The Los Angeles Times from Los Angeles, California • 31

SUNDAY MORNING. 'AUGUST 13, 1933. PART II. 5 Reviews of Local Music and Art Romantic History of Spain Made Vivid by Luisa Espinel Public and Critic View Laguna Art Two Ways Painting at Which Visitors Shy Held Best Work in Beach Exhibit; Writer Seeks Reason for Public's Disinterest BY ARTHUR MILLIER Folklore of Mexico, the Southwest, Cuba South America, Brought to Life by Scion of Old Border Family BY ISABEL MORSE JONES Spain and its tributaries, Mexico, Sea come Negro Panaminian songs It sometimes happens that the the Southwest of the United States quite new to California and at the Cuba, South America and Panama end Espinel will sing the kj-dsv majority of visitors to an art exhibition Instinctively avoid looking have been called "The Land of Joy.1 skeaches which characterize Spain ior most people. A musical revue was produced In New York once upon a time with that title and La Argentina was in "Saeta" is the greatest of these for it is an inspiration from the cast.

Spain is truly a land of happiness but the undercurrent memorable procession in Seville when the image of the Virgin was carried at the best work of art in the show. I watched this happen in the August exhibition of the Laguna Beach Art Association. Weighing one picture against another I was always drawn back to a painting by Robert Gilbert, young artist of Santa Ana. The numerous visitors, almost without exception, looked carefully at the landscape on its right, skipped the Gilbert and paused before its left- out into the streets at 2 o'clock in the morning amid the sweet scent which gives it character is the sorrow and the tragedy of the gypsy, Colored with magenta and bright of thousands of orange blossoms, ened by the flash of white teeth and Even the language is the gypsy ar dark, smooth skins, the pageantry got and the story is, naturally, of love and surpassing sorrow. The of Spanish life has sprung up Having lived and worked in industry he felt deeply the poetic quality of the forces which are molding our civilization.

He then composed his workers, buildings, tools and other elements, taken from industrial life, into a symphonic whole. The result is a poetic statement, warm through the artist's absorption in his subject, complete because recomposed in even its smallest details. This is different from the more usual practice of copying a scene in nature with a few minor adjustments to improve the composition. Painters have so mal-trained the average visitor that he looks, not for pictures, but for imitations of nature. Well, it's too bad, but the visitors do catch up in time.

OTHER GOOD PICTURES There is no intention here to suggest that there are no other good pictures in the show, for there are several. There is the superb draw around us in California with in mantilla Espinel uses has been hand neighbor. u.r- v' Z2 handed down through the centuries creasing power since 1554, when the first Spaniard landed at Point since Arab blood first mixed with The Gilbert picture is entitled Industrial Composition." and shows Loin a. the Flamenco of Spain. three men engaged in welding a Friday's concert at the Greek Forty years before Plymouth Rock made history, the Spaniards i.

3 Theater will be Esplnel's only pipe line with an acetylene torch in a setting of industrial buildings with founded Santa Fe, N. M. Not over concert here this summer. She tools ui the foreground and a 1200 Spaniards settled California but leaves soon for a concert tour of Mexico, Cuba and Porto Rico. Espinel has been a concert favorite the mark upon our architecture, romantic history and culture is far deeper than that of New England today.

Over near the border of green acetylene pressure cylinder occupying a prominent place in the painting. SUBJECT ONE REASON The subject, of course, is one rea-1 here since her first American tour in 1928 under the auspices of the In stituto de las Espanas. Her ac Arizona and Mexico, with land partly in one country and partly in son people shy. In life or art it the other, there settled in those companist Friday night will be Earl Voorhies, who also will contribute Spanish piano numbers to the program. Following is the complete program.

1. Espsna Orever Luisa Espinel 3. Malaguena Lecuona Earl Voorbln A :f.w., 't I A il i 1 i- 3. Que Dulre es el Arr. by Voorhlei La Alondra Arr.

br Voorhies S. Yaravl from Ecuador ante-Mayflower days a Spanish family whose influence has come down in the history of the Southwest. One of the daughters is now ft gifted exponent of Spanish folklore; Luisa Espinel. Passionately In love with the romantic history of her people, Espinel has spent her life singing, dancing, studying and listening to Spaniards, Mexicans, Cubans, Panamanians and South Americans. The Spanish universities recognize her ability as an interpreter of these people by making her the official representative of Hispanic culture in the United States.

