The Gazette du lieu suivant : Montreal, Quebec, Canada • 3

J' VOL. CLXXI. No. 225 r. ga THE GAZETTE.

MONTREAL? SATURDAY, SEPTEMBER 19. 192. 3 Alan i-rescous program. tJtJM ana trtr. nazi onuses ana snocis, Mutta CAMERA CHATS Crafts and Decoration if 'V 1 fff rrn iiminiVn'" Ti i by Clarence Gagnon.

R.C.A.. is a pictureques bit of France done in HIGH TIDE, by N. S. Horton, of Montreal, was shown at the Third Canadian International Salon of Photographic Art in Ottawa in 1936. The picture was made with a Leica camera on Agfa Finopan.

Mr. Horton's work has appeared before on this pa ge; readers will remember his Robots" (which was hung at the Montreal International in May of this year), and his "Misty Morning," reproduced here last month. CANAL. MORET-SUR-LOING. harrier days.

This work. among the galleries of the Art Association of Montreal, displays a marked understanding of this, exacting medium which calls for good drawing, the ability to render values and knowledge of the action of and all this before the wiping of the plate and the printing, operations which can make or mar a rint. Gaenon well suggested an eavos. The barges are well placed, and the figures on the tow-paths -By REX Camera Clabs by Posi At the beginning of the summer, a letter came in from a reader in Ottawa, suggesting the formation in Canada of a number of postal camera clubs. Because of the coming hot weather at that time, no reai attempt was made to put this suggestion into effect.

Now, however, with the approach of the autumn and the winter, it is possible that the Ottawa reader's proposal, may appeal to a few amateurs in and around Montreal who would be prepared to set up the framework upon which might be built individual groups in other places. The letter from Ottawa is as follows "Dear Sir: The interest which you have recently ahown in promoting a new camera club in Montreal encourages me to hope that you might be persuaded to lend your assistance to the establishment of one or more postal camera clubs such as have proved so popular in Great Britain. As you are no doubt aware, the purpose of these groups is to circulate members5 prints for mutual criticism, and to discuss photographic problems and pro cesses. "The regular camera club does not always prove the best place to have prints effectively criticized. On 'print nights' in most clubs the criticism is necessarily hasty, often superficial, and generally participated in by only a few of the members, whereas in the postal clubs each member is expected to offer i nis or in' i own iriuciMn ui cdtii print, and the fact that this is a written criticism, prepared at lei sure, tends to make members bestow some thought upon it.

"In this way, not only does each print receive careful consideration, but each member of the postal club gains valuable experience in constructive criticism. Though I do not advocate the postal groups in competition with the regular camera clubs, yet keen amateurs who have no clubs in their neighborhood would find membership in a postal group especially helpful. The following is a rough outline of the principles which I think should govern the establishment of a group: "1. Membership should be smau, say not more than twenty to twen ty-five members in eacn group. "2.

Membership should be con fined exclusively either to minia turists or to those using the larger sizes of camera. "3. Thol should be Insistence upon members doing their own processing "4. Prints should not be larger than the 5x7 size, which Is probably the most convenient of any. "5.

The annual membership lee should be small, say $1.00. "6. A secretary should ap pointed to arrange for the circula tion or the prints, tne individual criticisms, etc. "If you feel disposed to cave my suggestions some publicity in your column, I would ask you to refrain from mentioning my name, for although I should like to join a group if any are formed I would prefer not to take any oince. Hoping you will find my suggestions of some interest, I am, M.C.R." When M.

C. letter appeared in this column last April there was apparently some misunderstanding as to what a "postal camera club" (or, as we referred to it at that time, a "postal portfolio implied. One reader wrote: "I might give you a brief bit of information re garding what you term poruouo circles. Evidently your Ottawa cor respondent neglected to mention that about six groups in Canada, including the Ottawa and Montreal Camera Clubs, tried tnis ior a year. In fact I can't really put my hand on any definite reason why it wasn't carried out again the next winter.

