The New York Age from New York, New York • Page 6

a OR AM at THEATRICAL JOTTINGS. The Kemps are at Henderson's, Coney Island. www Miller Lyle are at the Miles Theatre, Detroit. Lillard Lillard are at the Circle Theatre, Philadelphia. Martin Chenault are at the Fora ker Theatre, Washington.

Minor Minor are at the Cosmo Theatre, Frederickburg, Va. Fiddler Shelton are at the Orphe-um Theatre, Seattle, Wash. The Kratons are at the New Brighton Beach, Brighton Beach. Anderson Goines are at the Hart ford Theatre, Hartford, conn. Wiley, Braxton Carter are at Ack ers Theatre, Halifax, Nova Scotia.

Sam Lucas is considering a propo sition to manage cje Brown Harris and Criswell 4 Bai ley are at the Star ineatre, riusourgu King Gee are meeting with success at the Fairy lanc ineaire, Miller Bigeon and Leigh Whipper are at the Dixie Theatre, Richmond, Va. Johnson Johnson and Dancing Dar- rell are at the uuecn ton, N. Dnmrhprtv has returned New York after a pleasant trip to the West Indies. Henderson Henderson and Joe Johnson are at the Dudley Theatre, Washington. Michaels Michaels are laying off in Washington, after working over the Dudley Circuit J.

Harry Hebron, a rising young musician of Philadelphia, was in New York last week. John W. Cooper, ventriloquist Wilson Goff and Kitty Berry are at the Globe Theatre, Norfolk, Va. Junniper'A Carrington. Bessie Edg-ington and the Marshall Sisters are at the Hippodrome.

Richmond, Va. Nicholas Logan, Chase Chase, Arthur Allen and the Russels are at the Auditorium Theatre, Philadelphia. In Dallas, the colored citizens have a new theatre which is known as the Star. Reuben Williams is manager. R.

G. Doggett, a young dramatic writer at Howard University, is spending a few days at Albany, Y. It, is reported that J. Morton of Allen Morton, and Elinore Wilson were joined in wedlock last Saturday. Frank B.

Williams; and Tom le-monier are writing as a team exclusively for the Rogers Brothers Music Pub fishing Company. Eaton Morgan will open over the Donovan time at the Orpheum Theatre. New 'Bedford, on August 11. for ten weeks in four-act with two girls. In writing5 from Calgary.

Mat Marshall writes: "Great place; only time you can spend five cents is when you get on a street car. Pork and beans, fortv "cents." This week Marshall Tribble are at Pantages Theatre. kanc' VV 9hnrn. of Columns. won the bass solo prize at the Ir.u-'-national "F.isteddford," held burgh the first of the month.

Mr. was formerly a pupil of J. F. K-i who is now with the Lotus Wells has lost none of her personal charm and her wardrobe is very al luring to the eve. The Sutherland Players Richard Anderson present a travesty "Caesar's Ghost, which is funny throughout Fitzibbon Leon open the bill in an acrobatic specialty which is deserv ing of all the applause received.

Harris Milliard do a rennea sing ing and dancing act which closes strong. START REHEARSALS Interest among representative col ored performers in the mammoth pro fessional stage pertormance to oe given Monday evening, August at Manhattan Casino, with Bert A. Williams, S. H. Dudley and Aida Overton Walker as feature attrac tions, is at fever heat.

Unusual interest in the coming entertainment is also being evinced by amusement- lovers in and out of New York, tne reouests for box seats being large. Rehearsals will begin Thursday evening of this week at the clubhouse of The Frogs, 111 W. 13d street. At a meeting of The Frogs Monday evening it was decided to hold rehearsals daily, commencing July 31, as all who have consented to appear on the big bill are anxious that a smooth, pro fessional performance be given. NEGRO MOTION PICTURES Will Foster, well known in theatrical circles, has organized a company in Chicago which is to engage in manufacturing motion pictures dealing exclusively with Negro life.

Colored actors will be used in making the pictures. The venture promises to open a big field for the colored actor. The present company is headed by Lottie Grady, late of the Smart Set Company. The first picture manufactured by the new concern is being hmn at the Grand Theatre, Chicago, this week, and is causing much fav orable comment on state street. PATTI IN NEW COMEDY R.Voelckel.who las been directing the tours of the Black Patti Musical Com edy Company for the past seventeen vear.

announces that the eighteenth con secutive season will open at Goshen, N. on September 8, and will continue for the usual forty weeks. The tour embraces only the largest ot tne one-night stands in the South, Middle West ssued in book form from the Press of G. Schirmer, music publishers, New York. This book will be the most authoritative presentation of original Negro music yet given to the world.

