The Boston Globe from Boston, Massachusetts • 119

A-39 ii One Eye Closed," "Portrait of a Lady," "On With the Show" THE ROSTOV SUNDAY It, 13S4 John Baragrey of "One Eye Closed" Performs in Every Entertainment Field New York City Opera's Visit Spectacular Artistic Success ebullient Tony for the remainder of the engagement. One of TV's Busiest By CYRUS DUuGlN Although the New York City Opera Company departed Boston after their matinee of "Carmen" a week ago today, this is the first opportunity to write about their engagement as a whole. In artistic terms it was spectacularly successful, and not far behind in box-office, even though not all performances of the seven were sold out. This is a remarkably talented organization, their standards are high and they give proof anew that operatic theatre, to be superior, depends more upon brains and imagination than upon lavish expenditure. In Joseph Rosenstnck, the com-thcr, they could reinstate Strauss I I I I I I ROMANTIC STARS of "Briga- doon" at the State and Orpheum Theatres are Cyd Charisst and Gene Kelly.

ELAINE STEWART is featured in "The Adventures of Hajji Baba," at the Center Theatre. pany has a general director tor of that seasoned resource andi mellowness which bespeak the masterly veteran. In Thomas Schippers it has perhaps the most spectacular young American conducting talent 1 have observed in some years. Messrs. Rudel and Martin are dependable, competent directors.

The Sinters It is possible only to touch briefly upon the singers, of whom all I New Englandcrs Along Broadway-Including Addison Powell of Belmont Although television gave John Baragrey his most pronounced success in the lively arts, the theatre is his Arst love. Mr. Baragrey co-stars with Tom Helmore and Constance Ford in the Haila Stoddard production of Justin Sturm's comedy, "One Eye Closed," which opened at the Wilbur Theatre last night. John plays I financial wizard, who also has way with a baseball, hurling his team to shut-out victories. The theatre has always been Baragrey's favorite field, even when he was a student at the University of Alabama.

His most successful Broadway engagement to date was a bewitched French lad opposite ueen Macurath in JOHN BARAGREY stars in "One Eye Closed." the comedy at the Wilbur Theatre. Giradoux's "The Enchanted." One of his most trying jobs was a labor or love which he performed on five hours notice for the New York City Center when John Emery, playing in "The Royal Family," broke his ankle. Baragrey who had acted the rolff in summer stock, took over and played the SUBURBAN I ji i Perhaps one of the busiest players on television, he looks back With the most satisfaction to such programs as "The Last Tycoon" by F. Scott FitzGerald. The Scarlet Letter," "Wuthering neignis.

"jonn Wilkes Booth" and the Tallulah Bankhead "Hedda Gabbler." Born in Halleyville, Mr. Baragrey gives credit to Jose Ferrer for employing him in his stock company in 1946 in "Design for Living," "The Bad Man," "The Green Goddess" and "Richard III." The many months in stock proved invaiuaoie to Baragrey in his tele vision work. Such spots as Phila- aeipnias Playhouse In The Park, Bucks County Playhouse, West-port Country Playhouse have often played host to the forceful player. This past Summer he helped set a new box office record for the Playhouse In the Park. America's only municipally operated straw-hat venture in Fairmont Park, Philadelphia, when he starred opposite Beatrice Straight in "Tonight At 8:30." On TV he played the same role with Ginger Rogers this Fall.

He has not neelectcd film work either and played opposite Rita Hayworth in "The Loves of Carmen," in "Shocknroof" with Cornel Wilde and with Robert Montgomery in "The Saxon Charm." Next Spring filmgoers will see him in Warner's "Tall Man Riding," which he made this Sum mer. A Harvard Romantic One Eye Closed" casts John as a debonair Harvard romantic, who has stayed single when he lost his girl to (final ignominy) a Yale man. "It's a lovely, toneue-in-the- cheek comedy. And we have great fun rehearsing it under Romney Brent's direction. Romney is a very deft comedian himself and knows how to get comedy performances from players," Baragrey torn an interviewer.

