The Los Angeles Times from Los Angeles, California • 111

Cos Angeles (Times Friday, No.ember 14, 1980 Part VI 1 3 and left. Naturally, nobody believes policeman Robert Forster when he says that's what happened to ha young partner, although we know this to be true. But then how did that alligator get to be so big in the first place? Sayles and Frank Ray Perilli, who collaborated on the original story, honor the requirements of plot but happily shift the emphasis to the likable Forster and his relationship with pretty, capable herpatologist Robin Riker, both of whom are delightful and relaxed under Teague's directioa "Alligator" gets lots of mileage out of Forster's thinning hair, and there's an easy going na Kk Zm. ED ARDS MMEnr miiiil Wil li mtm-tmm MUUUKI m-atf aae-aja-S il NEWPORT HARBON TWii n-r 6 jmi m-iwi a a. i aunt LIDO AsuMurt! HARBOR TWIN Mui town Ui li snrKOio ti f- 7H-lb1 S-J 5 MEIA mm.

1t 1, 1 .11 i.Hl'.il Mwan-a COAST WC04STP NUIIIMTOI mmmiHt irnxnuun tnn XwIC4lliwwtt CINEMA CT1 rfl Kjukt saii HUKTIWTOI mai jti ITtISi Mssa ai i m-Mm H)C 7UU-I10D iiHiHt-ara LOvmcMRttiMi turalness to Forster and Riker that makes them seem like one of the couples in The Return of the Secaucus Seven." Michael Gazzo is Forster's hard-pressed chief, MOVIE REVIEWS VIOLENCE FOR "MOTHER DAY' Mother's Day" (citywide) is the latest shocker to depict extreme violence against women on the screen. This tawdry little item, which is unrated, finds three young women on a camping trip who are kidnaped by a pair of doltish brothers and brought to a filthy cabin where the boys intend to rape, beat and strangle their victims all to the cackling delight of their crazed, aged mother. Only one of the young women gets the full treatment before her friends manage to escape, only to prepare an even more savage revenge. They ax one brother in the groin, force Drano down the other and smother the mother with a translucent plastic pillow in the shape of a woman's bosom. Despite such a horrifying vengeance, it's the brutal abduction that lingers in the mind.

It's been theorized that such violence against women represents a backlash against women's liberation. Whether or not this is the case, such a reaction is obviously abhorrent Any traces of talent and dark humor that might show through "Mother's Day" (Times-rated: Adults only) are drowned by the cynicism and horrendousness of the entire enterprise. In his feature directorial debut, Charles Kaufman (who wrote the script with Michael Leight) lets us know even before the credits what we're in for, greeting us with a murderous attack on a young couple that includes a graphic decapitation of the man. One wonders what Kaufman, havmg exploited totally degrading matenal to the hilt, hopes to do for an encore. KEVIN THOMAS 'ALLIGATOR' MIXES GORE, HUMOR Now that John Sayles' The Return of the Se-caucus Seven" has at last been released to raves on both coasts he will most likely never have to return to writing exploitation pictures like "Alligator" (citywide).

Yet he and director Lewis Teagtie he also directed Sayles' script for The Lady in Red" have nothing to apologize for in regard to "Alligator," which happens to be well made and lots of fun. While it has the genre's mandatory quota of death and destruction, it nevertheless is in refreshing contrast to the morbid, dehumanizing horror pictures that have been flooding drive-in screens of late. What makes "Alligator" a standout of its kind is a wonderfully saving sense of humor that does not patronize unsophisticated exploitation fans nor does it stint them on their expectation of chills and scares. However, "Alligator" shows how important a light touch and laughter are in depicting gore. Anyway, there's this 36-foot-long, alligator sloshing about the sewer system of an unnamed city that's started surfacing and gobbling up folks right Dean Jagger's a local malevolent tycoon and Jack Car ter and Henry Silva two key victims of the alligator.

In substance "Alligator" (R) is, of course, all stuff and nonsense, but it's tight, smart and looks good. It's the 7U I7V-4M1 kind of film that leaves you feeling certain that it's only lovtwcownMiKi CINEMA CTR. NVMUMI 7M f-141 UHtJU WUi Ootut fwu-i; a warm-up for bigger things from its makers. K.T. STAtTMCWBil! 1:50 Ontwpii mi run ii CINEMA CTR.

