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Honolulu Star-Bulletin du lieu suivant : Honolulu, Hawaii • 56

Lieu:
Honolulu, Hawaii
Date de parution:
Page:
56
Texte d’article extrait (OCR)

t-4 Honolulu Star-Bulletin Friday, April 30, 1971 A Big Man Is Getting Out aatVaaaffa. -at- yafca-- "ONE OF THE TEN DEST FILMS OF THE STARTS TODAY 13:30 2:10 5:45 7:30 LAST FEATURE :35 BIST KMIIIGN LANGUAGE FILM NATIONAL BOARD Of UVIIW IN WAIKIKI 230 KUHIO PHONI23.S a V. aa aa a jt. DAILY SHOWTIMES 12:00 3:00 4:00 lOiOO i i s- iitf' tv. tl feQUEENl i 734-2114 WAIAIAE ATCtNIUST.

rH'W $oi Music take lessons on the guitar." it 1 mm 6 WINNER! i to me in the past, 'We want to do domething more artistic, something I thought the Met was unique because of the trend setter it could be. I went down the list of quality acts, the best I could find. "At 2 one morning I was speaking with the manager of a particular group. I said the talent budget was $50,000 a week and because of his group's quality they would get it all. The manager's line was, 'Bill, you mean to tell me that you expect my act to play for $50,000 a i EESTSCOSE PARAMOUNT PICTURES FUtStNtS NEW YORK (AP) Rock music has degenerated from a youthful flower-power rejection of adult materialism to a full-fledged embracing of "get all the money you can," rock impresario Bill Graham said as he an-nounced his withdrawal from the rock scene.

Graham, 41, has been rock's leading sponsor since he opened Fillmore West in San Francisco in 1965 and Fillmore East in New York in 1963 and began presenting rock acts in both halls every weekend. Now he will close them both. He has been known for booking new acts he thought were good as well as hit acts, for having good amplification systems, and for shows that start reasonably on time and have a high level of professionalism in the often-disorganized world of rock concerts. ONCE A FILLMORE was the No. 1 place a rock group wanted to appear.

It was a stamp of approval and often led to a recording contract i Best and engagements from other producers. Lately, many groups have been favoring Madison Square Garden over the Fillmore East because they make more money a big fee plus a percentage of the gross of ticket sales. At Madison Square Garden, seats too far away to see, an uncertain sound system and delays between acts of up to an hour are the norm. Graham said yesterday that rock groups have changed during his time at the two Fillmores. "Now, once in a while they really come in for a sound check.

Once in a while they come on time. Negotiating with them has become rcore and more troublesome. "It's the inability to cope with success that spoiled rock. It killed Janis Joplin and Jimi Hendrix. They just didn't know how to handle the adulation heaped upon them by the music they created.

"YOU DON'T know what it's like to walk on a stage and have half a million people tell you you're a goddess and everything you do is fine. It's like having a ton of caviar shoved down your throat. They can't handle it. "More than any artists in the history of mankind, today's rock performers mis Asked whether performers also influence their listeners to take drugs, Graham said, "In the year 1971 that is a very stupid question. Yes.

"They're very powerful and influential. What do they say to their public about politics? And what is the difference between their public statements of come-togeth-erness and the real person? Too many are hypocrites, only interested in dollars. Musicians who stand on stage and could do more than they are doing and don't are depriving the public. "WITH SUCCESS comes greed. Some rock musicians realize they can make more money by giving less, and accept that as a positive force for themselves." Graham said Woodstock and other festivals of two years ago accelerated the trend toward asking more money for doing less.

At Woodstock, so many people were present that many were too far away to hear or see the performers. Graham said his impulse to close the Fillmores was triggered by his recent attempt to book rock acts to perform in the Metropolitan Opera during July. "I thought it was important to do a month of contemporary music by artistically worthy acts there. Groups had said A HOWARD S.MSKY-ARTHIJR HILLER rWjCtica "WE ALL HAVE our bursting levels and that was mine. I put down the phone and that was it.

