Chicago Tribune from Chicago, Illinois • 24

THK CHICAGO SUNT) AT TRIBUNE: APRIU 4. 1909. CTLY WALLPAPER PI ays of Yiddish Theater Perfect Combinations i Grasp Every Opportunity Admonishes Georgia Caine. Many Actors Become Martyrs to Realism. The demand for absolute realism in modern plays causes many conscientious actors to become martyrs to the cause of art for art's sake." It happens not infrequently that certain dishes on the menu of stage banquets are decidedly distasteful to members of the com aiuinu ier Paiwr mi lull sold for as-- 1 1 i fz.

'r 2, Depict Life in the Ghetto. During the month of April' we wi 1 rJ" yards of rv BORDER FREE with every 10 rolls of wall paper. 0ur ori are lower than any store in town. 200 ooo Vnti of wall paper to select from. Open Evening R.

MORGAN CO. STORE: 477 W. Madion-t, near WAREHOUSE: Morgan Carroll-av. and May.t Nine performances a week with a different play at each performance!" Submit such a proposition to any American theater, propose It to any American theatrical troupe, and they will wonder whether you are In your right senses. Such a thing they will declare is Impossible.

No theater could put on a new play every night. There are a thousand reasons why it could not do it. why it would not pay to do it. Yet this impossible thing Is being done in ence is that here the ending is not a happy one, as it is in The Melting Pot." which Is most likely more true to life even if it is less ideal and horribly unpleas- Everj-thing, in short, which affects the Jewish people, whether in America or In Europe, whether it be a massacre in Russia or a pitiful strike in an American sweatshop, all these things the Ghetto people crave to see on the stage, and the actor who would be successful must be able to satisfy this craving. Amnntr th nctresses who for the last pany called upon to discuss them with apparent relish eight times a week.

It seems to be the irony of fate that the playwright should chose for an actor that particular article of diet which happens to be his pet aversion. Arthur Lew is, for example, ho played the bishop Of Lancashier in The Servant in the House during the run of that play In Chi Hope Latham's Greatest Compliment. Hope Latham, who plays Myrtle O'Dell in Salvation Kell" told an amusing story the other day when asked if there waa any danger of her head being turned by the flattering criticisms of her work. "I don't, believe I have as yet formed the habit of ignoring praise." she said with a smile, but I doubt if any reviewer will ever pay my work a higher compliment than I received right here in Philadelphia when I was playing Sapho at the Chestnut Street theater last summer. After one of the rehearsals of the scene where Sapho comes back to Jean to tell him that she can stay awav no longer a most pathetic bit of dialogue-several of the girl extras who had been taken on for the ballroom scene were sniffing to keep back tie tears.

"When lunch hour was declared and we were leaving the stage I heard one of the girls say to another: Gee. Grace. I always thought I wanted to be an actress. But Jf It hurts like that I guess 1 11 get out! It too much for That," added Miss Latham, "was one of the little unconscious tributes for which actor folks hunger. It was the PICTURES for HOMES.

OFFICE SCHOOL ROOMS. Easter Cards Stencil Pltitrta STUDIES FOR cago last fall, lothes sausage. In the scene at the breakfast table he is supposed to eagerly devour several pieces while discussing frenzied finance with Manson. Tyrone I'ower was also called upon to eat some of the sausage, but as his face was in the shadow he could occasionally pretend to eat the popular breakfast food, while, in reality, he was craftily burying it under a piece of bread on his plate. Iewis.

however, was in the full glare of the footlights and could not Fw iv Fine Framing. A.HABB0TT&CO. TS WABAS AVE, WHITE CMiM It I SUBSCRIBE FOR THE TRIBUgg greatest compliment I have ever received Chicago. It is being done at the Yiddish, theater, the Metropolitan theater it Is called, and It is located in the heart of the Ghetto at Jefferson and O'Brien streets. With only a few exceptions when the public demanded the repetition of a play, this theater has been giving a different play every night, seven nights in the week, and at two matinees, for weeks and weeks in succession, after which the cycle Is often repeated.

