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Oakland Tribune from Oakland, California • 104

Publication:
Oakland Tribunei
Location:
Oakland, California
Issue Date:
Page:
104
Extracted Article Text (OCR)

-y --g- ajp-'aqga 1f WHt 4r 4 lO-U OakUnd Tribune, Sunday, Aug. 4, 1957 4 Joseph Danysh Returns to 1 Bay, Scene of Early Triumphs 'j I A- Recorded Operetta Repertpryjnriched By CLIFFORD GESSLER. Music and Dane Editor "Johnny Johnson," one of the in which the role of Orpheus is late Kurt Weill's first American by tenor-ill works, has teen brought to rec- ords by MGM. A later work Leopold Simoneau. It seems the than "Threepenny Opera," it is opera was originally written for in somewhat similar style, but with spoken dialogue, introduc tion of ballad or balladlike melodies, mordant satire and an underlying sense of irony.

There is an unusually successful integration of spoken or sung text (nlav bv Paul Green) with 9v flSMWr 'we' JOSEPH A. DANYSH New CCAC President purchases add to its collec-Walker Art Center, Minneap- tion of prints relating to re-olis (1946), to prove it. ligio'n. Now on an important cru- 0 sade Danysh has been talking Evrrvthing is undpr 1qlL te- high school S-t-trde-n-Hfr-nr TirlTf nrtnn Snnar. Ar the music.

The theme is war made to facilitate performance and peace, carried through a in French instead of the origi- complicated and at times fan- nal Italian. tastic story, knit together by "Orpheus" is quite lively in Weill's score. In the recorded its way. despite the stately for- performance sitch artists as mality of its style (that of the Burgess Meredith, Jane Connell period). It has beautiful melo- and he composer's widow.

Lotte dies and a delightful freshness. Lenya, are in the cast. Samuel Suzanne Simoneau- and Matlowsky conducts. Pierrette Alarie sing the three roles, with the Roger Blanchard Librmann Opera voca, ensemble and the Lamou. Rolf Liebermann Swiss com- reux orchesitra under Hans poser who visited the Bay Area R0SDaua when the San Francisco Symphony performed his concerto Recording Goes Clinical for symphony orchestra and What might be considered the jazz band', appears on a Louis- last word in documentary rec-ville commissioned record with ords is Westminster's "Natural a short comic opera, "School Childbirth," a condensed re-for Wives." rordine of an actual birth.

PLANNING BALLET Members oi San Leandro Civic Ballet Association at recent meeting are. left to right Mrs. E. B. Pearce, S.

Block, president San Leandro Arts Council; Riciiard Carillo, president oi association: Richard Xaulkner Mrs. E. B. Ay ers, co-chairman oi committee investigating regional ballet prospects. Stravinsky to Guest-Conduct S.F.

Symphony In April; Other News of Music in Bay Area 'throughout the state to combat can conspiracy a a i the study unons.aniied but surprisingly cohetslve. "en strangles an aPtltude art whe" flrf 1 shows what 18 considered its pointed little head. iiii i Tnit rimtni ryi'v itial Part uf thTisu consPiracy. f5 iiunic wiiii an in ai itiujicnt. VT.

Hi nraicp him nnH newj from the nimAPe "Patthcn is, of course, a distinguished and sensitive poet. He is also a unique combination of aesthetician, critic, and in his books and portfolios of drawings and poems he is: what I would define as an in-nuvaUotuiit of the poetic and graphic, aesthetic impact. Mills includes the "Whew" and saves us the trouble. BPS feels that Patchen, although primnrily a writer, is, perhaps better equipped to select a- show of more sensitive and personal vision than many of the artists available for con sideration. The defense rests.

I Approximately $500 will be offered in purchase prizes with the possibility of additional first and second prizes. Selection committee for Berkeley's Starr King School for the Ministry will inspect the show for Fest'iva, to be held in the 0f Oakland's waterfront res-, taurant area Aug J7 amJ Paintings, both invited and for tne sectjoni have bepftHls. sembled A numbpr of paintings from the open section of Daid Park McCray, Gurdon Woods, Mar old Gretzner, Othello Michettf and Peter Bios (replacing Will Frates who has been called East). Organizations planning booths where artists will dem- flrpartv inrino rnan a'reaay mciuae Muaio I nakianH n. ana 11 01 tne uaKiana Kecre- ation Department, the Califor nia College of Arts and Crafts, Mills College Ceramic Guild, p- Arts Contemporary Hand i Bay Printmakers' Society, Junior Center of Arts and thp Ran Leandro, Alameda, Diablo and' ana Art Associations.

