The Gazette from Montreal, Quebec, Canada • 19

THE GAZETTE, MONTREAL, MONDAY, JUNE 8. 1998 B5 ENTERTAINMENT Chutzpah without the bad attitude Montreal's first 'radical' Jewish arts festival is mostly a musical celebration Mention a Radical Jewish Arts and Performance Festival, and cynics just might conjure up images of beat poets raving about pork products while appreciative revelers gyrate in the Moishepit This is precisely why the creators of Montreal's first Radical Jewish Arts and Performance Festival gave their spectacle a second title: Chutzpah, which is being presented, in conjunction with the Mon-treal Fringe fest, Thursday and Sunday on the McGill campus. But even this title is somewhat misleading. Chutzpah implies an act committed with BILL BROWNSTEIN much gall or nerve. This show shouldn't offend.

It is largely a musical celebration of the Montreal Jewish cultural landscape, covering the gamut from traditional Klezmer and folk songs from Yemen to American blues and contemporary alternative offerings. As such, the show's 30 singers will be crooning tunes in English, French, Hebrew, Yiddish, Russian and Arabic. Small wonder, then, that Chutzpah creators Ari Cohen and Evan Beloff felt the Fringe fest would be a perfect fit for their show. "We chose Chutzpah because it's one of the only identifiable Jewish words that non-Jews understand like Beloff, however, Cohen does have an ulterior motive in staging the event "Ari is trying to find Jewish women." One of the groups that will be showcased is the rock ensemble San Citrus, finalists in a battle-of-the-bands contest last year at the Spectrum. "Actually, there was no music in this battle- it was all boxing," cracks San Citrus guitarist Michael Elman.

"But it's not like we set out to create an all-Jewish band," he adds. "It just happened and we don't hide it, that's all." San Citrus takes to the stage and immediately gets down on a blues number. The group's barely twentysome-thing members are up to the task, deftly picking on guitars and banging on drums. And young-pup singer Dave Lippes somehow metamorphoses into a grizzled Delta blues singer with some heart-felt belting. From the edgy blues of San Citrus, singerpercussionist Eyal Bitton takes to the stage to perform a melodious Moroccan folk rune.

All that's missing is a bellydancer to accompany Bitton's soothing strains. And if audiences think San Citrus to Bitton is a wild segue, wait until John Goldstein takes to the stage. A spoken-word performer, Goldstein has a devoted following on the city's Yawp circuit. "Everyone knows Leonard Cohen, but there are so many other unheralded Jewish talents out there," says Beloff. "We want to offer them a showcase and branch out into theatre and dance in the future.

I think, though, we'll stay away from comedy because the Just for Laughs festival is already here- although it is nothing more than a Zionist conspiracy" He's kidding. Ironically, the Chutzpah performers insist they are more readily accepted by non-Jews. "I think the Jewish community here is too worried about the image it projects," suggests Beloff Bitton recently wrote the Jerusalem Oratorio for choir and orchestra. "To my amazement, though, the only group outside ours to perform this Jewish concert music has been a Christian group, the St Lambert Choral Society," Bitton says. Yiddish folk-singer Bronna Levy performs predominantly to two diverse i groups, Jewish seniors and young Christians at Yawps.

"As unbelievable as it may sound," she says, "I get the best reaction at the Yawps." To entice the Jewish community to attend Chutzpah, Beloff and Cohen have added a walking tour. Tales From the Urban Shtetl with Stan Asher, Sunday at 1 p.m. starting at the Bagg St. Synagogue. Asher will then deliver the trekkers to the last Chutzpah show at McGill at 3 p.m.

"And as a bonus," Beloff says, "we will have bagels for the walking tour. Whatever it takes to bring people." Chutzpah is being presented in conjunction with tlie Fringe festival, Thursday at 8p.m. and Sunday at 3p.m. on the outdoor stage on the McGill University campus. Admission is free.

For more info, call 934-9369. Joseph Browns (from left), Ari Cohen, bagels," Beloff explains. "It was also a word that a lot of our parents used on us while we were growing up. But I like to think of our Chutzpah as the fearlessness of trying something new." Cohen and Beloff took their lead from last year's Radical Jewish Festival in New York, which included music, theatre and comedy Although Chutzpah features the comedy stylings of the Amazing Todsky, the accent is much more on music. "Certainly, there is some humour in folk songs from Morocco and Yemen with lyrics like: 'Let my people go.

AT THE FRINGE FESTIVAL FDR SHa TIMES FIEASE CALL. Black story speaks Humour leavens look at one family and TJ.i ,1 irrii ufifftMi iii Mil litf rTir it i i 1 4ii 4 Wr'mrwtrii aiTwarrwgy -iwiwr mmiirTFmevnan iAt VISIT OUR WEB SITE: WWW. cinemasguzzo.com frr.iBt M-n nrmrt FEATURING: -COMFORTABLE STADIUM SEATING -CINE-CAFE (WITH VIRTUAL GAMES) -MORE LEG ROOM(45lncrTs) -MORE SPACIOUS SEATING (23lnches) -ABUNDANT FREE PARKING (2QOO) tmsmummm FEATURIIKS: STATE-OF-THE-ART DIGITAL SOUNDS -DOLBY STEREO DIGITAL -----SDDS DIGITAL DTS DIGITAL -CURVED SCREENS nrturinAUfu limn I 11 mSm OOOZUA (0. Enghir, i. 12:50 3:45 6:40 M5 HOP! FLOATS (0.

