The Guardian from London, Greater London, England • 7

THE GUARDIAN Wednesday September 14 1966 7 picture of Robert Indiana and his painting "A Father is a Father -mr -4) nooked on the American dream BY ITA PARNELL Kuonni uiuuuiiA is we pamier niueuuui uieatu, mm is thuma end Via preting it in a tight motif pattern reWOVen a thousand tlmoa ic nnm STANLEY REYNOLDS Something for the Gnomes working on his Seventh Dream, and -I 11 mat i vuuni nis Liove exniDiuon which, was shown this summer in New York and will be in Europe this autumn. That goes with the show of Numbers ten dazzling triptyches of the ten digits, and they too are extended parts of The Dream. Indiana is one of the top pop artists in the United States i.e., his canvases are sold for ten thousand ffnllQW Uriel mnn 41m Ikffttntam a-xF Modern Art, Until about two years -ago. Indiana and Andv Warhol worked apace together, were inseparable friends, and exhibited in the same 'gallery together. Together they were he had eaten.

He hates the jungle The American Dream has evolved into. "35 East 76th Street," he ruminates. "Imagine people having to live at 35 East 76th Street, instead of the Portobello Road. What a mishmash New York is Now Chicago is the real American town You should go there." In spite of himself, he glorifies The Dream in mocking it, and he knows it. For instance, since the Europe Bit (the classic expatriate year in Europe) he has; been smeared with the socialistic idea that electric light should be free for everyone.

"Nobody in this country need be poor he thunders. I THERE'S enough for everyone! 1 The wealth of this country! Flowing with oil, gold, minerals our barns so crammed wfth wheat we have to burn it abundance and human dynamism everyplace! And look at us TAKE ALL the bingo-win on one of his works hanging in New York's museum! is a key-expression too, a key to a country where if the dice are with you and you're a survivor, you do take all but if you go under, you lose everything. Indiana demonstrates the tramps who lie on the sidewalk outside his door, for Second Avenue on the lower East is the Bowery. These poor guys have lost all. And the last straw is that they are even exploited by the flop-house landlords." Yet when they sit ori his doorstep, he is curiously inclement.

"Go on! Be off with you now 1 1 I've told you that before!" And they smile foolishly and say Yes, Mister, and shuffle off. You express pity and Indiana rounds upon you. "Those bums would far rather have their freedom to be miserable than be locked up in any of your socialised State institutions And that is why he will go on passionately painting The American Dream, because he is hooked on it. garret is a converted trunk factory very folksy with a rocking chair and large ferns, and traffic signs and a collection of totem poles around a big, deep Victorian bed. "To you Europeans this bed seems ugly.

To Americans it is so remote that it is beautiful and rare." He found it by the roadside. There is an edifice to Samuel Beckett, too Malone's bicycle and' Malone's own town Hole made from a series of stolen railway sleepers. Of course you don't like Beckett," he soothed me. "Women never do. He excludes them from his world." And all around, there Is The American Dream.

"I paint signs," Indiana says, fondly, when questioned about the Dream. Signs like EAT HUG DIE ERR TAKE ALL. Numbers 40, 37, 39, 66, and USA 666. 666 has a special significance for him because 66 was the name of the motor-oil company his father worked for, and 666 is the name of a bottle of influenza medicine he used to take as a child. He has a Proustian nostalgic du pass6 for his childhood.

I remember going for long, long Sunday drives on the highway, and just passing hundreds of numbers for mileage and roundabout signs. 40, 37, 39, 66 EAT You know, you have the most beautiful road-signs in Europe and nobody ever paints them." It is not part of the European dream, I explain to him. There isn't one. HE says he paints The American Dream to mock it. He hates what it leads to, like the arrogance of the war, which he equates with the Korean War, in which he was obliged to serve.

"Three blank years of countdown, each beginning with 365 days 364 days 363 days until delivery." And when he came back from the war, his mother was on her deathbed, asking him only if photographed by "Vogue" and Quoted in conjunction on what would ome next on the scene. Then Warhol, who had been mixed up with underground movies and other fringe activities like Intermedia and Total Theatre (for in New York the plastic arts are kinetic, just as the cinema is plastic), went to California" and became a full-time celebrity," concludes Indiana. "California," interjects Gloria Steinem, New York's Own Swinging Girl, ex-Bunny and interpretess of Susan" Sonntag, is for nuts. Like if you turned the whole country sideways everything loose would fall down to California." So Bob Indiana went on painting The American Dream on 2nd Avenue in the Lower East Side, where he lives in a magnificent loft One day when I was six I announced to my mother that I would be an artist when I grew up," he says, and she said, Well, you'll live in a garret and eat bean soup' and do you know, that is exactly what I've done!" The Iff CHARLES IVES'S FOURTH SYMPHONY at the Promi by Edward Greenfield I RECENTLY spent three weeks ill in bed and three weeks in bed can do strange things to a man, get him completely out of touch, living in a feverish, dream world. Forewarned I busily kept my finger on the pulse beat of the great world beyond the horizon of medicine bottles.