OLD-TIMERS WON BY HER Old California has yielded treasures of stories, songs and costumes lor the Espinel programs and everywhere she sings some descendant of a proud race will be won by her sincerity and artistry to teach her more of the romantic history of 6. Chacarera from Argentina Luisa Espinel 7. Anoranza Granados Erl Voorhies Romance de la Mano Muerla Luisa Intermission 9. TUi Lindoi Oooa Arr hw Unix has never occurred to most people to face industrial buildings as they face a picturesque church or a ruined, thatched farmhouse. Probably the first windmills in Holland were not regarded as fit pictorial material because they were "mechanical" Instead of "artistic." Most of us just drive by modern factory buildings which we regard as an unpleasant necessity of our age good for making money but not good for making art.

This picture shows man using the tools by which our civilization is supported. Just as surely as Millet's "Man With the Hoe" showed basic labor in the fifties. His peasants were at first anything but popular. There is no intention to compare Gilbert and Millet, but merely to draw an analogy between the subjects. But it ls not only the subject of "Industrial Composition" from which people shy the treatment has much to do with it.

Just painting industrial scenes to be "modern" is not to make art. Fields and trees were here first ifJt'S PROMISED TREATS IN CONCERT AND OPERA ing in R. Goldbeck's nude dancer, the full, sensuous color in Irene B. Robinson's window scene, the fine composition and lighting of Clarence K. Hinkle's "The Cove," the good color In the late William Swift Daniell's "Harvest Time," the "go" in Karl Yens's "Tribute of the Sea," the graceful tree design in William Wendt's "Friendly Trees," and Aaron Kilpatrick's "The Old Guard," the austere architectural treatment of Everett Gee Jackson's "Girls With Palm," the charming color in Elanor Colburn's "New Earth." If I have turned this into a sort of object lesson, it is because it so often happens that the best work of art, at first, is the one least appreciated.

This is because people do not really look at pictures. They look, instead, for reflections of what they have themselves seen in nature. You cannot really enjoy pictures that way any more than you can enjoy music. The greatest value of organizations like the Laguna Beach Art Association Is that they provide a means whereby exceptional talent can emerge. That ls the basis on which the California Art Club has retained its supremacy, by keeping open this necessary avenue to new talent.

If Mr. Gilbert continues to paint pictures of this quality (Mr. Louis Danz, president of the association, 10. Firolera Arr. by Bojres Espinel 11.

Tamo Bracilero T.evr Luisa. Espinel, Spanish diseuse, dances and sings her rare Latin songs at the Greek Theater Friday; Grace Moore and Lawrence Tibbett will again be co-stars in Los Angeles when they sing in "Pagliacci" and "Emperor Jones," respectively, at the Shrine Auditorium this October; Elois Rawitzer of Santa Monica, coloratura and youthful, sings today at Hollywood Bowl's "twilight symphony." Hans Blech-schmidt will conduct the Bowl orchestra Tuesday night; Martin Black is the young violinist to be fceard as soloist at the Bowl next Sunday afternoon, and Alfred Mirovitch will play a two-piano concerto there soon. 12. Pasia, Paua Qaviao Vllla-Loboj Earl Voorhies 13. Paloma Blanra from Ouatemala 14.

Mejorana from Pimmi Luisa Espinel Hollywood Bowl Programs of Coming Week Announced Words and Music BV ISABEL MORSE JONES Brush Strokes BY ARTHUR MILLIER 15. Andaluia De Falla Earl Voorhies 16. Oyosr Group: El riorero Panel! fiaeta Anonymous na Garcia-Lorca Sequidilla Sevlllnna Luisa Espinel Ossip Gabrilowitsch returns to the conductor's stand in the Hollywood Ecwl for today's "twilight" concert at 5:15 o'clock. One of the features of the concert will be the appear and will be here after factories are forgotten. Eut a careful comparison of the majority of landscapes in the main gallery with the little landscape sketches in the entry hall shows that most landscape painters are attempting to do in a big The death of Charles Harold Davis, aged 77, at his home in Mystic, takes one whom many artists Spain.