New feature of the Festival. wilt De nour-rong shows by the C0mI)Osred of 21 groups in the' area. Jree outdoor perform- ances also are scheduled by the Llondon ClrcIe little theater group, Jack London. Square. The Festival is co-sponsored by the Port of Oakland and the v-namDer or commerce in con- junction with the Oakland Art" Museum and the California College of Arts and Crafts, 000 Prizes for the Alameda Art Association Annual, opening- today at the Oakland Art Mu- seum, were selected by Thomas Leighton, Harold Gretzner and Aaron Hanin.

Because of a pre-' ponderance of oils, prizes were4 awarded regardless of medium. JoseDh Bennett rec eivprf lint nri inr an ii. iinn 1 1 urnior. nr1 ni.rm Faivre third for an nil anrf rir r.t i The story is out of Moliere, translated into intelligible Eng. lish, and typical of its period being but a slight variation of the stock situation: elderly guardian thwarted in plans to onstrate their skills, according-much adulation.

But Johnny i to Virginia Dietle, booth chair-. 'fnrnc un with a rttrtnrp a onnti ing roles with the Oakland Light Opera at Woodminister. Kabuki at U.C. Emiko Moffitt, who ciiu educated in Japan. She is a wtomKA tKn etft jjii.iiiwv, vx i i v.

oiaii i li i ua.i sialic uDrary at tne univers- uy oi iaiuornia. 'rutner's March Herman Trutner march tw i iujeiu ntuwouus on today's band program, was inspired by the redwoods at Grove. 'There is no composer's 75th anniversary year. Details of the program will be announced later. r.L.i..

a i. Scholarship winners at the recent San Francisco Conser- vnuijr auuuioiis were lODias Vol, in Af iix i.ni itii, ui vaiviciiiu, i-iiman noageneaa scnoiarsnip tor pi- anisis n. ana unaer janei uooaman, is, oi uaKiana, aa Clement scholarship for pt- anists 22 and under: Arthur m-n loueison, la, aan rrancisco, Hodehead scholarshiD for Di- anists 22 and under. Judges were Mrs. Edwin Hesselberg, Tanyry-w Laufer.

Debut Winners to Solo Soloist with Knrt Horhprt xmtsfs-MHd Grove today are the most recent winners of the Opera Debut Auditions soprano Marie Gibson of Los Angeles and tenor Jess Thomas of San Franeisco. Thomas is also sing- 9- marry young ward. baby's first cry. One can think The degree of amusement 0f special circumstances in would depend on the actors which this record would be use-their timing, gestures, facial ex- ful to encourage prospective passions. On the record we mothers, for instance, found it, dramatically, rather A record Westminster pre-duN- sumablv intended to precede Liebermann's vocal line, after this is "Wedding March," a hi-fi a piquant overture, is mainly a of appropriate selections from kind of sustained musical speech Barnaby to Mendelssohn and, which-alsa becomes a bit te- "Lohengrin," played by Rich-dious, although relieved from ard Owen on the First Baptist time to time by; such jnspira- organ of Rochester, N.Y., with f'tfowhe; to the heroine.

