The Los Angeles Times from Los Angeles, California • 355

NOS AMOUrSft) a souers story MAN OF FtOWEtS IROTKR FIOM ANOTHER flANET MWYtMar(l) LATE SHOW FRI ft. SAT 12:00 COMFORT JOY(PG) PAUL BAATELfS NOT FOR PLUanON(R) tt LATE SHOW FBI-SAT 11:45 PUCK II TK KUT(PG) FR1-SAT 11:15 contract to Paramount. As usual with a project involving Simps.on and Bruckheimer, there's a minor dispute as to just who suggested casting Murphy as a "black and funny Clint Eastwood," the comedian's phrase. (Simpson said it was his idea. Eisner suggested it was then -Paramount production chief Jeffrey Katzenberg who brought Murphy into the project.

But within 24 hours of the suggestion, Simpson and Bruckheimer were on a plane to New York to meet with Murphy and his managers, and "Beverly Hills Cop" was on its way to what its makers hope will become lucrative reality. IROTHBt FROM ANOTHER PUNET 1K-35-S: LATE SHOW FRI SAT 1125 ANORZEJ WAJOA'S A LOVl GERMANY (ft STRANGER HUN PARAMSE(R) LATE SHOW FRI-SAT 11:30 FULL MOON PARIS GHOST lUSTERSIPG) whom Paramount sent the script without Simpson and Bruckheimer's knowledge, according to the producers. When Stallone committed to star in the project in less than 24 hours, their misgivings were mitigated by the fact that "Cop" would actually get made, and would be directed by Martin Brest, whom they lobbied for two years before he agreed to make the film. But Stallone, as is his wont, rewrote Dan Petrie script, and when Stallone turned his version over to Paramount, it was no longer the same movie he had told the studio he would make. Paramount and Stallone decided to part ways.

(A spokesman for Stallone said the actor rewrote the project at Paramount's request, and departed from the project amicably when it was clear that "Beverly Hills Cop" was going to be more of a comedy than an action picture. Enter Eddie Murphy, who just happened to be under exclusive HOLLYWOOD'S HITMEN Continued from 23rd Page The responsibility comes, he explained, because "no one is cast, no one is set on the crew without Jerry and myself being there. No one sends us a memo saying so-and-so has been cast in the movie. That's not the way we work." That isn't the way they worked on "Beverly Hills Cop," either, although the project had a singularly discouraging pre-production period. The story of a Detroit policeman tracing the investigation of a friend's murder back to Beverly Hills was originally designed to star Mickey Rourke.

But problems with the script delayed filming, and Rourke departed to make "Pope of Greenwich Village." Enter Sylvester Stallone, to HANNAH SCHYGULLA IN A LOVE GESMANYIR) LATE SHOW FRI SAT 11:35 STRANGER THAN PARANSE(R) LATE SHOW FRI-SAT 12:15 MAN OF FLOWERS LATE SHOW FRI SAT 1240 loaded with funny scenes and entertaining the year's most Offbeat films." -William Wolf, Cannett News Services A science-fiction comedy with more than its share of gags The more powerful studio chiefs in Hollywood express nothing but overt admiration for the fact that Simpson and Bruckheimer produce movies that, to date, have had the expectation of making money and have been delivered on time and on chills and good feeling. Richard Corliss, Time Magazine Ullit'liViiiHifl ClitKam InternMional Films Inc. lflC01tl All rtgwi reuiwd. ov-. The Ninth Annual UCLA Entertainment Symposium WHATS NEW-MARKETING, MARKETS AND MONEY IN MOTION PICTURE AND TELEVISION PRODUCTION "A REMARKABLE FILM.