Acting is fun and exciting, THEATRES neara were aoie. in varying style evoIvcd by Boris of artistic maturity, and some were outstanding. Tenor Robert jGoldovsky. This loaves the New Rounseville we in Boston hadjYork City Company as the only known from concerts and thejone which might, conceivably, NEPONSET REVERE DEDHAM NATICK' W. ROXBURY STARTING TOHIGHT AND EVERY SUNDAY COMPLETE SHOW STARTING AT 5 P.

Ml I0X OFFICE OPEN 4:30 COME EARLY-COME UTE-ILWAYS COMPLETE SHOW TOUGH GUY Edmond O'Brien ''ShieId for "derV. ing Wednesday at the Pilgrim Theatre. the traitor, Sgt Price, in "Sta-lag 17." This business of being in uniform started even before Powell saw service for Uncle Sam. "It dates back to the days at Boston University where I was president of the Dramatic Society," he recalls. "I had the role of Billy Randolph, the V.

M. I. cadet in 'Brother Powell started out to be a history teacher and thought of following the footsteps of his father, E. Henry Powell, who taught history for 35 years in the Belmont public schools. He is now teaching at the Kingsley School in Boston.

"But the war changed all that," says the actor. "And after coming back to the states, I enrolled at the Yale Drama School." "Fragile Fox" is only the second appearance for Powell in New York. His first one was st the City Center. "I appeared with Jose Ferrer in 'The he recalls. "And I wore a uniform then, too.

Only it was a white one. Sartorically speaking, Jose was kind to me. He thought my stage attire could stand a little change. So he cast me as a doctor." i Everett Hart Making his debut this Fall as a Broadway theatrical producer is Everett Hart of Cambridge. He' co-producing with James Gordon, as associates of Gordon W.

Pollock, "Black-Eyed Susan," the new comedy starring Vincent Price and being directed by Gregory RatorT. It starts a two-week pre-Broad-way run at the Plymouth Theatre in Boston tomorrow. Hart has to keep stepping these days. In addition to his stage work he also holds down an assignment at the Batten Barton Durstine and Osborn advertising agency as producer of TV commercials. Before this he was production coordinator of such TV attractions as "The Hit Parade" and the Milton Berle show.

Hart first got interested in ASTOIl SOW CONTINUOUS At anilar attar arltai JULIUS CAESAR MARLON BRANDO JAMES KASOR DEBORAH KERR STARTS FRIDAY MOV. 11 THE UST TIME ISiW Paris Tnanlealar fjg If Lii 0 ALEX MACKENZIE is a fea tured player in "High and Dry," the English comedy at the Exeter Theatre. CONTINUING 'ONE EYE CLOSED" Wilbur Theatre. Justin Sturm's new comedy is about a financial writer, his wife and her ex-flame, against the background of a Yale alumni reunion at Wilton, Conn. It opened last night and will be reviewed in me Globe Monday morning.

Tom Helmore, Constance Ford and John Baragrey head the cast, in which are George Mathews, rSrker McCormick and Iggie WolHngton. Produced by Haila Stoddard. Directed by Romney Brent. Settings by Eldon Elder. Costumes by Virginia Volland.

The Boston engagement will end next Saturday night. 'PORTRAIT OF A LADY" Colonial Theatre. Jennifer Jones, the film star and Academy Award winner, is appearing for the first times in the East in this dramatization by William Archibald of a story by Henry Jamas. The Boston engagement, which will end Saturday night, is the world premiere of the play. In the cast are Robert Flemyng.

Cathleen Ncsbitt. Douglas Watson, Barbara O'Neil, Halliwell Hobbes, Eva Leonard-Boyne and Jan Farrand. Produced by Lyn Austin, Thomas Noycs and The Producers Theatre. Staged by Jose Quintero. Settings by William and Jean Eckart.

Costumes by Cecil Beaton. 'OS WITH THE SHOW" Shubert Theatre. Musical comedy with Irra Petina. Paul Valentine and Robert Wright in the leads, and Dnnn Driver, Diana Drake, Grace Olsen and Joseph Kallini in featured parts. Book by Frank O'Neil: music by Frederick Valerio and lyrics by Elizabeth Micle, who produced the show.

