The Guardian from London, Greater London, England • 9

THE GUARDIAN Tuesday October 27 1064 9 review The first pilot BY J. R. L. ANDERSON BRITISH Admiralty charts and pilot-books are so supremely good that it is hard to imagine seafaring life without them. But they are recent in maritime history.

Even British coastal waters were not adequately charted until the middle of the last century a work which we owe, together with the Beaufort Scale for measuring 'wind forces, primarily to Admiral Sir Francis Beaufort, who was Hydrographcr to the Navy from 1823-55. there were gallant earlier efforts, the first of which by Captain Greenvile Collins, a Younger Brother of Trinity House in the time of Charles II, is commemorated by the publication of a (slightly reduced) facsimile of his Great Britain's Coasting Pilot (Harrap, 8 8s). Greenvile Collins's "Pilot" came in for criticism (from Samuel Pepys and others) almost as soon as it was published, but in spile of many inaccuracies it was better than any other British work in existence, and stayed in print for 100 years, from its first edition in 1693 to the last in 1782. Harrap's facsimile, a beautiful reproduction of eighteenth-century print and map-engraving, is based on the edition published by Mount and Page in 1753. Before Collins, the Dutch enjoyed a lucrative monopoly of such charts as there were.

Lucas Janszoon Wag-henaer's "Spieghel der Zeevaerdt," published by the superb printer Christopher Plantin in 1584, soon appeared in English as "The Mariner's Mirrour, and was so popular that a corruption of Waghenaer passed into English as the general name for a marine atlas containing charts and pilotage notes bound in one volume for generations such books were called "waggoners." The v.ord is probably still in use in some' seafaring communities. As the seventeenth century wore on, economic rivalries with the Dutch at sea made it more and more undesirable to depend on the Dutch for charts. Dr A. H. W.

Robinson has described the difficulties of the period well in his outstanding work Marine Cartography in Britain." and quotes a testy comment by Pepys on the reputation of the Dutch chartmakers as being so much better than ours, even among ourselves." In 1681, thanks to some pressure from Pepys, Charles II provided Greenvile Collins with the yacht Merlin and commissioned him to survey the coasts of Britain. The King even paid for the work, though not very promptly. MOZART ORCHESTRA CONCERT at Manchester by J. H. Elliot THE Manchester Mozart Orchestra which, it is pleasant to record, is already building up a reputation in far-flung places as well as adding a new dimension to the musical life of its home city gave the first concert of its second Manchester season in the Renold Theatre last night.

It was a measure of the quality of the playing that it was consistently enjoyable in spite of the pitiless acoustics. It is inevitable that something should suffer when tone is strangled at birth and presented for clinical examination. It was by no means wholly the fault of the performance that the inner movements of Tchaikovsky's Serenade for Strings (Waltz and Elegyl lacked the suggestion of moist-eyed languor implicit in the music. On the other hand. Bach (Suite in C) 'gained by, or at any rate survived, the absence of warm resonance.

This was a splendid opening item, fresh and buoyant. Paul Ward, who conducted, never allowed the performance to lapse into routine nd humdrum shapes. Mozart, who has a special sort of claim on the activities of this chamber orchestra, fared not badly in the accompaniment of his violin concerto, K218, though its outlines were sometimes too bold and rigid The soloist, Nella Wissema, played this youthfully lovable work with Mozartean purity of tone and phrase. EVERY OTHER EVENING at Manchester by Ann Shearer BEFORE the first curtain went up on Every Other Evening the resident Opera House musicians played gay French songs. It was the first of a number of attempts to make the audience enjoy the evening.

The first- song they tackled was Aupres le ma blonde if the spirit of this play was a woman, the blonde would be pure peroxide. Mile Francoise Campaux's comedy is of the French, bedroom genre. Perhaps it lost something in Jack Popplewell's adaptation. But whoever is responsible, the final result shows with a deadening clarity that a play of this sort must be intelligent to succeed. There was not one flash of wit in the whole dialogue, and as the characters plodded their predictable way through entanglements and disentangle-ments one began to wonder whether sex was worth it at all.

Yet the audience laughed. That this happened at all is a tribute to the cast, who double-took, shrieked, and shouted their way through episodes which they knew we knew were bound to happen. Their seeming determination to get to the end with all possible dispatch made our mutual acknowledgment of the play's badness the best joke of the evening. Margaret Lockwood and Diane Hart in particular, as the wife and mistress, created a very funny situation within a situation, strongly backed by an unfortunately brief display by Dolores Mantez, the son's girl friend. A good joke but hardly a lasting one.

By the end everyone seemed to acknowledge that, for this play, even every other evening would be too often. BEWITCHED on BBC-1 by Mary Crover rE corps of American film series on BBC television, even if it does not bulk very large in the whole output, is strategically stationed so that on four nights a week one or another occupies a peak time on BBC-X in the evening. Five altogether are deployed in this way at the moment; "Dr Kildare" on Saturday, "Bewitched" and "Perry Mason" on Monday, Slattery's People on Tuesday, and The Kogues on Thursday. Of these Slattery's People," though cut to a formula, had for a time at least the novelty of showing British viewers typical problems of the American Legislature. The Rogues is a very poor outfit boasting of stars who do not redeem outrageously silly plots.