Only last week, Espinel sang in the Santa Barbara Fiesta, end one of her "Cuadros Castizcs" or "typical framed canvases of Hls-fanic countries" to be given Friday WRht at the Greek Theater is a dramatization of a favorite ballad which was originnlly sung in that city by Laura Moye. a music hall entertainer popular in the late 70's. The dress and mannerisms were related to Espinel by an eyewitness of Move's triumphs who lives over those dear, forgotten days of early Santa Barbara. Chariot, the Mexican painter of primitives, who is exhibiting in Los Angeles just now, has designed Es-pincl's costume for her first songs of picture something suited only to a Muriel Stuart Dancers Seen at Redlands Bowl At Redlands Bowl Friday evening, the Muriel Stuart Dancers gave one of their programs of dance numbers. Miss Stuart became a protegee of Pavlowa when 11 years of age, and toured the world with her.

She and her dance ensemble gave a Gabrilowitsch will make his only solo appearance of the year on Thursday evening, playing the Tschaikowsky piano Concerto in Flat Minor. The conductor of the evening will be Hans Blech-schmidt, and the program will include Weber's "Euryanthe" overture, Brahms's Symphony No. 1, and a Liszt Hungarian Rhapsody. Another dance production will be presented on Saturday evening when Albert Dcano stages his Ethiopian dance spectacle, with primitive and plantation episodes. It will bring in choral interludes and Negro spirituals, as well as tracing the dance rhythms of the race.

Nathaniel Finston will conduct the ballet music, and the symphonic small sketch; that ls, to capture Is fortuniate enough to own "In-the way a certain scene in nature dustrial he will find loked at a certain, lovely moment himself among the small group of of seeing. The rapid, broad sketch i significant living American artists, can give this; the "finished" pic-! So far, I have seen nothing from ture almost never does. his brush lacking in either sln Mr. Gilbert did something else, cerity or merit. and critics regarded as the most poetic landscape painter of his time.

He Ls best known for his paintings of gentle New England landscape surmounted by fleecy clouds, painted (to quote Royal Cortissoz) "in such a way that the character of an American scene breathes from it as unmistakably as from a pae of Thoreau." On? American opera, and that means opera In English sung by Americans, will be heard in Los Angeles this fall if all goes well. Twenty singers have founded the California American Opera Company under the direction of Leon Rains, with the object of producing opera in English in modern clothes and scenery. The group includes: Henry Thompson, Hardesty Johnson. Rosalie Barker Frye. Otto Ploetz, Eleanor Woodward, Georgia Stark, Blythe Taylor Burns.

Carl Omcron, Fred Scott. Clemer.ce Gitlord. Lillian Wilson. Liana Galen, Myrtle Aber, Mary Teitsworth, Tudor Williams, Allen Watson, Harlan McCoy, Leslie Brisjham, Cecil Wilcox. Kenneth Rundqulst and Cael Miller, with Arthur Alexander and Scott Bradley as conductors.

ITALIAN OPERA Ls-being agitated by Paul Cremonesi and rehearsals are being ncld. Cremonesi docs not think ance or Rawitzer, young American coloratura soprano, as soloist. She will sing the "Bell Song" from "Lakme" by Delibcs. Gabrilowitsch's program includes Schubert's "Ros-amunde" overture, the Beethoven Fifth Svmphony, Fugue for Violin and Violas bv Dubcnsky, violinist-compaser of the New York Philharmonic, and "Caprice Espagnole" by Rimsky-Korsa-kow. Gnbrilowitsch conducts his third program Tuesday including two Wagner numbers.

