The Guardian from London, Greater London, England • 21

THE GUARDIAN Saturday February 8 1992 ARTS, OBITUARIES 21 last chance for charity The best thing about the evening is the Mary Clarke on a ballet company struggling to recapture past glories Flirting with failure Through these episodes, Wil Michael BiHingfon BALLET da Nord, from Roubaix, opened their week's season (their liams opposes crude materialism and sDiritual praises the grace: human life as barter and exchange versus an acceptance first In London) at Sadler's Wells to a fall house. The company's refutation was spiritual generosity or. our essential loneliness. But there is nothing soggy or senti established when it was in Richard Eyre's mental acorn Williams compassion. Hannah is a sharp directed by the late Alfonso Cata, who brought good stagings of Balanchine ballets revival of The Night the young god; the Muses exaggerate the choreography and indulge in irrelevant fliriatiousness.

The programme begins with There Is A Time, by Jose Limon, one of the "second generation" of American modern dance creators who danced for and collaborated with Doris Humphrey. A lovely work, made for his own company to a commissioned score by Norman dello Joio, and first shown at the Juilliard School of Music in 1956, it had an original cast that consisted of Lim6n himself and such liuninaries as Pauline Koner, Lucas Bovine and Betty Of The Iguana cookie who sees through Shannon's failure as a priest, brutal rapacity with under-age girls and voluptuous delicht in mar limon illustrated the quotations from Ecclesiastes: "A time to mourn A time to laugh A time to love A time of For Comelin's own work, Requiem, the dancers are joined by the City of London Choir and four soloists as well as the Wren Orchestra. Comelin says himself in a programme note that Mozart's Requiem has a theme and place in music which would "seem to be the antithesis of He's right Turgid mass movement, with occasional solo or duet passages, by women in long white frocks and men in the briefest of white briefs, detracts from rather than into the repertory. On the evidence of the present programme, however, that reputation seems to have slipped. The one Balanchine work pTTl HE NIGHT Of The tyrdom.

But Williams's point is Iguana, dating irom 1960, may well be Tennessee Williams's last mat "a understanding can save even the most damaged and degraded souls: it is, in short, an unfashionably optimistic play. being given is Apollo, in the abbreviated version the choreographer favoured during the last years of his life: For me its spiritual generos ity outweighs its technical imperfections: its casual no prologue, no set, not even a skeletal stairway. The staging is credited to John Taras but the nerformance is wav Jones. structure, its belated introduc Alas, all the strength and complements such music. tion of the iguana-symbol, its below Taras' standards of ex Ttte Best wing aoout toe evening is the lighting by easy caricature of a party of cellence.

The Apollo. Gilles power that characterised dancers of that generation are missing from this revival which gives only a Rlimnse of great play. It is also one of his most neglected and, on the evidence of Richard Eyre's exemplary revival at the Lyttelton, deeply moving: it deals, as so often, with victims and outcasts but finally suggests that human frailty may conceal an innate resilience. Williams's setting is a palm-fringed Bohemian hotel on the west coast of Mexico in 1940: another of his last-chance saloons. The action stems from the spiritual crisis of Larry Shannon: a cracked-up Episcopalian minister reduced to escorting mutinous, all-female outsize uermans.

Whatever Williams's flaws. Evre's pro Patrick Meeus. It is beautiful. Reichert from the Boston Ballet, has neither the technique nor the glamour for Over-reaching Gilles Reichert and Sally Heagle in Apollo I PHOTOGRAPH: TRISTRAM KENTON the masterly way in which Ends tonight. duction also reminds you of his built-in sense of theatrical poetry: one of the evenins's delights is watcnmg the way Bob Crow ley paim-clad verandah changes its texture as Jean Kal- If you want to know the crime Making a name man's superb liKhtme shifts from noonday brightness to storm-flecked sunsets.

parties of Texan Baptists round Mexico. At the hotel he is offered shel ILEEN ATKINS'S Han- 1 1 against the officers concerned. I Four years later, the Police Complaints Authority wrote to Gerald Larner in Birmingham nan is also one of the best Tennessee Wil-m4 liams performances Hugh Hebert I've ever seen. Ms Atkins not only has the priceless gift of stillness but also the ability to radiate spirituality: standing on the twilit verandah in her kimono brewing Doppv-seed tea. SOME private videos deserve wider distribution.

