The Los Angeles Times du lieu suivant : Los Angeles, California • 368

I VMJKSQEMeUeieaei WfMMM 'LADY IN CAGE'-SICK, OR DOES IT REFLECT SICKNESS OF OUR SOCIETY? fHKMM SNEwRS nKWTIJTS thewarliaf 1 i Jwr W77 iw ms mni rrrm mm ivihct tectwiicolou "Mm LUTHER DAVIS I rrri 1 MtTOMM mmmemu hoiivwooo tommim hum cuivucnr hh KASSOtS FIX im T0RRKCE EM5S STtfOlO KSGE4 1 10 44111 wtiJll mmm mm mm 1 rM31 7) F0 WtTWIT'Tm" 1 VUIMWO MtSTVHCtTIfl N. HOtLVWOOO BLCNDM! uirTftfc- VTtMrrr WUJttt WTOU a WTAl RDM tix vIn8r 1 It MM HM HS-Ml ia tHSia JTaS I roMa si I mmM.ll MilMMtl fim BHS S25-2M0 WiBI I UK nil I 10 4-1137 I pvuioiuiel, HMrmm auir nam mamia ceTAiwn timniri mmuM WHimnt Two" msfieu 'cinema 1 mi ii6 aimx mrm mt 1774 ws-3io2 ntm I mode thm piciure I've ever aeen. Ifa wcs than T. S. Eliot fit hi lest!" "I didn't know It was possible to be so moved, 10 repelled, so terrified, and so intellectually stimulated by a mo ie." "I may never go out after dark alone again.

I may not ever even ride in in elevator alone again." "lJiavo!" "Drop dead:" These are comments from preview cards of "luiy in a Cage," at our very first "sneak" in Santa a a a we had not Wuined the audience of the nature of the film, except to say that it was 'recommended for a man got up Jn the middle of the picture and telephoned the police. At the end there wal excited applause and then a few jx'ople started hise-mg which caused the to increase which caused more hlse-iiig. Afterward there waa a f.ght in the parking lot between two college 1u-n i discussing" the pcKire; Olivia de star, was stopped in the lobby by an angry who asked: Ilow i ou be in ft dck ti iv like that?" 1 at knowledge thit it's Mtk but I believe the vi is sick. 1 admit that so 1 nt, but so am atvi I think the chancea ih.it you are, tto, v. cr fre.

of course we're not all a-- cnal a uhe people in in a Cage iJid we re not all as materia- 'i i and epex'entric at my 1 a i character who is stuck in a private a tor in her own house biit then not all women in in 1856 were lcniiintic and promiscuouJ as Ktnma Art (Davis is outhor-produe-er of thl controversial Paramount production, 'Lady in Cage starring Olivia de Havilland.) I conceived 'Lady in a Cage" in New York, in the heat of fummer, end in a Stat of something very close to shock. It was nearly five years ago Aug. 17, 1959. Many New Yorkers will ie-m ember that day, becaux the electricity failed in a wide area in uptown Manhattan. It was on again by 11 that night, but by then the police commissioner had seen fit to call up en extra 2,000 patrolmen, and mugging and violence had occurred throughout the area.

A woman I knew was stuck in a small eeml-pri-vate elevator in a house on the upper East Side. Suf-f i eamewhat from claustrophobia, the calied for help for almost fnt hours; finally lwo beys heard her and got flashlights and helped her craw 1 out the top of the cage. Then they raped her. The expression in thnt woman' eyei when she told about it was in my mind when 1 wrote Mady in a Cage," and it's in my mind now, and sometimes I think we succeed in communicating it to e-p-cially sensitive mtmlrs of our audiences. It may well be the symbol of our times.

I think of it as "the Hiroshima look, but could also K-thought of as the Romero look, or the Kitty Genovese look. "It's not a movie, it's a cobra about to stiike." "If thU i the way you think people ere, why don't you just kill yourselves and get it over with?" "The moat ehotlving Hra Disney I THE THREE LIVES OF TECHNICOLOR" -A 4 I I llCTO' 1 R1ALTO Look to tt nri INGLEWOCD lint At Hit Thuttes HOUDAV SOUTHSIDE FOX nc Ml 1 niv bay Culver yDrN Rum CBOWN TOWtH Uncensired Version. ADULTS! STANLEY KPAMtR ihnt 2 HO mm 2 0or. 8.00 P.M. mm 1 tainxM I 1 iiMMii TICKCTS ITt Off (Ct tun FACinc JUMitTttVAS- H0 6J401 hen ixcvrl i iwo CVNGP? mMIMlUMrl blush I Ohio.

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