean Pitney. They are scheduled to appear with the Dave Clark Five, The Young Rascals and Lou Christie during the Summer. The group in BOSTON With this latest success, the Stones will have latched onto their eighth golden record-remember "Satisfaction," "Get Off of My Cloud," As Tears Go By" and the others? Then there's a multi-million dollar film contract.

Well, the poor Stones are headed for Lynn's Manning Bowl on Friday, June 24, for a screaming one-nighter. The "Goodies," the Dave Clark Five, will be in town, at the Boston Garden, this Friday night, June 17, to open this two-wave British invasion. Hold on there. I just remembered June 17 is Bunker Hill Day. All right, now, who's the wise SOUNDINGS At the recent Channel 2 auction, Robert Keyworth of Gardner bought himself a Dixieland Band for one night and the price was right: $430.

The group, comprising seven local businessmen, including Globeman Sam Rodgers on bass, is called the Ice House Five Plus Two. Rev. Norman J. O'Connor, famous friend of jazz, put the group on the block. The all-girl band, the Pandoras, have made it all the way to the big apple with their appearance last week at the Seventeen magazine's SYMPHONY ORCHESTRA TANGLEWOOD BERKSHIRE FESTIVAL, LENOX, MASS.

8 WEEKS JULY 2-AUGUST 21, 15)66 I ERICH 1.F.INSD0RF lirwior '45' Sweepstakes The Rolling Stones with "Paint It, Black" are the pace-setters this week in Billboard Magazine's Nation's-Top 20. Frank Sinatra's "Strangers in the Night," meanwhile, has moved up four notches to sixth place, ThltWk. lutWk. 1 3 Paint It, Black Rolling Stones (London). 2 4 Did You Ever Have to Make Up Your Mind Lovin' Spoonfuls (Kama Sutra).

3 5 1 Am a Rock Simon Garfunkel (Columbia). 4 1 When a Man Loves a Woman Percy Sledge (Atlantic). 5 2 A Groovy Kind of Love Mindbenders (Fontana). 6 10 Strangers in the Night Frank Sinatra (Re prise). 7 6 Monday, Monday Mama's and the Papa's (Dun- hill.) 8 8 It's a Man's, Man's, Man's World James Brown (King).

9 8 Green Grass Gary Lewis the Playboy! (Liberty). 10 Barefootin' Robert Parker (Nola). 11 13 Sweet Talkln' Guy Chiffons (Laurie). 12 17 Cool Jerk Capitols (Karen). 13 18 Oh How Happy! Shades of Blue (Impact).

14 19 Opus 17 (Don't Yoa Worry 'Bout Me) 4 Sea sons (Philips). 15 7 Rainy Day Women 12 tt 35 Bob Dylan (Columbia). 18 21 The More I See You Chris Montez (AIM). 17 23 You Don't Have to Say You Love Me Dusty Springfield (Philips). 18 11 Love Is Like an Itching in My Heart Supremes (Motown).

i 19 35 Red Rubber Ball Cyrkle (Columbia). 20 24 (I'm A) Road Runner-Jr. Walker the All Stars (Soul). ERNIE SANTOSUOSSO 1 WEEKS I UMIT-MUSIC tllll, ill H901-UUUC SMI, III 3 IIINJDOM M.HMV DouOltj Coocrtt) tilvffralcin tni turn MAHIC Symphooy Nt. 4- tt'l JULY 2 uiNSopM WAr.NrK Owrlurt, "TinnhluMf tTFUVlNSKV.

Suilt from "tluetl, IKtHMS Violin Cnet'l ainktiMii 4 uiNsoour nOKCitv- tmptitny Nt. "CUM.COl" imiONV PMimlw lift tTMUtli Till lultow'itltl tHMV Mo CKtrtt NO, I II moo SUNDAYS-MUSIC SHED, 2:31 FRIDAYS-MUSIC SHED, 1 00 JULY 8 lUNSOOM MSt'OT tymaoany ha 31, M. MOito Canttrtt I I flit, SUM UeZlrU 10 "lif. til UINSDOIF M07Ti tyweotoy Nt. it.

K. Mt M0tT lot CoKtlrl ll U6Iti "oJtnlro," 111 10 I8ULT IISXITi (ymihany Na.ll, K. ill KOtUT too Caoeirti lo 6, la, UOlAUTi lKHiny Nl, If, rIU. T-fQ. M02A01 Cooont TnifMtf Chair U0IT Soon, n' too iloet.

Ml trior, too Rillir CSS3I jj' JULY IS eoioiiu (CMi CooetrW I rolja t.iai r.CM l.l. So I ilm four from "Tht Am UI IT II uiNioBir CM II JOOo Dllfioo Ciritr. tWli" MMfUlir, Plat. Ttitia cMr 17 uiNieoRf (CM I'loeankuri Canurll Nl, 1 to miiar -ico ararir Mioitll Maollii, IACH, MttniKfll lanio. Mar', yynti COaii Wxtti-t iuat.

