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The Los Angeles Times from Los Angeles, California • 56

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Los Angeles, California
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56
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4 Part VI Monday, July 31, 1989 Co Angclefl Qftmea MOVIE REVIEW 'Friday the 13th': A Side Trip to Manhattan 8HOWTIMES FOR FRIDAY 728 THRU THURSDAY 83 ONLY MARINA MARKETPLACE CINEMAS MAXELL AN04LEIK0C FMtE PMKMt NOWEOUrPEDFMTht CAFE NOW OPEN Whatever its creative genesis, we now have the would-be departure from formula that is "Friday the 13th Part Vlll-Jason Takes Manhattan" (rated citywide). Funny ad campaigns a real dunghill of a major motion picture. To begin with the very least of complaints, they went ahead and shot the bleedln' thing in Canada anyway. It takes the plot a full hour Just to get Jason and his victims away from camp and sea and onto the title island, and even then, except for a few fleeting scenes set in Times Square, it's all too obviously set-bound. Try singing "Vancouver, B.C." to the tune of "New York, New It just doesn't work.

This time, our ripe-for-the-maiming Crystal Lake teens are on a senior cruise to Manhattan; only a few of them make it even that far, as this is mostly a slasher-on-board sea snooze. Once the survivors finally reach dry land, Jason who by this time has spent so much time underwater that he's a dead ringer for Swamp Thing lurches after them and does his share to carve up the Big Apple. Satirical potential is rife, to be sure, in the idea of Jason coming to the biggest of big cities, only to have his mere homicidal mon-strousness dwarfed by the real-life horrors of drugs, rape, homeless- luwtoootryf Iw L-JmIo-wm hViixMSyt. IEVERLV CENTEH Ull Show Frt 4 tat ttM SSEItS Mo Couoom or fioon QjxootJnl ojowhoow. MallrmQMr 4SI-77I4 rVUnf MWioal KottM hi lAIAIt fal HOVirtl hTOMlTrtdiTrUOotiyStoroi m-m-imU "oelWtaar'l MallmSnn MnH IAMT SWT tAUV (I) InTmOolwStarw nnAryarevlei Lata 8rw 4 tat ttM fifTS TtnotkytWkMln SrKattFwiito inn to ou(n-u) suil mltaviTrVi Uto 8H Frtt Sat tt) uakxnoni(N-it) hOotarShno I UNra-Staroa Souni Lilt 8no Frt I Sat laOolnyStarta H(P-U) W-4KIO-41IO-tn-1IMO In Doiiy Storaa Late 8hM 4 ftat 1QM UttSHoM4tat1W0 taiiiia MM4W AAaA tJ4M KOpiO) COOOMf Ml miszsa sp ArayMadtaaaln TM.41t30-4:tt-fc46 01 ItUMN) InMHSWaa -3-7 WO llli Shorn Fit 8at TIMyferto KM) MOM TM CUU STMU LaM Show 4 Sat 11:30 WV4mT M(t to (Mra-Storaa Sound THESE UNIVERSAL CITY II CINEMAS Atop ttto MM III!) M-tMS 50tfPti Cfcarya MW Parakeet at atevto Ticket) HwtaalM MNM Opt MIMNM(N-! Ill III MMfcHMOVIIt) to THX Sound rmy ism part va JASM TAKES IMMnMl to Un.Stotohd Late Shew Frt 4 Sat 12: Coupona er TtteaAn VJJ.

SargM mlMy JASON TAOS AUMUnAN(l) toLWn-SMtM8ound Late Show Frt 4 Sat 11:46 No Coupons or Puttt AonpM V.LP. TirJrt Acctpled it saiuto MttamMy (MydyilallR mwnw to THX Octx Ull Snoa Ffl Stl 12:30 Hie Ryot) hi lUHTMTIAUf IMIT. IHX Doty teni UM 8km Mi tat IMS nmnonor iiAnrantAur BrtdooC Fond i In ODEON UtoShooFrt 1 8t XtM Tim, ty 1 MO-SCO-5: SokaLM'l MMIMlltlM(l) SpKtral HKordhg DotwSUrM UHSkMMttattttt No Pimoo AocopM fllhana Lm wot m-m lit) taDolMStoraa ness, disease, despair and all-around urban decay, all of It unrealized in a script as witless and willfully imbecilic as any of the preceding seven. And there can be no suspense when as usual Jason goes after whomever he goes after, usually quickly, until the last couple of survivors. Not that this urgency means there aren't still a few lingering shots of cowering emmes screaming as the invincible stalker takes his time going for the final kill.

Whether you're a callow teen coke fiend or a courageous athlete, you die violently anyway, so why bother being virtuous, kids? Given the degree of slow-mo sadism on view, whether this was made by sick minds or for sick minds is a distinction that finally matters little. Rob Hedden wrote and directed this, his first feature; there's no reason here to look forward to his second. Meanwhile, since it seems like just about anyone who's taken a film school class or two can get a shot at doing one of these, we'd like to take this opportunity to pitch the only possible palatable scenario for another sequel. It's a little treatment we like to call "Friday the 13th Part IXi Jason Disembowels Bill and Ted," to be shot on location, of course, in the Great White North. Morton's, anyone? saga goes like this: the 13th Part II" (1981) Jason returns to avenge his mother's death.

