The Los Angeles Times from Los Angeles, California • 75

lar worker ia a btrreaucra- es Jrif ff OflUl 13- 1 I.H. College Film Festival ciaL hall- located at 202.1 No. Western Avenue in Hollywood. Sponsored by the college alumnae Association, the series presents film dealing with impor-' tant problems faced by modern man. The first film, "Ikiru" (To live) by Jpnan's cele-brated Akira Kurosawa, deals with the alienation of a white col- 'Fair Lady' Movie Is a Total Triumph BY PHILIP K.

SCHEUEB Timti Metre Picture Rdttor NEW YORK Following some beautifally flowered titles, "My Fair Lady? went into the opening action in Convent Garden as raucously as the stage play cy. The series is planned around one Friday evening a month for October November, and December. After Film Rights Henry King is in New York conferring with playwright Lawrence Roman on the film rights to "P.S. I Love You." Starts Friday Sister Mary Corita, I.H.M., artist and Professor of Art at Immaculate Heart College, will inaugurate a film festival on Friday at 8 p.m. in the Immaculate Heart College so- IV Silent Movie The Silent Movie on N.

Fairfax is now tcreening Dolores De Rio's 1928 fiat, "Revenge" with comedies of Charlie Chaplin, Lionel Barrymore, Clyde Cook and Mabel Normand. 4-0411 BR, 2-9281 'iURreoppins aAOMAsrsi a MimoaeiiMa 44111 li VIM nVkC WlglllillilP'Wiii'llliiPIIW'lili mill Ill IIHHII millff llll Ml ATIONA A CORPORATION CALL THEATRE or CR. "IT'S MORE RECKLESS THAN JAMES BOND'S Wild as a runaway train -Mew nam- flLZi Walt Disney'sUJaJSHiNG weeki WW IMi llll IF ANDRFW1 niPK TECHNICOLOR STEREOPHONIC SOUND BEST 8EATINS AVAILABLE WEEKDAYS dious and moving "On the Street Where You Live," "Wouldn't It Be Loverly?" and, especially, "I've Grown Accustomed to Her Face" the professor's final, rueful capitulation to the loveliness of the ter-brained guttersnipe he has transformed into a lady. And the more spirited "Just You Wait, 'Enry 'Ig-gins," "Rain in Spain," You Did If "Without You" and "Show Me." Triumphant Entrances Harrison, already immortal in his part, has added to it, if anything, that extra dimension I men RLMWAYS II BIUHBGOOI teUSIIlllSCIEt: ICOLCRl uiTonifisrs REX HARRISON at Prof. Henry Higginu trie to teach Audrey Hepburn who playi Eliza Doolittle, the Cock-ney flower girl, how to speak properly in scene from My Fair Warner Bro.

film of Lerner-Loewe musical which will have its WtCoast premiere Wednesday night at Egyptian Theater in Hollywood. Philip K. Scheuer reviews film in column at left. a i BIBS! trite and heavy-handed script. France's "The Winner" turned out to be even a bigger disappointment.

About one-quarter of the audience left before the end of the documentary tvne film. -i IfTfflfllllltff WWW WWW STARLET UUUtft TCHISHT 830 P.M a una 4 mm 2 TftKfTftfisr fifflCC CI IT Mil Tkyv" 1 PACIRC8 SCDQECfl TKEATIE 5 TMKrt tattm ew.i-n I anrfaMa I I xetu.ivii.v- FOX it uctaMj TO JEAN-PMJL BELM0f0 SERVAIS ggjPE DEB.0CA mm. rotmmmctOP. r-r' PETER SELLERS mwMPfMaavaMMiiiiaaiHi 1 1 syti Hi Ii HA twWH AQOW OWN 1t SO DMLV Hi En: B0UWrS2 SI40NE ROOT Smr Mi Prata pfeentatnt does, and I had some misgivings about it since all this seemed even more hopped up in stereophonic sound than in person. But after a few more sequences I told myself that this $17 million movie decidedly deserves a "yes" verdict Then, later still I think it was the expression of touchingly desperate defiance on the face of Audrey Hepburn as she finally enunciated "The Rain in Spain Stays Mainly in the Plain" my estimation jumped to "great." And when the curtains came together at the finish of just three hours, three hours of Technicolored enchantment, I heard myself all but echoing Col.