I didn't know what, how or where but I just couldn't take any more." chsemhhillct HOWARD S.MINSKY DAVID GOLDEN FRANCIS LAI SOUHO TRACK ALBUM ON PARAMOUNT HECWDS At asf an adult film to which you can take your children. TONIGHT OPEN AT 6:30 3sOO PJM. TaaWy Xhrw PH. KOREAN FILMS "JVULE KOUSIMAID" Str.pt. Adaptation and Dialogues by FRANCOIS TRUFFAUTand JEAN GRUAUU with JEAN-PIERRE CARGOL JEAN DASTE FRANCOIS TRUFFAUT and FRANCOISE SEIGNER Cameraman NESTOR ALMENDROS Produced by lES FILMS DU CARQSSE LES PRODUCTIONS ARTISTES ASSQCIES hramounl RctoK Presents AClNODELAURENTIISproducSn United Artists I 1 1 TT oiii' THE THROBBING EXCITEMENT JT MUSIC DANCING ON STAGS TONIGHT OPEN AT 6:30 TODAY 10 A.M.

CONTINUOUS Naw Pkjyina P.M. Cant. SPECIAL TRIPLE Bill Together 3 Big Sword Hits! final Showing "A PEARL IN COMMAND" Stan Chaa Maa Una A Cbaaa Cbuna "THE IRON DRAGON" Star lai Chan Chin Li na "WRATH OF TH2 SWORD" tan Shw Pai A Tan China In Catar with Ingliih TStla. LAST 2 WEEKS TONITE SAT. 3 DyoMtnir Ycan'aa fl'aay :30 oncn El i Si, use their influence and importance.

A kid sees a guitarist making sensuous movements with his guitar and he goes home and thinks he'll get a guitar and take up belly dancing and not UDUU aruL TODAY kpkk-s4ftBMfeBMB4 AT if 3 fri. turn. 7iOO P.M. inpoima "MR. CDDSALL" (Otoka Wa Aikye) Myashl Atsotni Mitauka aaiahe Ingllsh Faatvra at :00 P.M.

VG1T CARTER" Michoal Cana -ju-fjHvw. r--. FEHMIU RICHARD CRENNA-CHUCK CONNORS R1CARD0 MONTMM VJAIPAHU 4-197 Wapohafe k7-32 Fri. Iva. 7:00 P.M.

Japomia Hunted Ninjitsu Samurai (Kaw-Na-Tannu) Hl.ilHT.Ir.haihl Hail lumnl 9:1 5 ADULT MOVIES "House of Women" Wa Ona Unaar 1 Aan.lH.J Aoyama Yoshihiko IfiNtANNcn mxxoiwuE-aiiPic-vraxifsriOT-itBfjffStt HliblUN "Bart Mutlcol aay Miitory" Mag. Inf SakaiShu TTT TaNcaarpiwAaf GP 7 EVUEI COLOR Pri. tva. WJ. Cant.

AauMsOnly "5XXXXX SEX MOVIE" PLUS 13 IS THE HOST r.lOVINGJ.lOST IIITELLI-GEI1TJHE HOST tlUFilAriE OH. TO HELL WITH IT! IT'S THE BEST Ar.lERICAII FILH I'VE SEES1 THIS It comes as close to being an epic human comedy as Hollywood has ever made! Alan Arkin as Yossarian provides the film with its continuity and dominantstyfe. Arkin is a deadly serious actor, he projects intelligencs with such mono-maniacal intensity, he is both funny and heroic at the same time. Nichols remains, as he was before, one of our finest directors." "ITS ONE HELL OF A FILM! A COLD, SAVAGE AND CHILLING COMEDY! Firmly establishes Nichols' place in the front rank cf American directors." BRucEmuiANsoN.njsrBar "Viewins Arkin is like watching Lew Alcindor sink baskets cr Eobby Fischer play chess. A virtuoso player entering his richest period! A triumphant performance!" -tmemagaziks 5tf- Titles C010R S.

