The Boston Globe from Boston, Massachusetts • 40

Amusements THE BOSTON SUNDAY GLOBE-FEBRUARY 14. 1943 Last Ziegfeld lorton Gomedy Au.ou All Equal Backstage As Cherubic Youngster in the "Ice Follies' ft Yearned to Be Villain Gavin Muir Realized Ambition When Given Dastardly Movie Ro, Some Technical Details and a Report on "Big Happy family 40 Week for the F11 99 ollies and w' I in earnest When he was a little boy in Glasgow, Scotland, and later when he dered about those intricate colored designs en the ice. To make those the Boston Garden technicians first freeze a couple of inches of ice on the rink floor, and then paint it with a white water or casein paint. On top of that, a second layer of ice. Then the designs are outlined and painted in huge curlecues, whorls and lines and over this a third layer of ice.

The personnel of the Ice Follies," that spectacular entertainment which glided into the Boston Garden last week, is "one big happy family" and that is no publicity gag. Impelled by an insatiable curiosity to see what makes things tick, this reporter visited back stage for several hours on opening night, looking particularly for interesting technical details of the show. With the interested help of Walter Had-licfc, jvublic relations head; Mary Jan Lewis, ballet instructor; Frances Cliudet, skating director: A-, Y-D "I 1 I 1 1 Ballerina's Day Is Mostly Work, With Little Glamour went to school in London, young Gavin Muir was a cherubic, an gelic-looking boy over whom worn en cooed appreciatively. The actor, who is the only man outside Edward Everett Horton in "Springtime for Henry" at the Colonial Theatre, got a complex over his appearance. As a youth he read about Jack the Ripper and Blackboard and the various villains of history.

He envied them their power to terrorize everyone in the vicinity. He pictured himself as a death-dealing menace to decent society. But even when he tried to play wicked tricks on the other students at the University College School in London, so one yould believe his guilt His clear blue eyes, his nink cheeks and las auburn hair made him look like a youn saint He wanted to be a Mr. Hyde, but people lorcea mm mio remaining a JJr. JekyLL.

Eventually Gavin left school and became an actor, for the simple reason that one of his pals was an actor and got him a small job. Because of his appearance he specialized in light comedv Darts. It wasn't long before Gavin forgot ms cnnanooa obsession. Villains neid little interest for him. Returns to Boston Gavin came to this countrv on a cnanoe or getting jobs here.

Afer all, he had an American mother and was himself born in Chicago, while his Scotch father was living there. Gavin's first role here was Gilda Varesi's son in "Enter, Madame." It was a successful play and Muir decided to remain in the actine pro fession as a result He continued in a series of nlavs he was in Boston last as the foot ball coach in the Ian Hay English play, "The Housemaster." And then he signed a contract with 20th Century-Fox. He wasn't a highly: paid star but a contract actor. "Once they had me under contract nobody knew what to do with me," says Gavin, ovc his luncheon before the matinee. "I was paid every week on the dot but didn't have anything to do.

This was bad. so the casting depart ment decided to put me into the next picture that was made. It was a villainous role and nobodv but myself felt I would be any good at it. xne studio coulan see me as a heavy, because I looked and seemed a nice, friendly person. "However, my old desire to be wicked came back.

I enjoyed every minute of the small role, and when the picture was previewed my fate was determined. From then on I was a villain on the screen." To meet this smiling, attractive Scotch-American you'd never sus pert that he the head of a Nazi concentration camp in that chilling story of German horrors, "Hitler's uniidren. His Scotch ancestry tied in with his role in as Lord Ab- lngton. am cast as a Scotch lord, but it turns out I am a Nazi in disguise," says Gavin. In "Hitler's Children" He is one cf the worst type of renegades a German boy adopted by a Scotch aristocrat, who turns on his benefactors.

It's bard to look into those candid blue eyes and believe evil of Mr. Muir. But. that's what the movies made of him. At last Dr.

