Chicago Tribune from Chicago, Illinois • 136

CHICAGO TRIBUNE ARTS ENTERTAINMENT SECTION 7 SUNDAY MARCH 25, 2001 14 "Where the Girls Are." While most of the rock community has abandoned the sexual imperative, the Gossip dish it with zeal. C.N. TALES FROM THE FRONT Long wait for true love will leave her waiting Recordings Rock Shawn Colvin Bonefields (Columbia) Colvin's 1996 album, "A Few Small Repairs," was her "Blood on the Tracks," a meditation on divorce that also lifted her out of the singer-songwriter ghetto when it sold a million-plus copies and got a pair of Grammys (for "Sunny Came "Bonefields" picks up where "Repairs" left off, with the rueful "Matter of Minutes" could count the good times we had on one but then perks up with the irresistible "A Whole New You" and its sparser but no less engaging bookend, "Nothing Like You." Still, Colvin feels most comfortable taking melancholy strolls through producer John Leventhal's subtle folk-pop soundscapes. "Another Plane Went Down" is the centerpiece, rich in memory, regret and quiet devastation. Colvin's voice is free of histrionics, the melodies are plaintively memorable, and the tone is one of resilience in the face of inevitable heartache.

Greg Kot Electric Wizard Dopethrone (The Music Cartel) Suggested subtitle for the second album by one of England's more singleminded bands: NO PUSSfS Ot lAil AUDUOdlUMS MOVlt FUN TKKFTS A a FEATURf STADIUM XNOFtlHNKX flA feJV SWING WITH DISCOUNT I St. IWGITAl SOUND Idlewild 100 Broken Windows (Capitol) Dropping references to postmodernism and Gertrude Stein in their hyper-earnest lyrics, these Scottish lads sound like they would have fit right in with the American college-rock scene of the late '80s. They also pick up on that era's sonic cues, blasting terse chunks of guitar-mangled melody like they've worn out several copies of the Pixies' "Surfer Rosa" and Su-perchunk's "No Pocky for Kitty." Idlewild aren't reinventing anything, but they sound like they're ready to storm the barricades of complacency with these tunes, and that's sometimes enough. Le Tigre From The Desk of Mr. Lady (Mr.

Lady) Just in time for a new Bush administration, Le Tigre (featuring Kathleen Hanna, late of riot-grrrl pioneers Bikini Kill) return with a lo-fi dance-punk EP to fuel the revolution. "Get Off the Internet" frets about bla-sea been-there-done-that attitudes toward political music, then packs a flame-thrower refrain that convinces us direct action is more necessary than ever. With just a few punches all from the left this disc lands a knockout. Chris Nelson Spoon Girls Can Tell (Merge) Surrounded by a bumper crop of other indie rock bands when they emerged in the mid-'90s, Spoon got a quiet reputation for making some of the genre's best songs, assuming great expectations that linger to this day "Girls Can Tell" continues the gradual shedding of the Austin, Texas, group's alternative-rock strumming and branches out with a noir-ish album that calls on mellotrons, vibes and violas. They've smoothed some of the postpunk jags that originally-helped distinguish them, but they wear the refinement well.

Britt Daniels' emotive rasp can make what are often angry songs sound sexy. Jason Roth The Gossip That's Not What I Heard (Kill Rock Stars) Transplants to D.I.Y. mecca Direct to Olympia, from Searcy, this raw, rock 'n' roll three-piece brings some much-needed Southern sass and sex to the uptight indie-rock scene. Every grooving guitar chop starts a swing of the hips, every rudimentary pound on the drums sets a shoulder shimmying, and nothing douses singer Beth Ditto's fire. She melts "Swing Low, Sweet Chariot" into a come-on in "Swing Low," and boasts about her love in Brittany knows if she and Sam are ever going to get together, she's the one who's going to have to make it happen.

She's prepared to do so. But, so far, it hasn't worked. "The closer I try to get, the more distant he becomes." A few months ago, she wrote him a letter telling him how she feels. He never acknowledged it. Every time she has set up a date, he has gotten out of it.

She invited him out for his birthday. He never finalized the plans. She called, but he never returned her calls. She left his birthday present at his front door. He never thanked her.

"I have finally decided I've gone as far as I can. The next step has to come from him. He certainly can have no doubts about the depth of my feelings for him. I've now been waiting since November to hear from him. We've run into each other a couple times on the street and he always seems genuinely happy to see me.

We laugh and talk like crazy, but he never makes any promises to call me, like he used to, even if he never did follow though with the promises. "I'm depressed and miserable, and I've never cried so much in my life. There are days when it is all I can do to get out of bed. My friends tell me to forget him. One has even gone so far as to say there was never anything there and that it was all my imagination, but I know it wasn't.

