The Los Angeles Times from Los Angeles, California • 92

Cos Angeles (Titrivs 6 Part 1 Iiu-via. IV-cimtnr 15, 1981 GARY FRIEDMAN AngelM Times evocation uf death suggests a vision of the Requiem its structural cliches as observed through the wrung end of a telescope. Brevity of thought need not imply a lack of profundity, however, and the performance was brilliant. Special distinction was lent by the plangent baritone of Douglas Lawrence in the "Tuba Mirum" and the flexible mezzo-soprano of Gail Dubinbaum in the "Larry -mosa." These singers were joined by Daisietta Kim and Michael Sells in the almost anticlimactic "Libera Me." To close the program, and the festival, Tilson Thomas and the Philharmonic bade farewell to dodecaphony and gave us a spanking-clean, jaunty, affectionate, tellingly detailed performance of what sounded, in context, like a golden oldie: Stravinsky's Symphony in Three 'MADE IN Continued from First Page with sudden choral participation. A bleaker aspect of the Schoenberg aesthetic came to the fore in the heart-wrenching "Survivor From Warsaw," which enlists a Sprechgesang soloist who recounts the tortures of a Nazi death-camp as a prelude to the nearly optimistic eruption of a Hebrew prayer, as intoned by male chorus.

Cantor William Sharlin paid more attention to the implied pitches and rhythms of the vocal line than many narrators do in this fragile opus, and intensified poignance as a result. Finally, the French virtuoso Jean -Bernard Pommier joined Tilson Thomas Co. for the tight, finger-breaking bravura bravura that is designed to call attention to anything but itself of the Piano Concerto, Opus 42, a i classical showpiece filtered through progressive 20th-! Century sensibilities. Pommier and Tilson Thomas made sparks fly, even though Schoenberg refused to let those sparks become bona fide flames. The 12-tone system, in modified, highly individualis- tic application, continued to prevail after intermission when Tilson Thomas and the ever-adroit Master Cho- rale turned to Stravinsky's "Requiem Canticles" of 'VjfllA fjl TONIGHT AT 8:00 ENGAGEMENT EXTENDED THRU JAN 3rd TICK! TS AT BOX OFIICI I dV MAPI HOT TIX CALL FOR INFO CHARGE BT PHONE 10 'til 9 461-2755 K' Hollywood CA ur RACHEL WARD ('iirifiiiitti from First Paije Ward's first film.

While still modeling, she made two low-budget horror films both, in her words, One was called "Night School." the other, "Three Blind Mice." But if nothing else, they gave her camera experience, which, presumably, made her feel less nervous when she went up for "Sharky's Machine." "Not really." she said. "The reason I wasn't nervous was that it never occurred to me I had a chance of getting the role. So I was totally relaxed during my first reading with Burt. Not until I did my screen test did it occur to me: Maybe I've got a chance. I knew he wanted a new face.

"And if I wasn't nervous making the movie, it's because Burt made it so easy for me. Right from the start he said. "I want you to do something that's important to me. Trust me. I promise you it will be all right.

I know what I can do for you." "He was incredibly helpful to me. And before the film finished he said I was to call him anytime I wanted advice. So when I was offered 'Dead Men Don't Wear Plaid," I called and asked, 'What do you He said, 'It sounds great to So I took it." Everything now being written about Ward suggests she was one of New York's most sought-after models. Certainly she worked a lot, racking up impressive credits as a photographic model. She was the Cougar girl in the Lincoln Mercury TV advertisement.

She plugged Brut with Joe Namath. "But I wasn't really a very good model," she acknowledged. "Nor was I that successful. But for some reason I got the reputation for being successful without actually being successful, if you see what I mean perhaps because I didn't look like the standard ail-American girl. "I wasn't sorry to give up modeling.

I'd always wanted to act since I was quite young but never had the guts to do it. Then when I moved to New York from London five years ago I determined to try. And I did." Not surprisingly, she loves America. "This really is the land of opportunity," she said. "Nothing like this could have happened to me if I'd stayed in Britain." I had one last question.