7UI I7V4U1 CIHtRM WEST I tM-am-w 7-00-40 1 7u.m lovM cownmr) 145 'ANYTHING GOES' FINALE SUNDAY LI- CINEMA WEST rT BRISTOL w-bai-w. KuuiBini TMiai-aa rw-uo-4S AVUUflPC) 7-00- CANTIIAail "Anything Goes," the Cole Porter musical at the Wil-shire Theater which stars Ginger Rogers and Sid Cae CINEMA WEST 7V4 MC 7444 liMI-B 7-00-J-15 sar, will have its final two performances Sunday at 2:30 and 7:30 p.m. The theater is located at 8440 Wilshire BRISTOL tnn-ttocArt. (7M) H0-1U4 Ova notvt 7U0 M0-1ltl) Blvd. For information: 852-1900.

HtM Ovif Lad Wooa WESidhOOK uimmnmm BRISTOL tnol-HaUrt 7U) MO-7444 BRISTOL FAM tOUAaill 16 AWUntMCItl MH Ovtr Lut WtM WESTBROOK uam 7 10-1 7U MO-7444 -llflO breeches-and-codpiece outfit he's often worn in the past, Anderson and his band were decked out in spartan white jumpsuits marked with the logo from their latest WOODBRIDCE irsarrvMiti 7 15-1050 album, FT. VALLEY OOMV UMI) 7HOj6 lovne coupusifo) l. ot Cuhv (714) S61-IX5S AUMtrOtll It! EOnaar (7W)-tS00 That album is Tull's best in some time. Forsaking his typical flights of fantasy for down-to-earth songs about WOODBRIDCE aiucatokd tao Borrona-CuKwr lOOCfT HAMlt I FT. VALLEY awhsiii ho international terrorism, labor relations and the like, An 7l-1 (7M) SSI-0K 1015 tmtL Um.

NUB HI IUUI'1 7U'aMS 715-11-00 derson wrote songs with more urgency and bite than WOODBRIDCE ysi bmna-Cm (714) i-oousocrrtiuDni(PC) tx anything he'd done in several years. VIEJO TWIN W00DBRID6E Barrua-CiMr WVAH KIUtllll (7MS61-( 7W-9-O0-10-55 But the show was far less encouraging. It's curious that a set leaning almost exclusively on songs from the last album would be so lifeless, but it was. A muddy S.D. Frwy To Ll Pu At Ctnann (7vt) too -am WOODBRIDCE Ra Shai Barranca -Cuhwr lOlMA(Et(C sound system turned many of the new tunes into un VIEJO TWIN I S.D.

Frwy. To Paz (714) S30-8WO GoMleHawn PttVATf BENJAMM(ft) (714) S51-0K4 pleasant messes, and what seemed punchy and concise on record was bloated and humdrum live. Although he's toned down the mugging, Anderson's onstage antics OtMNAir WofU STAITMC OVB(I) VIEJO MALL SO frwy a Crown Vtloy Phw. (7H) 4B-a220 ALHAMBRA ioocct Ha-nantlc 2e-3MI TW AWAKEMNG(R) VIEJO MALL AnHi seldom have seemed as pointless as they did Tuesday SO Frwy -Crow. Vol.

BWUU4T MANIPG) He constantly leapt onto platforms extending into the GOLD Mam-arlantlc AUKATOt t) 45-10 15 2te-3a61 IliMH ULBP) 8:30 audience for perfunctory solos. VIEJO MALL wviic toufusirci Frwy. -Crown Vol. The crowd greeted it all enthusiastically even the (714) 4-e220 MMfWKM WU(K EL REY kum-4th MOTHERS DAY 8:55 FADE TO IUa(l) 1M flashy but obnoxious solos from drummer Mark Craney 282 1404 guitarist John Evan and keyboardist Jobson but even SADDLEBACK though the show was being videotaped, they never AUISATOIjl) Ell Ot If Ui(PJ SvDWooFwy. Al El Tore M.

7Msi-seao TEMPLE UoTunu really went overboard; their enthusiasm was contained until Tull closed with oldies like "Bungle in the Jungle" Lord Olivier. In Billy Zoom's case, though, it was Jerry Lee Lewis. Zoom was returning to his pre-X style, rockabilly, for one informal evening as leader of a band, and not the least of the first set's pleasures was the surprising quality of Zoom's vocals. Though hardly original, Zoom's quivering baritone had a polish, assurance and sprightliness. Clearly, if hadn't happened along.

