The Los Angeles Times du lieu suivant : Los Angeles, California • 121

Sandburg Will MUSIC THIS WEEK Thursday Jascha Heifetz, violinist Royce Hall, UCLA, 1 -P i If v- i 1 -r it- -1 i Los gngcleg Cimcg sunday, oct. 7, 1 951-Pcrt 7 Tie SOUNDING BOARD Bf ALBERT GOLDBERG Philharmonic Orchestra Programs Today William Van den Burg, cello; Shibley Boyes, pi ano. County Museum, 3. Paganini String Quartet Pasa dena Playhouse, 3:30. Donald Coates, organist Community Methodist Church of Westwood, 5.

Isabel Morse. Jones memorial concert Musicians Association Building, 5:30. Richard Ellsasser, organist Wilshire Methodist Church, 7:30. Chamber music concert. First Unitarian Church, 8:15.

Yoichi Hiraoka, xylophonist, Wilshire Ebell Theater, 8:30. Santa Monica Civic Symphony Orchestra, Arthur Lange con ducting; Michael Mann, violinist; Yaltah Menuhin, pianist Bar-num Hall, Santa Monica, 8:30. Monday Evenings on the Roof. West Hollywood Auditorium, 8:30. Los Angeles Conservatory in "I Pagliacci" and "Cavalleria Rusticana." Wilshire Ebell Theater, 8:30.

Tuesday Waldo Winger, baritone. Royce Hall, UCLA, noon. Thomas Mann's Son Will Make Debut Michael Mann, violist son of Novelist Thomas Mann, will make his American debut as soloist with the Santa Monica Civic Symphony Orchestra in Barnum HalL Santa Monica, at 8:30 tonight He will play a Viola Concerto in Major by Stamitz. Yaltah Menuhin, pianist, will play Mozart's Concerto in Major. Arthur Lange will conduct The orchestral program will include Schubert's Second Symphony.

Admission is free. Museum Concert Will Offer Beethoven Works The second free concert featuring the cycle of Beethoven Sonatas for cello and piano, will be given at Los Angeles County Museum at 3 p-m. today. The program will be performed by William Van den Burg, cello, and Shibley Boyes, piano. "Pastoral" (Beethoven); from Dance of the Seven Veils to end of opera "Salome" (Strauss).

Not. 29-30 Friedrich Gulda, pianist. Overture, "Timon in Athens" (David Diamond); Symphony No. 104 (Haydn); Variations, Chaconne and Finale (Norman Dello Joio); Concerto for piano and orchestra No. 3, Minor (Beethoven).

Dec 13-14 Gregor Piatigor-sky, cellist. Symphony No. 3, Flat Major, "Rhenish" (Schumann); Concerto for cello and orchestra, Major (Haydn); "Le Sacre du Printemps," (Stravinsky). Jan. 3-4 Guiomar Novaes DIPLOMA- GRANTED I Mm mnd Wem wh ts4y Moil Coop Blew far FREE SAMPLE IESSON AND DESCRIPTIVE BOOKLET Na elM.

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Hill Straat VA 7121 333 Plaza, Saa Dia Fftanklia 52 STENOTVPE (Stenograph! CERTIFIED SCHOOl SECRETARIAL COURT RtPORTINB Approved far Vataram) BRYAN SCHOOLS 4M S. Spring MU. 2210 mm mm aillBWB" t- i mmiii i rr nr- tir-" i Mnii i 18TH CENTURY OPERA CHARACTERS Bidu Sayao in title role of "Manon," and Lorenzo Alvary as Baron Ochsjn "Der RosenkavaUer. Both operas ivill be given during San Francisco Opera season in Shrine Auditorium, opening Tuesday, Oct. 23.

Opera Season Will Mark 50th Verdi Anniversary- Open Parries Concert Series Irwin Parnes will open the ninth season of his Independ ent Concert Series on Sunday, Nov. 11, with Carl Sandburg, noted poet' and folklorist, In a program of American folk songs at the new Sartu Theater. The series will also include Todd Duncan, baritone, Philhar monic Auditorium, Sunday after noon, Jan. 13; Anna Maria Al-berghetti, 15-year-old coloratura, Philharmonic Auditorium, Wednesday, Jan. 30; Susan Reed, with, her zither and Irish harp, Sunday, Feb.

