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Chicago Tribune from Chicago, Illinois • 52

Publication:
Chicago Tribunei
Location:
Chicago, Illinois
Issue Date:
Page:
52
Extracted Article Text (OCR)

Section 5 Chicago Tribune, Tuesday, November 8, 1983 Let ROH'S CATERING Prepare Your Thanksgiving Turkey Dinner iir-i'i Testament' toils away with burden of doom Whole baked 14 lb. TURKEY with stuffing, sweet potatoes, peas, carrots, cranberry sauce, gravy, rolls and butter, Fresh Baked APPLE PUMPKIN Pie nor narenn nine lav I Hftliuoru TtT'1 Dinner Delivered Hot and Ready to Serve 15 People. "Testament" Tribune mini-review: Unremitting pathos Directed by Lynne Uttnwi; screenplay by John Secret Young based on a story by Carol Amen; photographed by Steve Poster; produced by Jonathan Bernstein and Lynne Littman; a Paramount releaeo at the Bwgraph Theater, 2433 N. Lincoln Ave. Rated PG.

THE CAST Carol Wetherly Jane Alexander Tom Wetherly William Oevane Bred Ross Harrie Mary Liz Roxana Zel Scottie Lukas Haaa Home Philip Anglim Henry Abhart Leon Mother with baby Rebecca De Mornay CHRISTMAS HOLIDAY SPECIAL BUFFET READY BEEF AMD CHICKEN $2.35 per person Potato salad, cole slaw, and macaroni salad, kaiser rolls, pickles, peppers, olives, plastic plates, plastic forks, knives, and paper napkins. minimum 30 persons plus tax and delivery iai83to nm UANY INTERNATIONAL ENTREES I PARTY TRAYS AVAILABLE CALL FOR YOUR HOLIDAY 9005 W. CERMAK NORTH RIVERSIDE By Gene Siskel Movie critic it wrong to expect a laugh, even a bitter one, in a movie about the end of the world? I don't think so, and a laugh certainly would help the affecting but overwrought "Testament," a melodrama about a Northern California town trying to cope with a nuclear war that has isolated it from the rest of the world. "Testament" is so unremitting in its cloud of doom that this viewer couldn't help but begin to resent the movie after a while. One by one, adults and children die from radiation; we see the body bags.

Looting begins. And the town is running out of gasoline, right? Okay, but why does the gas station owner have to have a brain-damaged child, as well an an empty pump. One catastrophe to a location would be enough. Some movies are tear-jerkers. There were times during "Testament" when I thought the writer and director were going after my tear ducts with pliers.

And yet and this is a big "and yet" "Testament" does manage to convey in its surprisingly quiet and non-theatrical way the very point that its creators surely wanted to make: that human stupidity can destroy the world, but it cannot erase human dignity. Jane Alexander stars as the mother of three children who could live next door to the children in difference, though. The bomb does end it all, and "Testament" makes that point too. The rest of the script of "Testament" operates at two speeds: a ponderous waiting for everyone to draw their last breath and an even more ponderous display of nobility. The townspeople of Hamefin, apparently oblivious to the scope of the nuclear disaster, go ahead with their local grammar school's production of "The Pied Piper of Hamelin," culminating with a speech in which the parents of the town are told that the children will return only when the adults truly deserve them.

What a coincidence, huh? "Testament" is too good in its best moments to need a scene like that. A little more chaos and a little less irony would serve this film well. One can't fault the performances. Jane Alexander is one of the most instantly pure souls ever to appear on screen. She could play a saint without worrying about getting into the part.

The casting of Devane is a little too warm and snuggly, though. His presence not his performance-marks the film as a TV-sized project. Maybe that's the real nature of my complaint against "Testament." If this were on TV, it would be one of the best TV movies ever made. On the big screen, however, we expect a wider emotional range, and "Testament" doesn't have it. rLUNCH EXPERIENCE "E.T." Nice suburban kids.