If you stroll into the Metropolitan theater on a Saturday afternoon you may find the actors wrestling with a modern up to' date problem. The play is taken from life and is realistic in the extreme. But if you wander into the theater four hours after the matinee performance is out you will witness an altogether different scene. Instead of the bitter monologues of tha disappointed and self-conscious modern woman which you heard in the afternoon, you now witness idyllic scenes of love among shepherds in the valley of the Hebron or on the shores of tha Jordan. The men and women on the stage are not twentieth century people, restless, worn, nervous, but ara icture Sale few weeks have been eliciting much applause and admiration at the Metropolitan theater -is Mme.

Regina Prager. It is in-tragedy that Mme. Prager is at her best. It is here that she sings those melancholy and desperate songs which cause the pale finisher or buttonhole maker to lie awake for hours after she has reached her room and gone to bed. On the stage Mme.

Prager as found playing the role of Shulamith, a Hebrew maiden of some 2,500 years ago, who, betrayed by her lover, goes Insane. She played the part of the love crazed girl with remarkable pathos and abandon, and the applause she received would be enough to make any actress happy and even turn her head. But when Mme. Prager was found in her dressing room a few minutes later she showed no signs of unusual elation over the ovation she4 had received. She has been on the Yiddish stage long enough to become accustomed to it.

Behind the scenes the Yiddish prima donna, looked more like a-woman who worked "hard, who had seen much of life and Its disillusionments. It is grind, grind, grind," she confided. On the English stage there is superb scenery and a thousand other things which attract and hold the attention of the audience. On the Yiddish stage everything is humble. Ail those devices which keep the Interest of the audience, which assist the actor are lacking.

So to hold the interest the Yiddish actor must rely entirely upon himself, upon his acting. All this means hard work and shattered nerves after the performance is over. But then you know once an actor, always an You could not get many of the Yiddish actors to quit their profession for any money. It is the love of the stage that keeps most of us Oorgia Caine The Prince of Tonight advises nil girls who are ambitious to become successful on the stase to bi careful in the selection of tlieir parents. Nothing helps a Kirl so mwh as a tlng mother and a watchful father who know all about the stage, ami so.

Miss Caine says. If ou want to gtt ahead as a prima donna trj-ana have for your mother an actress and for your father an actor. Grasping of opportunity is everything' on the stage," said the aetrs3 in her dressing room. A turl whose parents are on the staare learns as one of her first that an wasted Is often a career missed. Blie is tautrht to he ever on the watch.

for the right opportunity, and to be ready to make the most of It atari instant's notice. Many girls start at the bottom, with fine talents, beauty, and all the other attributes of suc-csrful ar-n-f USPS-, but one they hare rot learned what It mean? to he Johnny on the Fpot. It exceptional courage Is needed or. of a private in the ranks to save the day. They 8t-m unable to get ouof.

the rut." MIfs frilpo is the ihihlren of the fiagc. She was literally Imrn in the glare of the ftMdhghts. Her ti! other is Jennie Darrrtsh. for iwer.ty yar prominent In the roi of San FrarHsvo ar.d- other Pa-ilie her father is George a wi ll known character actor, who has if Th-' County Chairman since it va produced in Chicago. Miss Caine tir-t saw dnylight in San Francisco, and her stage debut was made when she was 5'c lrs Si.e was J.ittlc Willie in a production of Kast I.ynne in both of hf-r paren's app ared.

She appeared afterward in many juvenile rifs. ana one of her first re. inns is that of being -arried cn to tie utage of Alcazar th ater, San Francisco, on the shoulders of Mr. and Caii.e heir lit le daughter to Wolf ha il. I leaver, and to Notre Dame academy, San Franci.cn 1 luring one of her vacations, long before jhe was 1.h.