Jekyll has become Mr. Hyde ICE FOLl BOSTON GARDEN "ey.ffeOW San Carlo Opera at Opera House Feb. 27 "Fortune Gallo. founder and direc Naturally, the skaters, with quick starts and back breaking stops, chop the ice pretty thoroughly. So at each intermission little two-wheeled trucks, carrying tanks of boiling water, are hauled over the ice.

The not water is spread thinly, and evenly on the ice, leveling and smoothing it for the second half of the show. Those big white swans that glide over the ice are self-propelled. Underneath them there is a cata-pillar-like chain, driven by an electric motor, which grips the ice. And the bicycles, ridden by 16 pretty girls, have golf shoe spikes studded in their tires so that they do not slide about The Snowmen The great big snowmen are Ingeniously set up with harness underneath so that a man can easily noia one on his shoulders. The head of the snowman is a great big beach ball, covered with fluffv white cloth.

There are many solid and heavy looking crons for the show. Most of them break down to a fraction of their apparent size so they can be easily packed in huge green cases. And most nf them are made of the very light, but strong yucca wood. ihe drums which the 48 chorus girls play so impressively in the military number are real matv-hinu side drums. But the girls have to take nrettv pood carp nf Vnm because sudden chancres of ture are liable to break the drum heads.

Spectacular effects the. Indian production number. which costumes lini-for- lights, glow like phosphorus. The costumes, down to the last spangle au, cue ireaiea with a commercial preparation called Conti-Wo. probably a fluorescent dye Then from above there are 32 Conti-Glo ultra-violet ray lamps which bring out these eirie, glowing col-Backstage, near the dressing-room there is a large blackboard on which messages to all the company are written by Miss Lewis or Miss Claudet, the only ones to use it The lighting system for the Ice Follies is a complicated one that is handled by Ray Heim.

He sits at a little control table behind the trumpets on the bandstand. He has an assistant and a microphone over which he transmits cues to the men who operate the eight spotlights around the rink. It's a ticklish job and an exacting one. J. W.

R. OPENING THIS WEEK BALLET RUSSE de Monte Carlo, at the Boston Opera House, Wednesday evening. There will be five performances, with the following repertory: Wednesday evening: "Carnival," Thursday evening: "Concerto," "Scheherazade," "Prince Friday evening: "Snow Maiden," "Rodeo," Magic Saturday matinee: "Les Sylnhides." "Nut cracker," Prince Saturday evening: ine jiuves. "Kodeo," "Afternoon of a Faun," "La Boutique Fantastique." Evening performances will begin at 8:30, the matinee at 2:30. Featured danser is Alexandra Dani- loya, who shares the spotlight wun jvua isiavensfca and Nathalie Other members of the large company are Igor Youskevitch, Frederic Franklin, George Zoritch, Roland Gue-rard.

Franz Allerg is conductor. Gregor Fittelberg will appear as guest conductor. CONTINUING HERE "ZIEGFELD FOLLIES" at the Shu-bert Theatre. Third of the revues produced by the Messrs. Shubert (this time in association with Alfred Bloomingdale and Lou Walters), starring Milton Berle, Ilona Massey and Arthur Treacher.

Other entertainers are Sue Ryan, Jack Cole, Nadine Gae, Tommy Wonder, Jack McCauley, Jerry Bergen, Imogen Carpenter, Christine Ayres, Jaye Martin, Mary Ganley, The Rhythmaires, The Vikings and The Jansleys. Music lyrics by Ray Henderson and Jack YelJen. Staged by John Murray Anderson. Fourth and last week. "SPRINGTIME FOR HENRY" at the Colonial Theatre.

Edward Everett Horton, the movie comedian, is funnier than ever in this farce by Benn W. Levy, about a prewar London roue who is reformed by a prim secretary until he discovers that she has had an interesting past Supporting players are Marjorie Wilson, Eleanor Lawson. Gavin- Muir and Eleanor Frothingham. Presented by Henry jjunjr. rounn ana last week.