Had she ever admitted to Reynolds that, until she got the part in "Sharky's Machine," she had never even seen one of his films? Her smile widened. "What do you think?" she said. "DYNAMITE!" 1966. This engaging, moving, sometimes oddly sprightly i block viuth of Hoi If. nod Bl ICHARGE TICKETS TODAY 577-55 YOUR SINGLES GROUP HAS GOT TO SEE TONIGHT 8:30 Dan Sullivan.

L. A. Times TONIGHT AT 8:30 THIS PLAY." KATE JACKSON DAVID DUKES PETER RiEGERT The World's Most Illustrious Trio Rachel Ward ponders the wisdom of fortunetellers. Mozart Havel Schubert! BEAUX ARTS TRIO Menahem Pressler, piano MONEYSAVER PRICES AT SELECTED THEATRES Isidore Cohen, violin Bernard Greenhouse, cello CHARGE NOW 208-5454 TICKETS AT BOX OFFICi AND ALL MUTUAL ASENCIIS WESTWOOD PLAYHOUSE 10886 loConte Ave in the Coniempo Wetfwood Center Convooiont pniking Studenl rush 12 price SIZ.oO S11.DU 1U.3U ATURAccAnni? Aimrmiiii ii i mmm, in m. 3(X) West Green Street Pasadena CREST 00 TILL 3fl0 P.M.

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ROLLING HILLS tai: CRENSMAWPCH MVM(P6) 8:30 325-2600 MAGONSLAYEt(PG) zmm RESERVATIONS ESSENTIAL CALL J2.00 TILL 7:00 P.M. IfJ'ii WAGNER b'A TOAST TO (213)451-0621 HASTINGS I ROLLING HILLS ammm ms CBENSHAWPCH CAMON COPV(PC) 325-2600 355 N. Jam Fonda Kris Krlstotfarson lOUOVEt(l) 796-7111 (THUS) 9S PETERJllI THE MUSICAL HIT Also Starring CHMTOPHE.R I Sj'A .1. 1 -t, Waltar Matttuu cmmz COLORADO 2588E.CLRAD0 796-9704 Jack Lammon 214 Santa Monica Bivd Santa Monica CA 90401 GROUP SALES Rosai-e Lazarus (213)986-2908 12.00 TILL 2:30 PM Tuesday Ihru Sunday evenings plus Sunday matinee (2.00 TILL 7:00 P.M. ROXY 417 N.

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'SOPHISTICATED LADIES' Tap-dancer Gregory Hines, who top-lines the Broadway cast of "Sophisticated Ladies," will be heading the Los Angeles company when the musical, based on the music of Duke Ellington, opens at the Century City Sftubert Jan. 27. Hines, who also appeared in the Broadway company of "Eubie" with his tap-dancing brother Maurice, is a three-time Tony nominee, described by New York Times theater critic Frank Rich as "human lightning." Previews at the Shubert begin Jan. 22. ICZ3SSZZ): BARGAIN HOURS $2 00 CAPRI ntlt VINCENTGLNORA.

FMST MONDAY 960-2867 (6:45 8 OO) 10:30 CAPRI fSCAPIFIOMNIWYOnil) VIHCEPiTGlHOdA 8:45 960-2867 IYE FOt AN IYE(R) (6 50 6 00)-1030 ALL SEATS 00 CARRIAGE SO. Jana Fonda t0180AUS tOUOVB(l aaiva-ura CAPRI V1HCENT6LNDRA 960-2867 HALLOWEEN 1(1) M0 ENTER THE NAGON(R) (7:15 HN0 Saan Cannery nw lAKxrsirc) CARRIAGE SQ. W1 805465-6728 hit, it M.itan, COVINADI IAST IKMKf BSOW6(OWO ON LETT(R1 331-5233 DONllOOIIIIASiMENTiRI LAMIRADAD Clnama Radto Sound LAST KUKI ON LtfTIR I-SAL0N0KA FOR THE RECORD The phone number for Chadwick's restaurant in Northridge was incorrect in the Restaurant News column of Sunday's Calendar. The correct number is 366-2555. Ch "'j B21-106 ton loot iASMen(i) TONIGHT AT 8:30 i NOW THRU JAN.

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