It's about a stranded operetta star and a stalwart rich guy in Virginia City, in the late 19th Century. Staged by Charles W. Christcnberry Jr. and Byrle Cass. Dances by Gene Bayliss.

Settings by Leo Kcrz. Costumes by Michi. Second week of three. ance of this musical took place in Boston, after the New York run. Audiences then viewed her in the pre-Broadway engagement of Picnic, where she appeared as Irma Kronkite, one of the school teachers.

If you're a "Mr. Teep-ers" fan, you've seen her as Aunt Lil in that TV show. The Zimbler Slnfnnletta Join Boston Records James Stagliano, artistic director of Boston Records, says that his firm has signed a two year exclusive recording contract with the Zimbler Sinfonietia of Boston. AVVMWnaiwajjaunaijgwi THEBIACKSHIELDI PJnhrj mmea laics or Hniimann His local operatic debut in the fiPhh supported all the high regard previously felt for him. Eva Likova, the Violetta in "La Traviata," Gloria Lane's Carmen, and elder Germont of Cornell Mac- Neil; Norman Treigle's beautifully! sung, electrically acted Meplus-tophclcs in "Faust," the work variously of Walter Cassrl, Carlton Gauld.

William Wilderman. Wal ter Fredericks, Lawrence Winters. Frances Bible, Arthur Newman, Emile Renan, Luigi Vrllucci, Michael Tollock, Ellon Hurley, Jim Crain and Dolores Mari all testified to the unusual working stan dards that govern this company Marguerite Willauer and Thyllis Curtin, sopranos both, as Boston singers already were well-known and liked here. It is not at all easy for an or chestra to play an average of eight performances a week, dif ferent score each time, and do full justice to each. Nor is it easy to maintain freshness, and to glow, sing and manage the thousand small but important nuances.

That the New York Opera orchestra did achieve, resoundingly to their credit. Naturally there were places here and there where thniRS wont wrong, or could have boon better rehearsed, but they were few. Perhaps most telling of all, with that portion of the public as much concerned with show as musical aspects, was the staging of the operas. This was staging in the best sense of modern theatre, to represent character and to further the stories, in the vigorous, con temporary manner which is that of the American spoken tnoatrc Not all opera companies could so manage, but the Mew Yorkers can because their singors are young. native to the English language.

and thoy do not have to unlearn a mass of old-fashioned, stereotyped European opera stage mannerisms. Return Next Fall Already the New Yorkers are announced to return to Boston next October, which is very good news, indeed. This time, all managerial hands thought it best to play safe with a repertory of familiar, popu lar operas. Next Fall. "La Ccner- entola." by Rossini; Strauss' "Dor Roscnkavalier" (which is getting into the popular class) and Prnko-fieff's "The Love for Three Oranges" arc promised.

1 wish, fur- a An OFFMVVORIH' 'V dt1 STERLING HAyDEN JoncLEI6H6t0RIAGRAHAME JOHN WANC JOAN CRAWFORD STERLING HAY DEN 3 FRANCeS Dlt BLACK SHIELD FALWORTH Wmm mm a gorgeous work mu- in their repertory, and bring it here. So far as I know there are in this country but three autonomous major opera companies: the Metropolitan, the New York City, and the New England Opera Theatre. The Metropolitan is unique, firmly based in Manhattan; the Hew Eng-laut. Opera Theatre is dedicated to performances in English in its own ikrm.h ih. Mlmir.

I opeiate through the country. wish it were possible to develop the touring principle with them to a greater degree. Think what various American cities could enjoy if the New Yorkers were to spend four or six months out of New York, giving opera for the most part in original tongues, and in their substantial if not grandiose manner of production. At any rate, the New Yorkers' first visit has bpen in the nature of a pleasant revelation, and many of us are looking forward keenly to next October. STEVE BRODIE portrays Lt Maryk in "The Caine Mutiny Courtmartial," coming to the Colonial Theatre on Nov, 29.