And, better still, my eyes on the media and sometimes on the television set But have you any idea of what this country looks like to anyone who views it, even Just for three weeks, through the media What for heavens sake, muit the foreigners think of us No wonder the gnomes snigger in the Prime Minister's See when he tells them there is a squeeze on. It it all well and good for Mr Wilson to stop rich people from going abroad. Or rather, to make rich people go abroad as if they were poor people with only 50 walking around money. But why doesn't he do something about "Town," "Queen" "Vogue," "Nova," "Glare," "Glow," and Woman's Mirror from getting out of tha country and Into the hands of Just any fauna who might come along For the man seeing Britain through the eyes of its media even those occasional earnest dashes into stark grainy fraen-framed "reality," the 45 minute documentaries, produced by those angry balding box Zolas earning 6,000 a year sonoww even in the genuine anger of these box Zolas you can hear the whisper of wind being broken after a six guineas lunch at Trattoria Terrazza. So, you ask yourself, so John Griff can't get a cheeseburger on the M6 motorway? But is this really austerity, at least the austerity those foreign bankers know 'and love Cheeseburgers, indeed.

They should be eating the bark off the trees On the MS and be happy to get it And Shirley Conran should be down there in the colour supplements telling them how to prepare it After three weeks of seeing Britain through the media, I forgot mr fever, leaped out of bed, and boarded a train for London to see it for myself. I am happy to report today that some people are keeping the flag flying. Need I mention who they are? Who have always put their skinny deformed shoulders to the wheel, their already featureless faces to the grindstone in times of national emergency? Yes, be Poor People, in their thousands are coming to the aid of the Government and preserVinz the Image of Britain that the Swiss bankers want "That's right Stan," said a plucky poor person, you don't want to believe all what you read in the papers and them party mags. Some of us are coming to the barricades again in Britain's hour of need and showing the Gnomes that Britain is not frivolous. Just look at my old woman there with her cheap cloth coat wif no buttons." Coming to the aid of the Government poor people all over swinging London have given up eating in expensive bistros and wearing fab domes.

THE POOR PEOPLE of London are far from alone in keeping up Britain's Squeeze Image. A tour through one of our great provincial centres showed that Britain's provincials are also doing their share. And not only the nostalgic old people who fondly remember Britain's great days of poverty- The lower middle class is also pulling its load, and putting a grim face forward. Take a ride on any London Tube or provincial commuter train like I did and you will see all around you the lower middle class men of Britain knights in the shiny armour of threadbare with prematurely grey heads, incoherently babbling of mortgages and overdrafts. The frayed white collar workers of the country are doing their job while their little women are, I am assured, at home slaving over a blocked up sink preparing an austerity dinner the likes of which I wDl not hazard your digestion with a description there.

(When you consider the food the lower middle classes of Britain eat you begin to realise that their sacrifice is sometimes even greater than the Lower Order.) Tired but happy I returned to my genuine Victorian replica design, award-winning sick bed, and hats off to the poor people of Britain, their faces grind slowly but they grind exceeding fine. SLEEPING BEAUTY at Covent Garden by James Kennedy 1ITHY did the Kirov not open its season with "The Sleeping Beauty" which, on present evidence, is much the best of its big productions, instead of leaving it to the second week Unlike the company's jejeune Swan Lake," this production has an old-fashioned, rose petal and quite incon-testible charm about it; unlike "Cinderella," it has lovely choreography. So, for the first time during this season, we were allowed last night to see the splendid dancing which is the Kirov's chief asset, helped instead of hindered by choreography and production and the result was a treat. Choreographically this Sleeping Beauty is very close to that of the Royal Ballet; each of them, in fact gracefully confirms the other's essential authenticity. The advantage is by no means always one sided the Kirov's glosses tend to make for more spaciousness, more gentleness; the Royal Ballet's grace notes tend oddly enough-o add to the virtuosity of the dance.