The scene is Stoke-on- elude that whichever minions of the DPP viewed the evidence should have groped their way straight to their oculists. Maybe our first woman DPP will take note. The two catches in the system; according to this analysis, are that once the DPP says No Prosecution, the police chiefs can only take disciplinary action if there are allegations substantially different from the charges the DPP has thrown out; and the standard of proof required anyway is the same as for criminal charges "beyond reasonable The reason the victim can sue successfully is that the standard of kind's ideal of space and comfort He obviously never looked under the bonnet, as one official inspector did. "One of your fulcrum bushes is turning in your wishbone eye." This was clearly news in Swahili to the driver. The inspector shook the vehicle a bit more.

"Your radiator's loose on the chassis." Now that the driver could understand. He did not look happy. In the driving seat it all feels different A tall driver's head is liable to be uncomfortably close to the roof or, as one put it, "on a summer day it's like driving round with a hot frying pan on your His feet are somewhere on the level of his knees. In bad weather he is trying to STEPHEN BISHOP was a pianist Stephen Bishop-Kovacevich was a pianist-conductor. Stephen Kovacevich, as he now identifies himself at last, is a conductor-pianist With the City of Birmingham Symphony Orchestra in Symphony Hall he conducted Stravinsky and Beethoven from the podium and Mozart from the keyboard Trent police station, though you have an uneasy suspicion still has a certain rigidity, a stiff-wristed action which is meticulously on the beat but inexpressive.

That might be good for a work like Stravinsky's Concerto In but it is not as helpful as it might be in Beethoven's Eroica Symphony where every entry needs to be preceded not only by a warning of when but also of how it is to be made. In the slow movement of the Beethoven and parte of the finale he had the time to do that; in the first and third movements entries seemed to be rushed, or slightly taken by surprise, and ensemble not entirely secure. On the other hand, it was a dramatically structured, clearly articulated, finely balanced, and generally performance apparently carried through on the dynamic impulse she communicates not only solitude but the character's mysterious inner strength. She is also excellently partnered by Alfred Molina who makes Shannon a burlv. un that it might be a copshop anywhere.

Karl Bailey is brought in with his arm twisted up his back by a police officer and is pressed down against the Karl Bailey, accepting his account, and saying that he had been "deliberately and "unnecessarily There were no disciplinary charges against the police officer involved; he was simply which must really have hurt Martin Bashir's report ranged over other examples where people have been assaulted, arrested, sometimes even charged and brought to court only to have the charges dropped or dismissed out of hand, and where the victims of this big-booted police behaviour have sued and won sizeable sums in Yet the police officers concerned have not been charged with criminal assault or even and was scarcely less effective in one situation than in the other. tamed bear of a man whose wild eyes have clearly looked into the abyss. Frances Barber. His great strength as a musi desk. Bailey is distressed.

The desk sergeant waves him away and the officer holding Bailey pulls him backwards. ter and sex by the rapacious widowed proprietor but of far greater importance is the spiritual consolation he finds there. It comes intriguingly from a wry Nantucket spinster, Hannah Jelkes, who roams the world with her grandfather, a 97-year-old poet struggling to complete his final work. Out of this odd encounter, Shannon discovers the strength to survive. Languorous, dreamy and symbolic, it is a hard play to pin down.