Miss Caine paid a visfl to her pareais, who were then playing in Hartley Campbell's I.inwood." The character woman of the ec-inpany became suddenly ill. I ere was opportunity. Sirs, faine took the character woman's place and Miss Caine was press 1 into service to play iter irarht-r's role, as the principal character of ilu piece. Witli only a few hours' coaching she learned the part and' went on at niyht with little concern about missing la lines, but only thinking about the admonition of her father and mother that an opportunity wasted is no recommendation for an a-, tress. Miss Caine made an instantaneous hit, and was engaged as a permanent member of the company.

Later she was engaged for the part of Mytia in Al Hart's production of Wang." In Chicago she was cast for a minor part in Lost. Strayed, or Stolen at theater. Jennie Goidplate was the leading woman of this company, but on the opening night she was taken seriously ill. At ts qualify as a sausage faker." He took his medicine gracefully, but at times he absolutely could not face the ordeal and would bribe the property man to substitute chocolate eclairs for the customary links. Marie Doro is, like most girls, partial to chocolate candy.

But even the most pronounced tastes can be conquered by satiety. During the long run of The Morals of Marcus sh.e was obliged to devour great quantities of chocolate while gracefully curled up on the settee that occupied the center of the stage throughout the second act. Miss Doro made a decidedly pretty picture in that scene and ate the candy with great apparent delight. Audiences, particularly the girl members, thought she was delightfully cute in that picture and invariably demanded an encore, with the candy devouring episode as the leading feature. All of which may have been excellent preparation for her present rOle as the chocolate king's daughter in The liich-est Girl," but it has effectually overcome her craving for chocolate candy.

Margaret Anslin. although of Igngllsh descent, is addicted to th use of "coffee. Hut when she orders cafe au iait it is with the full understanding that real cream shall figure in the composition of the beverage. During the long run of The Great Divide at the Princess theater in New York, Henry Miller insisted upon absolute realism in every detail of the production. Consequently, in the supper scene of the first 'act, condensed milk was used.

Miss Anglin soon developed an Intense aversion for what the far westerners call "air tight" milk, and dodged the issue by posing as an unyielding devotee to cafe noir. Ruth Maycliffe. the original Vi. In Girls." entered upon her stage career without any particular distaste for chocolate eclairs and milk. But at the end of the year's run at Daly's theater, during which time she had consumed an appalling number of eclairs and the men and women, the Jews and Jewesses of 2,000 or 3.000 years ago.

The old men are serene patriarchs. The young men are unsophisticated shepherds, and the maidens are the shy, modest daughters of Zion. the Jewish theater presents a greater variey of shows than any other theater In Chicago," said the manager of the theater. If we ere to run one play three or four evenings in succession we would have no audience. As it Is, with a new play every night the first four nights of every week are not nearly as well attended as are the other three nights, and especially Friday and Saturday.

Frequently we let the public choose the play it wants. This is especially the case where some society or organization wishes us to give some benefit performance for them. In that case the society selects the play, and does all it can to insure a good attendance, as part of the proceeds goes for its benefit." Extraordinary Preparatory to removal, May 1st, to our new galleries, Fine Arts Building, Michigan Avenue, we offer for sale our immense stock of framed and unframed pictures, including Carbons, Platinums, Facsimiles, Arundel Prints, Sporting Prints, Etchings, Water Colors, Paintings, i 1 I Georgia Caijvzl here." That the lot of the Yiddish actor Is no as rosy as that of his American brother is evinced also by the appearance of the dressing rooms of Mme. I'raeer and the other actors. There is nothing of that quality which is know as cozy about these places.

The walls are bare, and altogether the dressing rooms of the actors harmonize with the simple and unassuming air and makeup of the stage and theater. Among those who share the popularity and applause at the Metropolitan theater with Mme. Prager are Bessie We4ssman, Rosa Karp, Anna Schoenholtz. Paulina Lavitz, Mathilda Finkelstein. and Fernanda Eliscu.