In the issue ot juiy cnap- ter 3 of the series is given, and thjs treats of the religious tendency of Negro music, together with the use of music by the Negroes in thslr work in the Says Mr. Krehbiel: Having looked into tha genesis of the folk songs of the American Negroes, I purpose to lay a foundation for an examination into some Of th mufll- cal idioms which characterise them. Something must be said about tne va rious classes or songs ana meir Hon th most striking fact tnat pre sents Itself Is the predominance oi hymns, or religious songs. The reason for this will readily be found by thnM who are willing to aooept Her bert Spencer's theory of the origin of music and my dennitiou or louuaong. Slavery waa the sorrow ot the South ern blacks; religion was ineir eon- fort and refuge.

That religion was not a dogmatic, phlilsopnicai or even ethical system so much an emotional experience. "Thee hymns," says Mr. Allen In his introduction to 'Slave Songs oi tne uniiea ouhm, 'will be found oeculiarly Interesting In iiiiiHt rutin or the feelings, opinion and habits of the slaves. ubi oi their customs, often alluded to in the songs, is that or wandering through the woods and swamps when under religious excitement, lute uie ancient bacchantes." "Almost sol tbeis onn vfere thoroughly raugioua in their tone." says Colonel Hlgglnson, and were in a minor Key, now as words and music. The attitude la always the same, and, as a commentary on the life of the race.

Is infinitely pathetic Nothing but patience for this life nothing but triumph In the next. Sometimes the present pre dominates, sometimes the future; nut the combination is always implied." Concerning the prevalent mode oi the aona-s Colonel Hlgglnson Is in ANNETTE BOXES AT LAFAYETTE THEATRE THE NEW YORK AGE, THURSDAY, JULY 31, Wis, in a FIGHTtR 5HOW5 CLASS (BL LESTER A. WALTON.) TT HERE seems to be some likeli-I I hood of the stage occupying a position to the Big Four of cock of the walk for several years to come. Strange to relate about Johnson he has not been called upon to extend himself in fights in recent years and the public does not know what he can do if given a red-hot fistic argu pugilism Johnson, Lang ford, Jean-j ment his battle with Jeffries the nette and McVea analogous to that of i champion was not compelled to exert a port to, a vessel in a storm. Just himself to any extent, and the meeting now the pugilistic seas are indeed turbulent, and although our colored fight era are the acknowledged masters of the situation, yet when it comes to turning their fistic prowess into dollars their barks meet with rough sailing.

Last week Jack Johnson took unto himself the stage for a living, and this week Joe Jeannette made his debut before the footlights at the Lafayette Theatre. Sam Langford is said to be on his way to America to get on a match with Jeannette. The Hoboken fighter is likely to be abroad when Langford visits the United States, as he has been booked to appear in a number of the music halls abroad. When Langford learns that the Boxing Commission in New York is opposed to colored and white fighters meeting in boxing con tests he, too, will probably cast a friend' ly eye toward the stage. Although Jeannette is not the heavyweight of the world, the interest' manifested in his appearance at the Lafayette and the weather conditions seem to be on a par.

Harlem has many fight enthusiasts, which is being demonstrated this week by the big bust- cess Manager Nibur is doing, and in hot weather, tso. The devotee of pugil ism in Harlem may not be as noisy as a baseball fan, but he could never become an inmate of a deaf and dumb in stitution. There is as much difference between him and the clam as there is between the and the subway. Jeannette is booked to appear in a three-round exhibition with Frank Moran at the Lafayette throughout the week. At the last performance MJn- day evening the fighters boxed but two rounds and a fraction, there being hitch in arrangements.

Joe Jeannette was responsible for the stage waits between the two heavyweights, as he ac cidentally uncorked a claret punch that caused the claret to gush from a gash over Moran's eye like oil an oil welL This piece of acting, which was not down on the program, occurred in the second round. While Moran retired to the wings for temporary repairs, Joe Jeannette sat in his corner and the orchestra began to play: "You Made Me Love You." Then somebody remarked that Jeannette ought to get up and sing a parody on the song, the title of which should be "You Made Me Hit You, But I Didn't Mean to Do It" But the Hoboken fighter sat in his corner and took up the time explaining to his manager, Dan McKetrick, that! he had no aspirations to make Moran look gory. Moran pluckily returned to finish the third round after Dan McKetrick had announced that the white fighter would be unable to finish the contest When hostilities were resumed it was ai apparent to the onlookers as are the objects under a diaphanous skirt, that Jeannette was loath to do any mixing up. He did not allow Moran to hit him, but he did not hit Moran. The only punching done was when Moran hit the atmosphere hitting at Jeannette.