The orchestral part, however, is clever in Rwpiflhi Records underlining mood and injecting Sir Adrian Boult-conducts the witiy comment, as the Pop au- Philharmonic Promenade Or-dience observed recently when chestra in a strong performance Fiedler conducted the sparkling of Respighi's "Roman Festivals" overture. and a sparkling one of the same As part of the fun, a charac- composer's "Rossiniana" for ter representing the author of Westminster the play sings a prologue in which he remarks that there TUK" re not enough actors for his Dukas' wLa Peri" is coupled play, so he'll take a part him- witn the pianist's bane, the self and does. orchestral arrangement of Performance by the Kentucky Ch.Pin known as "Les Syl-Opera Association and members on a Mercury record of the LouisviUe Symphony un- y1IGeorge Weldon the der Moritz Bomhard is devoted orchestra- Whatever the and able, and the recording has "eni? of recordin8 these at all, the-benefit of Columbia's ex. the somewhat unclear pert pressing Perfrmance and the sound becomes shrill at times. Hi-Pi Carnivals Westminster, hitherto decor- ous: takes a leaf from Emory SantaCz of Chile Cook's book with "Honky-Tong recorded repertoire in Hi-Fi," a collection of popu- iST7 Tlth hls.

second' lar tunes recorded by various V' "l'' mechanicaj pianos and othet ter-known Vienna wijh the title role east for a male contralto, and it was so performed; but the Paris Opera didn't have a male contralto, so the part was revised for a tenor. Other changes were suDervised bv Dr. Grantlv Dick author of "Childbirth Without Fear." Every sound is faithfully recorded, from the conversation between mother and doctor to the newborn both conducted by the Catalo- man 1 ior mum. banu Cruz's svm- phony, intricately written Tn what has been called a classic" romantic form handled with contemporary freedom, gener- ates power with its expressive slow movements and its contra- puntal compleJtitie8- Ope ty Awtheif- George Antheil, who presum- thw hnnp. his earlv rfpsiimatm- 7 "n.1 1110 cdiir designation as the nave uuigrown luwii bad bov of mn.ir mn with a track one art JaP wun a tragic one-act opera, "The Wish" commissioned and 1 11.

uy me ixuisvHie Orchestra and recorded bv that crrnnn wth members of the Kentucky Opera Association directed by Moriti Bomhard Moritz Bomharff Anthiel's melodies opera and the orchestral cniiaui. ii 1 mm ua- ground, with touches recalling ti f-i calls it a synthesis of irystic and realistic and Ma kind music of our time Manv traoprfip "aPPen to the sound of music on the radio in ne" apartment- Despite ne next apartment," Despite an unattractive plot, the piece seems viable toT tage. By MIRIAM DUNGAN CROSS Tribune Art Editor Joseph A. Danysh, new acting president for Oakland's 50-year-old California College of Arts and Crafts, has returned to his loves, the Bay Area and the arts, eminently qualified for the post. Ho will be remembered as the, daring director of the Danysh Gallery in San Francisco during the 30s where young artists, many of them now well known, had their first showings and where a local show, refused at the last minute by the Legion of Honor as too advanced, was triumphantly hung.

He will be remembered, too, as the able young director of the Federal Arts Program for the 12 western slates as well as the art and music critic for the Argonaut and the San Francisco correspondent for Art Digest. Danysh first came to California after graduation from Co- student he had organized the rumDia wnere as a precocious first exhibit of contemporary art on the campus and had given radio talks on the origins of modern art. He left Califor- nia to become director of the American Art Building at the New York World's Fair After its close, at the request of Gen- eral Summerville, he took over the administrative functions of the New York Federal Project, Since that time he has been int. imo Lcrii a large com- '5- una a i ii irw I K. olic anH Maw VftrV ffi i IOO Ion? nurflv frnm Palirni-.

nia and his mainr infprsst in 7 art. Danvsh decided on riav hp had had it. With an under- standin8 wife and a small son incidpntallv with an TO nf he set out for God's coun- try with no plans but a firm conviction thit money, while nnen ur. uaniei Deten- bacher resigned as CCAC president to enter the design mntnltant fild benefit not only from his ex- perience in administrative, or- ganizational and promotional fields but from his wide study of psychology, esthetics, gen- eral semantics and anthro- chipt contribute to g'r eat self- fcnnwlprfoo and UII14 HIKJA JL IlU UV- tive hu.manjrelations.TIe is an artist and craftsman, too, with a two-gallery, one-man show of paintings, drawings, sculpture, jewelry and textiles at the YanlOO TWN At CIlllVCC LUOUIC Aacnt' n)nf1U OOlll E-ZdllUV Harrv Dichter, Philadelphia restaurant waiter wno special- i.es in reuiuuuuiii-! mcaiiiuies 01 early American music, raises -j SC5 He Question wnetner "Yankee Doodle" was so long in getting PJ Jn associated with bawdy texts. Anyhow, the first known ap- cearance of "Yankee Doodle" in print was in Benjamin Carr's medley pf patriotic tunes, "Fed- eral overture, in 1794, one or Dichter's latest facsimile publi- cations, taken from only known example.