MIDNIGHT SHOW EVERY FWPAY Yytmuwrssorm6M GIGANTIC wif t35WHITf AftTKrf 170 PFCPl PEACH AND TAM 4MAnP r- Mini aa iLiKMAirrf AfrTifTt FtrTot ADtiri to is: in to or by in a A is air of the on, If ing Unlike many persons broupu in England Mr. Muir doenT'Pk that typical Oxford accent wif1 been around too jnuch to any sort of accent, althonch iZ lime after he came to tg producers wanted him lishmen. He says that the reason wh movies can pay such a aries is because you work a' paratively short time on V1' which will have a run of perhaps, in various cart, world. Vi "Suppose you have a noa mT stage play like SrIM tt r.J ana can expect to WJ nd can extwwt nr. or four seasons at if" minor player would pet ti say.

He might work 4() vear for lhrp year ior mree years. In thatBr! he would malro tl- iw films It can be finished in three four days at the studio tv, runs even longer than three jt perhaps, and is shown 52 weekiS of the rear. vsl "The player HUT hp TuM tltM week, or about $750 tv- iCL 1 days at the studio. The movies rak! me actor ii satisfied to get a check of ft? amount for just three days work. So salaries 'r Incidentally, Mr.

Muir expects to lCrp2'ot Future, thi, A. 3 resume th FaSM if Heni7" t0ur tt BURLESQUE Old Howard The Black and White Burlesauen will be on hand at the Old Howari this week to make big with the en. tertainment Three crime lovdi Joan Mavis, Nan cy Blair and Dorothy Wahl, will lead the feminine side of the White company. Others will include Tiny Fuller, Al Rio, Eddie Yu-bel and singing Ralph Elsmore. The sepia performers will be Tahita, Lulu Sisters, Blossom and Brown, Harris and Jaw Mavis Howell, and the Three Rollos in a novelty act.

The screen attractions will be "Tombstone" and "Nieht in Kr Or. leans." Friday's midnight show will pegin at me usual hour, Globe Theatre Valerie Parks, a glamor girl ex traordinary, win lead the company of the new Globe Theatre burlesque show in the midnight opening be ginning at 12:01 tonight Lillian Cairns and Betty Duval will also be much in evidence. Comedy will be abundant with Joe Ross. Dick Dana and Eddie Kaplan offering their wares. Vaudeville headlinerj will be Grace -1 LJ Valeria Parka iiara.

Rend and Jim, dancers; Rudy Caffey, vocalist; The Finnigans, tapsters; violinist Roziska, the Welders and finny Fallon. A special vaudeville program wQ be offered today from 1 until 11 p. o. Partaianna J2.75. Cktla 12.75.

Fint Sal. 12 75. S2. AMERICA'S FAVORITE ICE SHOW war ace. mum direct io mm Ta IroL 7Sa tm UoaUS FOR 2 DIP IIITSI Tha iru Ska la PERFORMANCES i- i Ray Heim, stage manager; and the owners and producers of the show- Oscar Johnson and Roy and Eddie Shipstad, who are also stars a good deal of information was gathered.

But the most striking thing about this company of nearly 150 people is the extraordinary friendliness and geniality among them. Mr. Johnson and the Shipstads are proud of the fact that there are no backstage prima donnas, no stars. whatever their position before the public All the men dress in one locker room, all the girls in another. No special favors for leading per- lormers.

The "Ice Follies" came into being as a once-a-year charity show in Minnesota in 1933. And most of the performers and staff still come from that part of the country. In 1936 the show made its first trip, to Tulsa, the cast traveling in a bus and the props in a truck. Production Conferences In February of each year, while the current show is on tour, production conferences begin. Miss ianchon, of the famous Fanchon and Marco of Hollywood, stages it.