Pickering's proud summation of Eliza Doolittle's performance as a duchess at the Embassy Ball, "a total triumph." The gala world premiere of "My Fair Lady took place Wednesday night at the Criterion Theater here just one week ahead of the Egyptian in Hollywood. Most of the principals involved were in attendance. The audience's verdict must have been much like mine; for this is a version that makes it possible for all to see more, 'hear more and find new delights in the nuances of character than at a routine performance on the stage. Delicate Direction Also, in the delicacy of George Cukor's direction and the plaving of Miss Hepburn as Eliza and Rex He la rrison as Prof. Higgins, felt a more cutting poignancy, something closer to the original "Pygmalion," than in the theater.

There is real profundity in this eternal conflict of the man-woman relationship, and this pair have illuminated it so brililantly that I am tempted to say it would stand up even without the endlessly inventive Ler-ner and Loewe score. But that is a sophistry; it already has stood up, of course, in Shaw's play. Actually, it still astonishes one to realize how tightly these songs more than a dozen of them are welded to the core of the narrsHw and tViP.ra rare- ly, if ever, happens to be a false-sounding word or phrase. They all here, those songs, two or three like "I Could Have Danced All Night" and "Poor Professor Higgins" seemingly further embellished. I did think "With a Little Bit O'Luck" went on too long, but that other jolly roundelay of Stanley Holloway as the roistering Alfred Doolittle, "Get Me to the Church on Time," comes off a3 a marvel of conception and execution.

Then there are the melo- erciiKivr Starts TOSSCRROW "IJUnW COMPLEAT NYMPHOMNIAC. TO QUOTE OmOBSERiTME WANTS It) LEAVE THE MARK OF HER DESIRE ON ma ceeaiiie wosut-jlnd mi goes fos all and all ages. tioned. And he is matched by Miss Hepburn in the acting her two trium- phant entrances, got up at last as the great lady, eliciting gasps of admiration for their beauty alone. She is unquestionably as superb in her way as Julie Andrews was in hers, but more elfin and hence more pitiable.

There may still be disappointment and resentment over producer Jack L. Warner's final choice but it's made now. Also, of course, Miss Hepburn's singing has been dubbed, mostly by Maml Nixon. The lip-matching is just about perfect. The other standouts are Wilfrid Hyde-White as Col.

Pickering, Holloway and Theodore Bikel as the linguistic expert plus Jeremy Britt, Gladys Cooper and Mona Washbourne. Design of the production by Cecil Beaton, as photographed by Harry Stradl-ing, reaches a new height in magnificence. Art director was Gene Allen. Frederick Loewa is credited for additional music (presumably mostly bridges), and Andre Previn for supervising and conducting it. The choreography is by Hermes Pan.

If a musical movie ha3 ever been pre-sold, this is it. But it is still wonderful to be able to report that the buyer need not beware. TVpVPttP Tc llOVvllL AO Prize Winner John Nevette, who plays director Lawrence Peters, in "Girls a' currently in its second month at the Ivar Theater in Hollywood, holds the Sam Le-vinson "Best Actor" award for his performance as Ben in "The The award was presented to him in 1963, as part of the Western Canada Drama Festival, held in Banff, Alberta, Canada. "RSMRKABLE ACADEMT AWARD 1 Jllm CStlVtll Disappointing SAN FRANCISCO (UPI) German and' French entries at the eighth annual San Fran- i Cisco Film Festival Tuesday night disappointed audience and critics alike. Germany presented "Encounter at Salzburg," starring Curt Jurgens as an industrialist dying of heart trouble.

Max Friedman directed the Peter Bamberger production. The film soon takes on overtones of a medieval morality play as the hero's only close friend, an actor, appears in the makeup he is using while performing in the annual Salzburg production of "Everyman." Both Jurgens and Victor De Kowaf as the actor are impressive, but they are overwhelmed by a LAST6 WEEKS i I JyPQOL TONIGHT 8:30 P.M. teuffm turn wm 10 t.n. I Smi. 12 Hot iitMtttd St PrfwmKM EVENINGS AT I 30 (EKtst Stt I I Sun I 00pm) MATS.

2:00 an Sun MATS. 1:30 1 OOpi. Silt TtckMt Hci Otlm Mid CrOW ot So Clrf. Music iJ7 Sa. HtM Slrttl Hid Mut.il AfKwt (hna MA.

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