Zoom would be a major figure on L.A.'s rockabilly scene. Zoom was supported Monday on bass and rhythm guitar by former cohorts from that circuit, and on drums by X's Don Bonebrake, the Charlie Watts of this time and place. The group's cohesion and power made this music sound like more than a playful, one-night lark. The set was a balanced mix of familiar and obscure numbers, the most exciting being Eddie Cochran's jittery "Nervous Breakdown" and the most unlikely Conway Twitty's "It's Only Make Believe." Zoom was joined briefly by two outrageously pompadoured members of the Gears on backing vocals, and by rockabilly wildman Colin Winski for a couple of manic, jumping selections. And he never stopped smiling.

Second-billed Ella the Blacks is too obviously derivative in concept of New York's James White the Blacks to raise much interest, and the group's funk-cum-punk was too rhythmically haphazard to lock the listener into the groove. The lead singer's occasional earnest charm was offset by her pair of backup singers dancers, who projected nothing but smugness and artifice. -RICHARD CROMELIN JETHRO TULL AT SPORTS ARENA Few things in rock are quite as ritualized as a Jeth-ro Tull concert. It's been 12 years since Tull debuted, and by now all concerned know exactly what to do: Lead singerflutist Ian Anderson runs about the stage in a crouch raising his eyebrows and striking poses; everybody in the band takes a solo; the crowd gets appropriately hysterical over all the breathless flute solos and passages of pseudo-Elizabethan boogie. Of course, there were a few changes Tuesday at the Sports Arena, where Tull opened a two-night stand.

For one, Anderson didn't make any leering, suggestive gestures with his flute. He devoted more time than usual to spotlighting the band, a group of mostly new Tull members that included special guest Eddie Jobson and keyboards and violin. And instead of the medieval MMWmMTIMEIFG) 845 AaWlAI(PG)7)-1040 SADDLEBACK Koeeimumt-M SO Frwy -El Tore AWAIBMe(l) and the obligatory "Aqualung." fOOI-MOU to- RT.OU A good percentage of that crowd also had the sense to SADDLEBACK wr 8.0. Tom FAH TO Wall) stay in the lobbies during the opening set by White POP MUSIC REVIEWS CODE BLUE PERFORMS AT ROXY Code Blue, a local trio that has been moving toward national recognition with agonizing slowness but excellent chances, didn't stumble Monday night at the Roxy the band's first local club date since the release of its debut Warner Bros, album. In fact, the hour-long set not only demonstrated the band's potential, but also tautly and brilliantly communicated the essential electricity of rock music.

Even though it was only the fourth appearance with new bassist Joe Read, the band's stage prowess was more in evidence than ever. The center of Code Blue's sound is tall, lean guitarist-singer-writer Dean Chamberlain, whose quirky, tensely sprung manner has matured into one of current pop music's most fascinating presences. Monday night he was nothing short of sensational, his guitar firing out brilliant effects like a machine gun. Virtually every song bristled with excitement. Read and drummer Randall Marsh strongly support Chamberlain, though Read's vocal harmonies aren't yet as sharp as one would like.

Besides doing most of the songs from the album, the group also played an instrumental called "Spellbound" that lived up to its title and a fine version of Neil Young's "Mr. Soul." Oddly enough, the new single "Face to Face" was missing from the set. Adding new confidence and polish to its always stunning live act, however, has one drawback for the band: It shows, by contrast, how inadequate the production of the album is. Nevertheless, Chamberlain's stinging songs which synthesize influences as far apart as Jimi Hendrix and the Buzzcocks make that LP one of the year's best. But those who'd like to see Code Blue with all its virtues intact are advised to see the band when it plays Santa Monica Civic in December.

Opening act Paul Warren Explorer, who had seemingly improved a couple of months ago, distressingly regressed to his old, schizophrenic and sometimes ludicrous mixture of unoriginal new wave and overwrought blues. -TERRY ATKINSON BILLY ZOOM FINDS HIS VOICE As the guitarist of L.A.'s best and most popular band, Billy Zoom is rock n' roll's holy fool, wearing a perpetual, enigmatic smile, unreeling the thickly chorded fabric of X's sound with breathtaking effortlessness, and uttering not a word. They don't even put a microphone near him. Monday night at the Arena in Culver City, it was as if Harpo Marx finally spoke and came out sounding like rooi-ooou MONTEREY MALL OtDMAtr PEOrU() Atlantic South a 9:45 SADDLEBACK Tore 7Vt5f1-5M0 ABftAM(PG) mb XAHAMI(PC) 820 Sarvey 570-1026 snake. Led by former Deep Purple members Jon Lord, David Coverdale and Ian Paice, the band thrashed its way through a set of turgid, relentlessly oppressive ITS MY TUtN(l) M0NTFRFY MALL Jdm Hurt SADDLEBACK OfSCOTOIII) 8 5.0 Tore 400 Atlantic EUfHAITT raaMIPGI 570-W26 heavy metal.