Carr also included the Mar- seillaise and other French oiuiionary xunes, ine lrisn Wasrwomw" and 'The Pres- inpnis rviarrn wnirn larpr np. 2 ramp "Hail Pftinmhia Dichter has also republished some songs of the Gold Rush Am 1.nudln8,.TheAe Gold, With directions how to wlth notes ad lib) by a uirector to California' and The California Pioneers," re- t- Prted to be the first piece of ss-jts issrri; and C. A. White's "Buckskin k3llll. Song of the Texan 1 i-.

"The Good Time's Come at i vmuiuia. i S'Z mm ap Phil, Dates of the Berlin Festival SeDt 22-Oct. 8. THE MUSIC TODAY Byword FrtmlOr. Dnc WhMlr Hall 4 p.m.

Drum drum trio: Belair improvtaation; drum Pstro Sacrlllce' A Ktiiu imDrovi converMUon; Bambocht." toJfkVp.rk. r- BY SIGMUND SPAETH 'A peculiarly American insti- they will be heard by imiior- nnrwl l' SJS' Igor Stravinsky will guest- conduct the San Francisco Symphony at its April concerts in an all-Stravinsky program. the orchestra management an- nounces. This is held particu- larly appropriate in view of the i JESS THOMAS MARIE GIBSON Ballet for San Leandro San wtwh tlrrny a7pX 1" Alexander Manke has a Civic Orchestra, of which as recently named conductor, is aooui xo nave aiso a uivic tsaiiet. 11 pians vmder way are successful lne PJ" now ln lne voeti oat in tf cto era nronaratrtrv to orawing up a cnaner.

iwo association meetings have been held. at the call of president Richard Carillo, at the most recent of which Mrs. E. B. co-chairman of the m- vesticatms committee Tpnnrtprt contacts witn pallet associations nj dance publications.

Vern Nor- aen ana mcnara j- auixner were among tnose reponing The committee will -continue inquiry among xne 34 regional Onai baUet organizations, of which mey nave knowledge, prepa- they have knowledge, prepa ration for the next meeting. Sepf 13. 1AM HNCI( CALIFORNIA PALACE Or TTfls AchMiharh Founrfatmn nrmu bv Wmicl Hollr U6o7-l8T7l ithxough n. GRETi WILLIAMS' GALLERY. SOS 1 1 i.m cult hv Mninn.

Ktaric rnuc by Thom. Tait (throui guSps gallery sso port: con- I 4f Li tution of perhaps more than passing significance is the musical party, at which the host or hostess (or both) and as many of the guests as pos- sible put on a performance of some kind for an audience likelv to be at best aoathetic and at worst noisilv rude. ihis phenomenon is more common in New York than in mmon in York than in the smaller cities or towns, chiefly because the metropolis contains more good and bad musicians 01 au Kinas ana more aspirants to fame who are will- inir tn irrasn at. anv nnnnrtunitv to be heard. whw An it i People come to these parties mostly to eat, drink and talk, and they are not in a mood to pay attention even to quite good artists.

(It is seldom a performer of real reputation consents to undergo such an ordeal.) Noise Continuous The noise is practically con- tinuous, with the clatter of dishes and an occasional sound of breakage mingling with 6 snness 01 nwntTnttinn onri vo 1 1 a rf Isiiorh- ier, a xewpome souis maKe a desperate effort to shush their companions, and a few more do their best to keep out of the turmoiL But they are over iuua up mui yn-iuic, guuu ij uuciuumiciu Kouro, co Tw- kbi "i quite pretty. Now go study ypiir arithmetic." One doesn't un 4. u. imve iu uc a omucm chology to recognize the effects of this negative reaction, Lack of inspiration The- conspiracy includes, too, might marry garret dwelling ariisis, me great Ameritdn tte conceft. of Vliy or doing anythfhg about or ar- and the Jaisses iai h'guh cho)1 teahf ho PItlon Pods through her allotted years to a pension.