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says a straight-faced Beloff in the midst of preparation at the group's St Laurent Blvd. rehearsal studio. "But it's a delicate mix. I went to the KlezKanada camp last summer, and I found it all a little too conservative. We don't necessarily want to go over the top.

but we have to make an impact. We're presenting a forum that shows the influences of Jewish art on the culture at large, and vice versa." Adds Cohen: "We also want to create a Jewish cultural event that is accessible to everyone in the city." According to the ever-kibbitzing to victims its 'Negro proverbs' to create this piece. Tremblay directs, and Guillet performs the story of notorious Canadian dancer Maud Allen, who, along with her mother, possesses the body and voice of a Montreal street woman. Guillet is gifted and the story is interesting Canadian history, but just isn't as gripping as one would like. Beggar's Ballet is at Venue 5, 3495 University, today at noon.

Tickets are $8 regular, $5 for students, seniors and underemployed, $1 for the homeless. Sex, Drugs, Rock Roll. Seven characters created by Eric Bogosian are brought to life by Robert Welch of Ottawa. We meet, among others, a beggar who wants us to give him money in gratitude for his not using a knife to get it, and an aging rock 'n' roller who is doing a benefit to get digital watches to South American Indians. Sex, Drugs, Rock Roll is at Venue 1 tomorrow at 5p.m.

Tickets are $8. A Place. This is a quiet little story of how a famous painter visited and painted a placa Before she died she sent her apprentice there. Please see FRINGE, PageB6 5000 Tastfweau BW 672-2229 THE HORSE WHISPERER (ft Sun. Tue 1 30 5 00 8 30 Mon Wed Thu 8 30 L'HOMME QUI MURMURAIT A L'OREILLE OES CHEVAUX (GI Sun 7u I 15 4 45 8 15 Mon Wed Thu 15 L1MPACT (G) Sun Tut 105400700950 Mon Wed.

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and Tnutw ISO-tX Ho Pastes accaplad FIAR AND UUTHHM LAS VtGAS (o.EngksnK) Fri. Sat. Sua and Tueu 130 4-00 6:30 HO Moa, Wed. and Tnurw 6:30 9:10 speaks to everyone who has ever been powerless in the face of injustice and other inequalities. Sumter-Freitag tells of scandalous things like name-calling, racial beatings, lawn jockeys, children's stories like Topsy and Little Black Sambo, racial beatings and back-street abortions.

The leavening of humour is used throughout. Her show got the standing ovation it deserved. S.tay Black and Die is at Venue 1, 3480, McTavish Mezzanine, today at 6 p.m. Tickets are $6 and $8. Boys.

This is a light-hearted look at the longings of three young gay men, all wittily played by National Theatre School grad Paul Dunn, who wrote the piece. Since the piece avoids such topics as gay-bashing, AIDS, family reaction and so on, it is a universal comedy about the awkward yearnings of post-adolescence. Boys is at Venue 1 tomorrow at 15 minutes after midnight. Tickets are $6 general; $4 students and seniors. Beggar's Ballet.