Despite some scattered moments of Pur 7MSai-5M Ot GOM IOOK l(PG) 8:30 MONTEREY MALL SADDLEBACK mi tumi) To Toro IOVHG COUPUSIMS) ple-like drama, Whitesnake's white noise was enough to give the heavy-metal revival a bad name, and a lot of 4O0S AHanK IWJAMII() 9:00 570-1021 L0VK6 COOPUS(PG) (714) 541-5BN the crowd a headache. -STEVE POND 3 KNCEI PttCES FN STUTNTS I C1T1HNJ WTN INC CAM. 111! 01 II Wll Tl SUTK. SPECIAL ENCAGEMENTS UCIMH. 'FESTIVAL MEXICO' TO BE HELD AT DISNEYLAND "Festival Mexico," a salute to Mexican cultural and performing arts, will be held at Disneyland Saturday and Sunday.

Disneyland hours are 10 a.m.-6 p.m. on Wednesday through Friday and 9 a.m.-7 p.m. Saturday and Sunday; closed Monday and Tuesday. Information: (714) 999-4565. 81tf tissiagiwii pwrnr SATURDAY SUNDAY MATINEES 4 AT PUENTE HILLS, ROSE ME AD, HAWTHORNE, ORANGE, FASHION SQUARE Sea Directory Below For Show Tlmee I PUENTE HILLS Make the most of your world with The Times.

Hiwtioni 1 HtwthoflM At ElSwundo TK BOOGEY MAN(R) (213) 644-9761 (5:30 (J $1.75 PlHttWlSt 1 fawa-Coamo TNE BOOGEY MAN(R (213) 912-5394 (6:00 $1.75) tDOtil Plllll WlSl 2 UUGATOR(l (5:45 $1.75 Mktnlte Show Led Zeppelli TIE SONG REMARK THE SAME' Only at KM a.m Niwtkonii 2 AUWATOt(l) (5:45 $1.75 Sinatra, the movie actor. HiwthorM i 3 KU OR BE HLB(PG) (6:00 $1.75) 9:55 IttEAKER BREAKER (PG is back in town and in top form. PlIRll WlSt 3 Dennis ChrlstophM FADE TO BLACK(R) (6:00 $175)8: Mlonlto Show NoH Youn( "RUST NEVER SLEEPS" Only at 12:00 a WIII Charles Champlin, LA Times nlWINOrNI 4 Dennis Ctvistopngr FADE TO BLACI(R) (6:15 $1.75) I $1.75) KLLIOTT KASTNKR prcM-ms An ARTANIS-CINKMA VII PrnJuttkm John Hun ELEPHANT MAN(PG) (5:30 $175) MkkTlto Show RKMARD PRVOR CONCB1 Only at KM a -mm. i I i Rift)" Hiwthonii 5 Chrlstoonar nesvas SOMEWHERE TlMflPC) (6:15 $1.75) Frank Fsye Sinatra Dunaway Hiwlkorni 6 PiHtiWut5 (6:15 1 MOTHER'S DAY(R) $1.75 MOTEL KU(R) (5:30 $1.75) 9:45 AWAKENMujR PltRtlWlSt6 THE FIRST DEADLY SIN (I III I JONIIG No Tan-lrta Show ninii 1 LA HABRA Pllltl ElSl 7 Dolby Stent Azun-CokM TNE B4XMAKER(PG (213)912-8566 (5:15 $1.75) Pllltl ElSt 8 Mary Tyler Moore ORMNARY PEOflE(R (5:30 $1.75) Sq. 1 0633 Fashion (213) 691 THE IOOCEY MAN(I) (6:15 $1.75) Pllltl ElSt 9 FJoMie Hawn PRIVATE BENJAMM(R) (6:00 $1.75 MSRI0R Oil.