One of the problems I do remember was that clubs would gel tne travelling salon from some other club and then hang on to it for six to eight weeks on the excuse that they didn't have any open date on which to show it. Still, the idea has possi bilities." Now. anybody who does know what is meant by "postal portfolio circle" will realize immediately how far astray that correspondent had got. He refers to the thing as a "travelling salon." and he speaks of "clubs hanging on to it" and waiting for "an open dale on which to show it." That is. or course, an entirely mistaken idea of what M.C.R.

was suggesting; there is no travelling salon about it; organized clubs have nothing to do with it; and there is "showing" involved at alL Briefly, this is what is meant. A secretary is first of all appointed to keep things running smoothly; there need be no other officers. To the secretary are sent the names and addresses of a number of individual amateur photographers residing within a given region (and it should be observed that the names are names of individuals. and not cf clubs; that is where The Thrill That Comes Once DUFF: the second correspondent went off the tracks); M.C.R. suggests that the number in each circle be about twenty.

The secretary, with his list of twenty applicants before him, draws up a table of distribution; that is, he puts himself at the head of the list (since the circulation will usually begin with him and come back to him at the finish) and, after his own name, he puts the name of the applicant whose address happens to be closest to his own; then, the name of the applicant whose address is closest to that of the second: and so on down the list. The table of distribution is then posted to each of the members, so that each person knows who is to receive the prints when he himself is finished with them. That, then, is the organization of the circle. When the organization has been completed, and the circle is ready to begin operation, a notice is sent by the secretary to each member, informing him of the date by which the first print should be in the secretary's hands. Each member prepares one print, perhaps on some appointed subject, perhaps on a subject out of his own head, and, being a decent sort and anxious to do his bit to keep things working properly, he sends the print off several days in advance of the date appointed.

(You understand, of course, that this very co-operative and gentlemanly member is a purely imaginary character and bears no resemblance to any per son living or dead.) When the secretary has all the prints before him, he arranges them in a book or in a portfolio or in some similar container, and posts them off to the person second on the list. That second person, continuing to be a decent sort, says to himself, "Ah! I see the prints have come in! Now before the end of this week I must study each of the prints, i must jot down my opinions of each one on this little piece of paper, and I must post the whole thing, prints and notes, to Joe Smith; oh! and I must be careful to put the correct postage on the packet." That is what he says, and vxv.a.j mai is wnai ne aoes And wttien Joe Simlth receives the prints, that is what he also says, and (N.B.) that is what he also does. And so it goes down the list. Finally the prints return to the secretary, and if the secretary did not make his notes at the be- Eirminff. hp maltM tViom rtnw Vis then sends back to each member his print, together with the complete notes of the nineteen fellow-members; the member then (presumably) studies the notes and is that much nearer what is (presumably) his goal that is.

the level of an expert salon-worker. Altogether, if the membership is twenty, it should be about twenty-two weeks from the time the member sends his print to the secretary until he gets it back plus notes. That is a longish time, and it is doubtful whether it is wise to permit the membership to be so large; seven or eight might be better; that reduction would shorten the time each -member would be parted from his print, it would reduce the weight of the packet (and, consequently, the charge for postage), and. it would also make the secretary's Job considerably simpler. Naturally, more than one set of prints would be going the rounds at one time.

Once the first batch had been sent out with the secretary's blessing, the notice would go to each member about the final date for the second print; and as soon as the second batch had been sent out, the notice for the third prints would be posted. In that way the interest is maintained, and the individual member always has something to do, either preparing his own luture prints, or studying the current sets when they reach him. or studying the various comments on the prints that have come home again. If there are any Old Country people in the audience, who are already acquainted with the postal portfolio circles as they exist in Great Britain, some of those people may be wondering just where this particular breed of the circle idea originated. The answer is, it didn't The procedure described above is not the same as the one generally followed in the Old Country; some circles follow a procedure which -is similar in some respects to the one described: a great many other cir cles follow an entirety different one.

But this is Canada, and not the Old Country, and a system which is top-hole there might be utterly impracticable here. The system outlined here would I think, be the most suitable for Canada; at any rale, it would probably be the most (suitable for the first six mbnths or so, until things were organized and until each member understood clearly his personal responsibilities. The burden would fall on the shoulders of the poor unfortunate secretary; but if the circles were small enough, and if the areas covered by the circles were not too extensive, and if every member tried to be even remotely in a Lifetime. By Webster St. i 'I A.

t. bois et al. Judgment authorizing medical examination, costs to follow. Commiisaires pour 2a Ma-nicipahte du Bas de la Co' St. Louis vs.

Ministre de la Vome Procureur-General de la Province Quebec Judgment ordering to transfer record to the Public Service Board. Ronald Sheldrake vs. Joseph et al. Judgment authorizing medical examination before plea. Dame Marie Louise Senecal vs.