I know there is something there and I'll wait for him regardless of how long it takes. It took me 43 years to feel a love this strong." Women, do you fall for bad boys? Men, do you fall for crazy girls? Send your tale, along with your relationship problems, to Cheryl Lavin, Tales from the front, Chicago Tribune, 435 N. Michigan Chicago, IL 60611 or e-mail CLavin-a Tribune.com. All names are changed. Letters cannot be considered without name, address and day and evening phone numbers.

Letters may be used in whole or in part for any purpose and become the property of the column. Read Tales from the front every Sunday in Arts Entertainment and Tuesday and Thursday in Tempo. "More romantic odes about drugs, death and Satan." Unlike their American stoner-rock counterparts, who owe as much to punk and grunge as they do to metal, the new wave of British headbangers acts as if the '80s never happened. The reference points on "Dopethrone" are the doomy grind of early-'70s Black Sabbath and the barbarian boogie of Motorhead. Distortion is as crucial a component as melody, Jus Oborn's vocals are riotously over-the-top, and the power-trio interplay is all about building the perfect bulldozer.

In a word: H-E-A-V-Y. G.K. Print lido at bom and go stroighT Id the stall For infomptiai visit our vobrito on fofannaiMi 15 MINUTES (R) 1:504:35 7:15 9:50 DOWN TO EARTH (PG13) 1:20 3:25 5:45 7:55 10:20 EXIT WOUNDS (R) No Passes 12:55 3:10 5:25 7:40 10:00 HANNIBAL (R) 1:25 4:156:55 9:45 HEARTBREAKERS (PG13) 1:55 4:40 7:25 10:10 SAY IT ISN'T SO (R) No Passes 2:30 4:55 7:20 9:40 SEE SPOT RUN (PG) 1:00 3:20 5:35 7:45 THE BROTHERS (R) No Passes 2:00 3:00 4:30 5:30 7:00 8:00 9:30 10:30 THE MEXICAN (R) 1:154:05 7:30 10:15 CINEMARK SEVEN BRIDGES 6- IIIM.IIIH Will KI'KI II TRii.l Dinner tl I linlrt. Mure Info. I nil 77.

4S7 MUM" ENEMY AT THE GATES (R) 1:05 4:10 7:1010:20 THE WEDDING PLANNER (PG13) 12:45 3:00 5:15 7:40 10:05 DOWN TO EARTH (PG13) 12:45 2:55 5:05 7:20 9:40 EXIT WOUNDS (R) 12:55 3:15 5:30 7:50 10:05 HANNIBAL (R) 1:00 3:50 7:00 9:10 9:55 RECESS: SCHOOL'S OUT (G) 12:50 2:45 4:50 7:00 THE MEXICAN (R) 1:402:05 4:154:45 7:15 7:45 10:00 10:30 HEARTBRAKERS (PG13) 1:25 4:20 7:10 10:00 SAY IT ISN'T SO (R) 1:10 3:20 5:35 7:50 10:20 GET OVER IT(PG13) 12:50 3:10 5:25 7:45 10:15 CHOCOLAT (PG13) 1:15 4:30 7:40 10:25 15 MINUTES (R) 1:001 3:50 7:05 SEE SPOT RUN (PG) 12:45 2:50 5:10 7:25 9:50 BROTHERS, THE (R) 12:55 3:25 5:40 7:55 10:25 TRAFFIC (R) 1:10 4:05 7:05 10:10 NO PASSES OROUI DU SOIIII 3D 30pm 7 4Spm OOpm CYSERWORIO 3D I 30pm, 4 4Spm, 9 00pm HAUNTED CASTLE IPG) 3D IDOpni Ety BirdMatinn ipaclal not valid for IMAX filmi. NAVY PIER I I i HEATER OOEON MELROSE PARK IM 1 Nu CHILUHLN UNuLH ofuCH KAILU f. tikiav i)Ni uitt SHOW 1 IMF AVAII Afil F' AT ww DAY 7S AVAIIABIT AT MARCUS IMAX- THEATRE OF ADDISON information: 630-889-1629 HAUNTED CASTIi PG 1 30, 400, 5 90. 700. 130, MS CYEtERWOHB Nil.

MS S4V IT l4NTS0lrW TriX 140, 400. 630. 850 HEARTBBEAKERS IPG13J EX BROTHERS (Rl EE ENEMY AT THE GATESJR) IHS 130, 415, 705. 955 210. 440 710.

935 130. 425.715. 1015 ojs till WUUNU5 IHI 1HA 15 MINUTES IRt IBS 145L430. 715,1000 GET OVER IT IPG13I THE MEXICAN (R) SEE SPOT RUN JPG) SWEET NOVEMBER IPG13) E2 00WN TO EARTH IPG13) 225. 440.

655. 9 5 130. 415.700.1000 210. 430, 650.910 645, 930 150, 415, 640. 915 RECESS SCHOOLS OUT G) IBS 200.