And Alexander plays a nice housewife, left alone to care for the children when her husband I William Devane takes off on a business trip to San Francisco. HE PICKS THE wrong day to leave. There is a flash in the sky and an emergency announcement from Washington D.C. And then the TV goes dead. What now? The rest of the movie is dedicated to showing "What now?" The townspeople meet in the church.

The minister and chief of police make speeches aimed to console and reassure. Local businessmen think about more practical matters, such as looting. None of it is going to make any The Ingenious Swan Ideal for guest towels, letters, even a toast rack. Great for gift and home. Regular $37.50 now 2995 Dobbin Exquisite Diamonds.

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til 9 p.m. a sat. 9 to 5 American Express a visa a Mastercard Bobby Enriquez Trio Enriquez, piano; Kelly SHI, bass; Rusty Jones, drums; at George's, 230 W. Klnzle Monday through Saturday. Shows at 9:45 p.m.

Tuesday through Thursday and 9:46 and 11:45 p.m. Friday and Saturday. $5 cover charge plus two-drink minimum weeknlghts, $6.50 cover plus minimum weekends. Phone 644-2290. OPEN HOUSE SUNDAY, NOVEMBER 13 1 :00 to 4:00 TOURS EXHIBITS DEMONSTRATIONS I counthyclub 8700 Carriage Grsens Darien By Larry Kart Night life critic DF I WERE RUNNING the show at George's the restaurant that also would like to be a jazz-oriented nightclub, a la the old London House I would immediately try to sign pianist Bobby Enriquez to a long-term contract.

Appearing at George's through Saturday, Enriquez must have Deen born to play a room in which he must compete for attention with bottles of vintage wine and plates of steaming linguine. A 39-year-dld native of the Philippines who has played with Dizzy Gillespie, Tito Puente and Manhat- -tan Transfer, Enriquez has an almost unbelievably flashy keyboard technique that can convince even the most casual listeners that they're getting their money's worth. Then there is, in any number of ways, a great deal of natural showmanship in Enriquez's music. Seemingly aware that he is working a broad-based audience and more than eager to please, Enriquez quotes a lot from familiar pop tunes "On Broadway "Old Devil Moon," "Shiny Stockings," "Has Anybody Seen My Galr'j, which again gives casual listeners the ble stuff." Backed by the fine bass-and-drum team of Kelly Sill and Rusty Jones, who owns the swingingest rivet-cymbal in captivity, Enriquez totally steamrolfed the opening-night crowd at George's, most of whom I'm sure had never heard of him, and won at least two genuinely spontaneous standing ovations. If it were possible to keep him around for a while, I'm certain that word of mouth would swiftly turn Bobby Enriquez into a Chicago entertainment institution.

JAZZ NOTE: Good books about jazz are not that common, and Chi-cagoan Dempsey J. Travis' "An Autobiography of Black Jazz" Academy Chicago, $22.50 is definitely worth investigating. A loosely knit collection of reminiscences and interviews with such figures as Dizzy Gillespie, Art Hodes, Joe Williams and Billy Eckstine, "An Autobiography" focuses on Chicago from the 20s to the present and includes a great deal of valuable information about South Side clubs and ballrooms, all of which Travis presents with the kind of warmth and insight that comes only from firsthand experience. If you want to know what it was really like at the Club DeLisa, the Regal and the Savoy, Travis' book is essential reading. Public Invited RESTAURANT- RESERV.

985-3400 Thanksgiving Dinner feeling that they're being catered to. EQUALLY IMPORTANT is the peppy, almost cartoonish zeal of Enriquez's playing, which, to the degree that it says "I'm not really serious," serves to break down the barriers that normally arise when a crowd that's not very familiar with jazz encounters music that bears that label. When Enriquez plays the blues, as-he did on "After Hours," he's so "bluesy" that even Ramsey Lewis might blush. When he swings hard, as he did on almost every tune, one feels that a sign that reads "foot tap, baby" has just been turned on. And when he does something more flashy than usual, Enriquez always leaves room for what might be called "dig-me time," dramatically framing those moments as though he were saying to the audience, "Listen up now here comes the really incredi The Keller MBA Faculty? "They Practice What They Teach.

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Years Available:
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