The one-sided boxing exhibitions staged this week at the Lafayette Theatre by Jeannette and Moran show what a pronounced advantage the colored heavyweights have over the white heavyweights of to-day. Moran is regarded as one of the most hopeful of "while hopes," bat were he and Jeannette to be turned loose in a ring and instructed to try to break the speed limit there would be work. for the cor-' oner the next day, and Jeannette would be present to testify. Maybe the Boxing Coraission has Jbeen. prompted, to draw "the color line' from a humane standpoint But with the ban put on colored and white fighters, meeting in the -ring in many cities in this country and elsewhere I find myself wondering when the white race ever expects to win back the heavyweight championship In his contests with Moran, Joe Jeannette gives evidence of being very pert and agile on his feet a big man he not only ducks quickly but grace- "fully.

Monday evening 'in the first round the two contestants exchanged a few Mows, Jeannette. 'appeared be more intent on keeping Moran from hitting him than he was to tapping the hite hope." After viewing Jeannette's work at the Lafayette, although his boxing with Moran was like attending a Sunday school picnic, I find it impossible to rank the Hoboken fighter with Jack Johnson. The indiscreet champion heavyweight has the edge on Jeannette, Langford and McVea. Unless dissipation undermines Johnson's health (and he is not the gay and giddy high-roller some newspapers would have us be- lievc) the former Galvestonian will be was more of a wrestling contest than boxing match. When Johnson fought Flynn on July 4, 1912, he spent imost of his time keeping the fireman from but ting him with his head.

It may be that ohnson will -show the white feather severely pummeled that is, maybe he will: then maybe he won't. However we do know that he has not been called upon to disclose just how much he knows as a ring general This unbiased opinion is given of ohnson't standing as a fighter, despite the fact that he has done his race much harm by his many acts of indiscretion True, no race should be judged by the actions of a prizefighter, who is not expected to be a reformer or a moral ist, but the Negro race has been unfor tunately placed in such a position, never theless. But back to Joe Jeannette, who is appearing at the Lafayette Theatre this week. He ranks as one of our tour great fighters of today; but he is no Jack Johnson. CRESCENT THEATRE.

With the Griffin Sisters as the card the heat did not affect busi ness at the Crescent Theatre the first half of the week. While appearing at the Crescent about a month ago the sisters were unable to fill their en gagement owing to the illness of Emma Griffin, who has entirely re covered, ahe does not seem to have lost much flesh. Brownie and Musical Martin were also on the bill. Manager Ostreicher is making a feature of extra-reel at each performance. LAFAYETTE THEATRE.

Although Joe Jeannette was head- liner at the Lafayette Theatre the first half of the week there were other meritorious features on the bill. Duke Johnson and Mae Wells, re cently returned trom Australia, ap peared for the first fme in Harlem and won admirers. The dancing of Johnson is the feature of the act. Miss i i v- ll BUCKNLR, who piavins suod ball this rnxn lor the Hohawfc CiafiU error; they are predominantly major, ciuglon to the proportion of the not minor. The mistake is a common, AiAtnan um vB'vaaB one among persons wno nave no iecn- rurani'i Mneralicatlons on nical training in music and wno navejNegro mu8ic t0 which.

It may be said, been taught that suffering always denies all African attributes because presses Itself in the minor mode. A the blacks have forgotten the language great majority oi inose wno customs of their ancestors, were about savage or primitive music gtn- -hiefly on reports of plartatlcu erally set it down as minor whenever ilir wnich old French and Spanish it has a melancholy east. Writing Ja the Century Magaslne for August 189'. Marion Alexander Haskell said: "The musical talent of the uneducated Negro finds almost Its only expressionin religious song, and for this there is a simple explanation, a race strongly imbued with religious is worthy of note that a foreigner. who approached the subject on its scientific and artistic side only and to whom an such phenomena must have seemed strange, should have been equally appreciative.