Miss Ellscu joined the Yiddish theater recently, having been previously on the English stage. Among the most popular actors are Jacob Hochsteln. Joseph Schoengold. and David Schoenholtz. In addition, however, to the above actors who are more or less permanently connected with the Metropolitan theater the management frequently engases various Yiddish troupes from New York.

Every new-play that appears on the Yiddish stage in New York, whether the play be original or adapted from some foreign author, soon finds its way to Chicago. The same spirit which compels the management of the Chicago theater to give a new play every night forces it also to get every new theatrical production which appears in New York. The Sapho on the Yiddish stage is not Daudet's Sapho. As most great plays or stories are not Incident to one nation only, but are universal, the Yiddish playwright generally merely takes the suggestion from the foreign writer and clothes it with genuine Incidents which he finds in his surround-Ingg and among his ow people. at from 20 to 33y Discount from regular prices This is an extraordinary opportunity for our patrons and others to secure choice works of art at exceptional prices.

Thurbers Art Galleries 210 Wabash Avenue drunk gallons of milk, she went on record as an almost fanatical enemy to the products of pastry shops and dairy farms. It may be added in her defense that the property man occasionally, through carelessness, provided stale eclairs and sour milk. John Westley. who plays David Sneed in The Family," does not belong to the antl-cigaret league, and. away from the theater, indulges in paper rolled tobacco with avidity.

But in his private capacity he smokes imported Egyptian. On the stage he is obliged to consume clgarets fixim the beginning of the play to the end of the third act. It is absolutely obvious that. young Sneed could not afford to smoke Egyptian cigarfts. so he receives nightly from the property man a supply of Virginia made clgarets.

the smoke from which cuts the tender membrane on the of hi? throat. Were he to substitute imported cigarettes the smoke from them would drift down to the audience and materially detract from the realism of his scenes It is entirely-probable that puts genuine enthusi-asmlnto the reformation which results after the third act. in a permanent discarding of the "white peril" and the substitution of a briarwood pipe. It is hardly likely that playw rights realize how unpopular some of their cherished business becomes during the long run of a popular play. clock the manager called Miss Caine by telephone at her hotel.

She was rehearsing the lines of her own part. Can you take Miss Goklplate's part?" asked the manager, in the blunt manner of the stage. Again here was opportunity calling even over a telephone. "Sure thing." answered Miss Caine. just like that.

I'll play the hole show if I have to." She played the leading role so well that the was taken to New York as the prima donna of the cast, and sang in the piece for an entire year. Miss Caine credits her success that night at McVicker's as the basis of all her later accomplishments. Following Lost, Strayed, or Stolen." came The Girl from Paris." and after that Iloyt's A Day and a Night." The Rogers brothers heard of her and for three years she played in The Reign of Error and Rogers Brothers in Wall Street." When Henry W. Savage wanted a Peggy for Peggy from Paris." he hit upon Miss Caine as a happy selection. Mr.

Savage then cast her for the leading part in The Shogun." and when he wanted to have Peggy from Paris go into Boston he put Miss Caine back into the cast. From this engagement, which lasted a year, she ent to The Farl and the Girl," in which Eddie Foy was the leading comedian. She was Sam Bernard leading woman in The Rich Mr. Moggenheimer," and later was the original petticoat girl in Miss Hook of Holland Then she was Sonia. the widow, in The Merry Widow." at the New Amsterdam theater.

New York. Now it's The Prince of Tonight." Work has a good deal to do ith a girl's success on the stage," says Miss Caine. Put above that is the ability to see an opportunity ith the naked eye. and the ability to catch hold of it. strangle it, and not let it get away from you.

There are more stage tragedies written aroend the theme of lost, strayed, or stolen opportunities than around any other one subject." The reasons for the ability of the Ylddieh theater to accomplish this almost impossible task of presenting a new play every evening are many. The scenery on the Yiddish stage is not nearly as elaborate as it is on its English contemporary, and the public Is more indulgent. The failing of a curtain, the turning out of the light Is sufficient to indicate or rather suggest a change of time and place. The foremost reason, however, is the harA work of the Yiddish actor. Wine suppers, flowers, and admiration on all sides may be the fate of the American atcress, but hard work, constant and persistent toil is the lot of the actress on the Yiddish stage.