But for me its meaning is expressed in two antithetical moments. In the first, Shannon explains to the butch ringleader of the Texan tourists that his life is cracking up on him and is bluntly asked "How does that compensate us?" Against that shrivelling of the spirit, Williams sets the virginal Hannah's last-act description of an encounter with an Australian businessman who found solitary sexual release in fondling her underwear. Asked if she were not disgusted by the incident, Hannah simply replies "Nothing human disgusts me unless it's unkind, violent" cian is that he is so verv well proof needed in a civil suit is organised. Whether he has his scores and records carefully cata Another officer walks into see ahead through a narrow though slightly too young for the role, captures the voluptuous earthiness of the Costa Verde's proprietress and Robin Bailey rightly makes based only on the balance of probabilities. The truth is that what the DPP calls lack of evi Dana ot windscreen between the low roofline and where the logued and shelved order or whether he scatters them round the room, gives a hard dismissive slap across Bailey's face, whereupon the pinioned man begins to struggle, is wrestled to the floor, charged and later the house is not the Question.

The dence in these cases is usually mince-speak for "the cops are playing wise of the opening bars. If there was nothing in it as beautiful as Stephen Kovacevich's first entry as soloist in Mozart's Piano Con arc of the wiper reaches its apogee. As another cabby says, Everything we've ever had on the PX4 has been a compromise to fit in, but never designed point is that as a performer, he has a firm intellectual grasp on a work's structure, a clear view of the nonagenarian poet a barking hustler who gradually moves towards an acceptance of death. severely disciplined by their superiors. The DPP has declined to proceed on the usual Myron Belkind is a well-trav elled American who loves the London taxis and says their the way to reflect it in interpretation, and an unquestionable au But what the play finally convicted of assault spitting and kicking at a police officer.

This, I should emphasise, is a reconstruction in this week's Public Eye (BBC2), based on Bailey's account and the recol thority in going about it certo In minor, K.491 which seemed all the more sublime after a somewhat choppy orchestral introduction few other orchestras with few other conductors would have surpassed it proves is that there are far bigger things in drama than formal symmetry; that you grounds that there is not a 51 per cent chance of making a charge stick. In the case of Karl Bailey this is a mind numbing decision. I have not seen the specifically except of course where the water comes in over the right foot when it rains." So that's why you can never get a taxi when the heavens open. Obviously, after less than 10 drivers are the most polite, the most knowledgeable cab drivers in any city. Perpetual Motion (BBC2, Thursday) was this week about that old familiar blackaueen of the London years in conducting, his baton techniaue is not as accomplished lections of his solicitor, who went to the station, was shown come out of the theatre moved by Williams's stoicism, charity and affirmation of the original police video, but if the The drivers are all high-tailing either.

as bis piano playing, which is reconstruction is eyen.rentely. more uexuue. nome waqrttnjByvgei are-. more uexuue. aMiroreJiuairieaL 'Msmmistoberepeak the original police video, and immediately filed a complaint resilience of the human spirit streets, thUstihFX4, Bel- TJ i trench foot to spontaneity; -aixuauia, you can Obituary: Sir Edward Rayne I sr-i I Another Day Yesterday's weather LAST week, an obituary of tiwen Frrangcon-Davie8 else Around tho world Off ifie sDuoe ffottSoSeDD flti where described her father as "a choral So much forFfrangcon Davtes's famous baritone voice and his earlier aVound Britain Report for thu 24 hours endad 6 pm yesterday Sun- Temp shine Rain Weather hrs In (day) (UincrHlme reports) advocacy of Rutland BouKbt- AiKCft) IS S3 63 mows on's music, which perhaps helped Gwen later to get the ImAngaM Luxembourg Madrid Majorca Malaga 8 Malta Manchester 6 43 t4 57 17 63 IB 79 singing and dancing part of 0.9 oi Athens Bahrain 'Barbados Barcelona Belgrade Betlln 'Bermuda rather than Harrovian EDWARD Rayne, who died aged 69 at Melbourne 15 58 8 46 11 52 15 59 16 61 18 61 8 46 17 63 17 S3 23 73 13 9 -2 28 7 45 16 61 19 66 9 43 1 34 instincts.