ENGLISH SUBTITLES I "sMaf. 7 PK. Iva. 7:30 P.M. II II ij ii TnjKrfffon I Sen.

-r THE HEARTWARMING STORY OF A GOOD-NATURED HUSBAND a MY FAMILY "LOBD TADANAO" (Tadanaa Kya Kajyoki) Koiza Ichikawa M. tVa. P.M. Adult Only "TEACHER'S PET" a) AifcuJaWlOW- $3 W. 2:00 a 7:30 P.M.

"LAST GRENADE" "CHE" K1TEI.Y SAT.MAT2:30 SUM-MAX cofiT. a. aa aa aa aaaaw al- llf IIUMf ArFAlU HJGAKURETE MARIKO 0KADA icnn VAIMAC Alfl TODAY, NOON CONTINUOUS 1 St: OSAMU MINAGAWA OF "KUR0NIK0 NO TANGO" I 'HI' l-a--aaaaaaaaaarS Mon.JfmiM.&lS.fclSp.m. If mm Sat Sun. 11 p.nv Cent.

LAST 3 DAYS! 2 a' vL: i tt, a IssKxnwinniiuMRS niSO ALAM AnKiiM 5 iff Shaw's Action-Packed Thriller! "THE SINGING KILLER" fc .1 A7 aimll" STARRING MSJWIfWWIT CCLC.l JBm-mBffii .1 DAVID CHIANG TINA CHIN FEI WANG PING TI LUNG ADULTS ONLY rAS- tmKmt9Ma-wMfnwimaM'imiBm-immm II PLUS SECOND FEATURE NO ONE UNDEfl 18 ADMITTED GANG FIGHTS! KUNG-FU ACTION MUSIC LOVE! A CHINESE PICTURE WITH ENGLISH SUBTITLES' i -j Nitely 6:158:55 iai.var. Eng. Subtitles Sun. 1230 Cent. uniien Hriiiis ft Rimed in PANAVISION COLOR by Deluxe 1 A FUHVILLE THEATRE KKYXt.

TX II 1 i M(- i Mh 17 i I i NIGHTLY EXCEPT SUNDAYS in the CATAMARAN ROOM show time 9:00 pm ADULT FILMS WITH LIVE DIALOGUE THE SEARCH71 UOM AT FUHVILLE THEATRE II BEVITCHED Admission $5 Couples $7.50 42 N. HOTEL ST. PH. 533-3149 9:30 A.M. to 2:30 A.AA.

ADULT ENTERTAINMENT in sound and color also selected shorts No one under 1 8 admitted. Continuous Show 9 am to 1 am 1112 Bethel St. (Between Hotel Pauahi) Ph. 537-6872 Validated Parkins at APCOA (Befliel A Hotel) ESaUIRE THEATRE (upstairs above the Swing Club) "1.3 v. i ti LJ ti NT Nil k.

(' i lu I N4(Molina Family) ty Gi fa S570 Klkia Ava. Acrosa Kuhte Saadl 1 1 PhooaagJSllVa'tPartuna 1 7 "BBIIMIBQBY PLUS MOTHER DAUGHTER SUE MARTIN OH STAGE AT 8, 10 MIDN1TE, 2 AM CASANDRA ON STAGE AT 12 NOON, 2, 4, 6 PM Up. censored ALL SOUND In COLOR Adult Movie: No one under 18 yrs. admitted 39 N. HOTEL STREET OPEN 10:30 AM TO 3:00 AM PH.

531-8740 BRILLIANT SOUND OPEN 1 0:30 AM TO 4 AM CALL 531-7318 FOR INFORMATION ADULT MOVIES NO ONE UNDER 18 ADMITTED 32 N. HOTEL STREET.

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À propos de la collection Honolulu Star-Bulletin

Pages disponibles:
1 993 314
Années disponibles:
1912-2010