"The Ride of the Valkyries," and Prelude and Love Death from "Tristan and Isolde." Other works programmed are Schubert's "Unfinished Symphonv," "The Sorcerer's Apprentice" by Dukas, Brahms's "Academic Festival" overture, and the 'Frcischutz" overture by Weber. Booklets to Aid Museum Visitor "Enjoy Your Mufeum" is the title Armstrong In London's Shsll-Mex Hou.sc and Gwen Morton Spencer has a fully illustrated article on Australian painters. Of particular interest are ten portraits of artists from an exhibition held at the Roerich Museum. New York The micht add that in delicacy and charm of spirit his work is akin to the musical sketches of Edward MacDowell. The Los Angeles Mu seum owns a typical Davis in the Preston Harrison collection.

His architecture of the worlds fair is ot a booklets now program win be conducted by Charles Shepherd of KFI. A week from today, the "twilight" concert will mark Gabrilowitsch's farewell for the season. The soloist will be Martin Black, young violinist, playing the first movement discussed and photographed and wing published by the Esto Publish work will live. LAG UNA'S FESTIVAL Mexico, songs from little suburbs Just outside of Mexico City where the Indians dwell. From the Andes and the Plata region of Ecuador and Argentina, Espinel has drawn the Peruvian Indian numbers she has prepared under the expert direction of Eleanor Hague, a recognized authority on Hispanic lore who writes her widely known books In Pasadena.

One of the most eerie ballads in All folk lore is the legend of the dead hand which wouldn't be buried until a faithless, titled lover fulfilled his promise of marriage. The poem is well known to the Spanish readers of Gustavo Bequer but the music has long been hidden. From the countries around the Caribbean program in Redlands last summer. On Tuesday evening, the hour of community singing at 7:30 under Hugo Kirchhofer will be followed by a concert by Everton Strdham, baritone of San Bernardino. His accompanist will be Lester Hodges, who for five years was accompanist for John Charles Thomas.

OPERAS FOR CHARITY "Pagliacci" and "Cavalleria," the opera twins, will appear for charity in Sania Barbara Tuesday night. The performances will be given in the home of Mr. William H. Cochrane and a ballet will be an added attraction. William Peter Smyth is in the cast.

there is a particularly fine set of ing Company, Pasadena. Two numbers, "Painting." written by Carl of the Bruch Violin Concerto. of the Arts will begin at 6:30 p.m., the 28th with "The Spirit of the Masters' Pageant" in which famous painters will step from their frames at the Art Gallery and the photographs of contemporary pottery and glassware. WILLIAM SALISBURY of New York, editor and publisher of the bi-monthlv maeazine. Thurston, and "Etching," written by Arthur Millier, have already come off the press.

Rockwell Kent is preparing a booklet on "Wood Engraving" for Grace Moore, Bonelli and Tibbett to Star in Operas opera in Enclish would pay in America for the reason that the American Company singing translations of "Faust" and "Carmen" with directors Van Grove and Saint Leger in Gallo's Theater, and later at the Casino in New York, lost a fortune. He cites the fact that 99 merrymakers will then march upon El Pasco, the festival street where George cfcdyke, vativii, vvi una, vai author of the popular "Art and Nature Appreciation," is writing on They Supply Tunc Neither Arthur Johnston nor Sam LETTERS TO THE EDITOR per cent of the audiences in France arc French, in Italy are Italian and Grace Moore will head the cast in "I Pagliacci," with Richard Bonelli as the baritone, when L. e. Coslow, who wrote "Just One More Chance," "Moonstruck," "Moon Song," "Learn to Croon" and manv so on. but in America the audiences i "Pottery" for the scries, while Roy Vernon Sowers is to cover the general subject of "Prints." Still other numbers are in preparation.

Several museums, among them the Metropolitan, have already ordered the first two booklets. Each booklet sells for the price of a cold foam-topped drink. who first predicted a great singing career for Bonelli. He tried to obtain iincing engagements without success, but landed a job as assistant manager at a small hotel in Monrovia, studying music in his free hours. His next job was with an insurance comoanv in Seattle.

exhibits, miusic and entertamment will be found. Mayor Champion will be host to mayors from other cities that evening. Throughout the festival artists' studios will be open from 10 to 12 daily until September 4. A costume ball on September 1 will be one of the numerous events. DID MAE WEST TOSE for Ross Shattuck and Ted Cook, co-painters of Laguna's latest mural, which is in the bar at the Badminton Club? Anyway, they other hit songs, ever took a piano would never dare perform in their; are as a rule largely made up of native lands, as they do for us.