'MexfcoClty Miami Btain in Tfte immortal Bough. Ffrangcon Davies played Ce-dric the Saxon in Sullivan's Ivanhoe (1891), a few weeks after the birth of his daughter Gwen. As Sir Henry Wood khome in a fire early As early as 1961 he took a 7 9 Cloudy 5 7 Cloudy 5 9 Cloudy 4 6 Dull 6 9 Cloudy 5 10 Fair 3 8 Cloudy 6 10 Bright 2 6 Cloudy 7 Cloudy 7 8 Cloudy 7 Cloudy Aspatria Birmingham Bristol Buxton Leeds London Manchester Newcastle Norwich Nottingham Plymouth Ross-on-Wye BlarriU 13 55 7 45 6 46 64 6 43 6 43 26 82 4 39 4 25 2.2 10 yesteraav. used to set a Bltmlngtiam substantial minority interest in Genesco, then the world's larg Christmas card from Norman recalled in his memoirs: 0.1 7 45 'Montreal Moscow Munich Naples -Nassau Newcastle New York Nice Oporto Oslo Paris Peklna "After he had become well in 10 SO est shoe concern, and if any single man persuaded American fashion buyers and correspondents to take London Fash uomoay Bordeaux 'Boston Bristol Brussels Budapest Bt aires Cairo Cardiff Casablanca 'Chicago stalled in his part, Ffrangcon danced on in the tournament 6 10 Cloudy 4 9 Sunny pm Perth (Aus) scene one night in a strangely frisky manner, making comic asides to the" evident amuse pranue UMogrw Copenhagen Corfu 7 Cloudy 6 Dull 5 Cloudy 6 Cloudy 7 Bright am 8 Sunny pm 9 Fog am 9 Sunny ment of the chorus ladies whom he insisted on chuckine under Dalits Denver Reykjavik Rhodes -flki De Jan Riyadh Rome Salzburg Seoul the chin. He had obviously ion Week seriously, it was Rayne.

In I960 he was appointed chairman of the Incor-porated Society of London Fashion Designers (the precursor of the British Fashion Council), the first non-couturier to take the chair. And in fashion there is a long step for womankind between calf and ankle. As a businessman, Sir Edward was best known in London as the president of Deben-hams, which bought Rayne, Out Edtntiurgri Faro Rome Frankfurt Funchal 15 59 15 59 0 32 3 37. 3 37 27 81 5 41 -1 30 12 54 34 93 22 72 15 59 8 48 0 32 32 90 1 34 1 34 21 70 IS SB 10 so 19 66 12 54 15 59 13 55 5 41 3 37 8 46 0 32 dinea wen ratner man wisely; but as there was no understudy in the theatre, he had to 9 48 31 88 16 61 8 46 18 61 3 37 9 48 7 45 15 59 11 52 4 39 11 52 8 46 17 63 13 55 2 36 17 63 4 39 15 56 9 48 0 32 3 37 10 50 4 39 8 46 24 75 11 52 19 66 12 54 8 46 8 46 Singapore Stockholm Strasbourg Sydney Tangier Gorwa Gibraltar go tnrough it despite the titter rer Avtv ings of the audience. The next Glasgow Helsinki Innsbruck Hartnell, addressed "to the cobbler from the Little Woman Round the The point on both sides was the mei-osis.