The Yiddish actress must be expert in at least a dozen plays if she is to make a living at her profession. She must be ready to sing the gayest of songs one evening in a comedy and uive. tear her hair while acting the part of the maddened Leah the next night. She must know life, too. She must understand the sweatshop girl, her dreams and desires whenever site is able to dream.

She must know the languid, tired feeling which creeps over her oody at night when she lies down to rest and the dull and stupid hopelessness which weighs upon her brain. She must know the psychology of the woman who clings to the faith of her fathers, who clings to the traditions which she inherited from her grandmother, and she must under-Bland th workings of the brain of the girl nihilist, who has lost her faith in God and in kings. Everything that stirs the soul of the Ghetto people, the stage, and the actors, must reflect. In the Ghetto, like anywhere else, people' go to the theater for amusement. But the things which amuse them most are the plays which are painfully tragic and soul stirring.

Broken hearts and disappointments are the things which delight them far more than the impossible happy ending in love affairs. Problem plays which the English stage would rather let alone, draw the largest crowd and elicit the most appreciation In the Ghetto. The conflict between love and Barkeeps Favor Comedies; Increase the Thirst Squad. Specifications 3K Comedian in New Play. Montgomery and Stone will make their last appearance in The lied Mill during the three weeks' engagement wlii.

tray will play at the Grand opera house, beginning next Sunday. Next season Charles Dillingham plans to present the pi.pti'ar comedians in a new musical comedy which George Ado has In preparation. Although "The Red Mill is ending its third season, the original company is practically intact, and amors ti principals who again will be seen during the coming engagement are AUene Crater, Ethel Johnson, Edward Bagley, Charles Dox. Neal McCay, and Maxine Verande. Thi 311 rrnicoi.

THE IDENTICAL BOAT inis bruiser, that made the big HIT at all the Eastern Motor-Boat Shows this season is now on exhibit. A complete cruising yacht, ready to start off tomorrow on a thousand-mile trip through the Great Lakes, down the Mississippi or anywhere that twenty-four inches of water can be found. A Boat with sleeping and living accommodations for four people; stanch, well built and seaworthy, ideal for long or short summer cruises or vacation trips A Boat that i Si a man and his. wife can take anywhere. Willy tpoOU suage." who is to fiund hard by the La theater.

There is a sense in which a large number of pessimistic misogynists have made this unehivalrous statenunt before, but it was not the use intended by the 1 Length 2S beam 7 draft 2 ft. Entire frame of clear, air-dried white oak, pianking of finest Louisiana red cypress, finished substantially in polished oak. Berths for four, enclosed toilet-room. Galley and plenty of storage space below decks. double cylinder motor drives the boat 8 miles per hour.

religion. enlightenment, and ingrained prejudice, which one meets with in Zang-wiil's "Melting Pot" are thrashed out also on the Yiddish stage. The only differ- 41 II 0 "The mere women ou get in your show the more, drinks," he pr. nounced solemnly, with the air of one who had considered the problem in all its phases and had reached a final and absolute verdict. "A big chorus, with plenty of lively nwsic and dancing, fills this bar.

They all watit to come in and talk about the girls. Every man has picked Me favorite, and insists upon telling all about It and comparing notes. It's all you hear round here between acts. They line up, order rinks, and start in on their comparisons. it a man has his wife, sister, or mother along with him it's a dead cinch he's coming "Only remarked the bartender con temptuously as he turned from a scrutiny Of the easii register and looked disdainfully at the retreating form i the last member of the thirst squad which had drifted out of the la rick theater tween acts.