(She's the John Murray Anderson of the "Ice Helen Rose. Hollywood coustume designer, is in Boston now talking with the Shipstads, Oscar Johnson, Mary Jane Lewis, Francis CJaudet, and the rest of those directly concerned in staging this spectacle. When various nroduclion numbers have been decided upon Miss Rose will return to Hollywood to make her sketches. In the meantime the show will continue on until the Spring layoff in the Middle West when everybody goes home for three weeks. The show will resume on the west coast and will arrive in San Francisco in late Spring.

The show remains there all Summer, playing the current "Ice Follies" for three months in a small arena and rehearsing the new one at the same time. The "Ice Follies" have their own carpentry shops, costume makers and other technicians in San ranciseo where the whole show will be set up. The final two days reversal and world premiere will be in Los Angeles in the late nmmer. Now, some of the details of promotion. Perhaps you have won DUE IN NEAR FUTURE "MEN IN SHADOW at the Colonial Theatre, Monday, Feb.

22. A melodrama by Mary Hayley Bell about how American and British aviators, fallen injured into Nazi-occupied France, become part of the French underground, "Men in Shadow" will be given first American performance at a matinee here, Feb. 22. There will also be an evening performance. Producer Max Gordon has chosen the following cast Roy Hargrave, who is both featured actor and director; Everett Sloane, Dean Harens, Francis de Sales, Joseph De Santis, Guy SpaulL Ernest Graves, Peter von Zerneck, Michelette Burani, Martin Brandt and Michael Ingram.

Third play in subscription series of Theatre Guild and American Theatre Society. Two weeks. "PYGMALION" at the Copley Theatre, Monday, Feb. 22. This comedy by George Bernard Shaw, with Sylvia Sidney in the title role, is to be first of several productions offered at the Copley Theatre by Edward Gould.

His policy will be comedies exclusively, and these may include "Candida," "Cyrano de Berge-rac," "Lysistrata" and "Vickie." Each play will be acted two weeks at prices "within the range of the average theatregoer." CARMEN AMAYA, Spanish gypsy dancer, and her company of 10 at Jordan Hall Saturday afternoon and evening, Feb. 27. An-tonia Triana is Miss Amaya's partner. Presented by Aaron Richmond. "KISS AND DONT TELL" at the Wilbur Theatre Monday evening, March 1.

New comedy by F. Hugh Herbert (not the screen comedian), based on the Corliss Archer characters, to be produced by George Abbott. Joan Caulfield will portray Corliss Archer and Jessie Royce Lan-dis and Robert Keith will act the roles of her parents. Henry Barnard and Calvin Thomas will be in the show. Two weeks GREEN GROW THE LILACS" at the Colonial Theatre Monday evening, March 15.

Musical version of the like-titled folk play by Lynn Riggs, with score by Richard Rodgers and book and lyrics by Oscar Hammerstein 2d. Produced by the Theatre Guild. In the cast will be Alfred Drake, Joan Roberts, Betty Garde. Celeste Holm, Joseph Buloff and Lee Dixon. Rouben Mamoulian is directing andi Agnes De Mille is staging the i dances.

Two weeks. Fourth at-' traction in subscription series! of the Theatre Guild and Amer i fcan Theatre Society. ICE FOLLIES ZEICFELD FOLLIES BALLET RUSSE CJATS AT ALL PRICES TWSON Hun. 4A the theatre at least 20 minutes earlier, to give her good time to lunoer up. This is what it means to be a ballerina, and it is an estimate that docs not take into account that extra driving force genius.

And all this goes into the preparation of the productions by the Ballet Russe de Monte Carlo, which comes to the Boston Opera House Wednesday evening. Roy Hargrave, Director of "Men in also an Actor and Author Few theatrical artisans have reached eminence In the contemporary showshops who have served the stage in the capacity of actor, director, and dramatist. Add to this category, however, the name of Roy Hargrave, who" is rapidly becoming a triple threat man on his own account. Hargrave currently is concerned with Max Gordon's production of "Men in Shadow," the new Mary Hayley Bell war play, which will have its premiere at the Colonial Theatre on Monday matinee, Feb. 22.