In his mono- eQuaiiy ipiincuiuTv. Influences were less potent than Eng lleh. He recognizes the existence of upecles of dance song in wnicn French- Influences nave oeen preaomi nantly formative, however, and dl ruaaea them In an interesting and in' etructlve manner. They are the patois ongs of the black Creoles or luis- sentiment one rarely finds among them tana, concerning which I shall also an adult who has not gone through I have something to say In due time. that emotional- experience known as are songs of sentiment ana songs conversion." There is nothing strange In the fact that the original collectors of slave songs and later students of slave lire in America should thus recognise the psychological origin of Negro song.

for they were familiar wttn tne pne of satire the latter characteristic. halieve. a relic of their African source. There la another, smaller, body of onn outside of the religious domain to which the spirituals give expression. which would, 1 am convinced, have been of large value In proving the JLT-k 'persistence of African idioms in exotic American auuga 11 iau pv.w.o to obtain a sufficient number or them to make a comparative study inmslbla.

Unfortunately, this is not the cuse. and I very much question whether It will ever be done. The Investigation nas wuuu-i- hiwn MiitnnnM ton loni. The uDUor- ffinesS 'aublect was new. I made an effort to from the descriptions of others.

says: some ot these songs thlrMlvj 'years or so ago. When much more oi "It is Indubitable, as all who nave this music was in existence now, made a special study of the questioned, though I had the help of so en-agree, that it Is In these superheated thusiastlc folklorist is the late Laf- religious assemblies that the most gen- dio Hearn. they eluded me. A few ulne (plus clalr) songs in the Negro specimens came into my hands, out repertory had their origin. They use they proved to be of no value, chiefly them on all occasions.

Like all peoples because it was obvious that they bad of low culture, the Negroes accom- not been correctly transcribed, pany their manual labors with song. Noteworthy are the "corn songs," Imperails 10: Providence Stars 3. which are sung In the harvest season Before nearly six hundred spectators to stimulate tne garnering oi me grain. at Narragansett Pier, K. the ball and Tennesseee, as well as a twelve The efficacy of these songs Is so well team the HoteJ imperiai Knt the weeks' tour from the Missoun Kiyer to Providence Stars back to the Rogisr aUfornia and return where it is hv UUon- pay tra wage.

singer. Gty with a good drubbing tended to nick ud the better class ot ik.ir mv. nn to the tune of 10 to 3. Sundav. A home S'tair Havlin week stands, including Chicago, Cincinnati, Louisville, Indianapolis, Dayton, Columbus, Pittsburgh, Baltimore, Philadelphia, Newark, Brooklyn and Boston.

The company this year, as all others, is headed by Mme. Sissieretta Jones, the original "Black Patti," who enjoys the distinction of being the greatest singer of her race. "Happy" Julius Glenn will An the nrincinal comedv work. Mr. Voelekel has accented Will A.

Cooke's! unnamed three-act musical comedyjof it. which will give Mme. Jones a better opportunity to show her talent The widely known singer believes that she will appear in the new production to more advantage than in years. The new comedy affords excellent opportunities for handsome wardrobe and stage set- tins- The roster of the company includes thirty of the best known performers in the business, a oevy oi stage oeauues distinctive character; they are relig- run and a two-bagger by Ganges, also lous hymns. The same holds true of a two-bagger each by Brent Allen and the songs sung by Negroes ror tneir Fkloff were features.

diversion when at rest in their cabins. xhe core: in the family circle or ror tne eance. IMPERIALS IPROVIDENCE STARS eucn a use ncea out lunirm us wucu a. r. A.

11 we have seen their religious meetings cni.3b a 2 0 0 0 degenerate into dishevelled dances 1 0 0 0 0 under the Influence of the same songs." Crait.W. 2 0 0 The "dishevelled dance" to which M. 1 Tlersot alludes Is the "shout" which In i I 1 0 the days of slavery flourished chiefly Brent.2t. 1 1 1 1 1 In Hmith Oirnllnn and the atAtea anuth Branch.H. 110 3 2 "If iniiMn tn ho nil nil in i i says Mr.

Allen in his pretace aava but. Alien in nis Dreiace ini-inn v. 11 v.ir vlv 1 1) 4 0 TREATISE ON NEGRO MUSIC he surmises, too, that it "is not unlike "Afro-American Music-A Study that thlswmarkable reuous cere- of Music of Negroes," is the subject 'n' of a series of articles appearing in the classic New York Sunday Tribune from the pen of Henry Krehbiel, musical critic of that paper, and perhaps the best equipped writer on musical subjects on the Metropolitan press. Mr. Krehbiel has, for years, given painstaking and exhaustive study to the folk-song of the Negroes and has.

not failed to avail himself of every possi ble source of information-: offering Pyrrhic The editors of "Slave Songs" were liberal-minded neoole. who. though en gaged in philanthropic work in behalf of the freedmen. were prompted Dy cultural rather than religious motives in directing attention to Negro songs. They deplored the fact that circumstances made, collection almost wholly Mr.