1 cludes Philip Yebba (bass guitar), Dick Horner (lead guitar), Al Kanter (organ), Don Yebba (rhythm guitar and lead singer), Jay Barron (drummer and lead singer). The Whirl Winds can be booked through Dave La-Camera 643-3592. CciK.rt. Ha I Gtorg Wain It pnVilajarf re prtitnf tht METROPOLITAN OPERA COMPANY at the NEWPORT OPERA FESTIVAL IN CONCIRT MRfORMANCE OF OPERA rRTIVAl IEID, NIWPORT, RHODE ISLAND JULY 22 muMO mfiiKrt ftlli.tl H.ilHOt ho i o'l Mil i vynif. v.etirt tsrtctrll I'lH li'l 4 24 IIIMOOM ICIThowin Ovartun, "Csrlilinui' TCMAKOVIori No Chopin ani Cincirli in mmip mini 23 UlNSDOM EBMVS' TrogiC OvOiKirl SCMUVANN1 Svmptiony M.

2 RACHVANINOff; fiono Conctrtf I Cliiani Girl 'Blue Otcar-nominee Elizabeth Hartman pUyt poor blind girl in cinema, "A Patch of Blue," at the Exeter, wt.i.ni i I I h.ti in oinor Op I I I h.jf, WlNUllttUHN I I I TangltraMf COM, EVENING CONCERTS It 8:00 FRIDAY Civi Brubtck 4 wild Paul I ntfnnnil limmtf tmilh 1 ftcrni I Hubbub Production! Prmrtli 31 ICHi'MM OtNi Ovxiui -II tllll llr' KHUMINN 0.n Concill I'M iiilacir.a4vCI. in 30 iiiNioour olMi Ovanu't. 'Oi'F'iehuli tCMliM'NN, ConttillluCi in 0 mliif lilii, CHUWNN Mliy loCntJW lil.irtuio 00n; Nl, I 5 JULY 29 iiiNSOOur vriN lo "Th, Ililt'tfJ Thi.t V.MlMt'lN lorHt'lf I lir.oa i Mi l.l, na toil Tfi 1-1 MOiO 00 4 I otuir, Mtonroio, Nidtoa, I IH'," I IChuW.n I 0,111, THE Rl. JUNE 24 1P.M. I Buddy Rich, Sud Freeman, Nuby BriR, Either I Phillips, Archie Shepi 4 with Dotwell Kudtf.

I I The land lui Quintet, father Norman I I 0 Connor, C. SATURDAY Stan teti I 4. Nmi Simone, Thelomout Monk 4, Joi Charlie lyrf M4 lewii Thai Jones oik with lobby lnokmeytr and Hank i Jones. SUNDAY "till and Ouki" Mill till Duki tllinto ttit Orchestra plus Teddy Wilson, Clark Terry, Cdfiran Hawkins, Ruddy Rich. MONDAY Miles Oevit Diny Cillespli Herbii I Mann Count lasn Orchntra, father Ion I Viutm J.

leonard Feather, MX. I AFTERNOON CONCERTS I SATURnAr TOO ink! Cillnni I I ROLLING 6 AUGUST IKKOwicuwmi nrriri. Jal.M" aiNt I en, Cooctii Mt. 4 UOloar I Cu'li. waitito I MPM" 0'lao rioll, 10 1 01,01,.

I oa 1 I Hint 7 l9ACIKl u4, M.t to l4 0 a ttoioanca Iain, net ln( (aotifii i JaootM IIITHO'IN, Nl.1 I lUNIBOir VOJAIT: "TK, Huti lorkarna, liikia, CaiM, Ha, Soflrlf, iaotl, AO trio, Koaraio, ll. I'ltt, ial TioIm4 CKllf STONES OXIT ENDUKD IPPEARAKCE FIRST 1358 U.S. CONCERT MANNING BOWL. LYNN Tiekotit lt.00-t4.O0-M.00 Will Chtok of moniy erdir tt Hubbub, I Park Boilofl ,1 If); i I-' IwMMIStlal lllllllrilnMU'lr. 1 I Horace Silver S.

Charles lloyd 4, lilt Olion I I 4. SUNDAY 2:00 Tht Merman Harris I Woody Herman mi Orchestn -with fuests Stan Cell, Al Cohn, loot Sims, terry Mull'tan. (Tht Herman Story 1940 1966). MONDAY 1:00 2:30 -Guitar Workshop All Vpt'tt prrformrd by iooun, OllhtHH and Cloful of tht Mrttopolittn Vpn. TUESDAY, JULY 12 VJOF M.

WofitiVyir I JO P.M. IA BOHlMt: ticii Albinui, Uuril Hurliy, larry Monti Conductor: Ceor Schick WIDNISOAV, )ULY 1J 1 JOPM. Worlhpi 1 30 P.M. CARMfN: Ragtni Remlk, Mary Ellin Pncht, Jamil McCracki Robin Merrill. Robin Marchini.

THUISOAY, UIV 14 1 JO P.M. Volepl, Prorimi of SptKlal Imiritt for Youn Pwplo. (JO M. Sptciil Pro-ami CREAT MOMENTS IN OPERA (OR RAIN DATE) PRIOAY, JWY II 1 JC Wo'linepi I JO M. LVCIA Of WWMf IMOOR; Rabirti Pttirt, tn Pure, Shtmll Milnn, Raymond Mlchilski.