410 140,435,725, 1015 SAVING SILVERMAN (PG13) 220, 515, 745, 1005 WEDDING PLANNER PG13 200. 430. 700. 940 0 BROTHER WHERE ART THOU PB13 220, 450, 740. 1015 CHOCOLAT (PG13) 200,440,720,955 SAVE THE LAST DANCE JPG13I 215, 445, 715, 1000 CROUCHING TIGER.

HIDDEN DRAGON (PG13) TRAFFIC IRI CASTAWAY IPG13) BILLY ELLIOT (R) OPtN CAPTIONED WE 4 TH 100 HEARTBREAKERS IPG13I 115 400. 650. 935 BAY IT ISN SO IR) Hi 105. 320. 530.

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ton dw.on 1PG13) 4to rob 910 iriArrii. mi 345. 645, 945 BROTHERS IV T20, 220. 345, 445. 640, 730.

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HIDDEN DRAGON (PG13) 140. 425. 705. 945 RECESS SCHOOLS OUT (Gl 100, 300, 500 0 BROTHER WHERE ART THOU (PG13) 715, 930 140.410 550.940 150. 500.

8151 215. 620 930l im i it li i Jazz Matthew Shipp Matthew Shipp's New Orbit (Thirsty Ear) The evolution of Matthew Shipp has been fascinating to behold as he emerges as one of the most distinctive voices in avant-garde jazz. Here he leads an ensemble featuring trumpeter Wadada Leo Smith, bassist William Parker and drummer Gerald Cleaver, the quartet playing Shipp compositions of unusual lyric beauty and textu-ral spaciousness. No instrument predominates, with each artist contributing equally to the sonic fabric. Though conservative ears may find this music challenging, adventurous listeners will be struck by the recording's often-melancholy tone and understated gestures.

Howard Reich Classical Mahler: Symphonies (9) New York Philharmonic, London Symphony, Israel Philharmonic, Leonard Bernstein, conductor (Sony Classical, 12-CD box) Record collectors of a certain age will recall their excitement in the late '60s when Columbia Records issued the first cycle of the Mahler symphonies with Leonard Bernstein conducting. The set was for many an introduction to these works, which needed the fervent advocacy and passionate understanding of Bernstein to take their rightful place in the mainstream repertory. These inimitable performances, classics of their kind, have now been remastered and gathered in a specially priced box set. They include Bernstein's first studio recordings of all nine symphonies, plus the Adagio from the unfinished 10th as well as performances of "Kin-dertotenlieder" with Jenny Tourel and Janet Baker, plus four Rueckert songs. Lenny rerecorded the cycle beginning roughly a decade later for DG, but those interpretations go in for emotional overkill compared to the 1960s accounts, which temper Bernstein's subjective enthusiasm with the freshness of discovery.