10, Wilshire Ebell Theater; Ellabelle Davis, sopra no, and Lawrence Winters, baritone, in joint recital, Philharmonic Auditorium, Sunday aft- I ernoon, Feb. 24, and Richard Tucker, tenor, Philharmonic Au ditorium, Wednesday, Feb. 27. Others scheduled are Riccardo Odnoposoff, violinist, Wilshire Ebell, Sunday, March the fifth annual International Folk Dance Festival, Philharmonic Auditorium, Saturday, March 29; Jean Leon Destine and his troupe of Haitian dancers and percussion ists, Wilshire Ebell Theater, Wednesday, April Mata and Hari, dance satirists, Wilshire Ebell Jan. 27, and Jose Limon and his dance company, place and date of performance to be announced later.

HEIFETZ PLANS UCLA RECITAL Jascha Heifetx will give a violin recital to inaugurate the 1951-52 UCLA concert series in Royce Hall, UCLA, at 8:30 p.m. Thursday. He will play the Allegro from Mozart's Divertimento No. 17 in Major, Handel's Sonata in Major and Grieg's Sonata in Minor. After intermission he will be heard in "II pleure dans mon coeur by Debussy-Hartmann, Presto by Poul-enc, two Gershwin trans-scriptions "Bess, You Is My Woman Now" and "Tempo di Blues" and the Concerto No.

5 by Vieux-temps. Hiraoka Returning to American Stage After Nine Years Yoichi Hiraoka, Japanese xylophonist will return to the American concert stage after an absence of nine years in a recital at Wilshire Ebell at 8:30 tonight He has given concerts in Town Hall in New York and appeared with several symphony orchestras. His program lists Bhort pieces by Mozart, Rameau, Schubert and Boccherrini, Bach's Suite in Minor, a suite by the recital- 1st on themes from Bizet's "Car men," and a few Japanese airs. Ellsasser Begins Final Bach Recitals Tonight Richard Ellsasser will complete his recitals of all the organ works of J. S.

Bach, with a fifth series beginning tonight at 7:30 in Wilshire Methodist Church. Tonight's program includes a Prelude and Fugue, six miscellaneous Chorale-Preludes, and the Toccata, Adagio and Fugue in The Cathedral Choir will sing Bach's "Reformation" Cantata, No. 79. Oliver HINSDELL STUDIO OF THE THEATRE Stage Screen Radio TV practical experience In acting, under personal guidance, preparatory to a professional career 1142 glandon los angales 24 or. 9 6211 att.

1936 BALLET SCHOOL write an opera for St. Petersburg. "La Forza Del Destino" (to be heard here as the Saturday matinee, Oct. 27) was the result. Verdi virtually had retired when by a happy chance he became friendly with Arrigo Boito, composer of "Mefistofele." With Boito as his librettist he produced "Otello" (due here Thursday night Nov.

1). This opera has been acclaimed by some as "the most remarkable of all operas," not the least remarkable part being the fact that Verdi wrote it when he was 70. can be aMtiked Become a Medical Assistant You can qualify in six months Soloists and guest conductors can add superficial luster to a symphony season, but the thing that counts is the music that is played. For the 33rd season of the Los Angeles Philharmonic Orchestra, Musical Director Alfred Wallenstein has assembled an altogether noteworthy set of programs -which combines the tried and the familiar with the new and progressive in what in advance appears to be canny and well-balanced proportion. The most imposing items of the new season will, of course, be Berlioz's dramatic symphony, "Romeo and Juliet," which has never before been played here in its entirety, and Beethoven's lofty "Missa Solemn-ls," which will be heard at the closing concerts of the season.