He has directed the drama and is its leading actor. "The theatre is a pretty complex business," Hargrave asserts. "It takes a great many craftsmen to make a show tick. I began by acting because I loved it. Realizing there was considerable to learn, I got a job as stage manager to see at first hand how the mechanics of a show works.

"My next step was a try at direction, which I enjoy hugely, and finally I took pen in hand to jot down a few dramatic ideas of my own. Before I realized it I had completed a full length play. To my amusement my friends enjoyed reading it and I have been writing for the stage ever since. "Personally I think there is a distinct advantage in knowing intimately every phase of the theatre," he continues. "Every branch has us ariisuc inriiis and ix one can manage to blend them all into a cohesive whole it makes for finer craftsmanship Because of its stirring theme, demanding split-second timing in its action throughout "Men in Shadow" is no directorial sinecure.

It took Hargrave three days to plan his ap- proacn to tne staging or this dynamic war arama. Hargrave's histrionic chores have been in evidence, in addition to untold movies, in such diverse entertainments as "The Spider," "The Big Fighf the revival of "An American Tragedy" and 'Blind Alley," in which he won honor. Jean Casto has bene hired by the management of "By Jupiter" to understudy the parts taken by Benay Venuta and Jayne Manners. Which makes Miss Casto (who had considerable success in "Psl a pretty expensive understudy. COLONIAL THE DANCE BANDS A Study in Contrasts: The 3lusic of John Kirby and Jan Savitt The boys at the RKO Boston Theatre, this city's temple of jive (and an occasional haunt of "the have pulled a provocative stunt this week.

Side by side, on the same bill, they have set the respective orchestras of Jan Savitt and John Kirby. That is a study in contrasts and it may be that the boys haye started something. In size and style of performance the two bands are as far removed as a string quartet and a symphony orchestra well, almost Savitt has 18 pieces and his instrumentation is quite unorthodox (though certainly erlective) for a popular band. There is a sizeable string section of three fiddles 4 including Savitt), viola, cello and double bass. This, of course, imposes a considerable problem in tonal balance with the rest of the band which consists of a five man sax section (with a good deal of doubling on clarinets, bass clarinet and flute), three trumpets, two trombones, piano and percussion.

But the instrumental combination allows for almost unlimited effects of rhythm and color. This is symphonic jazz on a modest scale. But the arrangements which Savitt employs are of the "sweet swing" variety, as witness, the pretty music of "American Con certo," in which Savitt plays fiddle solo. This is a hybrid form of non- ular music, not unlike the record ings made a few years ago by the rnenas oi KflytEm. However, in -crazy Rhythm" and "9:20 Special" the Savitt band shows that it can reaiiy tnumn alone.

There are only six pieces in the Kirby band: double bass, piano, uruiua, ciannei, sax and trumpet But in performance thv plotted for every possible effect. The results mace exciting music in a lainy pure jazz style. Like a small chamber orchestra this band has a lovely, clean and bright sound without ever being harsh. The employment of Instru ments is aimost classic: for instance, uic racy ciarmet roulades and a denzas: the real rnntimm wMm vi- by sometimes plays on the bass; the transparent but often piquant harmonies. It is graceful music.

The boys at th Ricn Twtm ar kfly to haul almost anything out vi me nai. Hut Ml tim thov have really pulled a fast one in showmanship. J. w. R.

Mike Todd alwavt hu Vfa flnnn in several pies at once. A recent report has it that ho im AirXwrine for New York's Broadway Theatre, at Broadwav and Md ut. Rut Mr. Todd won't confirm it. LAST WEEK! BOSTON PEftA HOUSE KEXT SAT.