He Was referring to the amount of money which the squad bad left and the contempt in his tone was the key to a strange revelation con; rning the relationship of strong liquor and high art. These lu re i-erious he went on, with an obvious desire to unburden his soul, are no giM.id. jboily goes to them bill beer drinkers, and not so many of them. Give me a good musu-al comedy all the time. Why, when Lulu Glaser was round I used to take in ten or eleven dollars between very act.

The fellows what go to musical comedie are out for a good time, and take theirs straight. Seems to me that the. theayter ain't got no right to shove plays on that make people so sad that they don't want to drink orelse forget about it, they're so busy figurin' out what the blamed thing's about." These f-w philosophic retuarks of a disgruntled barkeep opened up a wide field of conjecture which seemed worthy of further Investigation. Was it true that high art and prohibition were working hand in hand, and had old Juhn Barleycorn enlisted musical comedy and vaudeville as his allies? Undoubtedly the experts in the matter were the bartenders who dispensed refreshment to the thirsty in close proximity to the theaters. To them the matter was referred.

The rriest of Bacchus who officiates to the patrons of the Colonial refused to express an opinion on high, art or any other kind of art, but he had a few interesting remarks to make on the foes and friends of the demon rum. rouiiu ior a urtnk. He wouldn be able to ien uiem aoout ins impressions or he start somettiing, so la- comes out to relieve his mstmmtMm one si eg el stamp for each ioc spent all day fSESSEiSv a 1 ij'f'J fi iyrj feelings, and looks around for a friend whom ne can buy a unnk for and make him stand for the line of talk about the kid with the orown n.iir and the smile." There is one bar in the downtown district n.Vi 'tl vmnr uciiii ou nave, person is bound by circumstances to be an expert upon the liquorish proclivities of theatergoers. He Only Five Available for Chicago Deli very Order Today nigiuiy caters to the taste of the patrons oi tne siuueUiiKi-r, the Whitney, and the beginning Monday, April 5th, at 1610 Michigan and Auditorium, and ids verdict must therefore uccessiui uoat Models for 1909. Cniisprs Yw- sers, amil oe considered with due respect.

Pleasure Launches. tw rT The fellow who wants a drink during the play," he says, is the guy that goes to Boats of all kinds, as well a a cornW i -boats, Canoes and Hunting Eastern shows offered here for the fit "uu ounaries all the best things from the in Chicago this yea Now i the tilo enT', i WlU th nly Motor-Boat Show held season's Boating and get InyoJr oXfn plans for the rnanW7an feTl rV in vour order, and we will quoted here are FOR SHOW WEEK ONLYandJuiV yf convenicnce. Remember the prices money by ordering now. tr' nd WtU P'ltly not apply after the You can save 1909 Boat Models at the one oi tnese musical comedy shows. He doesn't have to sit in his seat and wonder what the next act is going to be because he knows.

It'll be the same kind of dope that he's been having. If he don't like the show be comes out to take a drink so as to forget about it, and If it makes a hit with him he's bound to take a drink so as to express his feelings to some one else Besides, a fellow drops round to a musical comedy because he wants to have a good time, and not caring much what the blamed thing's about. When he goes to one of these high class plays that fjrjain all about why the world was made it's sort of a deliberate crime, and he's bound to find out all about it before he leaves his seat." CHICAGO- I don't care what kind of a show you give," he commenced, giving a superfluous polish to the bar. "The whole business is whether you make a man laugh or not. A man laughs when he is in a good humor, and when he Is in a good humor he wants to buy some one a drink.

When I hear them all laughing inside I know there's a rush comin'. It'll be a whisky crowd, too, for a fellow that laughs hard ain't in the humor for beer. He wants something more exciting, and it's whisky or wine for his." All of which means that seriousness and sobriety and laughter and liquor run in couples. Everybody knows that a judicious amount of liquor applied in the right place will lead to gayety, but it is alarminjar to discover that a certain amount of gayety will lead to liquor. Women drive men to drink," is the substance of the observations of the thirst as AT HOW it 0 FREE STOOL NO Hnt-d tu Know.

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