Bewitched," which began last night, is something rather different, or will be until we find very soon that every instalment is roughly the same. It has a very naSve sense of humour, but while the idea is fresh it throws up some amusing situations. Darrin, who marries a pretty girl, Sam-anttia, and finds she is a witch, is only beginning to see the possibilities we can see only too well. Her witchcraft so far is mainly devoted to minor tricks, but she can disrupt an entire dinner party and discomfort a rival. It is very awkward to find your soup plate sliding about or a sudden gale blowing your clothes off.

We may not laugh quite so loud as the studio laughter (which is always much too loud), but with pretty Elizabeth Montgomery as Samantha the film had its points. American comedies, however, run in such narrow grooves that fun with this kind of witchcraft, week after week, becomes less entertaining in prospect. Collins, himself an experienced seaman, begins his Pilot by observing that as many ships are lost by ignorance and negligence as by stress of and exhorting shipmasters to be" "sober as well as skilful." His pilotage notes set a style that later Admiralty "Pilots" have followed concise, clear, and cautious. On Chichester, for instance, he writes, "To the eastward of the Owers is the going into Chichester, and very difficult therefore I advise none, but them that are acquainted to go in there without a pilot." The same hand might almost have written this warning, in the current Admiralty Pilot," of Jack Sound at the Western approach to Milford Haven, Unless compelled by circumstances, Jack Sound should only be used by vessels with local knowledge." In. the seventeenth century, indeed, almost to the end of the nineteenth, the sailing vessel conditioned life for the whole British community.

Before the motor lorry (it was the motor lorry rather than the train which killed the coasting barges and ketches) every village that could be reached by water depended on seaborne transport for its goods. The Dee was an important waterway, and gets more space from Collins than the Mersey Point of Air doth not only supply the neighbouring places with coals, but the Kingdom of Ireland." He does not much like the entrance to Liverpool: "There is a channel near Formby to go into Liverpool, where is 3 fath. at low waler on the bar, but this place is not buoyed or beakoned, and so not known. Ships lie aground before the town of Liverpool 'tis bad riding afloat before the town by reason of the strong tides that run here." There have been enormous changes in the relative importance of seaports. Southampton is marked on Collins's chart, but is not mentioned in his pilotage notes; Arundel, Christ-church, and Lulworth Cove all have paragraphs to themselves.

Fowey, Falmouth, and the Helford River have a whole page between them. Fair Isle, in the Orkneys, had a special importance because the Dutch East Indiamen called there regularly. Collins explains, "The Dutch East-India ships, as they come and go from India, sail between the islands of Orkney and Shetland and homeward bound they send ashore at this Faire Island for letters of advice." In the days before wireless the port of call "for orders" was of vital importance to shipping: masters would be told where to take cargoes for the best markets, or, if their ships were in ballast, where to go to pick up a freight Coilins spent seven years over his survey, covering most of the coast of Britain and including the Orkneys and Shetlands. Much of his chart- work was extremely sketchy, but his methods and instruments were primitive, and although he got paid in the end he was often short of money while doing the work. He seems to have been as painstaking as his means and the value of his work is shown by the fact that people went on buying it for 100 years.

It is hard nowadays to understand the importance of such a pilot-book in the eighteenth century it was at least the equivalent of the AA book and Bradshaw in one, with the added importance that it might save your life or your goods from being wrecked. Perhaps because marine cartography is a rather specialised subject, Greenvile Collins is not much known; yet his contribution to the development of British life was substantial. This facsimile edition of his work, nutting it on the market again in the fourth century after its original publication, is a pleasing reminder of him. L. S.

LOWRY EXHIBITION at Newcastle by W. E. Johnson RICHARD HAMILTON EXHIBITION at the Hanover Gallery by Frederick Laws PAINTINGS etc. '56-64" by Richard Hamilton at 1hi Wannew flnllnrv St George Street, London 1, consists of 35 QLIGHTLY embittered, perhaps, because success came too late in life, after both his' parents had died, L. S.

Lowry has a strong sympathy for those other neglected characters less fortunate than himself. The Geoffrey S. Bonnet collection of early drawings and watereolours seen a few years ago, first at Middlesbrough and then on Tyneside, has already shown this sympathy in action in crowd scenes of those job-hunting during the depression of the twenties who were forced to doss down in lodging houses offering beds at 4d and 6d a night. Now in the Alonty Bloom collection of iate figure paintings showing at the Stone Gallery, Newcastle upon Tyne (until November 14). his sympathy for his feHow-sufferers has again been spotlighted.

Here is whole wide, rich anthology of unfortunates in close-up a man, for example, getting a drink at a water-fountain, a woman with twisted mouth, and a man slumped, drunkenly perhaps, at the foot of the stairs. Even in his own work these figures are not without precedent The bowler-hatted man with red muffler at Leeds dates from 1944 and the Man sleeping on a wall," who he says he saw from the top deck of a bus, belongs to In the latter, leaning against the wall on which the man stretches full length, is a small attache case bearing the initials S.L." Are all of these, like the multiple variants of the full frontal Man with red eyes," self-portraits Or are they just versions of the artist's alter ego? Unique they certainly are and from the whole history of art I can think of only one close parallel the dark, solitary, peasant figures of Van Gogh's Neunen period. Lowry, alas, and to the chagrin of future art historians, had no brother Theo with whom to correspond. quotations from horror films and their posters. He is not, however, denouncing the visual world of admass or accepting it.

