The Boston Globe from Boston, Massachusetts • 158

The Boston Snndar Globe June 7. 14 Musical at Colonial How Actor Hal England Succeeds in Business By MARGO MILLER Ony Sunday morning in Jacksonville, Hal England's clock radio turned itself on. A minister was v. a I i is i -t i i I 5 V. A t- -r' lj rs-i denouncing a young man called J.

Piermont Finch as i Vnnnivinrr tViiio" anrl lampntinT trip surp pvirfpnrp that the Golden Rule had lost its glow. As England was playing Finch in the musical I "How to Succeed in Business Without Really Trying," he was startled, then bewildered, and finally angered. 1 I MILLEB A a BntmtcntinmnnimixiimimtiUimauaHtuua Story of Strikes In 'The Organizer' "The Orfanizer," the story ef one of the first strikes of the industrial revolution, will open it the Park Sq. Cinema and the Cinema Kenmorc Square, Wei, June 24. The story takes place in Turin and Marrello Mastroi-anni stars as the organizer of the down-trodden working class in 19th century Italy.

Annie Giradot and Renato Salvatori also star in the film, which was selected as the best picture of the Argentine Film Festival IllllllllllllllllllllllllllllllllllllllllllllllllllllllllllltlO This Week's Concerts at The Garden A recital by John Hsu, viola da gamba, and Rudolph Kremer, harpsichord, today at 3 in the Isabella Stewart Gardner Museum will comprise music of Telemann, Marais, Chihara and Bach. The series of free concerts afternoons at 3 will continue on Tuesday with works by Mozart and Kabalevsky, played by Hiroko Abe, violin, accompanied by Newton Wayland, piano. On Thursday Constance Berke Boykan flute, and Martin Boykan, piano, will offer sonatas of Bach and Hindemith. Saturday's piano recital by Deborah Mcnarty lists pieces by Bach, Beethoven, Schubert and Debussy. Norma Giusti, soprano, accompanied by pianist Emanuel Zambelli, will be heard next Sunday in music of Handel, Schumann, Britten and Mozart.

i 'if I'm tired and not 'up in the part. I'll do a line or some 'business as Bobby did it. Then I just want to cut my tongue out." Rehearsing Finch in his own right, England started doing the charming schemer straight. "Not a personality boy. But Abe tne director, said I was making Finch too real.

He's supposed to be larger than life, not real, with no family, a virgin. You know, you see him first coming down on the window washer's harness like a man from outer space." Burrows was guiding the actor through a scene in which Finch stands up a secretarya "female Finch," as England puts it to grab an invitation to lunch in the' Executive Dining Room. The satire wouldn't come. Until Burrows noticed that far from-playing Finch on the make, England made him look hungry. Maybe, Maybe The movies got Hal England into the theater.

In Kings Mountain, N.C., the Piedmont region of the state where he was born and raised, he was crazy in love with movie stars." A pre-law student at the University of North Carolina, England was in campus shows, occasionally "embarrassed that I wanted to be on the stage. But then I thought when I got old I'd look back and be ashamed I didn't try for what I wanted to do. I'd be a coward." Road companies putting in at Chapel Hill gave England his first glimpse of stars. "I got to see they were real people sfter all, and I thought maybe maybe there's a chance for me. except, maybe Charles Laughton.

He gave readings in class. He had on levis, and a red-checkered shirt, and diamond rings on every finger. He wasn't quite real." Upon graduation England took his Southern accent to New York. "I could get Andy Griffith parts; no there. But I wanted to be able to do anything." A secondhand copy of the National Broadcasting Company's pronunciation guide and reading aloud in his spare time helped erase some of England's accent.

stage roles included Shakespeare, Shaw and Chekhov Off-Broadway and a season of Shakespeare in Central Park. The beguiling J. Pierpont Finch will occupy England until the autumn. "I've got several 'definite maybe' things from my agent, as they say in the theater. If I could do anything I wanted? I'd play Cyrano de Bergerac.

My favorite character. I like characters with a vulnerable spot. It makes you want to die for that person." The Pulitzer-Prize winning show, now at the Colonial, had been delighting audiences and critics for its bright satire on. well, how to succeed in business by plotting harder than anybody else the route to the executive offices. But the preacher took the plot as Gospel.

Look Too Hungry England, an introspective North Carolinian, had begun his career as Finch by hating the character. Understudying its creator on Broadway, Robert Morse, then succeeding him in New York and on the current national tour, England had had his troubles making the role his own. The minister's remarks made him feel protective of Finch and of himself. The wary eye, the broad of Finch's grin, Finch's confident stance that might just trip him, these are now Hal England's, not Bobby Morse's, after 270 performances in eight months. Understudying, I got the feeling I was paid to keep out of sight.