A black mark to Sony for omitting "Das Lied von der Erde1' and "Des Knaben Wunderhorn." Otherwise, the set includes a general essay by Tim Page; Bernstein's classic essay, "Mahler: His Time Has and texts for the vocal works but no program notes for any of the symphonies. John von Rhein Michael Jordan nit Tl VJ SOLEIL Ur MAN Y0U CAN BE BACKSTAGE! 1 SUBURBAN SOUTHWEST 7 40 10 05 7 io '0 00 7 50 10 20 4516 50 9 50 SCREENS) 20 10 25 20 9 55 HEARTBREAKERS IP8-I3I II THE BROTHERS 1R1112 25 2 40 5 00) 7 20 9 45 SAY IT ISN'T S0flii12 15 2 15 5251 7 45 1010 ENEMY AT THE GATES Ri0N2SCREENS) (12 00 1 00 3 00 4 0016 10 7 00 9 10 10 00 EXIT WOUNDS (R) (ON 2 SCREENS) (12 30 2 15 3 1 5 4 35 5 35l 6 50 7 50 9 05 1 0 05 15 MINUTES IR) (2 00 4 45)7 30 10 15 7 25 9 40 SEE SPOT RUNiPG) I2 20 2 55 5 151 7 35 9 50 THE MEXICAN iRi (12 45 3 40) 6 45 9 35 DOWN TO 2 20 4 30) 6 55 9 20 I CHOCOLAT (PG-13) (12 50 3 501 6:40 9 30 TRAFFIC (R) (12 10 3 20) 6 30 9:40 1 CROUCHING TIGER, HIDDEN DRAGON (PG-13) (1240 3 31)1(1 -90 Q15 HEARTBREAKERS iPG-ui ooioo7 io iooo ENEMY AT THE GATES iBin 20 ioi 7 00 9 50 EXIT 50 3 10 5 301 7 50 10 '0 15 MINUTES (1 10 3 501650 9 30 SEE SPOT RUNiPG)1240 3 00 5 20)7 30 9 40 THE MEXICAN im mi wi 40q THE BROTHERSiR) (ON 3 SCREENS) 111 30 12 10 1 20 2 102:50 4 00 4 40 5 2016 40 7 20 8 00 9 15 1000 10 40 HEARTBREAKERS TO-131 30 4 30i 730 10 15 EXIT WOUNDS ON 3 SCREENS) 11200 1250 1 402 303204 2050010 10650740650 9 35 10 20 ENEMY AT THE GATES fl-ON I SCREENS) 1 OO 3 00 3 55) 6 20 7 10 9 10 10 10 MINUTES iRWI 154 10)700950 i 6 30 9 7 15 10 05 THE MEXICAN (12 35 3 401 6 35 9 25 SEE SPOT RUN PGH11 352 00 151 '5 8 30 DOWN TO EARTH i3G-)3) 05 3 15 5 ioi io io HANNIBAL (R) (12 45 3 451 6 55 9 45 3 05)6 0f 9 00 55.6 55 9 40 00i7 2595O J3I JTJ 3 Uj TRAFFIC (Ri 112 TO 3 30) 6 25 9 30 20)7 20 9 bUUUKUAN M)UIH IN I MAI t-A SAY IT ISN'T 3 2057 4010 IO 15 MINUTES R(! 00 4 00)7 00 10 00 SEE SPOT RUN.POM12 15240450)710920 DOWN TO EARTHipg- id ii io 3 io 20i 7 io a io SAVE THE LAST DANCE i3i ii 50 1 40' 7 20 ss HANNIBAL (R) (12 50 4 lOl 7 15 10 15 CINIX41 71 EXIT WOUNDS iRi (ON 2 SCREENS) 1, 2 30 2 00 3 00 4 30 5 301 7 00! IX) 9 30 10 30 CINIMtl I IO THE BROTHERSiR, (ON 2 SCREENS) 40 10 ,35 10 no 1 on 4 li 7 ft in on 8 10 10 25 10 1005 1 51 7 35 9 55 I bUBUKBAN SUUIH I HEAHIIREAKERSiPQ 131 11 41H301 720 10,0 By Cheryl Lavin Tribune staff reporter Life rewards action. Doesn't it? It rewards those who take the bull by the horns and make things happen. Doesn't it? It rewards those who aren't willing to settle. Or does it? Brittany says that all her life, she's accepted the hand she was dealt "and played it out as best I could.

Ifl make a decision, good or bad, I stick by it to the end." Among her bad decisions was her marriage, 'without a doubt, the biggest mistake of my life." But she refused to end it. "I had a messed-up childhood, and I have a strong need for security. Being alone scares me. Besides, there was no reason to upset the apple cart. I had nowhere else to go and no one I was interested in being with.

I travel extensively for my job-it's one of my escape routes and in all my travels I hadn't met anyone I cared to share a cup of tea with, much less change my life for." That changed a year and a half ago. Brittany ran into some friends she hadn't seen in a while. In the middle of hugs and greetings, she felt, for the first time in her life, "those proverbial lightening bolts and fireworks. I didn't know what to do or say. I was speechless.

All I could do was stare. It sounds crazy, but I fell in love like that with a man I had known for 20 years." Sam had just gotten divorced, and he made it clear that he was not ready to get involved. But the attraction was undeniable. They started calling and having lunch, keeping everything friendly. "We spent a beautiful day walking in the park and talking, really getting to know each other.

It quickly became obvious where we were headed. I think that scared him." They were supposed to get together the next week, but Sam never showed. "From then on, I could feel him withdrawing from me. I set him back when I told him I had filed for a divorce. But there was no way I could have stayed married to anyone feeling the way I did about Sam." ARTS New Rapchak post Lawrence Rapchak, former music director of Chicago Opera Theater, has been named music director of the North-brook Symphony Orchestra, effective July 1.

Rapchak succeeds Samuel Magad, concertmaster of the Chicago Symphony Orchestra, who has served as the orchestra's first and only music director since its inception in 1980. Magad remains active in the organization as music director emeritus. Rapchak is in his ninth season as a preconcert lecturer for the CSO. John von Rhein Regional centers WASHINGTON The National Endowment for the Humanities will give $2.5 million to establish 10 centers around the United States for learning about and preserving the heritage of the country's regions. The $2.5 million comes from the John S.