Among the special-effects highlights: a spear through two bodies and death by machete, pike and chain saw, among other things. Domestic gross: $21.7 million. the 13th Part III" 1982) Jason knocks off more kids at Camp Crystal, this time in 3-D. Domestic gross: $36.7 million. the 13th: The Final Chapter" (1984): After causing more deaths, Jason is chopped up by a child (who's a monster movie fanatic) named Tommy.

The film climaxes with Tommy seeming to have somehow become Jason. Domestic gross: $32.9 million. the 13th: A New Beginning" (1985): Tommy is now 18 and institutionalized. Then comes a series of murders. Is Tommy to blame? Has Jason returned? Is there a third party emulating Jason? Domestic gross: $21.9 million.

the 13th Part VI: Jason Lives" (1986): Tommy's in for a surprise an encounter with you-know-who. This one's "highlights" include a bare fist thrust through a stomach and a 360-degree head spin. Domestic gross: $19.4 million. the 13th Part VII: The New Blood" (1988): Jason encoun-Please see' Page 5 oritarWt SCMS ROM Thl OASS ITkvMII trvtmrauim to Utka-StoraaSowii O0p.ai Lata Shaw 4 Sat two CIHEKA LMtrtotor. OtnnlaOMMlii tuTSALUot map-ii) to Dolby Storaa Lata Show Frt 4 Sat t2tf) FAIRFAX CINEMAS 7907 Bavarty Blvd.

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met nurrvii 208-7bM JASON TAJTH MANHAnANrn 2nd Group ActVirf Dixounl TcktU axapW hr portormmcai botat 6PM only (lubjod to roHhdiora prinUd on fcM) Rrck Morms MMrr, 1 4WUKTHE AlAltTHIinVHa SepiritaAdrnira'ori Rgquind MAT IALU O.40-10S0 H0UYW0 In VKlOJtarJ THX Mcoptod VidtioTFfea i7MHyad. 463-9371 VOGUE UliHmt. 462- 6621 FOX ISOI Hhwl 463- 2184 RANCH0 714931-0446 No ftsoos for ttjn Ernootriont By CHRIS WILLMAN Picture this imaginary (but not unlikely) scenario) It's late 1988 and an early planning meeting is under way for the inevitable "Friday the 13th Part VIII." A production executive outlines the obviousi "So we figure out another hokey way to resurrect Jason from the briny, then he kills a dozen and a half campers at Crystal Lake, then the last surviv. ing bimbette kills him again. We shoot cheap in Canada and recoup the first weekend.

Miss Smith, could you please find some soulless TV hack to write and direct, and we'll see you all in the spring. Morton's, anyone?" Suddenly the clouds part as some brave soul in the back of the room a mail-room boy with au-teur aspirations, perhaps timidly raises his hand and squeaks outi "Sir, what if we had Jason slaughter teen-agers somewhere besides Crystal Lake this time?" He is, of course, immediately fired for gross insolence but later, a higher-up arrives at the same ingenious epiphanyi Perhaps the eighth installment isn't too soon to throw the slightest of wrinkles into a largely plotless series? Talk about high concept, dudes Jason takes a road trip! 'FRIDAY' Continued from Page 1 character's appeal, believes Rob Heddon, writerdirector of "Part VIII." As Heddon notes, Jason unlike Freddy Krueger doesn't dish out campy dialogue. "He's more your hardcore monster." The fact that he's "fairly indestructible" gives film makers considerable creative license. Says Heddon: "I remember asking the producers, 'Is it OK if I kill They said, 'Sure, go ahead. No Adds Heddon: "You know he's been dead for years right?" In fact, Jason was "dead" when he made his screen debut with the original "Friday the 13th" in 1980.

Produced and directed by Sean S. Cunningham (who had done the notorious 1972 slasher film, "Last House on the "Friday the 13th" was made for about $600,000. To find potential backers, Cunningham took out an ad in Variety. When Paramount picked up the film for distribution, it became the first major studio to acknowledge the box-office possibilities of the gore genre over the run-of-the-mill terror movies. (Four of the sequels have been ftCWTUNYQTV DMJT tTM 10- FH 4 Iff un HOW- r-tiomiw Uttj SHOW AMCBwMtIO (HI) 963-MOO tl (714) 270-1 100 tcotniau (714) ITf-4141 (714)1 WNWWOVOORAM HM(I06)1-7UJ ABJM HWH a (7M) 342711 MCQMlfeMSMMll 7W)M0-W 6 010) 01 mcs.

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Released on May 9, 1980, in 700 theaters, "Friday the 13th" grossed $39.7 million domestically making it the summer's second biggest moneymaker, following "The Empire Strikes Back." Like an earlier gore landmark, 1978's "Halloween," "Friday the 13th" set off a land-rush of gore movies. Gore was in. So were calendar-killer movies, including "Prom Night," "Happy Birthday to Me," "Graduation Day," "Mother's Day" and "My Bloody Valentine." The "Friday the 13th" sequels were inevitable. Traditionally, these films are made with nonunion crews and under title pseudonyms. For instance, "VIII" was known as "Ashes to Ashes." During its production Paramount representatives denied knowing it was the next "Friday the 13th." Briefly, the "Friday the 13th" 4 NOW PLAYING M0MKMU MmttaMRQ T)4-4j (714) toilet La (714) reumui mum E0MrtfiFCMMVtfw (714, 430.1500 NUJRICN NKUnnl HwvditwnGa (714) 153-1000 (n4)Z3(4H7 (714) 011-0441 sac (7M) 073-0M0 Hun nmmmmm wmMHOuafwooo SoCJiiEMja.

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