Jim MGM's Ma. aT.H II I I btntmu Aaron Richmond prennti TODAY at 3:30 SYMPHONY KALL Tickeli at 1 30 P.M. I am way (THIS FRI. EVE. Symphony Hall ei Conducting Boston University Orchestra, Chorus and Soloists Sun, Nov.

28 Symphony Hall 2d Bale. Complet-ty Sold Out Remaining Sea'i at Box-Offic OKCH. of AMSTERDAM Eduard Van Beinum, Conductor Dec. 4-5, Sat. Sun.

Mat Jr- Ma'l. $1.50 to $3.50 I III Ll i tla 2 Joyous Xmas Carol Programs iTIiur. Dec. 9 JORDAN Hall lana iS I i I luamt Supiana Star af Satrtrri ana EaUaarat Fwliial. Vnaaa Siata Oeara, La Scale ONLY CONCERT following her glowing aucceea ae aoioiat with the Bolton Symphony Orch.

Fri. A Sal. 1S54 FIRST PRIZE FILM IKTT, lower THE I a Chsries Lau i'HOBSON'S CHOICE' CINEMA SCOPC JOnM MOT ttAian STtWAaTT Aaleemlairea A JB A A JAM rmai aaiAaas t-UTIA WT9VCMO MArX an B4VIII DYNAMITI 'WOMAN'S FACE" Joan Crawford 'OR. JEKVLL MR. HYDE" jMzr (AOIOONS I0VIIH ITHR it ft jawnwt vi AY 8s Warll-lamaat Pianiil VI dramatics while a student at Cam' bridge High and Latin School.

"Miss Hartigan, the head of the drama department, encouraged me," he recalls. "But I almost cave uo." he continues, "when I wasn't invited to attend the first meeting of the dramatic club. Miss Hartigan saw the glum expression on my face, asked me what was the matter and I told her. She investigated and found out that the secretary had slipped up and had fm eotten to send the Invitation to me." At Boston University, from which he graduated, Hart further pursued his dramatic training, concentrating on the production phase of it. Reta Shaw A half-hour before curtain time, several nights ago, Rcta Shaw was told to make a slight tnange in a mrtain bit of dialoEue wherein she alludes to an elegant girl.

The play: "The Pajama Girl" in which Miss Shaw, ot souin raris, nlavs Mabel, the ever-faithful and reliable secretary. It's become one of her favorite lines. But for this nartirular evening, it was ncccs- sarv for her to alter it somewhat, The line, as it was ulterea Dy Miss Shaw that evening: "She can sew a button like she was pour-insr tea at the White House." The next evening, the original simile, "like she was pouring tea for the Queen of England," went back into the script. The substitution had been prompted by the Queen Moth er's appearance in the audience. Miss Shaw continued: "At nrsi, I feared the audience might not be too receptive that evening.

We thought the Quocn Mother would get all the attention. But it turned out to be one of the most enthusiastic audiences we've had in the six months we've been playing. She was in the second row and I could see her beaming and laugh ing. Every so often, shed lean over and nod approvingly to the other members of her party." Miss Shaw, whos packed In a heap of activity in her career as an entertainer, is a product of the Leland Powers Theatre tschnol. She taught dramatics at the Bishoo-Lee School.

She did piano- loeucs in New York supper clubs and Boston cocktail lounges. As a member of the Citizens Commit tee of Boston during World War II, she furnished entertainment for hospitals and camps. From 1942 to 1D45. she was a recreation worker for the Red Cross in Ireland, England, France, Belgium and Germany. From 1947 through she toured the states as Dolly Tate, the troublemaker of "Annie Get Your Gun." Playgoers next saw her as Lady Bcekman in "Gentlemen Prefer Blondes." Miss Shaw recalls that the 1000th perform- now fiVlLtaiiajlU injnnjnaji AMk COIOS by DUUXf phi! sett RITA HAYWORTH r.KHAN in 'CHAMPAGNE SAFARI" WEST NEWTON NEWTON J.