i Jill Clayburgh FTS MY TURN(R) (6:15 $1.75 PihIi Eist 10 Ctaytwrgh FtskloR Sq. 3 ITS MY TURN(R) (6:15 $1.75) John Hurt ELEPHANT MAAKPGI (5:30 $1.75) 1 CERRITOS Fashion Sq. 4 mm SOAVWRBKM Tuai(PC) 8:15 ROPSCOTa(R) (6:15 $1.75) 10:15 AlMin 1 (05 Frwy. at Mondra n. THE BOOGEY MANIR) (6:00 $1.75) tor (213) 924-5232 Aliiirt 2 Dennis Christopher She's searching ItAa(l) Pafamount Pictures Presents A Brcoksf ilms Productbn Anthony Hopkins and John Hurt asThe Elephant Man AnneBancroft JchnGielgud WendyHiller Music by John Morris Director of Photography Freddie Francis Executive Producer Stuart Cornfekj Screenptay by Christopher Defere Eric Bergren David Lynch FUi TO (5:30 $1.75) FABE TO ROSEMEAD Altiiri 3 for a miracle.

time (U OR BE KUB(PG) (5:15 $1.75) 8:45 BREAKER BREAKER (PG) Produced by Jonathan Sanger Directed by David Lynch Prjncrvtsion A Paramount Picture Rosmui 1 PGlfMEUm BUBAHCt SUGGESTED SS fflloaSTBa QMTII MAY HOT tlMTALI FOII CHtflMH is running out. Aloiiri 4 MCMLXXXby Paramount POures Corporatnn AN Ftcib Heserved 6 San Bom. Fwy. 573-9480 TK BOOGEY MAN(R) (6:30 $1.75) ARtPlANE(PG) (615 $1.75) 10:15 CABOYSNACK(R) 8:15 It Rosmni 2 ALLIGATOR (R! re ts a 1175' Aliiin 5 Chrlstooher Dams SOMEWHERE TIME(PG) (6:15 $1.75) ROSIRMI 3 Ul OR BE IU0( Alnin 6 LAEMMLE'S PLAZA Westwood 477-0097 Daily 1 30 3 15 5 40 8 00 10 25 Lalt Show FriSat 1 00 AM MANNS HOLLYWOOD Hollywood 463-9371 Daily 12 30 3:00 5 30 No Twt-Uto Show BREAKER BREAKER(PG) (6jO0 $1.75) 9:30 MANNS FOX Covina 332-0050 Mon-Fn6 00 8 20 10 30 Sal-Sun 1 30 3 45 6 00 8 20 10 20 GENERAL CINEMA'S SANTA ANITA Arcadia 445-6200 Daily 2 00 4 30 7 00 9 30 Starring James Whitmone David Dukes Brenda Vaccaro Martin Gabel and Anthony Zerbe DnvcKilln BRIAN HITTON Sarcnpto MANN Rl'BIN-Fmm Ihc novel by LAWRhNCh SANDI-RS Mihk- (KIRIXIN JKNKINS-PriKlural hv GKORGI-: PAPPAS and MARK SHANKIiR RosihnI 4 3 ORANGE ION(G) No Twl-IIM Show 8 00 10 20 Onifi Mill 1 Tusen-Qncoln TNE BOOGEY MAN(R) EDWARDS' CINEMA CENTER Costa Mesa (714) 979-4141 Fn 6 30 8 45 10 55 Sal 2 00 4 15 6 30 8 45 10 55 Sun I 00 3 15 5 30 7 45 10 10 MonThurs 7 15 9 30 UA CINEMAS Riverside (714) 689-8022 Daily: 2:15 4:45 7:15 9 45 MANNS BREA PLAZA Brea (714) 529-5339 Daily 1:00 3 15 5 30 00 10 20 EDWARDS' CINEMA WEST Westminster (714) 891-3935 Mon-Fn 7 00 9 15 Sal 1:00 3 15 5:45 8 15 10 30 Sun 1 00 3:15 5:40 8 00 10:15 EDWARDS' VIEJO MALL Mission Vieio (714) 495-6220 Kwuliw PIhImf. FRANK SINATRA and KLLIOTT KASTNLR naSTHICTIO HEAD THE BERKIEY BOOk (714) $1.76 UH BY MOVII1.AB C'AMhRA KM'IPMl VI HY WNAM.I.X RI.1.I-.ASH) BY AMC CENTRAL CITY San Bernardino (714) 884-1851 Set AMC Directory For Showlimes MANNS CONEJO Thousand Oaks (B05) 495-6760 Mon- Fn 5 45 8 00 '10 20 Sal -Sun I 00 3 20 5 45 8 00 10 20 MANNS ESPLANADE Oxnard (805) 485-2707 Daily 12 30 2 50 5 10 7 30 9 45 GENERAL CINEMA'S MONTCLAIR PLAZA Montclair (714) 624-8006 Daily 2 00 4:30 7 15 9 45 cinca Snows SUrt LUIUISJ aims.