I i foreigners who are not interested in happened to be in the cast hen I opera in English. My Dear Isabel Morse Jones: In your column, "Words and Mu fic," you advocate a plan of pro icsson. cosiow still cannot read music, although he writes the lyrics to the tunes supplied by Johnston. Caruso sang for the first time in ducing opera that too, have advo Dresden, Germany. He was then in the heyday of his career, yet I cated for many years! Furthermore you ask: "Have we the audi assure you that he was as nervous ence?" Most emphatically I aaswer MUSIC Behymer presents this opera, as well as "Emperor Jones," with Lawrence Tibbett in the title role, at the Shrine Auditorium, October 13 and 16, next.

Miss Moore was co-star with Tibbett in "New Moon," and has been heard here in concert and opera at various times. She will spend some time on the Coast this fall, and is scheduled as one of the soloists for the Hollywood Bowl during August. Richard Bonelli began his career as a mechanical engineer, studying singing while at college as a side issue. His health broke under the double strain, however, and he came West to a zinc mine in Ari- i VON SCHILLING'S death in Berlin brings to memory the days of the German Grand Opera Company which he conducted all across this country. He was an able musician and an eminent conductor and composer.

During his trip across America with the Germans he learned the truth about the United States in a way he had never learned through his visits in New York and expressed enthusiasm for the country because of it. "TVS, BOHEMIAN GIRL'S" revival in New York is causing quite a sentimental stir. It is done, as Percy Hammond says, as an adventure into the antique and ob then he worked for the telephone company until the receipt of a letter from Mr. Alexander, who was then in Paris, urging the baritone to come to France at once. An acquaintance lent him the money for the trip, and many vicissitudes followed until Bonelli was introduced to Raoul Gunsbourg, impresario of the Monte Carlo Opera.

Engaged for fo. performances, Bonelli met with success and was engaged for six more, and since then his career has been assured. A colored chorus of forty will be used in "Emperor Jones," with complete orchestra. Pietro Cimini will Fanchon Marco have invited Mae to come up and see it sometime any time; RELIGIOUS PAINTINGS done in South America during the seventeenth and eighteenth centuries and brought to Los Angeles by Dr. Angel Guido, professor of art history at the University of the Argentine, will be shown in the Palos Verdes Art Gallery from the 15th to October 1, next, opening with a tea and reception next Tuesday afternoon from 3 to 5 p.m., to meet Dr.

Guido. The collection was recently on view at the Los Angeles Museum and is of great in to. -II, Kiiui naff pmonal dirrcuon the notrd tm instructor, MARK MARKOFF Tr.lnint far Mnrrrt Anrn. n.w anil fTrntnt tliun. jes! It is my conviction, based on years of experience coupled with private and public debate with thousands of music-loving people, that the general public is fed up with antiquated and stereotyped operatic performances, and no one but the musician steeped in tradition wants opera any more as it has been presented to us here in the United States of America.

As the business man now realizes that we arc entering a new commercial era, so must the musician realize that he dare no longer tread paths that have become traditional The "star system" (how I detest the. term!) has been forced down our throats until even our musicians believe it a necessity! Yet many of these so-called "stars" STIDIO 5fiO Sf.NSEI BLVD. HOIly. 5.111. as a novice, doubtlessly fully realizing that he was being judged by his peers.