This spares us the rhetoric of the pop artists whose celebration and mourning of conspicuous consumption has become a weariness to the eye. This exhibition covers the work of eight years and is more a record of research into a possible new language for art than a simple show of paintings. There is no symbol-waving or shock trickery here or very little. Mr Hamilton mixes his techniques into wholes which are smoothly elegant and have formal dignity. I found often that I preferred his smaller sketches to the final work, but then I have plainly not been converted yet by his argument.

What a naive spectator, unsupported by explanatory catalogue, would make of this exhibition I find hard to guess. He would presumably recognise some comment on the eroticism and technological preoccupations of our society and might like the looks of the pictures purely as abstracts. What anyone is to make of an American comic button reading "Slip It To Me" which Mr Hamilton has blown up to a 48in. diameter panel called "Epiphany 1964 I cannot imagine. Almost as puzzling is a "Portrait of Hugh Gaitskeli As a Famous Monster of Filmland based on a positive hatred" for the subject's influence on British politics." The aggression of the method of "satire" would win sympathy for the victim.

Failure to understand Richard Hamilton's latest work is a little disturbing. He was responsible for two of the most memorable, lucid and intelligent exhibitions of recent times, "Growth And Form" and "Man, Machine, and Motion" at the Institute of Contemporary Arts, and collaborated with Victor Pasmoro on the basic design scheme for art teaching. oils, collages, prints and gouaches. There is often a mixture of media, and several paintings are shown in variant versions in different stages of production. The artist describes them as having been produced in a spirit of polemic they are paintings of and about our society." He accompanies them with a catalogue which lucidly annotates his intentions for each picture, describes its history of development and the technique used in it.

The polemic Involved is more about aesthetics than about the condition of society. Mr Hamilton is concerned with pop art but not producing it. He plainly considers it a duty to bring life as tt is today into painting, and uses bits of photographs of President Kennedy and aeronaut Glenn, fragments from motor advertising, architectural sketches, girlie photos, and THEATRES LONDON THEATRES MANCHESTER NOTTINGHAM OPED.A HOUSE. BLA 1187. Eveninxs at 7.

Sat 6 a. MARGARET LOCKWOOD. DEREK FARH. JULIA LOCKWOOD. DIANE HART, a Nc-vr Conieov "EVEKV OTHER hs IMM3." lYKSTMISSTER.

(Vic. 02531. Erfli. 7.4J. Wed.

SaL 2.45. A new nlar by twer HowutL MR BROWN COMES DOWN THE HILL WHITEHALL. (Whi. C692I. 7.3d.

Sats. 5.15 dnjl B.16. Mala. Wed. 130.

BRIAN RIX A storm of Uuthter" FumjkIH Time. CHASE ME COMRADE I GLO'lE. IC-errart IE92I. Evtnliiirs at 7 30. Constocce Cummlns Hay McNallj In EDWARD ALBEES WHO'S AFRAID OF VIRGINIA WOOLF DizzlsEs.

und noieoUj funny Otxvr.tr. riCCADlLLV. IGer. 1500.1 Ev. 7.45.

SaL 5.43 and S.45. Wed 3. Joan SIMS. Paul Whltsun-JOSfis. Stephanie VOBS.

Wallaa EATON. INSTANT MARRIAGE "A HIT MUSICAL. THE AUDIENCE HOWIJCD Kim LAUGHTER." N-evvn. I WAS EXHILARATED. TIIE SHOW WILL HAVE A LOKG RUN." Observer, NOTTINGHAM VLAYIIOUSE.

Tel. 45671. Evenlnes 7.30- Saturday 3.0 tmd S.O. Toniaht Student Preview. Friday WoTld premiere Pelet U'oodttiorpe In THE CKttPElt Saturday.

Malloee and Evening: LISTEN TO THE KNOCKING BIRD screamingly tunny B. Levin. Mail Final performances. Week comm. Nov.

a Ets at t. Sat. 5 3. JOHN SLATER in "ONE FU Till. POT." Tbe 3-lear Recvrd-brealtlnir Farce Irom the whlieriall TtsvaiTe.

UAYMARKtrr. (Whi 9-3 Last wKk 8,1 Richard-oa, iioJa.uj Cuhvi Ea CAtlMN A bTATHK, Granam Gm-ccit IWYMAIIKET. (Whj Com. Nov. 4, 7 30 siiba a 5 Mlctiaei Dfnison tu HOSTILE WITNESS l'RICE t'HXRLES.

(CeT S1SI.I 625 8 FIELDING'S FABULOUS MUSIC HALL REVIEW SHEFFIELD PLAYHOUSE. Timnhrad Strrrt Tel. 22EH9 ek ol THE RELAPSE. Eves 7 30. Sum and 7 30 Comm Not.

3: IMIEB MILK WOOll. MANCHESTER CINEMAS ABC AlirHVICU AKUik mi Unainhable Molly Grown (Ul 12 4 33, 20 Private Poller Ul 3 p.a.. 6.45. AltC I1EANSUATE DEA S2J2 Meckel IA) Technicolor and Panavbiion 70 Ev. 7 in.

Mai Wed, Sat. 1.10. Suu 7.0. CLASSIC. Oxlatd Koad suilon.