When I did have to go on for Bobby, I played Finch his way. We're really quite different. He's shorter and chubbier than I am," said England who is about five-nine and lean. "I think of myself as an actor doing comedy. Bobby is a comic.

Sometimes, now, if The Champ Sammy Davis Jr. will play the title role in the musical version of Clilord Odets "Golden Boy, opening a four weeks pre-Broadway tryout July 29 at the Shu-bert Theater. Jayne Mansfield to Open Carousel With 'Blondes' Deep Thinker Thinks James Mason plays a Greek philoso- Fall of the Roman Empire," currently pher in Samuel Eronston's epic "The at the Gary Theater. British to March cn Garden The following two weeks Martha Wright appears in Rodgers Hammerstein's Jayne Mansfield will open the season June 20 at Carousel Theater, Framingham, starring in the musical, "Gentlemen Prefer Blondes." Rehearsals for the show will begin Friday when Miss Mansfield arrives to prepare for her role. founded in 1793 when England was afraid of the new French Rsvolutionrry government.

By 1810 the Royal Ulsters known as the Royal County Down Regiment from the large number of officers and men from that Irish county. The Royal Irish Fusi- liers were called Princess Victoria's after the young Princess, performing her first public ceremony in 1833, pre- sented the colors to the Three of the most distinguished regiments of the British Army are pooling their performing units for a tour of the United States and Canada next Fall. They are the Royal Inniskilling Fusiliers, the Royal Ulster Rifles and the Royal Irish Fusiliers. A single Boston Performance will take place on Friday, evening, Nov. 27 in the Boston Garden under the auspices of the Boston University Celebrity Series.

Impresario S. Hurok has arranged the North American tcur by arrangement with the Eritiih Ministry of War. The Inniskillings, one of the oldest regiments in the British Army, was founded in 1688 and takes its name from its first post, Enniskillen, town in Ireland, where it first fought 7009 French troops under the deposed James II. Both the Royal Ulster Rifles and the Royal Irish Fusiliers (Princess Victoria's) were i Mass. Ipswich mem pnur iu us ucyuiuie for the West In the beautiful setting of the Italisn Garden at Castle Hill Concert Direction: Aaron Richmond "Sound of Music," the first of three Rodgers Hammer-stein shows at Carousel.

"Sound of Music," a story of the Trapp family, is the last show written in collaboration by Rodgers Hammer-stein. On July 20-July 25, Howard Keel stars in Lerner Lowe's exquisitely lavish "Camelot." "Camelot" is considered one of the most elegant Broadway productions ever mounted. The following two weeks, beginning July 27, Academy Award winner, Ray Milland, appears as Henry Higgins in "My Fair Lady." "Lady" i3 the most successful musical comedy in the history of the American stae, With songs like "I Could Have Danced All Night," "On the Street Where You Live," "I've Grown Accustomed to Your Face," "Get Me to the Church on Time," "My Fair Lady" became the longest running musical comedy in the history of show business. "Tifwsaj'ji E-2VEKT SUSSCHIPTIONS $15 Save 25 over single ticket prices Special parking privileges to series subscribers I 'MAIL APPLICATIONS NCW Choose FRI. or SAT.

Eve. Series Mk checks payable to: Castle Hill Festival, Box 228. iDSwich, Mass. Tel. 35'-4351.

July 10-11 GEOFFREY HOLDER DANCE THEATRE 1 mi i iff it" av 3 An exciting program of Caribbean dancing July 17-18 KRGLL STRING QUARTET Frank G'azer. pianist and David Walter, double bars, assisting ar-i tists. Program includes Schubert 1 Trout" Qu ntet July 24-25 ESTERI'AZY ORCHESTRA OF NEW YCRK I by arr. with E'terhszy Foundation. Pablo Casals, Honorary President i David Blum.

Conductor I Arnold Steinhardt. Violin Soloist! "And Suddenly It's Murder" On Aug. 17-22, John Raitt returns to Carousel as "Curly" in Rodgers Hammerstein's "Oklahoma." On Aug. 31, Yin Sun stars in the last Rodgers Hammerstein show of the season, "Flower Drum Song." it i 1 A casino. The film is now at the Paris Cinema.

Sylvana Mangano, trembling behind her cigarette holder, puts her last batch of chips on a number in the Harry Belafonte will aoi- July 31 -Aug. 1 LORIN HOLLANDER Pear the week of July 13-18. A lie mcaici aiaii 10 picaciiuv engaged in installing a new sound system, especially designed for the Carousel Theater. This sound system will enable everyone to hear Brilliant 20-year-old pianist "He is a superb artist, undoubtedly th outstanding member ot hit een-eration." Boston Herald Aug. 7-8 ADELE ADDISON Distinguished American soprano Ml BimXfl THRILLi TrAi tot you will -l'in a UiEimio fact vij Vill C23 ir tmmm Pu'ts Ycu in the from any seat in the house.

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