Allen wrote: "I never fairly heard a secular song a 1 among ine run nujm.uccuincii, wherebv his range of knowledge saw a musical Instrument among might be broadened. Ithem. The last violin, owned by a Slave songs, camp meeting songs, "worldly, disappeared from Cof-work songs, voodoo songs, in-fact, fin's Point 'de year gun hoot at JBay everv phase of music into which the Pint' (1. November 1861). In other every.

P'sc ".1" Smith 'flildln 'devil vagaries of the Negro singer nas ea tunes' and him, has been entered into by the common. al, tne worW writer and the origin and inspiration knows the banjo and the 'Jim CroW sought for. A number of melodies Bons.s 0f thirty years ago. We have have been gleaned frnm d-Ferrni 8UCceeded In obtaining only a very few sources, some hitlir't son-n of this character. Our inter-teil in tl't Sf Tlie with the colored people has aUtance of Harrv T.

I'. irl.i jit. tlicM-ron chiefly through the work or tne assistance oi nd'ri A wheh deala Negro singer snri nnjntr. 'secured by Mr. V.

of the as i.i:'- hv Mr Tinrlfifli' vrlc. These nrtirl .1 i rf ruiiirii a 1th tho serious ana earnest uo 3 ana. discussing ilized" character of the songs li prints, he says: 'It is rVrf I' we had found It possible their secular music i com to another con- 1 3 0 Welch.rf. 4 0 3 0 01 4 0 2 1 0 Ur mT.lb. 3 2 7 0 2 Lawltr.lf.

3 0 2 0 0 3 0 6 2 1 3 1 16 0 Peirac.D.. 0 10 1 0 10 0 0 Smith.Jb.. 1 0 3 0 1 Ekloff.lb. 1 1 12 0 0 Dimitri.c. 0 3 6 1 0 0 0 0 Landati.u.

10 4-2 Richd.lf.. 0 0 2 1 0 2 0 0 3 8 27 2 to "Slave "but not In North Tm 4 1 4 o'o 1 0 0 0-10 Carolina or Virginia." I have a hymn provjdence Start ....2 100000003 taken down from the lips or an old slave woman in Kentucky which the Union Giants Defest 8tort. collector (Miss Mildred J. Hill of tQ the masterly pjtching of Wil Rf Norman, the crack. twirler i- of the Chicago Union Giants, the Chi that the custom was more widely ex- cago team defeated the b'tortz nine at tended than Mr.

Allen and his col- Kourke rark, umana, last week, labors tors, who gleaned chiefly In 4 to 1. The contest was hard-fought South Carolina and the Gulf States, throughout. The score I I A. aaf.1t tx tnrrAitir1 wnosc sicmi uuues wm Mr Alien rerers xo me laci ctorz to tne utnern ioik inc wcsi iuikcjt tnat the term "snouting" is usea im a.i h. trot and tango dances.

Virginia "in reference to a peculiar FilcVrf 3 0 2 0 0 Uminn nt thm hnilv Tinf whnllv unlike D'ch ty.H. 4 0 3 1 0 CIANTS. Ai. H. O.

A. a. 4 0 0 0 0 4 0 5 1 0 B'chm'n2b. 4 :0 1 2 0 Petert.ss. 1 2 1 0 4 10 6 2 Walker.rF.

3.1201 Riirwcy.cf.- 3 13 0 0 1 14 0 1 NWn.p.. 3 2 0 2 0 TotaU. 33 7 27 12 4) ToUls. 33 7 27 12 4 Giants 2 0 0 0 0 0 0 2 0 Stori 0 1 0 0 0 0 0 0 01 To-baae hits: Peters. Struck eut: By Alderman, by Norman, 5.

Base on balls: Off Alderman, S. Stolen base: Norman. Sacrifice hits: Alexander, Falconer. Passed ball: Coleman. Scorer: almann.

Umpire: Clark. WANTED. Refined, attractive, young lady, dancer or musician. Photo. Good amateur, side show and Anderson, Psnama Canal Exhibition, Surf Avt-i Coney Island.