CEN 1W SPAKTASS lU US. 4 55 a 3S. Tanan the Maynillcenl iUi. 3 13 6 55. I I'll O.N 1IEA 47IL FOURTH WEEK OF EERC-MAN'S HE SI LEa tXI Weekdays 11.5t).

2U. 4 Id. 6 3d, 8.50. The Surpiue PiIbi ol the Year I I-E1KII STUlIts FUIIM A. Weekdays 1,23, 3.40.

550 fi 10. DAVKNl'Olt T. StMkpurt. 3521 On State. Evenint 7.16 STtllENT I'KINCK, CAL1.MO.NT.

On for street. CEN 1313 LOB1I OF THE eLlEs (XI 150. S.15 3 4J The Cuniedy Man txi. 3,211. 6 50 HALE CINEMA ALTrineham rri.

CiUI Richard. The ShacUu-s WOMIEKFIL LIKE CUI nechmcolorl. 5.45 fc S.35 (Sat, 2 houses. 5 p.m.. a p.m.) MatJnee Wednesday ana Friday 2.13 p.m.

NEW OXl-OltD, Oaford street. CEN J40S. HE II TIME STOBV IAI 1 50. 5.1b. (145.

Pullet for a Itadman tA) 3 311 7 pm. D1IEUN. o-ifurd SIrceL CEN 3Dh4 UULUPIMiKU IAI. 12 10. 2,55.

5 45. i 35 Basque in thr Sun tCi. 2 4 50. 1 40 Week comm. Nov.

9. Esgs. at Sal. 5 3. RICHARD BRIEttS (Irom S.BC.'s Marriage MORAY WATSON.

JUDY CORNWELL In Ben Aldivycn Theatre Farce ROOKERY HOOK." PTlces lor the above 10,4. 9-. 5S. 5-. 28.

ALTtllYCII. Royal Shakespeare Co. In Eh 7 towns 7 p.m. Th. then F.

4 Nov. 7. The "I Malta IS, Nov. 4 ft 11). The ManlSade IM.

a Nov. 12 4 SOI. Atere MeM Come (Nov. 3, 27 Dec. 1D.

The Birthday IHly 1N0V. 5, 10 17). Vlrtor Nov 6. 14 eiidR-ame Nov. 13.

Dec. 3 41. Tom 640-1. Ev. 7.30 sharp.

W. and 2 30 mo perl, today). MUXI'IH. iTeni 7'J1 1 I 7 30 sharp Sat 3 Rachel Rooeru, Kenneth Haleh. In ALUN OWEN-LIONEL BART'S MAGGIE MAY rtlE NEW SMASH HIT ACCLAIMED BY THE PRESS AVHtssAUtms.

iTetn mi svis s. Tues 2 4j Sal a 15. SO John Justin, Anthony Jean Harvey In Attatha Christie's TIIL Jim SETRAP. 12Ui ShalteTlni Year APOLLO IGer 253 I 8 30. Th Sat 5 45.

5 30 Leslie In BOF.lNIJ-DOEIMi CatirlU. THIRD YEAR I CAMBRIDGE. ITem. 6056.1 Evjs. at 7,30.

-Mai Thurs. at 2.45. Sals. 5.40 and S.10. LAST WEEK of TOMMY STEELE in HALF A SIXPENCE Pile Broadway irar-sier.

Must end this Sat. CAMIilIllir.E. (Tem. 6036 I Com. Nor, IS.

BRUCE FORSYTH ix Ui nlEjvriyus new muiwi! tpool "LITTLE ME" in Old IMSKIIAM'S. ITem. 30281. Eves. 8.15.

Wed 3, Sals. 5.45 i 6.30. Brian Ril Donald Aloe ry present Charles lleslcp, Gray and John Chapman tm The Diplomatic Baggage Non-stop lauehler-" Dally Mirror. Enormously lunny." Yorkshire Post, Lauihter all the sray." People, HAMI STKAll TBE.BE CLUB. IPrl Until 7 Kathleen Harrison, aultno Jamesen In TnE CORN IS GREKN by Emlyn Will Urns.

M. to F. 8. S. 5 A B.1J, PRINCE OF WALKS.

IWhl B0S1.I. Evu. SO Wed, and Sat, at 6 and 8.30. MAX BYGRAVES a ROUND ABOUT PICCADILLS hac Rt-vue Ftulou Setliiti; Mjlx alotie Is worih Uw price of a Uckt." e.jj TALK OF THE TOWN. Dlnlnj and Dartclns.

10 p.tri. Rente ROMAN holiday, and at 11.30. Fabulous LENA UOENE. IRe 5651), UUt.lIVS. jRci.

U5fi. Evtnliifts 8 0 Ttmr. 3.0. Sat, S.O. 8.40 lint BrUlAb PEaij ol llw Year Lonctoa Critics Award ESTKKTAINING MIL SLOANE.

Brllliantlr lunny 00:111 Ofaw rv-gir. KOVAL COURT. S3o 1745L Evjs. 8.0, Sal 5 and 8, Ttiur. 3.30.

Beji Tmver' Jjuce, A Cui-loo In the lltn MAJESTY'S. Will. SGChJ Eveulnaa 8.0 Sat 6 0, tta 2 45 Anthony QuaIt4 Carole Btmwm, Aima Masse j. in THE RIGHT HONOURABLE GENTLEMAN BolUnx poinl the whole F.T. "Bitten burinesa any play la London." LYRIC.