Prudential Insurance Company of America Judgment granting petition for moratorium. Gertrude Gagnon vs. Roper Veiileu et al. Judgment authorizing examination of plaintiff before plea. Joseph Duhamel vs.

Emi'e Guil'e-mctte Judgment authorizing attorney to withdraw from the case. Edinburgh. "Well tak a cup o' varnish yet, for the sake of Auld Lang Syne," remarked the sherif! when he fined Donald Cameron Reid 4 ($18) for stealing two bottles of varnish. said he liked a "wee drop" of varnish now and then. ST.

ROCH HOTEL "The First Fireproof Hotel tn Quebec" 200 ROOMS 340 ST. JOSEPH ST. IT JACQUES ARTIER SQCARE In th heart or the City and Retail Business Section IT CONTAINS: Up-to-dat Information en now incomo taxos mist compulsory vine. Six rulos for oiiccooafiil budsotinc Example of bud cat for marriod, and onmarrlod persons. Many pages for personal memoranda.

demands on income. It gives you valuable bints on money matters. And it's a handy pocket memo book, too. Only a limited number are available. If you want one please send the coupon promptly, and youll receive a copy free.

a an in Montreal 522 University Tower, W. W. Murray, C.L.U., Manager Jack Aizer vs. Lapierre Transport et al Judgment authorizing examination before plea. Miss Edith Harper vs.

Dame Antoinette Blanchard Judgment granting moratorium. Alphonse Boisonneault et vlr vs. Paul Chapleau Judgment authorizing medical examination before plea. James Savage vs. Herve Thuot Judgment granting moratorium.

Dorothy Dunn vs. Joseph Lalonde et al Judgment authorizing examination before plea. Napoleon Dore vs. Joseph Beaudm and Armand Beaudin Judgment granting moratorium. Queen's Jubilee Laundry Company vs.

La Cie de Transport Provincial, et al. Judgment' authorizing examination of Roma Marenjer. costs to follow. Henri Alfred Gervais vs. Marguerite Beaudoin Judgment granting motion for particulars.

Dame Rosa Lavigne vs. Kyoueb Iyunct Judgment authorizing medical examination before plea, costs to follow. Dame Marianne Charpentier vs. Osias La mo the Judgment granting moratorium. Mario Calcos vs.

Julien Latendresse Judgment authorizing examination of plaintiff. Gilbert Boisvert es qual. vs. Bomac Federal, Ltd. Judgment granting motion for particulars.

Benny Jaslowitz vs. Wilbrod Brise-bois et al Judgment authorizing examination before plea. William H. Wilson vs. Jean Danlony Judgment granting moratorium.

Ronald Sheldrake vs. Joseph Lalonde et al. Judgment authorizing ex amination or plaintiff before plea. Benny Jaslovitz vs. Wilbrod Brlse- Over 10,000 people have written asking for a copy of our Budget Booklet.

More than ever before there is urgent need for careful personal family budgeting. new edition of the booklet helps you with financial problems created by wartime taxes and other "ESTi 1 TV Vl imamnarv rliaraMot. A scribed, the secretary's burden wouia not ne too great. There is no reason why M.C.R.'s suggestion ought not to work in this country. One thing certain is that there is a far greater need for such a scheme in this country than there is even in Great Britain.

There the distances are much shorter than here, and even in the oiacKout and witn an tne transportation rfiff ipultips it is npwrthelpcs possible to find organized camera i i emus oi some son wimin a lew miles. In this country that is not the case: small towns hrrp Hn nnt have, much in the way of photogra- ,11 Tl ytui. siuuju small in amain have; and even when there are clubs to be found in this country tne distances one may nave to travel to rparh th tive. Therefore, the need very definitely does exist for postal portfolio circles. But it is not only in the backwoods that the circles can fill a place.

Richt herp in Mnnt right there in Ottawa where M. C. R. lives, or right in Sherbrooke or in Kingston or in OliPhpf nr in any such centre where there may aireaay De two or tnree clubs, the poruouo circles can play their part. M.

C. R. says that he does not advocate the postal groups in competition with regular clubs; but there need be no competition. A person may belong both to a postal group and to a regular club; it is not a matter of one re- lacing the other, for there are enefits which each can give you which the other cannot give at alL Well, you can think about it over the week-end. M.

C. in a later letter than the long one quoted above, says he'll be interested in watching the results. I shall be interested myself. His suggestion is a good one, and if it materializes, photographers everywhere will be indebted to him for bringing it up. And if it ever is to materialize, somebody somewhere has got to come forward and say, "You can put me down.