SAN PEDRO DRIVE-IN San Pedro 832-4747 HI-WAY 31 DRIVE-IN Westminster (714) 891-3693 CCnwrHNfUHOwaylhi Comply MCMUM iUI WghW MrwB FMWUfflX Omgi Mill 2 alugatorir) 1SAK BERNARDINO I (5: a Ji.rai Omgi Mill 3 OIMK Sherman am UA TWIN CINEMAS Cerrilos 924-5514 Daily 2 00 4 7 15 9 45 AMC FASHION SQUARE La Habra 691-0633 Sm AMC Dirnclory For ShowUms EDWARDS' MONTEREY MALL CINEMA Monterey Park 570-1026 Mon-Thu 7:159 30 Fn 6 00 8 15 10 30 Sal-Sun 1 30 3 45 6 00 8 IS 10 30 AMC PUENTE HILLS EAST Puerile Hills 912-8566 Sm AMC Directory For Showtimei GENERAL CINEMA'S SHERMAN OAKS Sherman Oaks 986-9660 Daily 2:15 4:45 7:15 9:45 GENERAL CINEMA'S WOODLAND HILLS Woodland Hills 703-7571 Daily 2.00 4:30 7:10 9:30 MANNS OLD T0WNE Torrance 371-1221 Daily 12:30 2:00 5:30 8 00 10:30 UA MOVIES Long Beach 596-2751 Daily: 2:00 4:30 7:00 M1IIHKIKI UA. Cinema 822-2980 turn Saddleback (714) 581-5880 RAISE THE TtTANK(PG) (5:30 $1.75) 9:30 Plilt City Center Sherman Oaks (714)634-9282 986 9660 REDONDO REACH WMTTIU South Bay Wtiittwood 370 6396 943-6402 OniDI Mill 4 ML OR BE KUEO(PG) (6:15 $1.75) 9:55 HUNTINGTON INCH MNTCUII Edwards Twin Cinema (714)848-0388 (714)624-8006 MlUWOOt WESTWOOI Foi General Cinema's 463 2184 Avco Center 475 0711 DAILY 1:00 3T5 DAILY 12:30 3:00 5:30 8:00 10:20 PM 5:30 6:00 10:30 PM MCADM COSH MM Santa Anita Edwards Cinema 445-6200 Center (H) 99-4141 (I KITH MtTMIlH BREAKER BREAKER (PG Mon-FM 7:15 9:30 Sal-Sun 1 30 3:45 6:00 8:30 10:45 8: 15 CiRlrtl City 1 City Mai THE l)OLMAXER(PG) (714 8 11.75) 8tt)-to6 Cntral City 2 TNE BOOGEY MAN(R) (6:00 6 $1-75) Cmlral CltV 3 John Hurt ELEPHANT MANIPG) $1-76) Ciitrtl City 4 Mmm PR1VATI BENJAMM(R) (5:30 $1.75) WOODLAND HILLS Cinema 703 7571 Umil Rllll 3 Chrlstooher Fmve MiMewpain oa iim ni (0:10 l.ro) r.M-v.K HEMET PLAZA DE ORO Santa Barbara Heme! (714) 652-5951 (805) 682-4936 NO PASSES ACCEPTED FOR THIS ENOAOEMENT EAGLE ROCK PLAZA CINEDOME Glendale 254-9101 Orange (714) 634-2553 CAMELOT Palm Springs (714) 327-1273 imperial Valley (714)353-2200 Cinema Center 993 1711 SIMI VALLET TWENTY NINE PAIRS Simi Drive-In Starhte Drive-In 526-6824 367-7614 WESTLAHE Westlake Twin 889-2919 Omgi Mill 6 PALMSniNCS HALT) Village Rialto Cinema (714)325-6022 874 1844 SANTA IAIIAIA Granada (805)966-4045 No Twi-Ltta Show FAIMDALE Palace (805) 947-21 19 I.