IGer. 3686 Eves 7 JO. Th Sat, 3.30 JOHN CLEMENTS. JUNE BRON1ULL. KEITH MICHELL ROBERT ELIZABETH Worth all the oitier musicaJs currvnily run-mm ui Loudon rusted In une." F.

Tms "A Kiy (rjaQurfu) romantic evealnK." Tel. MAY l1St Ln Hcnell, rMr 3036 I Evi.ms B-40 Thursday and Sit. nt 6 ud B.O. aBeyond the Fringe, 1964 "The revued rdluon JCaany show' Dally Tc)e ttph. MKIUIAIO.

Clt 7C56.) (Restauraai 3S35 auJ FViiier. KtrSHrMij Gtnuifci Carol: Mtn-llmer. Dont Let Summer Come and faroics awv swMpa the evpnliie to surctsa." Tef Spjtftid.d a.ncv.ou. cievcr ictitift. iiuiy Dj crtUTtin.nji E.

"Certaitnj lhe ol iti kmJ Guardian. STOKE-ON-TRENT VICTORIA THEATRE IS5M2). KINO LEAR. Tonight at 7.30. MANCHESTER CONCERTS HALLE HALLE HALLE ntEE TRADE HAIi Wednesday, nclnorr 2S.

at 7 p.m. Ttiursdjy. October 23, at 7.30 m. SIR ADRIAN BOULT Cetitvrtr. GrfvAo No 12 in minor HASDF.I.

Sympttonv no. 11 la iJupiter) MOZART A London Symphony VAUOIIAS WILLIAMS Tlcicesj: 17. I2.fi, 10 76. From Halle Box Oirtee. si Ptter's Manchcater 2 TC c-ENtra! ara and uyjal Agcnia IlttlLDSlVORTH II AM.

TUESDAY MIDDAY CONCERTS TODAY 1 10 to 3 HEDWIG STEIN 2-4-cnupoa TWlwt 35--. S'6. SAMLLE. (Tcm. 401i.

Ev. 8.0. 30 HARRY SECOMBE in Lie New MtLslcal Hll PICKWICK A mlraeultus Plciwlct," Ev. standard SECOND TRIUMPHANT YE.UL LONDON CINEMAS ACAIIFMY, Last weeks Michel Orach's AJ1KLIE IAI. FTOK3.

1 30 3.45. 6 0. 3 15 Nluht Shoni dally iex. Sun.) 11 pro LAldll WITH LENDER IUI. ASTORIA, Char ltd.

iGcr 5D5 THE FAI.LOF THE KO.W.1N J-MI'IJU iUl Sep. perls, at 2 30 7.30, Strn. al 6 3C CAMEO-POLY. Oslrd Circus. iLan 1744 I LORD OF THE FLIES IXI, 12 15.

3 15 15. 9.15 THE UUARE FELLOW IXI 1.45 I 4i. 7.43. Nov, 5 Truflatii'a silkrn SkiD 1X1 1 La Peau Doueet, CARLTON, (Whi 3711.1 Last 1 days, ss AT lATASt (A) Rleliard ter.bo, 0UKI1 Pres. 1 10 3.30.

5.50, 8 IS. Last setns 55 CASINO CINERAMA. IGer. 6S77.I 2.30, 1 45 SiiB. 2,30 5.33, and 40.

Sun, 4 30. 1 45 "HOW Tilt WEST WAS WON" IUI COLtsEl'M CINEKA-IIA. ITom. tiai.l Samuel flronstotl's THE IA(iNlt'IChNT MIOH MAN lUk Sep. perls.

2.30 60. Sail 2.30, 5 45. 30. 11.30. Suos 5 0 DO COLUMBIA.

Ree. 5414. Gregory Peek Anthony Qulnn and Omar Sharlt lu HEIIOLU A PALE HOUSE IAI. 12.20 4 05. 6.20, 8.

35. LAST TWO DAYS. CUMPTON, w.i. iGer 4555.1 The only pre-stmation In this country. The Sensational SIN IN THE SLIllKBS, plus ONCE LPON A MUHT.

Mcms. 10- y-ly Lie Eat DOMINION, Toll, Court Itoad. iMtis. 7170 CLEOPATRA IAI. TuW-ao Mats 2.

Eventugs 7, Sundays at All bookab'e EMPIRE roer 1234 1 Rutheriv.ra SIl'RUEK MOST FOl'l, IUI Plus HIIIMI IUI. Procj. 12 30. 3.56 7 25. Sat.

II LE1C. Ml. Til. Jaine. Bond takes over LoJoeiter Squaw Sean Conner! tu Or No (A I Tech Proes 1.0.

3 20. 5.30, .5 LON1K1N PAVILION KJer. Huh! from Astilya IA) and For Tttose Wrm Think Yuunc UI Programmes at 12-3 3 40 and 7.15. JIETROl'OLE, I Vie. 0203, 5500.

4673 1 LAWItl.NLE OF ARABIA IAI 7 CVcara 2.15 7.15 Sundais G.W All bookaO'e OOEON, Letrester Square. Sean Count a James Bond in Itm Fiemir.y's Culdll11r.fr IAI Prvei at 1.0 3.0. 5 40. 15 PLAZA. HIE 1X1 t-iu 1.3S.