For the Latest Theatrical News READ THE AGE CRESCENT THEATRE 36-30 West 135th Street John B. Friob, Manager Vaudeville and Moving Picture. Bill changed twice a week. Performance- continuous) aifJO R.ft so tliSO P.M. PRICES: EVENINGS 10 CENTS: MATINEES 5 CENTS.

59th St. THEATRE 313 W.e 59th St. NEW YORK WILLIAM MACK FELTON, Manager. VaudeviliC and Motion Pictures Stave perfoimancesafteinoorjs and evenings iur t-tf. GENERAL ADMISSION 0 cents.

EOXES 25 cents! MARTINSON NIBUR' LAFAYETTE SrVCNTH AVENUE, Bet. 131st 132nd Sts. BENJAMIN NIBUR, Kj, High Class Vaudeville and FEATURE PHOTO PLAYS Change of Bill Mondays and Thursdays 1,500 Seats Wednesday Nights Professional Tryouts PRICES Matin Cvenlnar ORCHESTRA 10c ORCHESTRA I5c25e BALCONY 5cl0c BALCONY I0c-I5e 25c BOXES 25c BOXES 35c Except Saturdsys, Susdays. olidsyt and WcdMfday nljhU Continuous 1-11 PJD. AN Acts.

Preduccrs or Masagcrs ef Acts kindly call or writs to the 1547 BROADWAY. Room 201 VAUDEVILLE BOOKING AGENCY NEW YORK Cm MANHATTAN CASINO 155th Street and Eighth Avenue Monday Evening, August 1 1 THE NIGHT OP NIGHTS Sptdal Professional Performances under the auspices of 0-0 FRG (INOORPORATrD) Indudlag all the celebrities of the Stage with BERT A. WILLIAMS By psjtmIssIm m1 eswftssy Messrs. Klaw CHMgf A ZisgfisU AIDA OVERTON WALKER CsmyHssesiry Certeey S.H. DUDIEY 'ri Star Ik Saart Set C.

AND The Clrsitest Collcllon of Negro Artist that has ever appeared together in the same performance. James Reese Europe Exclusive Society Orchestri DANCING ATBR rSRFORlf ANCB Advenes off Sat Hail ft rerker. 14S Weal lsSth Street Odessa Mllllosrr. 41 West lJ3th Street Blitc Berber Shop. KU Beneath Avenue Admissina 50c Reserved Seats 75c Box Seats yinjLnjxaruT.n.nrrririri-rr'1 The Man Farthest Down By Author 0 "Vpfrom Slavery," "My Larier Education, This is the record of a trip nude by Dr.

Washmrton the purpose of studying conditions in Europe, and it is a ao uluaunating book, ror there is no one whose keen and understanding enables him really to depict the comfiti of the man farthest down like the author of "Up Fr and the treat beauty of it is that it is filled with tod optiaiistic observations founded on solid fact and deduct, as "Bad as conditions are in some places, I don't think tb I visited any place where tilings are net better now than tiifll were some years ago. His journey was a journey amonj saddest spectacles in European life. As he says "Some peop will think, perhaps, that everything I was looking tor commonplace or bad, and that I avoided everything extraof nary or worth while looking at. My only excuse is tnat i fa fact, not looking for: the best but for the wont I hunting for the man farthest down." The inspiration of book is that, having found the man farthest down, he too! an abundance of hope for hi With Frontispiece (Map Net $1.50 Doubleday, Page Co. Gardssn City ADMISSION SSaNTS so.

7-tf rklldrcsi urdtr 12 A New tw. Old Fashioned Basket Picnic OF THE- Alpha Physical Culture Club," At MANHATTAN CASINO, 1551b Slrcet and ffgMh Avts Thursday Afternoon and fvenirg, August 7. 19" Afternoon fiom 2 to 7 to be devoted to games and amusements of the children ff HCIA Vir 1- A 9 I 0t avluoi wjr x. x'. u3gc uancing irom a m.

a ol ei Je a pi pf at er ns at 1 An to th. ch evi oh tar of we tio spi Ins -eve tbe chc wei anc ing re offi pro sel gut Ma Cai (mi rec -ure Go I Po got Urn Mc No of A. ga Bis Zio clei W. E. Mc nec tor Mo me He anc 1 At Mi: san del I doi "boa sen ant boa sen an the 1 'fe -Ch Mr Th viti me 8Uf Mr 'fol.