That greeting came from the man who dressed the Queen's Coronation (and once compared the back of women's knees to underdone rock-cakes), to the third generation of royal shoemakers. In Rayne Sir Edward served an 11-year apprenticeship in the King's Cross factory, learning the 200 steps involved in making a proper pair of shoes before, at the age of 29, he took over as managing director. If Sir Edward were only the king of sole and heel in the Oliver Messel Bond Street shop, which came to display Mary Quant shoes alongside Roger Vivier's, Rayne might be a forgotten name. But unusually for a family firm in cosy Britain, he learnt to accumulate companies the way he cleared trumps at bridge a game he played at international level. He inherited from his mother American I morning he was summoned be Tenerife Tokyo Tunla Valencia fore the management I shall InvemoM Istanbul never forget the aplomb with 'Vancouver Jsrssy and then chairman of Harvey Venice Vienna Warsaw wrucn ne walked on to tace Sullivan, Carte, Cellier and myself: Best foot forward Edward Rayne in 1982 1 9 Sunny 9 Sunny 5 9 Sunny -2 9 Sunny -2 9 Sunny 4 9 Sunny 10 Sunny 3 10 Sunny 5 9 Sunny 4 10 Sunny pm 6 10 Bright 5 10 Sunny 6 11 Bright 9 Cloudy 5 9 Bright 6 10 Bright pm 7 8 Cloudy 7 9 Dull 7 8 Cloudy 2 10 Sunny Nichols.

But his most signifi Lamaea las Patau nrvashnoton 41 'Good morning, gentlemen! PHOTOGRAPH: MARTIN ARQLES Britain by veiling the human cant moves were made abroad. He made licensing deals with Wellrnoton Lisbon Locarno London minutes and he delivered 18 64 2 38 Zurich abrasive pep-talks to his coun This is an unexpected Carte nudged Sullivan and Sullivan nudged Cellier cloudy. Or, drtals; fair. Fg, fog; halt: oody with silks and satins, might amuse a woman from rain; w. mot; on, snow; o.

sunny; in, munaer. rrvnow oays roaomgsj Bergdorf Goodman and Bonwit Teller in New York and introduced British designers to the vulgar joys of franchising. Inevitably, he became a firm favour Mars. But that's rag business. trymen: "ineir aspirauons oi how much they can earn are too limited and they spend more than the hnsineoa can ana ueuier nuagea me.

carte then opened fire. 'Er. we had Sun and moon BUST COAST Tynemouth Scarborough 2.8 Skegness Hunstanton Cromer Lowes toft Clacton 1.0 Southend Margate HemeBay 4 SOsJTHtQOABT Folkestone 7.0 Hastings tX8 Eastbourne 7.4 Worthing 7.2 Llttiehampton 7.2 Bog nor Regis 7.5 Sandown 6.1 Shanklln 7.0 Ventnor 7.2 Bournemouth 4.9 Poole 3.7 Swanage 5.0 Weymouth Exmouth 13 Teignmouth 1.8 Torquay 1.6 Falmouth Penzance Isles of Scllfy Jersey 7.3 WtOTCOMT Stives Saunlon Sands llfracombe Minehead 1.2 Westan-s-Mae 1.9 Liverpool Southport Morocamba 0.1 Douglas 1.3 WALES Anglesey Cardiff tt5 Colwyn Bay Tenby SCOTLAND Aberdeen Aviemore 0.1 0.01 Edinburgh Eskdalemulr Glasgow 0.02 Kinross 0.1 Lerwick 0.01 Leuchsrs Stornoway 0.03 Tlree 0.47 Wick 0.01 ors some years ago Jean Muir, Terence Conran, Roy Strong he represented London Fashion Week in consciousness-raising discussions with Norman Lamont, then at the DTI. The spectacle of Sir Edward (a Mr Magoo figure in pebble lenses) and Mr Lamont (black but uncomely) selling Today to send lor you this morning. Christopher Driver SUNRISES 0728 Mr Ffrangcon-Davies, because SUNSETS- 1701 stand on their own life-style they're always dipping their hands in the till." of toe somewnat extraordinary MOON RISES.

7 11 Dull 6 8 Dull 0834 ite with Mrs Handbag during the eighties he gave his secretary a list with whom he would not spend more than 30 MOON SETS. -2239 Edward Rayne, born August 19, 1922; died February 7, 1992. Colin McDowell writes later. Along with other sharp suit performance you gave last night Perhaps you can explain Ffrangcon beamed. a to MOON: First atr 11th SUNRISES 9 Dull 9 Bright pm 9 Sunny pm 9 Cloudy 9 Dull 9 Dull 9 Bright pm 0727 1703 SUN SETS- 'Quite ne said, ouite MOON RISES 0962 MOON SETS- 2252 Paul Freund MOON: First qtr 11th Appreciation: dom Sylvester houedard easily, you see, gentlemen, my wife was sitting in the stalls.