And not far behind these in scope will be a concert perform-apce of at least half of Richard Strauss' "Salome," beginning with the Dance of the Seven Veils and continuing to the end of the opera. Berlioz's lifelong preoccupation with Shakespeare began when he saw his future wife, Henriette Smithson, play Ophelia in "Hamlet" with an English company that was visiting Paris. It was an interest that eventually led not only to "Romeo and Juliet" but also to the "King Lear" overture, the opera "Beatrice and Benedict," and a Funeral March for "Hamlet." TOOK SEVEN YEARS Beethoven's great "Missa So-lemnis" was originally planned by the composer to be performed at the enthronement of his patron, the Archduke Rudolph, as Archbishop of Olmutz. But as he worked at the score it grew in scope and size to such an extent that it was not completed until seven years after the event for which it was planned had taken place. One of the features of Mr.

Wallenstein's programs will be an unusually large representation of works by leading American composers. These will include Aaron Copland's Clarinet Concerto, which was originally composed for Benny Goodman; Variations, Chaconne and Finale by Norman Dello Joio, a composer new to Philharmonic programs but whose first works were performed by Mr. Wallen-Etein during his days as musical director of WOR in New York; William Schuman's choreographic poem "Judith," written on commission of the Louisville Philharmonic Orchestra and danced by Martha Graham; David Diamond's overture "Timon of Athens," called "a symphonic portrait after Shakespeare," and Variations on the 17th century German chorale "Lobe den Herren," by Wilbur Chenoweth, Santa Monica composer and pianist. Among composers not previously known here and to date little played in this country will be Werner Egk, a contemporary German, to be represented by a suite from his ballet "Abrax-os," and the Swiss Frank Martin, whose "Petite Symphonie Concertante" is written for the unusual combination of harp, harpsichord, piano and two string orchestras. Other contemporary works to be heard here for the first time will include Bartok's Concerto for viola, Benjamin Britten's song cycle "Les Illuminations," Respighi's Concerto Gregoriano for violin, a set of songs by Ravel to poems of Mallarme, Korn-gold's Violin Concerto, and Lord Berner's "The Triumph of Neptune." COMPLETE PROGRAM Complete programs and soloists for the season are as follows: Nov.

15-16 Kalman Bloch, clarinet soloist. Trumpet Voluntary (Purcell, arranged by Sir Henry Wood); "Dido and Aeneas' (Purcell, arranged by Caillet); Concerto for clarinet and orchestra (Copland); "Bacchus et Ariane," ballet suite No. 2 (Roussel); Symphony No. 4, Minor (Brahms). Xov.

22-23 Astrid Varnay, soprano; Claramae Turner, contralto; Frederick Jagel, tenor. Overture No. 3, major (Bach); Symphony No. 6, Major, Our courses offer actual experience in all phases of medical assisting such as laboratory and x-ray work, sterilization, medications, and all other duties of a well qualified office nurse. Our sixteen years of experience training medical assistants, laboratory and x-ray technicians assures a constant demand for our graduates.

For the four Verdi operas to be given during the coming op era season the principals will be Lily. Pons in both "Traviata" and "Rigoletto," Jan Peerce and "La Forza del Robert Weede (in all except and Herva Nelli (making her Los Angeles debut in "La Forza del Destino" and also appearing in REVIEWS of a minutely detailed concert performance as against a vigor ous but less meticulous stage presentation. Von Karajan's tempi are brisk, and it all comes off with gemlike precision. Previtali takes much more accom modating tempi and the ensem bles often fall short of perfec tion. The vocal honors also belong to the Viennese.

There is some extraordinarily lovely singing by Schwarzkopf and Seefried, the Figaro of Kunz is unexpectedly lyrical, and George London's Count is a joy after the manhandling the role nas re ceived in late Metropolitan and San Francisco productions. The Italians stress the text much more than the Viennese who also sing in the original Italian and if the result is less pure Mozart, it is more dramatic. Tajo gets at the sense of Figaro, though he barks about as much as he sings, and Bruscantini's Count Is very good. The women, except for Gatti's Countess, are only routine, and mostly mistake Mozart for Verdi. A.