I'll willing to join." Now who's first Photography Coarscs Resumed Writes the ever-present publicity director of the Montreal Amateur Photographers' Club: "The M.A.P.C. commenced an elementary course on photography for beginners last Tuesday, and an advanced course for advanced workers will commence on Tuesday, September 29. The club's regular monthly print criticism will be held on Tuesday, September 22, the subject this month being Bird And Animal Life. Visitors are invited to attend any of the meetings, which are held on Tuesday evenings at 8.15 in the club's own rooms in the building of the Central Y.M.C.A., on Drum-mond street. THE CIVIL COURTS SUPERIOR COURT PRACTICE DIVISION.

September 18, 1942. Presiding: Mr. Justice Forest. The following judgments were rendered: Douglas Hood Allan vs. The Scottish Union and National Insurance Company of Edinburgh Judgment granting moratorium.

D. Dunn vs. Joseph Lalonde et al Judgment authorizing medical examination before plea. The Fidelity Limited vs. Charles Champagne Judgment granting moratorium.

D. Frank vs. H. B. Rokit Judgment granting motion for rule nisi.

Fred Wood vs. William H. Walsh -et al Judgment authorizing medical examination, costs to follow. Dame K. Levine vs- Societe d'Ad-ministration Generale Judgment granting moratorium.

L. Hardy vs. Railway Passengers Assurance Company Judgment ordering plaintiffs examination before plea. Dame Cecile Normandeau vs. The Prudential Insurance Co.

of America Judgment granting moratorium. Dame Ida Shernran vs. B. Bavitch Judgment authorizing medical examination, costs to follow. Late P.

Wilson Steer Left 88,826 Estate English Artist Presents Works To London Galleries Paintings are Sold London. Philip Wilson Steer, of Chelsea, painter, left tret personalty 83.703). He left his Chinese picture "The Drunken Sace" to the British hi portrait in bronze by Thomas Sterling Lee to the Tate Gallery; and his executors are to Sjckrrt portrait to the National Portrait Gallery. A collation of 00 pictures and ynit 160 water-color drawings by P. Steer, removed from his Chelsea residence.

109 Cheyne Walk, brought a total of 10,170 at Crr.stiC's recently. The more important of the included "Boat. at Shoreham, 15C6," exhibited at Venice in 1932, vr.ich sold for "The Horse-hoe Herd on the Severn," 252; rd tnree other canvases. "Sand L-rges. iorrham.

1928." "South-void." and "Portrait of Mrs. Ham-merfley. "252 each: 220 10s. was for pastel drawing. "A Girl seated at Needlework." On the following day a further 155 drawings, mostly In water-col-rr.

by Steer brought a total of 3-232 A small collection of works by rrher artuts brought the day's total tip iM. 465 making the aggregate for the two days over 14.500. The top price at the second ses-p rn. 105. was given for a French ch'o1 studv in oils of the head of rhilri: a Sargent, water-color.

"A View in Venice." 73 10s; and a -ill ranel hv W. R. Sickert. "A V.ew r.f the Doge's ralace, Venice," 78 15s. Dutch and English Paintings Displayed Once more the thanks of Londoners arc du? to Messrs.

Agnew for showing, in their exhibition of DJtch and English paintings, a rrjmner of pictures of a quality vhiih it Is hard to see in wartime, the art critic of the London T.mes. To tak the Dutch pictures first, there is "The Visit." by Peter de liooch, who is in any circumstances a Tare master. This particular picture, which is just a little later than his bert period, is not one of his most attractive, partly because the f.r.ires eern to crowd the canvas a l.fle. but partly also because attraction, in pictures of this sort, depends largely on subject, and the rrincipal figure in this group of two women and a child is of a slightly vulgar, blowsy type. But.

tr.ausn this work cannot compare jr. charm with, for example, dc lloochi Courtyard," which, by a hirry coincidence, is now on view at tne National Gallery. "The Visit" is reverthelrss a masterly painting, v-ith lovely gradations of red in the chrses of the figures. Another picture which shows wonderfully fine r.n.nUr.g of clothes is G. Flinck'i head and shoulders of a man In a black latin costume.

This it is to compare with William XV.baon's head of a young Englishmanlooser and in a sense less accomplished than the Dutch portrait, tut far more sensitive In its understanding of character. Other Dutch pictures are a brilliant "Summer Landscape." by P. de Koninck, and eood examples of Berchem, J. van Rjysdacl, and van Goyen. The English paintings include, the Dobson already mentioned, two Reynolds portraits, of which "Mrs.