In his talks to students about selecl a career, jjanysn ap- proaches the problem in thjs fashion: "I have a serious com- plaint to make (Danysh knows his behavior patterns; he has the attention of the group) "against those who fail to recognize the import- ance of art in our lives. Look at this handsome auditorium its forms, its colors, its lights. Look at your clothes your jacket, your tie. Take five min- utes." (Pause. Reflexes have now assembled in a nattern.) am.

in i.vj imiitv .111 111 infc which an artist has not had a banrf then noints out that distinguished dK3 foTespoJto art forms of 'SbtelJ can be measured by the increased enrollment for CCAC's comin8 semester. Dedicated Aim Now, parents, virile males, and uninspired teachers, note that the California College of Arts and Crafts is an illustra- tion of higher learning (BFA dedicated to a pattern of spe- cial training to produce a graduate capaDie 01 expressing 1 1 1 1 creatively, imagina- tively and constructively in one 1 1 such a broadly educated per- i. pmanrfin or several proicssiomu uems in increasing numbers and (nota bene) at increasing rates back WIU1 xne aris 0 0 Unusual choice for a jury for the Bay Printmakers' Society's rhih.ti U- rtolrl an1 Art Mil. Oct UgUnguome iti.icm frnm local nrintmak- rl vnnpth Patrhpn has been selected after long consid- eraUonas the one-maa jMrxf, Eldon Mills, Berkeley art patron and director of the BPS annual rises to the defense, CALENDAR tmiim. "Walk to b'Z7 Storm from Bifrlloi' Trojans inai Jmm NcETtn.

ban-baritone. Opera Rlrig, sn FrancUco. Vaiihan i'uei-r ire Rn. Rm nlanft. Onus One.

San rr.nii.ro. Worki of Haydn, Scar utu. Chopin, Liait TL'ERDAT isToVS nrnla. p.m.. by Emiko Moffitt.

(Free FRIDAY "Merry Wlaaw. Woodmuuler Amphi- theat r. I SO. SATIROAT Wlg.w.- repeated. Wood- 1:30.

aiew manit Oakland Lakeatde Park. -Marry Stern Owvt. I Trla, Opua 1, I JO. ductor said. "It simDlv stems from my veneration for those great veterans of the forest.

I Vn mi. jj musical tribute to them I re- call was "Semper a play written by Henry Hadley for the Grove encampment in 1923. I played in that per- formance under his direction." tant critics or press agents or managers, whereas their audi- ence is far more likely to con- sist entirely of similarly ambi- tious and perhaps frustrated career-seekers, intent only on advancing their own success. This renorter lonp spo maHp This reporter long ago made it a rule to iudr musician, only in the presence of bona fide ticket-buvers unW ronHi. fide ticket-buyers, under condi- tions that permit a perform- ance of maximum effect, with equal consideration of ability, personality ana auaience reac- tion.

The musical party seldom, if pvpr livp un in curh crp.ifi- cations. Eddie Cantor's autobio- graphy, "Take My Life" (Doubleday), contains much material of musical interest, particularly in connection with his proteges and discoveries, such as Deanna Durbin. Dinah Shore and Eddie Fisher. The Pictures alone would make this volume worth possessing by anvfino or xnnnnrnAW wm "shmn Knemaee iA wou have been helpful for sDottine the celebr ties mn cal 4 0 0 Hair-Notes avd J.an singing duet! Eileen Farrell mnuinoincriv a in King aueis irom ia Boheme" and. "Madame But- duets from "La i9ei.n xrvr cugaThrs for Abbe Lane Mr.

and Mrs. I J1ITV Sharif I MoT TV I 1 v-7 iV-Vfc. Svdnev Chaolin in "Bel Ari iuum u- tr: 1 thi rn' Tn Malbin's TV "Traviata" a hit in "Europe via kinescope ney songs-released coinciden- auy witn nis engagement on vnp. "tirtw -unn, Home show Ethel Merman and Rex Harrison to star on Paul Gregory's TV film biogra- St. Louis Blues, 0 The PhiladelDhia Orchpstra na already Deen approached ro iCl' r.XS 10.