and James I. Knight Foundation. The NEH is trying to raise $50 million over five years from private sources, as well as from Congress, its major source of funding, to establish the centers at universities. CUBE schedule set The CUBE Contemporary Chamber Ensemble will present its first spring festival, a series of three concerts at venues in HE ARTBRtAKBRS 115 2 00 4 ft 00 7 00 SOTi 10OO (HMS) AV IT lH'T 0200 4 700 (Hfifffl-IOMOUIMO THI BROTHERS 1 00 2 15 3 JO 445 6O0 7 15 8 20M IO REOUMED INIMY AT THE OATHS 1 00 2 00 4 00 5 00 700 BOO I0OO fN RFOUMEO EXIT WOUNDS 1 15 2 15 3 TO 4 5 SO 700 8 tO 9 0 H) tOREOUMEO 18 MINUTES 1 15 2'5 4 '5 5 15 7CTI DIG 4S(m CAST AWAV 1 10 400 700 0O0 ffO-U) CHOCOLAT 1 40 4 40 7 40 10 15 (Kl-ll) CROUCHING. TIO.BR 1 20 4 10 700 940 (PO-lll DOWN TO BARTH V) 4 50 7 10 10 fl0-11) FINDING FORRESTER I 40 5 00 8 00 (KVI3) OBT OVBR IT 2 110 4 15 7 00 9 15 (PO-1J) HANNIBAL 50 4 50 7 10 15 ffO -ID MOUWID BROTHER, WHERB ART THOUT 1 V) 500 1010 (R-m POLLOCK 1 10 4 30 1015 (ft) IO flfOUfflPO RSOBHB; SCHOOL'S OUT 100 310 SA) (0) SAVINO SILVERMAN 2 00 510 7 50 lOOOfPO-ll) SEE SROT RUN 1 20 1 10 5 40 7 50 10 10 (TO) SNATCH 2(; SO (ft) ID RFQUWf SWEET NOVEMBER 1 20 4 7 40 THE MEXICAN 1 JO 2 4 20 5 20 7 10 10 IfifX' fO REQUIRED THE WBODINO PLANNER 1 40 4 10 7 10 3 2fi (TO-ill THIRTEEN DAYS 1 4 40 7 VT fXJ 1J TRAFFIC I tt) 2 10 5 10 7 10 fl2im ORfOWRFD PSLOEWS ClNEPLEX IMAX 30 PSE" Digital Sound Also CROUCHING TIGEf (PC-Ill Showing! htpdrn draoon SUBURBAN NORTH CIROLE riSTLe JWKNhl "4 STA APRIL 6thDAY' SUBURBAN WEST jii rwir i I'l1 'rVr" 1PG-131 (1 10 4-101 7 00 10 00 SAY IT ISN'T SOlRl 112 35 3 00 5 HEARTBREAKERS PG-13 30 THE BROTHERS (Rl 12 00 2 30 5 ENEMY AT THE GATES '2 45 EXIT WOUNDS IRi (ON 2 11 10 2 20 3 30 4 40 5 50)700 8 10 15 MINUTES (Rl 1 50 4 301 GET OVER ITiPG-13ll 12 50 2 50 5 Dl 20) 420i 101 3 9 7 OOi north 1 Hrimii.y"'i-HT,f,7H i7: i mi IiIi' CINEMAS I HEARTBREAKERS ENEMY AT THE GATES iB 11 20 4 201 7 10 10 10 EXIT WOUNDS fli'2 50 3OO5 30i 8 00 10 40 15 MINUTES (Rill 404 501 7 50 10 35 THE MEXICAN 1R1 II 50 4 40)7 40 1030 TRAFFIC R) (100 4 0017 20 10 20 CHOCOLAT (PG-13) (1.30 4 30) 7.30 10:15 PG-1311I iC 4 tot 7 30 1 0 10 BROTHERSlR! 112 0C 2 30 5 0C 7 50 10 20 I.