Bradshaw." dating fmm the late 1750 s. is extremely del. rate and elegant. There is a g-icd and typical Kaeburn of mau in early middle age, "James of inmorc." and there are o'rer portraits worth noting by Opie. Hone, and Romnev.

Among the Und'raprs are two large paint-irrt hv peter de Wint, one a strik MUSEUM OF FINE ARTS ART the collection of his etchings at the autumn day when the poplars edging ing view of Orasmere and Helm Crag, broadly and richly painted though with considerable subtlety in the distant mountains, and the other a haymaking scene, done in a tighter and more detailed style, but on the whole less effective. Turner's "What you will" is an unusual costume piece, William Marlow'a "Bisham Abbey" Is a quiet and pleasant evening scene, and there is a decorative "The Gravel Pit," by de Loutherbourg. Two other items, at least, deserve a few words. One is "Malvern," a wide prospect in restrained color, nainted with a remarkable feeling for distance by George Arnald, A.R.A., a painter who, though almost forgotten today, was at one point in his career spoken of in the same breath as Turner. The other is a little Alpine landscape, unattributed and tentatively dated about 1800 in the catalogue, which most tantalizingly reflects J.

R. Cozens. Late Dr. Williamson Ready Writer on Art London. Dr.

G. C. Williamson, Litt.D, F.R.S.L., who died at his home at Guildford recently, was a highly industrious and versatile writer on art, who did much to popularize artists such as Ozias Humphry, Downman, and John Russell. He also wrote much on miniatures, and played a part in the formation of the Pierpont Morgan collection of them, which he catalogued in four volumes. George Charles Williamson was born at Guildford in 1858, and was educated privately and at the University of London.

Having begun his career as an author by contributing articles to newspapers on matters of local archaeological interest, and by publishing a small book dealing with local coins, he soon turned his attention to art and devoted the greater part of his life to writing about it. But he did not confine himself entirely to that sub. ect. His taste was catholic and his hobbies were many; he had had some training in science and allied subects; and his publications (which in all numbered over 100) included volumes of biography and history, and books of a semi-scientific nature. A deservedly popular book was "Curious Survivals, which appeared in 1923.

For many years Dr. Williamson was art editor to George Bell and Sons, and he prepared an edition of Bryan's Dictionary of Painters and Engravers. Besides cataloguing the Pierpont Morgan collection of miniatures he also catalogued the Pierpont Morgan collections of jewels and watches. Dr. Williamson also wrote an autobiography under the title "Memoirs in Miniature." He had met many interesting people, for he had travelled widely, visiting libraries and art galleries; and he had the gift of ferreting out and treasuring odd scraps of information which were woven into the texture of his works.

His memory was remark able: he had vivid recollections, for example, of Edmund Gosse as a boy. of many Victorian beauties, of Dickens whom he heard read part of the "Christmas Carol," ana of Livingstone. Dr. Williamson, who had written several books on the history of Guildford, had been Honorary Remembrancer of the town since 1933. He was a J.P.

for the Borough of Guildford, as well as for the County of London-Gift to Tate Gallery London. "Portrait of a Chinaman" (oil), by the Irish painter George Chinnery (1748-1847), has recently been presented to the Tate Gallery by the National Art-Collections Fund. Chinnery spent many years in China, and the portrait now given to the Tate (evidently an unfinished picture) is of special historical interest as revealing the effect of Chinese art upon a painter whose manner first matured in the artistic circles of eighteenth-century London. ASSOCIATION OF MONTREAL EDUCATION FOR ART STUDENTS, TEACHERS AND CHILDREN memorial exhibition being held in the waterway are fast losing their add interest to the composition. Frank Potter's Work For The Tate Gallery Purchase at Christie's Sale Brings Interesting Letters To Times Editor London.