RIGHTS MAT. SAT. THE GREATEST DANCERS in 11:3 WORLD People are always asking: "How long does it take a ballet dancer become a ballerina?" The answer "A little longer than a lifetime." To begin with, one has to be born with the right sort of feet. One has to be well, but not too largely moulded for the short tarlatan skirts of the tu-tu make a dancer look taller, and her passage across the stage on blocked satin shoes, with perhaps an arm flung upwards, lends her even greater height On has to be able to stand infinite strain, physical and nervous. One needs to have grit to begin and emerge from the corps de ballet.

One must be capable of Inheriting the great roles Criselle, Cop-pelia, the Swan Queen and giving each one of them some quality personal to one's self. One will be called upon to create new roles, in which it is necessary to quicken the imagination in order to grasp the choreographer's intention. Whatever the role, in ballets new old, one should give a performance of such technical precision, im aginative quality and authority, that ballet-goers will assess new aancers the perfection great artists nave achieved in the past. Another recurring question is: "How does a dancer spend her day" The answer is sadly lacking glamor. She spends it working.

Every day, no matter where, rehearsing or performing, or both, dancer goes to class. She may be one of the corps de ballet or a great star she will still go to her class. good dancer has never finished learning, even when she has started teaching. Class is a searching test First the dancer goes to the barre. which runs a little more than waist high round the classroom wall, to do supported limbering exercises.

Then follows center practice for the sequences of technically difficult steps. After that pirouettes on the pomtes, Then there are the classes for double work. Here the dancer will proceed from one apparently in ex-tricable predicament to another, supported by a male partner, who lifts her, steadie her, spins her, and sometimes drops her. Falling soft a part of every dancer's equipment. If there Is no new ballet be rehearsed, there is certain to be some old ballet to be revived.

So, after class, the dancer begins rehearsing. Whether there is a matinee performance or not. she will work right on through the morning. After lunch if there is no matinee time to rest, time to do her letters, darn her shoes and sew her ribbons, to go shopping or to the hairdresser, to take a little fresh or to show a colleage the steps some new, role she will be sharing. Quite as likely there may be tea, with sweet things for sugar gives dancer energy, and from now energy and vitality are what she will most need.

Then to the theatre, for no large meal -can be taken before a performance, and a dancer rarely allows herself less than an hour to make-up for ballet make-up is a complicated and prescribed process she is dancing a new or exact- role, the dancer will arrive at BU.UESCU2 SHOWS DAILY 9 am. wi 2IUxmt4b-t30 SENSATIONAL in DARING I. TA I STMT DANILOVA, SLAVE MS KA, KIASSOVSKA, I3ST3VA, ISLADOYA, I0U0ENXA. YOUSXEVITCH, FIAIKUl 6UEIAZD, TIHHAR, KOUTCH, STAI8U6X and sixty others with THE ONE AND ONLY tor, will bring his San Carlo Opera Company to the Boston Opera House for a nine-day engagement begin ning Saturday, Feb. 27.

Popular prices will prevail for the repertory of operas to be announced shortly, In addition to the singers, orchestra, chorus and ballet oi the company, Mr. Gallo plans to engage guest artists to appear. Reservations for Suzari Marionettes at Fine Arts Reservations may now be had at the Fine Arts Theatre for the com ing nine performances on the stage and person of the Suzari Ma rionettes in "Pinocchio." "Humpel stiltskin" and "Peter and the Wolf." Manager ueorge Kraska reports a brisk advance sale. The Suzari Marionettes will give four performances of Pinocchio' Saturday, Feb. 20 at 9:30 and 11 a.

nx; Wednesday, Feb. 24 and Fri day. Feb. 26, both at 11 a. m.

"Rum pelstiltskin" will have two perform ances: Tuesday. Feb. 23 and Thursday, Feb. 25 both at 11 a. m.