G. The 50th anniversary of Gui-seppe Verdi'g death prompted Gaetano Merola, general director of the San Francisco Opera Company, to have that great composer dominate the 1951 season. The 15th Los Angeles series of the company will start Tuesday night, Oct 23, In Shrine The Verdi operas selected for the season here represent the Italian master in several phases of his musical development. "La Traviata," which opens the season here, is coupled with "Rigo-letto" (Nov. 3).

They were written in the early 1850s and then were considered somewhat revolutionary in both subject and musical creativeness. For a period in his life Verdi went into politics and even served in the Italian Senate. He became disgusted with politics and following that portion of his career he was commissioned to RECORD Mozart: "The Marriage of Fi garo;" Erich Kunz (Figaro); Irm- gard Seefried (Susanna); Marjan Russ (Dr. Bartolo); Elisabeth Hongen (Marcellina); Sena Ju-rinac (Cherubino); George London (Count Almaviva); Erich Majkut (Don Basilio); Elisabeth Schwarzkopf (Countess Alma viva); Rosl Schwaiger (Barba- rlna); Vienna State Opera Chorus, and Vienna Philharmonic Orchestra, Herbert von Karajan conducting -(Columbia, SL-114, three 12-inch LP records). Mozart: "The Marriage of Figaro;" Italo Tajo (Figaro); Alda Nonl (Susanna); Fernando Co-rena (Dr.

Bartolo); Miti Truc- cato Pace (Marcellina); Jolando Gardino (Cherubino); Sesto Bruscantini (Count Almaviva); Angelo Mercurial! (Don Basilio); Graziella Sciutti (Barbarina); orchestra and chorus of Radio Italiana, Fernando Previtali con ducting (Cetra-Soria 1219, three 12-inch LP records). In the interests of honesty and accuracy not to mention fair trade practices recording compames should decide just what constitutes a "complete" opera. Although both Columbia's recording of "The Marriage of: Figaro" with Vienna State Opera 1 forces, and Cetra-Soria's simul-i taneous release with Italian singers occupy six LP sides, the latter runs nearly a half -hour longer. This discrepancy is oc casioned by Columbia omis sion of all the recitatives that are not accompanied by orchestra, as well as the fourth act arias of Marcellina and Basilio. Cetra-Soria also omits these which are likewise usually left out of current stage performances and makes a few minor cuts in the recitatives.

The difference in effect between the two versions is that pcomied Your first position is a paid position secured by the school at no cost to you. Enrol! in November, earn a salary in May. All classes, day and evening start November 5. Enrollment now open. pianist.

Concerto Grosso, Minor (Vivaldi-Mistowski); Concerto for piano and orchestra No. 2, Minor (Chopin); Symphony No. 2, Major (Sibelius). Jan. 10-11 David Frisina, violinist.

"Sinf onia India" (Chavez); Concerto Gregoriano for violin and orchestra (Respighi); Symphony No. 7, Major (Schubert). Jan. 17-18 i Sym phonie Concertante (Frank Martin); Variations on an Original Theme. "Enigma" fEl- gar); Symphony No.

5, Minor liscnaiKowskl). Jan. 24-25 Nan Merriman, mezzo-soprano; David Lloyd, tenor, and Desire Lieeti, bass. Dramatic Symphony, "Romeo and Juliet" (Berlioz). Jan.

31-Feb. 1 William Primrose, violist. Overture to The Magic Flute" (Mozart); Siegfried Idyll" (Wagner); Concerto for viola and orchestra (Bartok); Symphony No. 2, Major (Schumann). Feb.

14-15 Benno Moisei- witsch, pianist. Symphony, Major, "Jupiter" (Mozart): "Ju dith" (William Schuman); Con certo for piano and orchestra, No. 5, "Emperor" (Beethoven). Feb. 21-22 Nathan Milstein, violinist.

Variations on a 17th century German chorale, "Lobe den Herren" (Chenoweth); Symphony No. 2, Minor (Dvorak); Concerto for -violin and orchestra, Major (Beethoven). Feb. 28-29 Sir Thomas Beecham, guest conductor. Symphony No.