THE GATES 720 i00Ot (1 20 4 201 7 10 9 50 D0WNT0EARTHiPO-l3il1240 3 20 5 25l7i9k (Rl (12 30 3.30) 6 30 9 30 CINIMAS 7- LOEWS THEATRES ClNEPLEX Ungi I'nom UI2I 444-IILHI I bit HAUNTED CASTLE (PG 3 20 4 40 6 00 CIRQUE DU SOLEIL: JOURNEY OF MAN iQl 1000 1240 MICHAEL JORDAN: TO THE MAX iNm 1 1 20 2 00 CROUCHING TIGER, HIDDEN DRAGON 1PG-13. 7 15 DOWNTOWN 1 coiwiit rn mtmi mcclurg count euro THEATRE 1... 15 MINUTES IR) 00) 4 00 7 20 10 00 THEATRES 2 4 3... HANNIBAL (R) (1:20) 4 15 7 00 9 45 GET OVER ITlPS-11111 301 3. TO 510 7 30 9 10 I MfeM Uteri tart tl ba unar Wttltt I Olian Daily, up to 3 hours THE THE BROTHERS (R (ON 2 SCREENS) (1200 12 30 1130112 30 2 00 3 00 4 30 5 30 7 06 840 9 3010)0 9 30 1000 HEARTBREAKERS iPft-131 ION 2 SCREENS) (1205)1052 55 3 55 5 45 7 10 8 35 10 00 SAY IT ISN'T SOiRHI145l2 20 4 S072CH50 EXIT WOUNDS R) (ON 2 SCREENS) 15 pemraw 'tmtmm i HEARTBREAKERS THE ENEMY AT THE MEXICAN TRAFFIC EXIT WOUNDS SEE SPOT 1 10 EXIT (12 101 1024C, THE MEXICAN IRi 12 40 3 20) 6 30 9 30 SEE SPOT RUN(PG) (12 20 2 35 4 45) 6 55 9 05 DOWN TO 2 10 4 10) 6:20 8:30 10 30 RECESS: SCHOOL'S OUT (G) (12 00) HANNIBAL IR) 1100 4 00) 7 05 10 05 TRAFFIC (R)(t 15 4 15)7151015 CHOCOLAT (PG-13) (1 50 4 30) 7 30 10 10 laminuiMiHiiiwinoiuuu ENEMY AT THE GATES (Rl (1 00 4 10 7 00 9 50 1 12 15 2 45 5 15 7 45 10 15 EXIT WOUNDS IRI (1 10 3 5 S01 8 00 10 1 0 RUN(PG12 00 2 30 5 00, 7 30 9 30 GET QVER ITPG-13I (1 20 3 20 5 30) 7 30 10 00 50 4 20l 7 10 9 40 30 4 00) 6 50 9 30 30)6 30 9 20 NORTHWEST WEST 15 MINUTES (Rl (12 THE MEXICAN iR) (1 TRAFFIC (12 40 3 SUBURBAN '7' I'0 BROTHERS iR) (ON 3 SCREENS) 00 2 30 3 00 4 30 5 00 5 301 700 7 30 800 30 THE BROTHERS iRi (ON 2 SCREENS) (12 10 1 30 2 30 4 00 5.00630 7 309001000 SAY IT ISN'T 20 2 50 5 201 7 50 10 '0 EXIT WOUNDS R)12 00 2 20 4 40) 7 10 9 30 15 MINUTES (R) (1 00 3 50) 7:10 9 50 NOTES Chicago's South Loop and featuring guest artists, Chicago and women composers and two commissioned works.

The festival will begin with "Eurocurrents American Streams," at 7:30 p.m. Friday at the Columbia College Concert Hall, 1014 S. Michigan Ave. The program features music of the European postwar avant-garde and American composers who fell under its influence, including Karlheinz Stockhausen, Peter Maxwell Davies, Peter Gena, Bruce J. Taub, also the world premiere of Russell Grazier's "ArrivingLeaving," for violin and ensemble.

Ramon Zupko's "Folksody" will be played at a 6:45 p.m. prelude concert. CUBE percussionist Dane Richeson will be soloist in "Marimba Rhumba," a program of new percussion works by Astor Piaz-zolla, Ruth Lomon, Janice Mis-urell-Mitchell, David Maslanka and Herbert Brun, at 3 p.m. April 8 at HotHouse, 31 E. Balbo.

The festival finale, "The Sopranos," 7:30 p.m. April 20 at Columbia College, will focus on works for soprano voice and instruments. Composers represented include Ralph Shapey, John Eaton, Deborah Kavasch, Dorothy Rudd Moore, Eugene Kurtz and Rob Zuidam, plus the world premiere of Sebastian Huydts' "Three Serious Songs." Call 312-554-1133. Tribune wires contributed to this report HEARTBREAK MRS 1 30 2 20 4 30 520 730 815 10 JO SAV IT ISN'T SO 200 500 800 1030 (ft) Mownec BROTHERS 100 2 00 3 30 4 30 flflO 7 15 8 30 9 IN) DEOtMED INRMV AT THE OATBB 1 20 2 70 4 20 520 7 15 10 15 KEQURtO KIT WOUNDS 1 10 2 00 3 20 4 30 5 40 ft 45 7W 10 10 (K) (HI IDftEOUMED IS MINUTBB1 15 2 10 4 15 JX 7 00 8 15 44MK1 -IDmQUtftED CAST AWAY 106 4 15 7 30 10 30 (TO-U) CHOCOLAT 1 SO 446 7 45 1025 (TO-1I) CROUOHINa TICiBR I 30 2 15 4 10 5 30 700 8 tS 940 (W-11) DOWN TO BARTH 100 300 10 7 20 930(PO-11 OUT OVBR IT 1 3 10 5 15 7 30 45 (EO-iD HANNIRAL 1 10 4 OO 7 Oil fl Vi fl) K) RfOUWtl BROTHER. WHBRB ART THOUT 1 40 4 20 ROILOCK 130 420 715 10 00 (W REQUWEO RBCBBSi SCHOOL'S OUT 1 15 3 15 5 JO 7 4S Q) SAVB THE LAST DANOB I 50 4 SO Tea SPOT RUN 1 4 7 70 9 40 fPOS WRIT NOVRMIIM 1 40 4Wl 725 10 00 (TO-111 THI MBXICAN 1 1'j 2 10 4 OO 5 00 45 fi ai (R) eREoumeo THI WBDDINO PLANNER 15 5 5 7 40 10 t'.