"A Quiet Corner," an exquisite example of the art of the too little known painter, 'Frank Potter (1845-87), has been bought by the Tate Gallery from the Edmund Davis collection recently sold at Christie's. A pathetic interest, writes the London Times, attaches to this small picture, which was shown in the Grosvcnor Gallery in an exhibition opened on May 3, 1887, the day of the artist's death, where it received the public ap- Srcciation which Potter's work had ilhcrto failed to attract. A richly painted and very freely handled sketch, "Les Marmitons" (oil), by Charles Shannon (1865-1937), and "Pays Bleu," by, Charles Conder (1868-1909). one of the most elegant of the artist's watercolors on silk ibotn also irom tne uavis collection), were bought at the same time. Other recent additions to the gallery are "Metairie des Abeilles" (oil) and "Landscape" (watercolor) bv Derwent Lees (1885-1931).

be queathed by Dr. MacGregor, and two oils, Cwm Truaen and a Turnerian "Iron Works. Middles brough," by the Liverpool painter and Newdigate prize-winner, A. w. Hunt (1830-96).

bequeathed by Miss Violet Hunt. Two studies in pen and ink for VPunch" and "The Raising of Lazarus," by B. R. Hay-don (1786-184G) both finished pictures are in the possession of the gallery have been presented by Mr. Iolo Williams, and "Blossoms" (oil) bv Ceri Richards, displaying a per sonal grasp of the achievement of Max Ernst, has been acquired by purchase.

Announcement of the Potter pic ture purchase brought the two fol lowing communications to tne editor of the London Times from R. F. Rattray, of Cambridge. Sir, You record the purchase by the Tate Gallery of another picture by Frank Potter, whom you describe as "the too little known painter." In 1887 Samuel Butler bought two of his sketches: he had known Potter at Ileathcrley's and admired his work. This is another of many instances of Butler's judgment coming to be endorsed by accepted authority.

Sir, My letter on the acquisition by the Tate Gallery of another pic ture by Frank Potter has brought me a letter from Miss Whelan, who knew him intimately. She writes "I am so pleased to know that A Quiet Corner' is to belong to the nation. I know it quite well as it was done irom me. It is. however, associated with sad memories.

He was so 'hard up' that he pawned ior a lew snuungs, ana even at the end of a year had not the money to redeem it, so it passed into the hands of the pawnbroker. who put it in his window to be sold at 2. and it was bought by some chance admirer. Just about the time the New Grosvenor Gal lery was opened for its first ex hibition. and.

lo. on the line hung the 'Quiet Corner." Mr. Potter was dying then, but I' took the good news to him told him of the favorable notices in the papers. He was too ill to speaK, but his look oh, his look of joy! That was his very last happiness on earth. Three days later he died.

It was then that Butler wrote in "Ex Voto," "an able artist, as, we will say, F. H. Potter, just dead, dies poor, neglected, and unable to fight his way through the ranks of men with not a tenth part of nis genius. R. A.

Works to. Tour London. The presiacnt and coun cil of the Royal Academy have accepted thp invitation of the Coun cil for the Encouragement of Music and the Arts to select about 60 works from the current exhfbition at Burlington House, which are to be taken on a tour of the provinces for about six months after the Royal Academy closes on August 8. The Tate Gallery Exhibition, which contains a wide and varied selection of works acquired since the outbreak of war, has also been placed at the disposal of the C.r,.M.A. Arrangements are now being made for this exhibition to tour the provinces.

The British Council's exhibition of works by allied service men will also be toured by the C.E.M.A. in August. When an order recently reached Aix-les-Bains that all statues, memorials, and iron railings should be collected for use as scrap metal, some of the local people decided to save one memorial at least. The night that the decree was issued a small band of men carefully re moved the bust or Queen Victoria from its base. The bust is now North American Life Assurance Company.

112 King Street West. Toronto, Ontario. Please send free copy of Vest Pocket BodgetinK to Namt- Addreti 2 Branches 614 Sr. James Sr. Wett, J.

Darley LeMoyne, Manager ART DRAWING AND PAINTING CLASSES FOR ART STUDENTS IN THE ART SCHOOL REDUCED FEES. TEACHERS' COURSES IN ART TEACHING. CHILDREN'S CLASSES FOR CHILDREN FROM 3 TO 13 JUNIOR COURSES IN ART AGES 14 TO 16 Study Groups In Art Appreciation, Museum Study, Art History ALL COURSES COMMENCE WEEK OF OCTOBER 19th Write for defoiled informotlon to Education Deportment, Art Asicciotion of Montreal, 1379 Sherbrookt St. West REGISTER BEFORE OCTOBER 1st TO ENSURE ENROLMENT Distilled, kA blended and LrSS" bottler! in Scotland ftORN 1820 -STILL GOING STRONG Principe! ARTHUR LISMER, A.R.C.A., LL.D. hidden until the end of the war..