I can't recall a more honest, troubling and touching portrait of a teen-ager." Jack Kroll, NEWSWEEK "THE MOST POWERFUL MOVIE OF THE YEAR, and a landmark work about adolescent sexuality." Daniel Edelslein, VILLAGE VOICE PROGRAM DECEMBER 7-8, 1984 MACGOWAN HALL, UCLA Lanoufs, 3 FRIDAY, DECEMBER 7, 1984 230 P.M.-&00 P.M. Welcome Prof. Melville B. Nimmer UCLA School of Law and Counsel, Sidley Austin A dim by Maurice Palat MARKETS AND MONEY. An overview of the "new" markets in film distribution from the perspective of the entertainment and investment industries Paul Kagan Paul Kagan Associates Jeffrey Barbakow Managing Director, Merrill Lynch Capital Markets LUNCHEON SPECIAL GUEST SPEAKER SATURDAY, DECEMBER 8, 1984 8:30 A.M.-4:00 P.M.

HOME VIDEO. A senior home video executive analyzes a medium of distribution that has rapidly grown from "aftermarket" ancillary status to a principal market for new production. Todd P. Leavitt Senior Vice-President. Programming and Business Affairs.

CBS. Fox Video' MADE-FOR-PAY FINANCING AND PRODUCTION. The state of the art the production of motion pictures directly for the pay television medium from the perspectives of both a major pay service and the producer ot Trie Guardian and The Terry Fox Story, with special emphasis on budgetary considerations Robert Cooper Fresident. Robert Cooper Productions Inc Rick Bieber Vice-President of Business Affairs West Coast, and Premier Films Acquisitions. Home Box Office.

Inc a prima donna of a superb, fearless actress and an international star ready to take Hollywood." Richard Corliss, TIME MAGAZINE "The best foreign film of the year." Peter Travers, PEOPLE MAGAZINE "Classic Wajda: fascinating, memorable." Molly Haskell, VOGUE MAGAZINE THEATRICAL DISTRIBUTION. An examination of some transformations in theatrical distribution, emphasizing the acquisition and handling of "special films such as Another Country and Choose Me Donna Gigliotti Vice-President ot Acquisitions, Orion Classics Cary Brokaw Andrzej Wajda's A LOVE IN GERMANY and Distribution. SYNDICATION. Traditional television syndication has undergone dramatic change in the past few years, both by virtue of internal developments and in response to external realignments elsewhere in the industry, which trends are discussed by two experts rn the field Randy Reiss President. Paramount Television Domestic Distribution, Paramount Pictures Corp Dennis K.

Gillespie Senior Vice-President Viacom Enterprises MARKET RESEARCH. The growing costs of advertising a motion picture production and the process ot assessing proiected market responses at the national and regional levels is discussed by an expert in the field Joseph Farrell Chairman. The National Research Group, Inc President of Marketm Island Alive, Inc Starring Hanna Schygulla 3 "Schygulla's tour de force." wiiiiam wolf, GANNETT NEWS SERVICE MUSIC VIDEO. A review of marketing and production in an exciting new medium that bridges music and dramatic film Mark L. Levinson President, Picture Music International, Inc LABOR CONTRACTS.

An update of the principal entertainment industry guild agreements in light ol re-negotiations occasioned by the rise of proiected revenues from new and expanding media William L. Cole, Partner Mitchell. Silberberg Knupp APPLICATION FORM NAME. ADDRESS CITY ZIP BUSINESS TELEPHONE NO HOME TELEPHONE NO Please sena me at SlDG postrarej or telepnonec on o' pr.or 1 1-26 St 75 thereatter students SI 00 Fee Si 50 for reservations postmarked or telephone ordered by November 26. 1984 S1 75 tor reservations ordered after November 26.

1983 or for tickets bought at the box office the day of the Symposium S100 for full-time students iFee includes luncheon, coffee breaks and Symposium Syllabus i Parking on UCLA campus available at S2 per entry For further information please call PAULA JENSIK. UCLA School ot Law. (21 3l 825-2899 Tape recording prohibited The right to change the program of the Symposium. without further notice, is reserved. Mr) Ma, i to UCLA Central Ticket Ov.ce PO Bok No 24607 Los Anoeies CA 90024 (price induces luncneor.

cc'Jeo Dreads ana Cneck enclosed payacie to The Regents ot the University of California or charge MasterCard ViSA Authorizing Signature Ep salt- PAGE 38SUNDAY. NOVEMBER 18. 1984 CALENDARLOS ANGELES TIMES.