"'ucin sennowers Special Interna- tiftm 1 l-'rAnran. 1 Am ..,,11 1 ivtiaui. iiicic win oiau r. 1 l-'rAnram I tm, 1 oe orcnestras irom KUSSia, pr.at lands 7 0 0 Todav'g OuoUtinn Vinr-Pnt mJ Vwon Vincent meisiersmger nis one reliable InsUrnce agairtst negltct" St, Oe.eral Ftdr whelmed by the decibels of idle terfly" at a Stadium Concert- published itete. to destroy our seum, who presents the fore-chatter and most of the per- Gladys Shelley and Jack Be- Copyright 1852) with mnrti nte that Joe word.

EliSP r.ritu D. chatter ana most oi the Der re hoi worm ooln- erinff about, anvwav. Usually those giving the -AMMnl nl Unni AM courteous type, out even tnis is soon swauowea up in 1 Sbi 000 "Sabro Hasegawa, Artist of the Controlled Accident." a unique book to be published. here in September, is a tribute to the memory of this leader of the abstract movement Japan who as a teacher at the American Academv of Asian Oakland's California College of Arts and Crafts was an un-, ujfiS jnbpirauon to nis stu. uems ana to an wno Knew him.

A labor of love, the book was former dean of the American Acarfpmv whn Y.r-l,t ny Aian w. watts. gawa to this area and who has written the principal 'essay ir the book, and by Paul Millv thf and close friend of Haseeawa in japan, contriDutes an article on Hasegawa's (role as an artist in Japan and the world today. Selections from HaM'. Own WritmpS.

snmp tiavoi hp- fore published newTr translated from Jananese. collected for the first thn. productions of his paintings are ofthe artist, his studio and garden. a ne prospectus says, "Leader if tVn ouniiaLi movement in -Japan, artist of international repute with a number of New York showings in recent years, Sabro Hasegawa combined the most ancient traditions nf art and Zen, Buddhism: with a penetrating knowledge r. OI What IS truly Vital in Con- temporary art todav Like his friends and ielljwwUst-V Kline.

T-Tacpoaura efmi.linn "UD1J pusnea iorwaro along the growing edee. of mnHorn arf Probed "even deeper into the historic and prehistoric DaSL SPT If! thp nrimArllfll art nact 4U i Past, seeking the primordial art lmpu Se in man vrsc in mdn. Call tht Oakland ArtMu- includes a coupon to reserve k. i i jted subscrirwr' prtitinn nnttr YK edlUOn 0rU' in and a battery of percussion. chromatic scale test record based on nrue pitch rather than math- ematical frequencies." with the One note is worth a thousand cycles." French 'Orpheus' Epic's current recording of Cluck's "Orpheus andIdic? is in me 1 rench version of 1774, Cosmo Opera Sets Season Jiit ice season, Cosmopolitan' Op have a 7-rerfnrmanrp 1 1 XTZl Dairo ShindelL a aPaint nin jasi season.

It will oDen with "La Rn 7 "1 DO" heme," with Lucine Amara, Barry Morell. Beverly Sills and vai; Zinka Milanov wiU return will sing tn "Carmen" with Robert Rounseville; Eva U- kova will appear in the role ar in the role in "TraviaU" in which she has been admired. Jerome Hines, Ellen Faull and Eugene Conley are cast in "Faust." Cesare Valletti, Cesare Bar-delli, Graciela Rivera and Sal-vatore Baccaloni in "Barber of "Rigoletto" will have Maria Giovanna, new Italian LarJO MoresCO Will- again conauci tne season, Witn Uiynn MpmnHai nnpr WnTicp nms ni KTapp manappr in war i LDera rvinK lunitiiu is tne ParifiC Opera bass-baritone Wl 0ang Oim-rin Ul Li Ura- en 6 and OblPnv in "La vuiw aiiu yuiKiijr hi iTXViata. Alter pioneering in r. ugyuaaw vam, as 0l0ist at St EdmundsburV Mmunosoury CaWiedral and With the Bury uawearai and Witn ine CUry ci bU.i-dmUndS Opera While Sta- tioned in England during the rn h.