I was so nervous that I had to take a Carte had UrgMInfHup Today 8 9 Dull 4 8 Cloudy 7 11 Cloudy 7 9 Cloudy Belfast- 1715 to 0759 1706 to 0737 nothing to say. Nor had anyone else. At last 'Er, thank you, Mr Davies. Good morning! Thus Blrm ltigtum US lawyer who chose not to make history but to write it Bristol isgnw- ended the interview." C.P.D. Manchester- Newcastie- Noltingharn TotisorTow Birthdays 1711 to 0737 1704 to 07S7 1701 to 0727 1704 to 0741 1657 to 0743 1701 to 0737 1717 to 07ST 1708 to 0735 1713 to 0735 1706 to 0755 1703 to 0725 1706' to 0739 165B to 0741 1703 to 0735 BeKaaL.

stice cell." For the last ten years he served as Infirmarian. As a correspondent he continued to be funny and wise, always generous with his knowledge of "feathery flowerdrum" cultures. His ecumenical inclu-siveness, that led him over the years to support "pro-pots and gladguys," caused him to be considered by some "a dilettante guru." To those of us fortunate to know him in all his rites over the past 30 years he 7 9 Cloudy 6 9 Rain am 6 10 Cloudy 5 7 Cloudy 7 9 Shwrspm 8 12 Cloudy 7 9 Cloudy 6 9 Cloudy 8 11 Rain 8 9 Rain 7 10 Cloudy Blrminatiam- Bristol- Glasgow TO FOLLOW Guy Brett's evocative obituary for dom Sylvester houedard (January 29) I would like to pay tribute to him as founder, in 1971 with Bob Cobbing, of the Association of Little Presses and for his generous contribution to many of the associated small magazines. As editor of Broadsheet (Poetry, Prose Graphics 1967-78, Dublin) I benefited more than most Sound Poems cackled through the post from Prink-nash Abbey etymological goose chatting up a followed, "mailhustle," by such Concrete delights as the 1968 "iconophonic portrait" with directions it be seen "in a fine drizzle of small frogs" and read "off in order indicated by frogs hopstops." I remember being welcomed as a guest when he was "guest-mate" for the abbey, when "summerishly. 250 mammies in their mammywa-gons" could, and did, meet other guests as diverse as Allan Ginsberg and "dryasdust academics who led him astray into serious forks." Following serious illness in the late 1970s Prinknash became his "soul- Tndav: Onlnn Ellin, hnrninf fid- London.

Manchtstar Prof Ann Lambton, Persian NewcattM Nottingham- scholar, bo; Jack Lemmon, actor. 67: Lord Rnvne. chairman London Merchant SennriHea Major roatjwot-fca 74; Prof George Rode, histo IU)FH jlUMI IMI 9Ralnpm Readtrtg not available. Kit Silo Jt4 1 US Solicitor General's office in the 1930s and 1940s, he argued in favour of a flexible interpretation of the Constitution in economic and social situations. He was influenced by what he witnessed during the Depression and was in favour of giving Congress and the states more power to deal with the economic crisis of the thirties and powers to prevent any other crises.

In his book The Supreme Court Of The United States (1961) he stressed the role of the Supreme Court in maintaining a working federalism in the US. He was credited with giving teachers and students a more flexible view of the constitution when economic issues gave way to problems of individual lam. aUrOt contraflow JM. aUBt J5-6 reduced road wkitti. 50m Dh limit MflOa Lane closures rian oi ine trencn Revolution, 82; Sir Richard Southern, historian, former nreairient fit Hayden Murphy Nigh tides J10-11.