4.2S. 7 3o Sata also 10 45 pal mid 4 30, 7 4o. Royal Circle srsu nt RITZ tcer 1234 3 Richard Euttoc Ava Gardner. THE Nllittr OF THE K.MM t.l Press 12.45 3 10, 5 43. 3 20.

5-r II KOVALTY CINEKAMA. rHol. M4 1 ITS A MID, MA1I. MAD. Mil, WOULD 1U1 D.11JJ at 3 30.

745 Sals. 2 30. 3 35 art) 5 40 Sundays 4 30 and 7 45. All hooks ble STUHO 0E. Return ol Vol Brvnrer Sieve JlcOueen In Tee Uarnllleenl lijt At 1 0.

3.35. 6.10, 8.50. Last proa S.25 1YAK.VEB Ger 3423 1 Licensed Ear. John Kjrd's CHEYENNE AETl MN IUI at 3 0 soc jgps 4 30 A 7.43 Ail tears Poutaoy LONDON OPERA AND BALLET COVENT CkKllEN OFEP.l. Tonlthl 7 30 HH.OLETTO with Vatiihan, Tarp.

Taddet cond Dowaes Thur, SaL and Tue seal 7.30 WOJ1ZECK. Seats Genc-sl B-inz ror new pe-tod to Jan 11 open tomorrow. Cjv. J066 COVENT GABJ1EN. THE ROYAL IIXLLET -d and Fr at 7 30 GISELLE, sac at 2 15 COPVEL1A.

SeaU MallabW tor Wed.) Cov. 1066. SAHLLlfS WELLS. ITer 1672.1 Eys 730 Taniffht and Frl. Barber ol Seville Thur AttiU.

Sat La Vie Parlslenne. LONDON CLUBS EOMt'NDO UOS CLUB, Dine Dance trom 9 pm. in our fully alr-cood. StariJt Rtxxn Ne- Bevue OA 1 PASKE. Seserr.

RC Ttrro. Comaa. Dee. 33. at 7 30 p.m.

Tricrealler evn, 6 ev 3.3s p.m. Mu. Sat. at 2 p.m. "THE DOHA IIRYAN SHOW." vrith Toe Kaye Sisters.

Dennis Splcer The llularlousl Nitwits. BOOK NOW Prices 156. 10-. 6-. 38 rALACK.

CEN 01M. This and nevt week 7 30. also Sats. 3 30 Direct from Mrseow ISO Russia's Dangers and Musicians. MOISEYFV DANCE CO.

No perlormance Nov. 3. when Company appear In Royal Variety Show. Nov 9 OH WHAT A I-OVKLY WAR." S. 23 r3 wits I World Premiere KENNETH MOKE, MU.l.lCENr MARTIN in "OI'K MAN CWCIITOS." LIMIARY TllKVUtt CEN 74UO HENRY IV I ran II A I 1.

SEATS SOLD Commenrltie November 3, 1964 THE rHYMC'IsTS. A tense, unpredictable, mortem thriller. Booltlnrs now open 10 30-715 BEX T1IEATKK. Hllmlu SJ66 ONE WEEK, NOVEM11ER 9 BALLET IU II II II Lea Sylphides. Sweet llaneer.

Caemj-Ana, Giselle. Facade. Ever 7 30. Mats. Sal 5 30 Circle Stalls 8-.

6'fi. BELLE 70l PARR, AVIARIES. AQUARIUM. REPTiLIL'M Open dallf from 10 R.m HUGE FUN FAIH New Veteran Car Rule. -Same Fe Ri'las.

FREE FIREWORKS DISPLAY. '0 6m DANCING NIGHTLY 'tic New tiabethaa nalirootn. Tor ten n.rn (Metnberai surma; 7 pm Btwto a.rn Merofceril Sunday 7 p.m STOCK CARS Saturday 1 pit. WRESTI-tNC thu Sat. 7 p.m.

liilh International CIRCUS. Dee. to Feb. U. Bo Kt BASQvensr.

Suiteai and Room AraSinbie S-jperb laatlilea available lor Cr-nlerenees. Meet-liars. Trade snows. Cocktail Parties. Fridays and Saturdays available In Nomiiber and Decetnoer.

SAVOV. ITetn B3SS.1 Cuirunenclni Ktw 3. Cicely Courtiseldge. Mar.l Stevens Denla (julllej In HIGH SPIRITS Nw musical based on Blithe Spirit." Tesn, 6596. Must end Nov 14 W.

3. Sit. 5 30. S.30 ALV1S AllERIL'AMIANCL'llU-ATIIE SECOND PUOGIIAJLMU. TTlumiih D.

Ex. Wlrardry. D. Tt Aslonuhlnt. Gdsi.

Sensatlyrial. Tiim. 1 ume yau not to aba it. Tl SI JIAICILN'S. linn.

1443 1 over 1WI wrfs EveiuaiiS s. Sato SJO. Tuts 3.0. Husn WUIlams, Susan Hanspsli.re PAST IMPERFECT Jg the authors at -The Gra ts Oteener. "lull surejy pe much pleasure to thousands." Sunday Times.

LONDON ART EXHIBITIONS DMAS GALCE1HES, 5-T Forcheeln- Kaee Marble Arch. w. 2. Marek ZULAWSKI pa.Diinisi, axd Sajon de SculplurQ. Dall)' 16-e EDITIONS ALECTO.