Conductor; Silvio Virviso. SATURDAY, UIY Tt 1 PM. WofliBpr I )0 P.M. mm AIDA: lucini Awiri, tMallnrf lllas, Jamil MeC'iAin, Robin Mtrrlll, John Macurdy. Condurior Silvio Varvuo, SUNDAY, UIY Ram Dan Wnrkihopt Khadultd mdudl Oi(cumn and Mndalt Of Iht nw Mfimpolilin Opi'i Mui Th Davalopmanl ol Niw Artists lof Opr Companr A Daily Oprlnut ol tht Evening Optri Vi and Maka up Drmnmuttion In in Movtmant tniaphin o.

Munc Poftimion Damnntiratlon Rnla ol lh Comptimano "Unmni lh Son Iran lnmhl lkii. thf Mat Tht Ail ol Ihl ComliMl'ir Rnl 01 lh Contributor Thl Promptat al Canto Ctwobook-An Opri QuilMambfrj pt Maiiopnlilan Optra Studio Ricllalt lalunn( Youn Artiilt ol tht Metropolitan, Spnmorad by Holiday rtlvl Inc. ol Rhodt Island Tickets lot vmn SJ 50, S.SO, 7.50 Allimoons S2.0O On Mail O'datt Add J5f Hindlini O-a'l Stnd lot NEWPORT OPERA ftSTIVAE, NEWfORf, RHODE ISLANO Tlckitt It liitti: Nut ml Trtoi Ticket AfiKlrt eirl-tf-Tnrt TlcstS, Cuibrifn; HwiHii'um-TuTncike, Pubofr; RVrnwl FottlnH flBca, 121 mwotn Stfltt. ImIw, PltJfli: CO MWI AUGUST 12 IMKIINI I 0,1 iuJ No I i No I UINIOO' J(h. IH' I "ll'n in" H'll-ilM KmuOvii' i I'M lO.lit va'n 13 IHNI00M HixMMitM, MllOii UlUf TCMOioovtoft lafKi vt.iiiiaH TCHAIOOVIOTi o.tno ClNtil, TCMOioOVl.f li ln Na with tnanie yro, ninny lurrell, Ctirn i lenton, Crant Green, (Mill Zoller.

2:30 7 I liumpti ngiiinna wun Ullff nil' If II I tC Inaroi Oim.Vo.o I I i I I HI'lO Ml. in Hit, II to, Wiooati a to, Mawaa Cimin.i Mn lain innlM II mo.Hl Mitt lanittli. letp'e, lobby Hackett; Th id Jones, Howard Tkttls it wit, lal rH, Maoolol lal 4-1 a ft. lx Iran Mailt, tto. lOSTln Hal Tlll't.

T. aao'l, Union Cafat Maaaa IAUS Tra) (Vlt ll.i.lr- Klnn SWoMf, Haurin iim ik t'na Naaw, M.ral.h.od. lai.Ua IM'i Coital lutaa lmlla Caalart. McChre, Ruby trait, Rrnny Oorham. Clark 1 Terry, Carl Warwick, Roy Idridfe, freddn AUGUST 19 itiNtooM anr-KNia i 20 IIiniiom lOKUl ftt I rantti, ai'ina wm al AiMni" in; I CaMtria Ha 1 21 tUNtetir viaw.

ta CMaoi fiMU.r'i iiiv hi A'laiii. (oarat Hubbard. Workshops conducted by Billf Taylor. Tickets fei" Concertl I S3 50. JO, 50 (II Seals Reserved fndae nine Onl UtlllJ' NICHI ritiaaa.

1 lOliOn, I Ml I SI SO. 2 00. 50 I I Allernoon Concerts Werkihepl I SI 00 Cenerel (dmission lot Seat Information in Request On Mail Orders, add cents, send tit MAIL ORDERS NOW TicUi tomr 7 Box Jan. K.M, M. $1, 50, JJO Tkklt lot Ftiilay Bmlo S)mnhon)r Orchaiiri ronffftt ifHludat idmlilion aakind PftM r.

wrlin ka riSTIVAS. T1CKIT ornci. MPHONV HAIL SOSTON. MAI, 1)111 NlftTORT J( FESTIVAL, HtWPORI, R. I.

I Tickets In lostem Huh 1 Ttsen Trtket HELD OYER THRU JUNE II Th laqaidary EARL FATHA NINES ilia tftwitt lilt itmbtrtti FAMILY MATIRII TODAY loerdltlonl Ul. SIS-HOI Leading Lady Joanne Woodward start tn nw comedy western film "A Big Hand (or the Little Ltdy," at Loew't Orphtum, alio at Frtmlngham and Pubody Clnimii, ((encieit Out el Town Tickets, Clbridl lennn in Turnpike, Pribody. I Fisthril Ollire. 121 Newbury SL, lostin. IKiiIlo UUCTlUCtll.