UUET IS WAITINC Cllllaa W. "WOMAN'S WOULD" iana Allytan Cinama8copa-Tchnicolor ROSLINDALE RIALTO Cinemascope Color CMIIm W.ka.Jin, Ally.M'Arlina Dahl "WOMAN'S WORLD" Erral flynn CH0SSEO SWOHOS' A5 Wl. Eva. IS Tarktyi ta Be C'VfH Away ROXBURY myOLI Lana Tarnar Calar Fiar AnetH Tlama tin fUin' 1-430-7 35 rin. ROXit cinemascope color mm w.a-fr om "WOMAN'S WORLD" iw Misw Wtr ,.30.4.45., PLAZA "NAKED ALIBI" "Hall Raldere of Deep" "HELl OAIDEIS 0Ef" 140.5-S:15 l-- Mrlll 'HUMAN JUNtlE' SOMERVILLE BALL SQ.

CinemeScope Gregory Reck "NIGHT PEOPLe" Randolph Scott "BOUNTY HUNTER" CAPITOL Academy Award Winner frank "FROM HERE TO ETERNITY" Sinatra Randolph Scott "BOUNTY HUNTER1 THE EGYPTIAN" C'Scooa in SILVtH IUUI WALTHAM CENTRAL Cmt. 7 CinMnaStwae iVaaan "NIGHT PEOPLE" Ceier Caniaran MltiMI AT LARSE Celnr EMBASSY WA5-3R0 Cmi. Ta4a "BLACK SHIELD AlWORTK" 2 45-. Jan Stirlinf "RETURN FROM SEA" WOLLASTON WOLLASTON Cinemascope Color "7 Brides for 7 Brothers" tea Cochran "SHARK RIVER" li.aiini By JAY RUSSELL NEW YORK. Nov.

13 Addison Powell flew 35 missions over Germany as a lieutenant in the 8th Air Force during World II and, in 1945, received his honorable dis-charee. Oddly enough, the actor from Belmont hasn't gotten out of uniform, yet! Hes currently giving a gooa account of himself as "Doc" Ger-stad, the Army medic, in the Broadway war thriller, "Fragile Fox." This past Summer, Powell was seen locally at Lee Falk's Marblehead Summer Theatr as whether it is before a TV camera, a radio microphone, or a motion picture camera. But best of all is the theatre. Today a player has to know how to adapt to every field. I hate the word All of us in films and TV try to work in the Summer, and bless those straw-hat producers and their audiences.

Without them many a player wouldn't have won his way on Broadway," says Baragrey. HYDE PARK FAIRMOUNT In CinemaScope "WOMAN'S WORLD" Clifton Webb "HELL RAIDERS OF THE DEEP' LYNN In Cinemascope T'color "7 BRIDES FOR 7 BROTHERS" PRIVATE HELL 38" VET MAIDEN GRANADA Cont. 1-11 Reg. Prieea M. Brands "ON THE WATERFRONT" John Ireland "SECURITY RISK" CinrmaScoiM A HI-FI Steresphonii Soina' STRAND Tony Curtia-Janet Leigh "BLACK SHIELD OF FALWORTH" "Fireman Save My Child" (Hilarioua) AUDITORIUM Humnnrey Boiart Rt.

Prices "Caine Mutiny" -black glove suspenae! MEDFORD MEDFORD Dfttia Rrvnala't Diek Powtll "SUSAN SLEPT HERE" "BLACK HORSE CANYON" T'color MELROSE MaRlltN LMCHSflL NORWOOD NORWOOD Cont. 2:00 P. M. In Cinemascope and T'color T. Certi "BlCK SHIELD OF FAlWORTK' "TWO GUNS AND A BADGE" NORTH STATION NEED HAM PARAMOUNT Cinemascope 1:30 Dalt Rniifrtsftn "Gambler from Natchez" "HUMAN JUNGLE" Tope QUINCY STRAND Cinemascope T.