.1., i donlfiiaht elUOS. 'v Kirlr ilrpcfa innn v-uwicn iuointii aim rtrffi THE ART CALENDAR uniuui rmtm. ear, aiiu uie results are usually alITkISPUJZ 'f int-' disastrous. If anybody paid scheduled for the Sunday. wdned.y.

fimunm srawmii oj i ti. nhv nf r- HanHu Richwd D.vl. Uirouh Ay. IS-; i iuiiiiiic EASTBAT AlAMZDA ART ASSOCIATION STUDIO, 5..0 Central. A.amcd: P.int- ALAMEDA LIBRARY: Oils by Doro- thy Eiptucke (through Aui.i.

AhrvinN'T imtB. r7Avtv OALLEHY: Bay Arti.t, Awei- uon mauff-trai -xninix iinrouin Aijt. contemporahy arts. i2 snat- MMvPdv.teA jT 1-5 P.m.. "r16: and worse acoustics.

The- piano may be out of tune, below standafrfof not to speak of solos. Singers permit perfect stran- 1 1 gers to play for them, often reading the music at sight or even "faking" something "by woulri make a thoroiiphlv ha1 uj lmoression. Under the circum- ctanrM it rannnt niKciMv oivo an inkling of the abilities, thus ooggeoiy put on exniDition. Yet on rare occasions a sur- nio nr in0tr nr no Dnnn vnieo nr int'Trii- i j. ii a parties.

It IS astonishing hOW manv mncifiane nf aKilifu -an "lany musicians OI aDlllty can be active in SUCh 8 City as New York while remaining prac- tirallv unknown tn thp pnpral inev are luren lnio urn a private penormance. ll IS gen- rralirthueh thp nromUp that "ally IhTOUgn the promise that 0 8 i and Franz w- rL.n nn i un iri SHIM Munlrl. Auditorium: by Norl nn; rmirre howin of nw (lfta i in uiimii ii i nuiuiu i m' museum cauromia coliettions: Aiamerta Art Aawciatlon crramrcj ov renny unaemeni 'through Sept. 1. da.iy.

10 am gitiwuju AH -CENTER. Civic "San Frar. Weekend exhibit: direction! Bay Are. Pamtert Uhrougn Spt. Monday r-ainiert nnrougn spt.

Monday through Friday, 30 a Mor.eay throngh Thuraday. 30 VC. ifinr.ivii'c K-Tf-nm rrogh Aug Tlrurw through Sumdw. J- r. itiiaiarw tm ai -aa at aata.itir a nvairtr an pnnta ithrouih Aug.

IS); (daily, 10 a 111 -J I RO- 1 vn mitnv of am. oeary and Stockton: Painting! br Neml frot. Charlotte Gmeiln- wine. rrroerlrlt Bl-k. Namiraa BeUaa, Edwin Herron (through Aug SAN FRANCISCO MI-SLUM OF AST.

War Memorial. Civ.e Center: Sculpture by Jacque. LlpchiU (through Sept iculpture Cip Zadkine sept I ithroug and 7 1l 'jnonoay, u- pjnu luejaay through Saturdw. U-10 p.m.; Sunday. ip m.l.

1 Tr.um,r.r.: c.iiii.t'. Tv( WO "I'v- H-rn worKini on namw-u Gounod Mli overture; To- favorite 0F'bdS Perwan Garden tin Trutner 'Eighty Redwooai. ti, 1 asm T.Uinnll diei: "Melatemnger preiuor; mmr i. trumera migmy Ballet: Playera Guild. 4SS Telegraph Eye of Darknenn" fcng- Huh "Mlrarulmi.

Mandarin." Orre.tra. Slgmund Stem Grove. S.n pm. Conducted by temneer rmai Mnrmun" from Prelude nd Love Death frmn "Trtotai." Kminl'i "1 aau1 prelude; "Ctteat AM from ul. "k-1ka-aVkMA-aUaWaV-aV4'aU4aA4U a I.

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About Oakland Tribune Archive

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Years Available:
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