"Peter and the Wolf" will be given three times: Monday, Feb. 22 at 9:30 and 11 a. m. and Saturday, Feb. 27, at 11 a.

m. TODAY SUNSay CIT. 1 11 6 ACTS OF VAUDEVILLE KARL. RHODT tt His Baa4 "KISS TME ilYS CMBIU" -WOILD PtEMIECE" "WE lEfBSE Bit" STARTS SUNDAY MIDNIGHT EXTRA ADDEB ATTIACTIM 4 Ar Betty Dml A Stinnw Lillias Cairss TM IttMaa VMM Grac OUara 4r Ratty Caffey Rasas ft Jia 60 Polt In Cast SO QiariM CirU mi jass aass saipr tsaa rail aakarts Ca. Vaaag 4 Mbit NEXT SUNDAY MIDNIGHT MIKE SACHS-JULIE aiYAN-FIASCEt WilTE ATTRACTION EXTRAORDINARY tlN PERSON In SHAW'S delightful comady PYGMALIOM 2 WEEKS ONLY in.

Ma. HU FEB. 22 C8HUBKRT OPLEI aaa. Coin Ptata SaM NAM. 4320 II Tomorrow fl SHUBERT LAST 8 TIMES! SEATS NOW for Rut of Waak POSITIVELY CLOSING BAT.

NIGHT MILTON BERLE ILONA MASSEYARTHUS THREACHEI Stacad John Murray Andron Com. tin, tkrt ta 13.85: Sat. )u (a 440: S) ta J2.S0; Sit. bit ta $2.75 (Tax in 1 em "if WEDNESDAY, FEB. 17 Carnaval Rodao Saau Oanuba THURSDAY, FEB.

11 Chopin's Conoarto SshaharaxaO Princa Igor FRIDAY. FEB. 19 Snow Maidan Rodao Magio Swaa SAT. FEB. 20 La Slphidaa Nutcraekar Princa Iflor SAT.

FEB. 20 Tha Elvaa Ro4ao Artamoofl a Faun Caita EVEaiieS. SRCNESTaA S3.30 aM SEAT SALE NOW IM tl.65. aataaa Sal. 11.65.

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aiCN. 12.75. Orm tint $2 20. Sal. $2.20.

(15. IJJ tataai Bil. 55a. Sana S2.75. Ltam S2.20, I1.S5, J1.10.

(TAX HENRY DUFFY pm.nt, 9 EuERETT II EH1 EVESX Beat SecrftV tie smttTAss ak itrntn las. Saats Sl.ft, SI.S5, 52.20. $3.33. j7 1 inina stage comeay TTrSmrrt Best Seat mm mm. arltk Davla Elaanor Lawaen COLONIAL 2 bed.

Balance i viso.si.io hSSStfbMaWBSfl skk. 5 jJXVU Tax IM. Uai Daunt Valance Marjorla WilioaV 55c mon. FEB. 22 Mitt" end "The Dou5WiSr to Broodwoy AT SHADOW MAX GORDON.

Producer cf MAJESTIC I it ru iT'ii II tC VTA9t 'My S7sfr 'Junior Prettntt, prior EN IN Ti IT II. Jeil CHORUS 0P WHITE AND DARK 50-50 BLAIR IDOROTHy WAHLjJOAN MAVIS 2d BIG WEEKI CONTINUOUS 1 assess? ajSLvvmpsp A Stirring Drama of the War by MAST HAYLIY BELL wafcROY HARGRAVE Sensational I 3 ROU.OS. crrnAT. tunitot I ACROBAT ALARMISTS HARRIS HOWELL Harlam ttH4 by MR. HARGRAVE il TAHITa, Stalk lilaaai Vital; Belorei Irowa; JIMMY SMITH, xylophenlit; twn Strata.

NEXT WEEK MAXINE DeBHONE, COIXINS PETEBSON, CilNGEE HE ALE? 8EATS NOW Tajai.) Eraa. as.M. ai at.as. sua. -MaU.

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