Mtt lane closures M25ABa, Mill jg-a atari J10 outside lane closed. M7i outside lane closed J2J4. MawdJa and st Harta Wr North-bound entrvlexilslltia dosed J6. Diversions, last Pnllero. fivfnrrl fliV PROFESSOR Paul A.

Freund, who has died aged 83, was an authority on American constitutional law and the US Supreme Court and was Professor of Law at Harvard Law School for over 50 years. He was twice considered by President Kennedy for a Supreme Court vacancy but was passed over. Later, when Kennedy offered him the position of Solicitor-General, Freund declined, saying that he wished to complete a history of the Supreme Court of which he was the general editor. Kennedy replied: "I'm sorry. I hoped you would prefer making history to writing it" In 1932 he obtained a doctorate in law from Harvard and was prominent in Washington as a law clerk to Justice Louis Brandeis in 1933.

He joined the Harvard Law School faculty in 1939 as a lecturer on constitutional law. As an official of the Letter Richard Tracey, MP, 49. Today London Bridge 0418 Dovsr 0118 Liverpool 0130 Avonmouth 0943 Hull 0651 J6J8. Mmpri limit. U6i J8(M5) overnight closure.

Heft J(M lane dosurss. Mes contraflow J13. Watoa rand Waal J19-18 contraflow, SOmob. Suits um doanraa between Llsndam Tomorrow: Norman Adams. 89 1842 65 1327 88 1346 128 2157 la 2100 32 1611 5.0 1711 3.7 1403 89 82 9A 123 7.3 X3 5.2 38 Gillian Hawttn writes: Dr painter.

Keener of the Roval and Lonlas. Mis lane dosurss st Rhuallt Hill. Piy 0518 Dun Laogharre 0146 asi temporary ngnts on London Rosa, HolvhasiL Academy, 65; Ryland Davies, opera singer, 49; Mia Farrow, actress, 47; Paul Flynn, MP, 57; Bernard Gallacher. golfer. 43: Amphlett Micklewright (obituary and letters, January 29 and February 5) was at St Anne's Manchester, Blackburn, Dews-bury and Kensington.

An omission caused by editorial pruning is not an inaccuracy. His treat Dover North Mts Contraflow between J2IW28. lam dosurss. MfMi Exit slip at J14 restricted- Mil J2 lane closures. M84M Lane closures on the asitbound slip JS.

MUi Slip closures art J9 orl peak only. IW7i Oemon Itttar- Liverpool- liberties and racial justice. The Revd. Kenneth Leech (well named) might like to know that latterly he had pleasant ecumenical relations in Lambeth. Some enjoyed the game of slurring him in life and apparently continue it after death, for he was never a Trotskyist that is, he was anarchist but severely constitutional though unashamedly marxist and republican.

Much of the treatment he had in freethought circles drove him away long before he considered embracing Catholicism, much of which was due to the analysis he did of Erastianism in his doctoral thesis. He wrote very few pamphlets. In fact, I can't think of a single one, although "pamphlet" is a cheap rhyme for his name. Kathryn Grayson, actress, 0447 88 1713 87 0142 84 1358 6.1 0159 88 1418 88 1014 12.2 2227 11 0925 68 2135 7.1 0333 a2 1548 3.3. 0654 48 1750 5.1; 3.6 1446 38 Hult- singer, 70; Dr George Guest channejf lane closures.

GrrMrtock- W.J.WMttmby Socttamf MB Waterloo Street on slip rot Lerm- closed it Kingston Bridge, seat jz lane closure. ment when at Ennismore Gar Dun Laogtialre 0224 0224 organist, 66; Sandy Lyle, golfer, 34; Dean Rusk, former secretary of state, USA, 83: M8i contralkn at J4. M74i Lane dosed each Paul A Freund, born February 111 1908; died February 5, 1992 dens I charitably glossed over and accounts for the final break. way ai ju Road irrrorrnatton compiled and supplied by AA Roadwatcrt. Janet Sozman, actress, 53.

WssartlMr Poraoast, page) 24.