Europeans take art very seriously and would not tolerate frivolities and banalitcs that are often perpetrated by accredited singers who have dared offer to American audiences what would bring forth hisses and catcalls from a continental audience. Thanks to the genius of Craig and Appia and the furtherance of their ideas by Reinhardt, traditional scenery with its blaze of colored lightings has long since been discarded abroad. At the present moment "Aida" ls being presented in La Scala in Milan with ultra-modern settings. We have followed this path in our drama, why must opera be treated like a stepchild? This clinging to a dead past has ruined many of the operas presented here during the past seasons. Though we have excellent voices here, equal in every respect to zona, where he worked until he re- PIETKO CIMIM pa-nra nis strengtn.

coming to Los conduct "Pagliacci." as the second Angeles, he met Arthur Alexander, 1 part of the evening's entertainment. solescent. The modern interpolation PUPILS' VOICES RECORDED Ih S(to br lb Terr latest rrr.rdlnr mhin. e-Q 5. Alexandria Ave.

voice placement and coaching DU. 0977 oi an Albertina Rasch ballet and a troup of tumbling Arabs peps up ART EXHIBITS REVIEWED terest. DEAN CORNWELL VOCAL TEACHER and COACH oriclnal paintings for his "Man of illustrations and water colors and the sensitive oil mis operetta or 1843. JOHN PENNINGTON of the London String Quartet, has said good-'jye to his many friends in Southern California and Radio Concert Opera and Popular Repertoire of "Lovely." a little girl. L4 Bertha Amet appears to be so TENOR KFI keca 672 SO.

LAFAYETTE PARK PL FEd. 7703 preoccupied with effects of licht sailed for fall practice in London. done in brilliant pigment that her pictures lack the essential large James Redmond has two exhibitions this month which complement each other. His paintings are at the Stanley Rose Bookshop, Hollywood, and hi remarkable drawings of cats are at Jake Zeitlin's bookshop downtown. In the Hollywood show he has six pamtings, most of them typical works in the S.

Macdonald-Wright vein of color and the semi-oriental style of that school. All sit are good but one, a Madonna with the One vockl Sn TOEE K-JSPDY Tenor Trarhtr Strinvay Fiiit will not Le.n Weril for Impartanra slndr. Pillr after 4 PM All C.I..J.. 1C16 BEAUX ARTS 1709 WEST Ml STREET EX, SOciT simplicities of composition. The simplest one, "The Grove," is the ANNUAL CLEARANCE Original 1'AIXTIXCiS BY ARTISTS OF NOTE The Londoners play a Beethoven series in their own city before leaving on tour this year.

They will play here again in the spring. AXEL SIMONSEN one cf Los Anccles' best- many we listen to singing leadinj roles during our opera seasons, for the most part they lack operatic training. This is not their fault, but their DCSt. a group of fall and snow landscapes by Ernest Albert are new exhibitions which will open tomorrow at the Biltmore Salon. BERTRAM C.

NEW1IOUSE is once more at the Gay-lord Apartments with a group of paintings from the Newhouse Galleries, New York. MME. SUGIMACHI of "Sakura" fame, the Ka-buchi Players and Japanese Ballet will present "An Evening in Old Japan" in the gardens of the Cali Mr. Bachelin's works are small mU act known 'cellists, played his annual 'rice water colors of varying quality. Some, like the "Morro Bay," make a strong appeal to the imagination.

His religious heads of the sufferinir and Less infants Jesus and St. John, is an University Or An taktT tl National AimUtlm SVhooia at ateisTaTio oav t.r fall statsm besim mt. m. jouinern waiirornia tr.4 ciriitia init.iu i- CfUrtAI ftt Illicit Ia-lier" Cenlttcau Vntntt. I'rriuratorr inUVL Of MU JlV Mu.l.i.u to rur.ua tsuu Cr.imutj Counw au as- utterly charming picture breathing Christ show sincere feeling though the poetry which is Redmonds most personal contribution to paint MAX L.

SWARTHOUT, concert at the Pacific Palisades recently with Lorna Gresg at the piano. The Bar-Kah-Si Ensemble, of which he is a member, and Philip Kahgan. the viola player, will carry on this winter without its fine piano member. Paloma Schramm-Baruch. Mrs.

Baruch has chosen to stay in Paris wilh her daughter this season. il ior anj- aaomt of tk dwtr4. Address, 351k PUca and Hoover Street. Ilcnmortd 4111 uirecior, ing. We see it again in his "Land misfortune.