Two talented and experienced women, Carolyn Guillet and Isabelle Tremblay, worked together 460 Si Catherine St 666-3856 L'HOMME QUI MURMURAIT A OREILLE DES CHEVAUX (Gl Sun Tue 15 4 35 9 00 Mon.Wed.Thu 6 00 LES RANDONNEURS (G) Sun Tub 1 20 3 50 7 20 9 45 Mon Wed 7 20 9 45 Thu 9 45 LCOEuWAUFOING(l3l Sun Fuel 103X710330 Mon Wed 7 10 9 30 Thu 9 30 TITANIC V.F. (G) Sun Tue 2 00 1 IS MonWd Thu 15 IMPACT (G) Sun. Tue I 45 4 10 7 05 9 40 Mon Wtd Thu 7 05 9 40 LE SHOW TRUMAN (Gl Sun Tue TOO I 30 4 00 4 30 7 00 7 30 9 35 10 00 Mon Wed Thu 700 7 30)35 1000 705 Si Catherine Si Srhftoor 985-5730 PAUUE IGl 1245 330 DEEP IMPACT (Gi 1220 3 00615 9 00 THE TRUMAN SHOW 1G) 200 4 45 7 45 10 15 QUEST FOR CAMELOT (GI 1240 2 40 ALMOST HEROES (G) Sun Tue- Thu 4 40 1 45 9 25 Uon 4 40 9 25 PERFECT MURDER (13) 12 30 1303 404 JO 7 159(5955 reran let 9M St Catherine Si 437 THE HORSE WHISPERER (GI 10 4 35 8 15 TITANIC (GI 12 40 4 30 30 DEEP IMPACT rGI 1 00 3 40 7 20 9 SO THE TRUMAN SHOW rG) 1004 00 7 009)5 CITY OF ANGELS (G) 12 50 3 30 7 10 9 30 6 Si Cayenne Si 866-6991 ALL FILMS EVERYOAY $2 50 GOOD WILL HUNTING 113) 12 40 3 SO 6 40 40 AS GOOD AS IT GETS (G) 12 3O3205 1090O WILD THINGS (13) 100 4 10 7 10 9 30 WEDWNO SINGER tG) 12 15 2 SO 5 10 7 30 9 SO MAN IN THE IRON MASK GI 12 SO 3 40 6 30 9 20 MERCURY RISING (13) 12 20 3 306209 10 hO IVwai Ave I GENERAL ADMISSION MOO- MATINEES M25 TUESDAY WEDNESDAY $4 25 CHILDREN GOLDEN AGE 75 THE HORSE WHISPERER (GI SuI I 30 4 45 00 Mon-Thu 00 HOPE FLOATS (G) Sun 1 45 4 JO 72S 9 40 Mon-Thu 7 25 940 THE TRUMAN SHOW (Q) Sun 100400700930 Moh.THu 700930 PERFECT MURDER (13) Sun 15 4 It MS 9 50 Mon-Thu 715 9 SO IT (Pomte-CIe 186 Hymu6ryd THE HORSE WHISPERER (GI Sun, Tue 140 i 00 1 30 Mon Wed Thu 1 30 PAUUE (0) Sun. Tut 12 30 2 30 TITANIC (G) Sun Tut 4 25 915 Mon Wed. Thu I IS DEEP IMPACT (GlSunTut MO 4 10 710945 Mon Wed Thu 7 10 9 45 THE TRUMAN SHOW (GI Sun fue 1 00 I 30 4 00 4 30 7007309X9SOMonWed Thu 7007X9 30950 QUEST FOR CAMELOT (01 Sun Tue 12 40 240 ALMOST HEROES (0) Sun, Tue I SO 4 50 9 35 Mon Wed Thu 9 35 PERFECT MUROER J) Sun Tue 120 4 204 40 7 20 409 40 1000 Mon Wed Thu 7 20 7 40 9 40 10 00 9--m HOP! FLOATS 10 Endoh IGl Fri, Sat.

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and Thurs-: JANET COUTTS Special to The Gazette The Montreal Fringe opened on a chilly, cloudy day. Downtown streets were closed off for various other festivals, and opening day audiences were sparse. They lacked, in large measure, the bonhomie that usually permeates the Fringe crowd. Performers, many of whom have invested their scanty life savings in mounting a show, faced audiences of fewer than a dozen in some cases. This usually does not make for a great show.

Some will undoubtedly improve. Of the shows seen so far, Stay Black Die stands out above all the others. "Only two things you have to do in life: stay black and die." Addena Sumter-Freitag's mother had a host of such "Negro proverbs." She shares these, along with the spoken and unspoken rules she grew up with in Winnipeg in the '50s and '60s. Stay Black Die is a moving look at growing up in the sole black family in an ethnic neighborhood in north Winnipeg under the harsh hand of a domineering mother The story wrings your heart and A kinder, gentler Springer? GREG BRAXTON Los Angeles Times HOLLYWOOD Is the fight finished? Fans and non-fans of the Jerry Springer Show will be seeking the answer this week as they determine whether the controversial program has indeed entered a new era of non-violence. Today's broadcast of Springer is supposed to mark the end of the chair-throwing brawls that have turned the talk show into a ratings phenomenon and a target for politicians, religious groups and television executives offended by its fights and raunchiness.

Greg Meidel, chairman of Studios USA Universal Studios' television division, which owns the talk show said in May that all physical violence would be eliminated from Springer starting today, but that the show would remain edgy and outrageous. After that announcement, an obviously upset Springer disputed Meidel's statements, saying the show would not changa But he later seemed to back off that stance. Whether Springer will become kinder and gentler was still a mystery late last week. Springer and his producers could not be reached for comment. Neither could Meidel, who announced he is stepping down as Studios USA's chairman.

Topics for this week suggest volatile but possibly less violent fare. Scheduled subjects include My Lover Has a Secret, You're a Man, Dress Like One and You're Too Fat to Make Porn. A compilation show at the end of the week features Springer in past one-on-one interviews with Kirk Douglas, James Brown, the Rev. Jesse Jackson, Mickey Rooney, Oliver North and others. at, le.EnolishJIGIt I rmrmmmwnrm (G) PUR AND LOATHMO LAI MOM o.EnajBhK)ISA.SM.Tul.ar4Wad:t50 lOfrLlloo.

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