103 (Haydn); "The Triumph of Neptune" (Lord Berners); Symphony No. 8, Minor, "Unfinished (Schu bert); "On Hearing the First Cuckoo in (Delius): "Corsair" Overture (Berlioz). March 6-7 Suzanne Danco, soprano. Symphony No. 4, Flat Major, (Beethoven); "Les Illuminations" for soprano and string orchestra (Britten) "Nuages" and "Fetes (Debus sy); Mallarme Songs (Ravel); dances from "The Three Cor nered Hat" (De Fala).

March 20-21 Zino Frances- catti, violinist. Concerto for vio lin and orchestra, A Minor (Bach); Symphony No. 5, Flat (Sibelius) "Abraxos" suite (Werner Egk); Concerto for violin and orchestra No. 3, Minor (Saint-Saens). March 27-28 Paul Paray, guest conductor.

"Coriolanus" Overture (Beethoven); Symphony No. 1, Major (Beethoven); "Symphonie Fantastique" (Berlioz). April 3-4 Jascha Heifetz, violinist. "Traeic" overture (Brahms); Violin Concerto No. 5, A Major (Mozart); Toccata, Adagio and Fugue, Major (Bach, arranged by Leo Wei- ner); "Fountains of Rome" (Respighi); Concerto for vio lin (Korngold).

April 10-11 "Herzlich tut mir verlangen (Bach, arranged by Eric DeLamarter); Symphony No. 3, Minor (Saint-Saens); Prelude to Act I "Parsifal," Good Friday Spell from "Parsifal" and Daybreak and Siegfried's Rhine Journey from "Gotterdammerung" (Wagner). April 17-18 Eilleen Farrell, Jan Peerce, George London, Claramae Turner, soloists. Mass in (Missa Solemnis) (Beethoven). SPANISH AS YOU LIKE JTI JOSE J.

MENDOZA )0ZA nal In- I Spanish. I 21JI Pfrvm-vliied eonrtloni! st ruction, exclusively Clam and nrlvmTn lMwtn o36 South Serrano DU. 3-4721 1 MUSIC EDITOR Isabel Jones9 Memory Will Be Honored Friends and associates of the late Isabel Morse Jones, former Times music editor, who passed away in Rome Sept. 4, will pay her. tribute with a memorial program at 5:30 p.m.

today in the auditorium of the Musicians Association Building, 817 Vine Hollywood. Participants will Include the Roger Wagner Chorale, the Hol lywood String Quartet, Shibley Boyes, pianist, and Muriel Max well, mezzo-soprano. Speakers will be County Supervisor John Anson Ford, Mrs. Leiland Ather- ton Irish and Dr. Ernest Holmes.

Evenings on Roof Concert Series Opening Tomorrow Evenings on the Roof will open the Series concerts of its 14th session tomorrow at 8:30 p.m. in West Hollywood Auditorium. Eudice Shapiro, violinist, and Shibley Boyes, pianist, will perform sonatas by Mozart A major, K. 305; B-fiat major, K. 454; major, K.

306; and A major, K. 526 and, with Victor Gottlieb, cellist, the Trio for violin, cello and piano by Ravel. The Roofs new County-owned hall is located at 647 San Vi cente between Melrose Ave. and "Santa Monica Blvd. 'Cavalleria Rusticana, 'Pagliacc? at Ebell The Los Angeles Conservatory of Music and Arts will present Cavalleria Rusticana" and "I Pagliacci" in English at the Wilshire Ebell Theater at 8:30 p.m.

tomorrow. The former will be sung by Jean Chaffee, William Rosenblatt, William Matchan, Mary Gudelj and Suzanne Coray. The cast of "Pagliacci" includes John Lombardi, Conrad Schultz, Marcella Reale, Harold Gordon and Pat FarwelL Herbert Weis- kopf will conduct and Glynn Ross will be stage director. COLEMAN UNIT TO OPEN SEASON The Coleman Chamber Music Association of Pasadena will open its 48th annual season at Pasadena Playhouse today at 3:30, presenting as the first of six events the Paganini String Quartet. The program will consist of Haydn's Quartet Opus 54 No.

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