Curtis "BLACK SHIELD OF FALWORTH "THUNDER PASS" D. Clark REVERE REVERE Gary Merrill -HUMAN JUNGLE "THE SCARLET SPEAR" ROXBURY EGLESTON In Cinemascope "WOMAN'S WORLD" "GORILLA AT C. Webb-J. Allyson LARGE" SAUCVS CENTER 'Rntiert Taylnr "VALLEY OF THE KINGS' STATE "PUSHOVER" Frad MacMarray SOMERVILLE TEELE CinemaScope-Color Howard-Keel-Jane Powell "7 BRIDES FOR 7 BROTHERS" "PRISONER OF WAR" Ronald Reagan SOMERVILLE Jack Webb "DRAGNET" T'color Geo. Montgomery "LONE GUN" Color BROADWAY Burt Lancaater -apache" T'color Fred MacMurray "PUSHOVER" SOUTH BOSTON BROADWAY Creoorl Peek T'color Cont.

1:30 "Man With Million Frankenatein of Steel "GOG" Color Matinee Etra 2 Cartoona Tan. Marian Branta "On the Waterfront" STRAND Matinee 2 Cartoon "HUMAN JUNGLE" "AFRICA SCREAMS" aaaett 4 Cntella WATERTOWN Taxhrioior SOUTH WEYMOUTH CAMEO Donald O'Connor "FRANCIS JOINS THE WACS" Ida Lupino "PRIVATE HELL 38" WEYMOUTH WEYMOUTH In CmemaScope "Kin Richard and the Cruaeder" 'THREE YOUNG TEXANS" WINCHESTER V' IMtll P)H 4MI VALLEY -KINGS rrr mm' iwTTTrftnJ Routt3 yJJ'ilUjJ' 'ii first boston showinqi CO-HIT1' MmTiA wmmw technicolor Li um action- nnt filro ri'Mi 1IIU 1 "liana iWiyj '7 BRIDES for 7 BROTHERS" "sSn CAMBRIDGE gRATTLE THEATRE Bogarf is the Fighting D. A. 3 :30 6 :30 MEDFORD BlACKSHIELDof FAI1Y J. cinemascope TON CURTIS JANET LEIGH pfJ "Kcl lf ibl STEBLINS HAVDEN'GLORIAORAHAMt ARLINGTON REGENT Humphrey Swart-Van Johnson "THE CAINE MUTINY" T'color "BLACK DAKOTAS" Color BACK BAY I DDE I XI XjANIIA MAGIIANlA ZI IP fJajB-aV l-nikta-kra in j.Ara KtnuiK) THE GOLDEN COACH TfCHNICOlOl iMirn tnglMK CeM KEiVMOIlE jiXlio WORlD'wJir BELMONT 8TRANO Cinemascope Cont.

"GARDEN OF EVIL Fnw 2:00 "BOWE'V B0T5 am wiiumih BO WDOIN SQUARE Id MOM UAH STERLING ALAN LA00 "SHANE' nUMAN JUNGLE BRAINTREE BRAINTREE 2-39 3 CIHfMAOPt BROOKLINE COOLIDGE Caetinaaai rr 1 M. CinemaScope-Technioolor CIHtan Wfth-lam llya-Van Hetla "WOMAN'S WORLD" JJSSU "CROSSED SWORDS" Errol Flynn BURLINGTON eHWTiVlgESCREEW OnemaScOFE FALWORTH TOtft CUtT'S. Jixtt UBSK -him WtTfSSS'rt FIB WAHiU TTSiagrrrrrwrrTi rCONT. DAI LYf ROM 7PM." K.r..il "BinnnlHI'fUrM Of I rV nun fnmibi hi T6CWMICOLOC PMSffVAlWiiflJsSnfi AjACiut Romm RyAN J4NriEI6H CAMBRIDGE Harvard Sq. TR 6-4226 BOGAliT Everett Sloane Zero IVIostel in Who Broke; MURDER, ING.