(TO-W TRAFFIC 100 200 400 5 TO 7 15 845 10 Tt tDREOtMttD WHAT WOMIN WANT 1 45 4 7 70 10 10 WOUNDS (Rl (ON 3 SCREENS) 3 30 4 40 5 0 6 00! 7 10 7105 30940 10 10 THEBROTHERSiRiH20O 2 30 5 0Oi73OiO0O 40i'4nno top Ml MM. IX (HI III iPG i3i i 50 4 50i 7 40 10 20 MINUTES iR) 12 00 4 501 7 35 10 HEARTBREAKERS 1 12 101 1 00 2 35 3 20 4 55 5 40 7 25 8: 15 9 45 10 35 GET OVER IT (PG-13HI220 2 505 15l 725950 THE MEXICAN Ifl) (1 30) 4:10 7 00 9 40 rr BLOW DRY (R) (1 00 3 10 5:20) 7:30 9:50 FOLLOWING FILMS PflESENTED IN STADIUM THEATRES 15 MINUTES (Rl 12 00 4 401710 9 40 0 BROTHER, WHERE ART 131 I I I oowm to earth ipg-isi .12 3 05 5 201 7 to 15 Ilylaiaffil RECESS: SCHOOL'S OUT ((.) H30) SAY IT ISN'T SOiR) 1 12 50 3 00 5 10) 7 20 9 30 ENEMY AT THE 4 30i7i5ioiO EXIT WOUNDS (R) (ON 2 SCREENS) (1 00 2 (X) 3 2(1 4 20 5 401 6 40 8 10 9 1)0 10 30 15 MINUTES iRltl 20 4 101 7 00 9 40 THE MEXICAN ilii(H04 00i7i09 50 SEE SPOT RUNiPGi12 10 2 20 4 40(6 50 9 10 DOWN TO EARTH PO-131 (1 40 150 5 50l 7 50 9 45 30 4 0016 45 9 20 HEARTBREAKERSiPG-i3i)2 303 SAY IT ISN'T SO Rul 05 3 1 5 5 301 ENEMY AT THE GATES 1 1 00 EXITW0UNDSiRiII2 35 2 45 5 3 ,1 i 'iJ1 i 15 MINUTES iR) II 10400)700945 TMl THE MEXICAN Rill 15405,7 ,0,000 (II 4 i i 3U 13 3 jj BROTHERS (Rl (ON 3 SCREENSI 1 30 2 45 130115 5 15 6 30 700 7 45 9 00 WOUNDS Ri (ON 2 SCREENS) 00 2 30 3 40 5 OOi 6 15 7 30 8 4 5 10 00 OVER ITlPG 132 154 4071S945 MINUTES (1 15 4 20)710 10 05 SPOT RUN (PG) (1 4 5 4 00 7 05 TO EARTH IPG--13112 00 4 30) 7 20 9 40 (R) (12 50 3 50) 6 50 9 50 tfLL nuHrLl I it J3 3 DOWN TO 20 3 20 5 HEARTBREAKERS SCREENS) (,2 55 2 00 3 45 4 45) 30 7 30 9 5 0 ,5 SAY IT ISN'T 45 3 00 5 2017 10 10 00 THE BROTHERS (, ,5 3 30 5 501 6 10 10 30 CHOCOLAT (PG-13)) 1 2 50 3 401 6 35 9 25 CROUCHING TIGER. HIDDEN DRAGON iPfr 112 25 2 50 5 10) 7 ')0 9 55 w. IR) (ON 3 SCREENS) EXIT WOUNDS Reduced validated parking after 5:00 M. SNATCH (Rill 3014307301000 CH0C01 AT iPfi-ni 11 noi 4 no 7 nn 40 CONVENIENT PARKING 1 1.