Holland StreeL S. 6 to 31 Dons Sadler Relief Eiclilns, Hetena Idarkjou Liverpool Suite." Open Mora, to SaL. ft Thurs, 9J4J-LO, lU.AL'i ART GALU.I11-. Gouache ana Ou Paintlnics bj ALEX fLl.TT, tuuai Octooei 31 lias Tottenham Court HoauL W. Museum ICfiaS 1CA.

17 Dover W. 1. Tonne Anlslaj a. i.iiMJ, ii. wE.srivtxii), v.

slniiex. IJ. HALL Until November 7. Dally 10-fj, Saturdays 10-1. Admission Meanben 'ree Lie-ran: Don Majrrn, K.4I'L.

O.I LEU 6 Dliie Streel, jtt Jainej's SW 1 E.M1LE BERNARD 4ly-llHll. Retrospective ExliIOltton. OCL 25 Daily ifl-ti. Sals. 10-1.

UtLtltlltOl'UII. Old B.d street. W. 1 1S1AV JKH1 KCON -SCHE1LE. l(S0-lia.

First Ri'trospeetlve Exhlbtllon Until Nov Coitv 111-5. Sat m-12. Adm. lire ilAHUlOBUlliU LOXDON CSALLEBT. II 13 Old Bold SL 1 (MAY 5161 1' KEITH VAUGIIAN.

recent paltttiocs and dra-jrlncs. Dally lfl-f. Sata, 30-12 Aim. Tleo MOLTO.N 44 Seen, si.ltDc Slreel. VY.l.

siax CHAPMAN racent pa intlnia! until October 31. s-umuia. and olbfr PAINTINOS by SIR WILLIAM Ill'lCIUSON. P.r.R.S.A.' Hen. it.A., LL.I),.

Art Galleries. S'a SuOoUx Street. Tall Mall East. 5.WJ. Mon -Fri 10-5.

Sals. io-i piee BOBEHr ntism gai.lkkt. oo Duxe Street. lrosenor Stiuare. w.

1, E1HIARDO PAttLtMil Sculptures and Collates. Dally Sau. 10-1. StK'IKTY OF UtRINE AKT1STS. GullUnaH EC 3.

DstllJ ICS Free uauuoam. WAlllMNOTON. OALLIRIES LAHS1 B1CSLOW Watereotoura lft-e. Sits ic-L 1 Cork Slreel. I.

NEW. ilem 79 fves. 4b. Tut, Sal 430 LIONEL BAHT'S MUSICAL OLIVER i COMI.Hl. IWIU.

257B.I iS.O S. 5.30. 5 30. iui-ihah York. Ronald Fraser In Donicuvy's A SINGULAR MAN A FUNNY, BEAUTIFUL, SUPERBLY TOUCHING PLAY.

ekinday Times. CBllLitlON. IWhl 32161 Ev(a S15 Sals 3 30 and S30 Thurs 3 THE IRIS ULiUXJCH' PRIESTLEY COMEDV A SEVERED HEAD Mi awih iJie Aiiiuiic set v. Ycrtt Tej Sun, A (uvay Urct twut fx 'BBC Crnie. kUxjUatf erienainmi-'Lat The Tim lHlltUS.

(Tern 2-4 3 Et AU: Thur 2 4S ais 5, wrf 15 Aitteue Styier, WII.UAM na.ME"S nf- Comihll THE RELUCTANT PEER DlKt Of VOUK'S iTVra. Eventni Mt Wed 3 0 Sat- 5 30 A 3D Ji'uaKtr HUaty PHySij Calvrt A SCENT OF FLOWERS a unique and unlonteltable expert. enee Haro'd llorx-oa. Sunday Times HR1UY USE S163.) 7.30. S.

2.30 LACRF.ME HARVEY III CAMELOT Suniijy Tam Muiir Lerrw: and U. v-rt Helpmann HiHIL-Nt tlcru UAH A MtM.M I V1 HVif En a Alt. 5JO Xid 9 JO in a tVtrt tl1 a. 11 lri- TLAA, SI.H-l.piin. ST4 3SIS.

Manon Btatidu David Niven SMriey Jones HEHTIME S1XIKV IAI Ttchnico.CT. Today 5 30, e-30 iSatiirday 510. gap) KEN. IVilinslo.it. All TVk THE MOON-sl'INNEKS 1U1 ICol 1 Hsvley Mllla Evenings 3 50 (Saturday 5 301 and 8.

Wednesday. Thursday. Saturday 3 30. TATTON. Oatley.

C.ATley 2133 One performaiu-e at 7.15 Ma Eat 2 m.l SS DAYS AT PEK1NO IL'I at 7.45. THEATRE ROYAL CINERAMA. BLA S3SS. Evenines 15 matinee Thurs 2.30 Sat. 1 30.

4 45. 8 Sun 3.15. 7 a in etis Cineranu: Sprneer Trary It's a Mac. Mad, Mad. Mad World rut 12 n.

10 6. 8 5, 6 6 Isea-s Itojkabei LECTURES AND MEETINGS University of Manchester HANSON MEMORIAL LECTURE THE MANSON UEMOK1AL FOB 1904 WILL BE DELIVERED BV PROFESSOR C. F. It. MOl'LE ILady SUriaret'i Proressar Divinity, University or CsraWldte) on THE PROBLEM OF THE rASTOBALS A KEAPPRAtSAL.