How are they to receive it unless they go abroad or we offer them opportunities by founding national opera companies throughout the land? Give them the same training and rehearsing the European singer enjoys in his native land and the "star" system would soon crumble and disappear. Remedy the faults I have found and give opera a new deal. Above all, prove that we have fomcthlng exceptional to offer and "ire have the audience." FOR INFORMATION scape. Some collector should hasten to secure the "Madonna." however. ls the best picture he has yet shown.

Some as low at $50. Convenient Credit Terms Gumplo-Ainslie Galleries Floor BARKER BROS. 7th Flower and Figuerot fornia Art Club, Bamsdall Park, on Friday evening, the 25th inst, at 8:30 pm. BESSIE ELLA nAZEN Is to exhibit wood-block prints and water colors in the Sierra Madre City Hall, opening the 15th inst. NEWSPAPER ARTISTS and other unemployed About Training in Tuz ame lucky collector should tney are more notable for that than for beauty.

Fanchon, Marco Open Vocal and Drama School Fanchon and Marco announce the opening of their latest Institution, the Fanchon and Marco Dramatic and Vocal School. This institution. also hasten to see. Redmonds cats. Cornet Sunday Musical Salon The Sunday afternoon musical sponsored by Mrs.

Genevieve I would back these felines agair.st LEON RAINS. Guitar Cello Violin Flute Banjo Piano Pipe Organ Voice Whistling Foujitas for staying power. Redmond draws them 1n exquisite pencil line with all the fur. muscles and nature of pussy included. draftsmen are trying to make Radio Broadcasting Accordion ends meet by drawing crayon portraits.

Ten to 50 cents is the price range. Some carry their equipment. Gray at the Erysoa are given every third Sunday. The 20th lnst Mrs. Gray will present Zaruhl Elmassian.

opera and recital soprano; Irene Robertson Pitts, pianist, and Cecil Lee son. saxophonist. Roy Tennyson Davis will whistle. DlLLllNVj JaLU Ol llnr Ka Artlt-RitMbH Chtury FINE PAINTINGS wfc ILSLEY GALLERIES, Ambassador Hotel, Los Angeles. FE.

2400 Open Evenings Santa Mnnlra ArtiU Bertha Amet. Bertha Coler. Larry Beane and Franx Bachelin are August exhibitors at Santa Monica Public Mr. Beane. at his best "Autumn Tranquillity" and "Old others rent store space.

The Long Beach Pike posts an ex-New York Times artist in this game. AMERICAN ART ls the "London Studio's" Au although housed in the same studio at 5600 Sunset Boulevard, will be a separate entity from the dance school. Heading the department of dramatic work is Paul Gerson, who headed his own schools for many This service is free and does not place you under any obliji-(ion. Just check- the subjects ia which you are interested, TRINT your name and address below and mail coupon to SCHOOL AND COLLEGE BUREAU COR. FIRST AND BROADWAY Or Telephone MAd.wm 2M Concern in Home Town George Etinson, proteee of Mme.

Ernestine Schumann-Heink, and now studying for grand opera with Maestro Guldo CaelPtti. has no- gust theme. The editor congratu Coojjer's paints a pleasing, years. The vocal department will lates the national art movement. 1'nr1.

iV, i1lM.Mftn r.f tla.V 1 1 i I v. Km 9 harmonious landvane. Mme. Ccl- Uliniiuii luntft ttlki.i V. UiVil BI1U I I rj- PAINTINGS BY DEAN CORNWELL onJ ERNEST ALBERT BILTMORE SALON to.ed to St.

Louis, his lome town. ers rrtraiis, rr.i:- wta tr.asJfc. Marker, who has such art Miliars Shfcts are reproduced a .1: Amrricart morlw. ft. H.

ADDRES whn-e he will fulfill several concert are aonetimes "vajue in drawing. I Ws as Gloria Swansoa and. Ruth engagements, iThe best are of children done in I Cfcatterton. WtfcnsM writes ol murals by John I CITY.