7 :30 9 :30 BRAINTREE Oh iWa WtdenTHx -CX Al cittern HRoo AVR a ABLE-GARDNER ml? fJk amulViTilM QLJjarSlajij 0 CHARLESTOWN THOMPSON SQ. Debbie Reynolda Dick IICIICIII PI CUT urBCH Powell uon OLtri ntnt i Jan Sterling "HUMAN JUNGLE" DORCHESTER ADAMS GE 6-2080 Cant. 1 JO ClMnuScaaa Cllftea Weak "1 Unmm'c Wnrlrl" I 1 II UIIIUII I. VI IU Miff Sterling Hayden "NAKED ALIBI" DORCHESTER lii lliM-Sten CacbraM GE 6-9700 "PRIVATE HELL 3S" Van Johnaon "SIEGE OF RED R.VER" iCtnlfHI "On The Waterfront" EVERETT PARK Debbie Rrynolde-Dick Powell EV 9-9729 "SUSAN SLEPT HERE" "RETURN TO TREASURE ISLAND" FRAMINGHAM GORMAN IZ "HUMAN JUNGLE" Mat feat. CJO "Will The WielM-" ST.

GEORGE CmemaScope "ADVENTURES OF HAJJI BABA" Dan Clark "BLACK OUT" HINGHAM LORINC HALL Kirk Douala "ACT OF LOVE AT :30" I Try Curti "JOHNaiY SSBaT" CAMBRIDGE mmm nm SCARLET SPEAR I 1 iXiVaVI CUM s7 FEATURE: 1 nn THIS LADY IS DRUNK WITH LOVE! M-G-M sent its cameras to Paris to film this daring story in settings where the action takes place. There hasn't been a romance like it in years. It's wild and wonderful and memorable, the best entertainment you'll see this entire season Don't miss in color by Technicolor, "The Last Time I Saw ARLINGTON CAPITOL Robert Taylor Color "VALLEY OF THE KINGS" "NAKED ALIBI" Cioria Crahama CLEVELAND CIRCLE CIRCLE LI 6-4040 Cant, (rani 1:15 Botrrt Taflnr "VAUEY THE KINf.S" Calnr Alee Guinnaaa "MALTA STORY" SUrli Wit. "A WOMAN WOULD" CinmaSnaa DORCHESTER FRANKLIN Cinemascope Color "woman-, E. flynn "CROSSED SW0II0S" 1 MORTON In Cinemascope A Color; 2-52 Brines tor 7 Brothers "SHANGHAI (TORY" 1-1B-4 3S-8 SHANGHAI STORY 1 EAST BOSTON SEVILLE CmemaScope in Color Clifton Webb-June Allyaon "WOMAN'S WORLD" c.mu r.i- l-in-4 V1-7-50 art, W.

Iran "0a tka Watar franf CENTRAL CmemaScope A "3 COINS IN THE Oarrtny BtCalra 8 20-5O "DAWN AT SOCORRO" T'colof Rory Calhoun HANCOCK VILLAGE HANCOCK Ceotinaan taaw Tneay frea 1:30 riift Mffc a innni Fmi n.ii "r.aaufa (weans'' All Calar Ska JAMAICA PLAIN JAMAICA WM-AllyMa-Hftin-latall "A WOMAN'S WMLI" CimaStaaa talar ADVENTURES Of R00INS0N CRUSOE" talar MATTAPAN ORIENTAL CinemeScope Technicolor Tone Curtia-Janet Leigh-Dan. el Farrar Black Shield of Faiwortn" ii so-e-s iu Jan Irriaad "Sariry Rl" NATICK OLONIAL "BOUNTY HUNTER1 "Blirlr Chielr! rsl-nrrh" TMfcaiffriar Aliaun iliiitiu ui a oinwi ui I M-G-M presents "THE LAST TIME I SAW PARIS' in Color by Technicolor starring ELIZABETH TAYLOR VAN JOHNSON WALTER PIDGEON DONNA REED with Eva Gabor Kurt Kasznar Screen Play by Julius J. Philip G. Epstein and Richard Brooks Based on a story by F. Scott Fitzgerald Directed by Richard Brooks Produced by Jack Cumminjjs An M-G-M Picture starts FRIDAY -ASTOR THEATRE a uumit i wn HIT 3.