Friday, Otrtooer 3d. at 7 30 m. ta the Small Lecture Theatre. RiHCoe Balldlns. Brunswick Slteet LONDON RESTAURANTS BOILOONE ItESTAl'EANT.

Fine tod tot 17 Genard W. 1 Cer 31S6 CHINA GARDEN. London's roost eleeaat Chinese Restaurant Serves Chinise troen neon to 1 a.rn In the most lontarmc with dancing, to H1SCOTT.CK S6 Hrever Street. W. 1, Ger.

LE U1STROT DE HOVLOGNE. Dilicjoiijjy Freneh. 27 Gerrard w. I. Ger.

Best Coot, cuisine 13 ilontpelter SL.SIV. 7. Kea 3052 BUXTON MRAMl. iTern. 30.i Evemrus at 45.

Sau at 5 30, 45. Tt 2 45 Frantte Hovierd. Kenneth Connor, jen Pertviee Raiwitspa Hare. Eddie Gray, la A FUNNY THING lUppriird on tne Wij thr lomm Jti DLly Efrevs L.mdiD Crr.an.' Award Winner Tel. 2179 rLATHOUSE.

BCXTON. MANCHESTER EXHIBITIONS Red Rose Guild of Craftsmen AUTUMN EXHIBITION Orn Njh- at the KN CKAKTS CE.NTKfi 35 Souih Manchester 'J. UTrefria in -l 30, Urdu 10-12 30 BoJtm, rain tins by STELLA MATT, Oram.cs hy MONTY SIROTQ. 2Tth October ti 14th Nvn-tfjiitxr. CimiSTfS (SALLKRY.

115 Ljijwui Ljiu, West DlrtstRiry. Mracftciter JO PiiDUDRj i.ad Drawinzs by XMrra Jlal.sworih. until October 31. Opo Mend? to Stturdiy. IP i at tn om ART EXHIBITIONS Recent Paintings E.

B. TAYLOR until November Tth THE TIB LANE GALLERY, Tib Lane (on Cross streell. MANCHESTER 2. Tel. BLA 6825.

DaUj 3-S. Satunlaja lOJO-l, London "1 Loeecs; Runrns V.ucaj Sow lis Flflft FaStt.oLts NEW LVRir, iRiv. 8557.1 8.0. Sal 5 0. BO GrreEr-TOod.

MUIleiiq. OLD VIC. THE NATIONAL THE AT HE. TsnliM 7. Wml 7 45.

Thur. 2 30 A HAY FEVER Frl and Sa: at 7 45: DUTCH COURTESAN Sit 2 15: OTHELLO Boa Offlee Tel WAT 3616 PALACE ICKr 6S34 1.30, Sal 2J0. run OK MCslC. lilt Musteal tI Roarers Hunmerauxo UChlsay Crause PAUDIL1M. IGer.

7373.) iS4-hour aervlee). Sithtly 6 15 and 45. Ha: fjai. Franaue Vaushan In Ulartlaie," with Xonmsy Cooper. CSL'a BlitiL.

The fVurrno: TU. KOVAL. E.1S. Mir S.M. 30 ATh Ttoan onnrn.

Llfrlrj V'AriJfcVlLLE. lTu -WT1 Evs 3 tf. vid BLACK NATIVITY The refreiihine utstnhitpited musical aie." Daily Mirror. Lat week Nov, 4 slattuela Vargas and Her C. af Itanrers Sloners GuitarUa frum Seville.

Ntgntiy tt s.u. THE ZOO STORY tiy Edsrard Aloe STARS AT RANUOW la satirical tevtiel LIVERPOOL UVERTOflL 1'HYHOISE. (ROY 536.11 Uvea. 7J0 Saja 4.4s asd 8 rrj Mm Thurj. 3,30 THE CAUCASIAN CHALK CIRCLE.

Comm Nor 3. THE TEMPEST LOUGHBOROUGH STANFOKO HALL THEATRE, Nr. Louth-borottch. All Uila week at 7.30. Lincoln Theatre Coaipasy.

"THE APPLE CART BERNARD SHAW. Free Car Bonk Caldstell's. 11 Warda-etid, Louioborousb. ITcletiboaa SUS.) t.AKRlCK il'vsa Oll Ei WJ 3 JO SL bAt jtt SJ Over 3Tb i.ormjiow HtTl BEATTY And itaxiiutd HUNT LEY DIFFERENCE OF OPINION Eacitinf play oy authors 01 Anv Olhee BListnea and Cullty Pariy." Hiehly oterMia3K." Dally Express. LECTURES AND MEETINGS TDNIOHT: Mtauieur Bernard DOKJVAL.

Coeiservatw du Miuee Natlosial d'Ari MiJenie. will pea and snow slides on Ceorfiei Rouault at trie Kretxti Instiiule. Oueerxoerry Place, l.W.t. at SJS pjn. Lrjuarve trw.

VICTORIA (Vic. 1)171. Ntl lli S.4A TV's Fasteat Spectacular. Till; BUCK AMI WHITE MINSTHKL SllfllV. Mow In tha 3rd )vir.

ttcofclnf until 15..