STATE STREET ENEMY AT THE GATES iRi (ON 2 SCREENS) 12 00)1 30 3 00 4 30 6 00 7 30 9 00 10 IS POLLOCK (Rl (1 00) 4 00 7 15 10 10 CROUCHING TIGER, HIDDEN DRAGON II 15)4 15 7.00 9 45 TRAFFIC (R) (ON 2 SCREENS) (12 05,1 1 45 315 5 00 6 30 8 15 10 00 NEAR NORTH 1 CONVENIENT PARKING PIPERS ALLEY GARAGE BEFORE NIGHT FALLS Rul M)4 5 7 00 iooo CROUCHING TIGER. HIDDEN DRAGON pg-3i (ON 3 SCREENS) 112 451 1 15 1 45 3 30 4 00 4 30 S15457515045 10H 15 nag uiavuumau uaiKiny aiiaui OET HEARTBREAKERS iPG ill (ON SCREENS) 112201120 3 20 4 20 6 20 7 209 10 10 10 SAY IT ISN'T S0iRKI2 1012 50 5 30 8 00 10 20 SEE ENEMY AT THE 112 001 1 (XI 3 IX) 4 00 6 00 7 00 9 00 10 00 EXIT WOUNDS Ri (ON 2 SCREENS) 12 10) 1 If) 2 10 3 1 4 50 5 50 7 1 0 8 1 0 9 10 THE (12 15 2 15 9 JO IO 15 EXIT II? 00 1 GET 15 SEE DOWN HANNIBAL THE M2i '00 10 00 '0 EXIT 11215,1 10 45 DOWN RECESS BROTHERS IRi (ON 3 SCREENS) 1 45 2 30 3.X IK 5, 0 6 OOi 700 7 458 10 40 WOUNDS iRi (ON 3 SCRFENS) 52OO215I00I l55Xi 6 10 7 IS 1 00 9 '5S15 tNHDIRI int uniti'H fONZSCflEENS) 35 112 301103 104 1016 0 7 09 0 0 0 THE BROTHERS i H2 00 2 40 5 30l 8 00 0 30 15 MINUTFS 'Rl (2 10 5 01 7 50 0 25 HEARTBREAKERS PG SCREENS) GET OVER ITiPG 13)11 50 4 0516 05 8 05 10 15 2 '30 9 20 10 20 EXIT WOUNDS Rl (ON 2 SCREENS) THE MEXICAN, Hi(ON 2 SCREENS) II 35 30 1 45 3 00 4 10 5 20l 6 30 7 50 900 10 10 2 15 4 50)640 7 25 10 05 NFMY AT THE GATES Rill OOlOOi 700 IOOO MINUTES (1 40 4 351 7 30 ,5 SEE SPOT RUN OVER ITlPG 1.1)02 203 00 5 20)7 50 10 20 TO EARTHPG-I3H 2 20 4 30 6 15 9 05 GET OVER IT PG-13 (12 15 3 20 5 50) rjiWrll- VU rmiNF.n.7 tn 10 1 THE MEXICAN iR) 11 154 15) 7 (PG) (I 30 3 40) 6 25 8 50 15 MINUTES R) (2 15 5 001 7 SEE SPOT RUNPG)12 20 2 50 5 40 3 25) 6 15 9 00 DOWN TO EARTH 2 i SPOT RUNPGIll2 10 2 50 5 151 7 35 10 05 HANNIBAL (R) (12 3O5U2OI0K) ENEMY AT THE GATE iRi oo 1 no 7 90 0 00 GET OVER IT IPG ,31 12 00 1 40I7J0940 THE MEXICAN im ii 7 ,0 9 45 THE CAVEMAN'S VALENTINE, R) 10 4 SO 7111 10 15 RECESS: SCHOOL'S OUT to 2 VI 5 101 7 ,5 9 20 TRAFFIC 50 i run CROUCHING TIGER. HIDDEN DRAGON 112 40 1 IV) 1 10 CHOCOLATlPG TRAFFIC IR) .12 CROUCHING TIGER. 12 10 4 9 45 CAST AWAYiPG 1.1) (1 45 4 201 7 00 9 35 HANNIBAI(R(I204 2072010 15 CHOCOLAT (PG 13) II 50 4 301 7 15 9 45 50 3 50! 6 50 9 50 TRAFFIC iR) 15 .1 10,6 40 9 50 HIDDEN DRAGON RO-iJi CROUCHING TIGER. HIDDEN DRAGON i i 1,2 50 3 40) 6 ') II 30 ,2 35 3 35 i 6 15 1 CAST 1 ,0 3 6 '5 9 ,5 TO EARTH PC.

111 1 ,2 15 1 is 5 45. 8 ,5 ,0 30 SCHOOL'S OUT 1G1 1 1 ,0 320 5 251 HANNIBAL (Rl 112 05 3 05) 6 10 9 20 CROUCHING TIGER. HIDDEN 0RAG0N II 25 4 151 7059 55 TRAFFIC (Ri 112 4t 3 50) 6 4 5 9 10 THE MFXICANiRlll2 40l3 40640920 HANNIBAL (Rill? 50i 3 50 dV) 9 50 TRAFFIC 1R1 (11 50 3 10 6 30 9 40 CHOCOLAT (PO i3l 5014 40 7 30 10 15 HICESS SCHOOL'S OUTiGiin 1 20 4 501 7 05 9 55 RECESS: SCHOOL'S OUTiGiuoo,.