A case In point is the famous Rose Adagio in which the Kirov's Aurora faces notably fewer technical problems. Last night's Aurora was Kolpakova, a superb executant whose blond, slightly steely efficiency, seems American rather than Russian. Semenov, her Prince, was much the most regal of the balletic princes yet presented by the company; he was also a fine classicist The Bluebirds were Makarova and Solovlev she was excellent but he, it is clear, is the finest virtuoso of them all. "The Sleeping Beauty" requires a dozen or more highly qualified soloists the Kirov last night showed that it bad soloists enough for the job and to spare. Albert Hall particularly, the work could literally be a riot Schuller's lack of dynamic drive was shown in some music of his own, a slow thoughtful movement called Sequences from a recent work called "Movements for Flute' and Strings." Mr Schuller explains that out of his "structural, textural and timbral interchanges a constantly fluid continuum is achieved." That may well be so on paper, but last night there was no Impression whatever of contrast in either mood or tempo.

Admittedly Mr Schuller kept varying the time-length of his beat but the music went on relentlessly in a very staid adagio. Maybe, as his admirers tell us, Mr Schuller's arguments do indeed live up to this deliberate seriousness, and certainly he makes a more conscious effort than most avant-garde composers to please the ear with his textures; but solemnity is not everything. Perhaps Mr Schuller was being no more fair to his own music than to Ives's. TT is just fifty years since unbeknown even to his intimates Charles Ives completed his Fourth Symphony. About that time in 1916 he cut himself off from those few contacts he had in the musical world, and during the rest of his life he never heard a complete performance of this highly characteristic piece.

It was left to Stokowski to give It for the first time last year in New York. It then produced high temperatures among American critics, over-eager to acknowledge Ives's genius, and it says something for our own acceptance of this great American original that last night at the Prom we had the first British performance from the BBC Symphony Orchestra under the young American composer, Gunther Schuller. The performance Itself was disappointing. From Stokowski's own record of the work made just after the New York premiere we already have a good idea of the work's positive merits. The most striking effects are ones which Ives repeatedly used the clashing of rival brass brands in different keys and different tempi, the sudden quiet contrast when a revivalist hymn-tune such as Beaulah Land is played on solo violin, the use of a popular hymn like "From Greenland's Icy Mountains as the subject for a straightforward and beautiful fugue.

These effects are essentially vibrant, and without vibrancy in the interpretation, the result is curiously lame and even perverse-sounding. Whether it was the players' fault (curiously uncommitted after their stirring efforts in Hoist's "Planets" suite under Sargent earlier in the concert) or whether it was simply that Schuller's technique was not quite up to coping with the multiple tempi, I am not sure perhaps something of both. I only hope that the many in the very large audience who plainly remained completely mystified will not just blame Ives and leave it at that. In the Royal HANS JAENISCH EXHIBITION at Newcastle upon Tyne by W. E.

Johnson I'M IN CHARGE OF THE RUINS at the Victoria Theatre, Stoke-on-Trent by Benedict Nightingale HANS JAENISCH, the elderly painter of poetic fantasy, whom the Stone Gallery, Newcastle upon Tyne, introduced to this country in 1962, is now being given a full scale exhibition in this same gallery until the middle of next month. A member of the Sturm Group, the avant gardists that gathered around the magazine of the same name founded in 1910 by the Berlin poet, playwright, and composer, Herwarth Walden (1878-1941), and also of the Secession, founded in Berlin by Max Liebermann in 1899, Jaenisch's most obvious debt is to Paul Klee. It is perhaps in his watercolours on paper that he comes closest to the inspired whimsy of Klee's recreated child art; no more so than in the gentle "Flower window and the outlines of apparent bottlesbapes the "Border countryside." But it is in his other watercolours on scraps of linen, with their more coherent themes, that come closest in superficial appearance to the paintings on burlap by his more famous master. The content of Jaenisch's work is, how- ever, vastly different. Much of.

Jaenisch's work suggests a selective use of several planks of balsa. Sometimes these are at variance with each other as in the Moved Aggressively" and the "Incipient Unrest at other times, when curved, they suggest, as in "Fundstelle," the open wooden construction of an open boat: and for the most part, complemented by spidery fairly tale pylons and tele-towers, they make masonry walls and flights of stone steps that mysteriously lead nowhere. Nothing is as it seems, however, and one gets the curious impression that be doesn't so much "build" these things himself even though his picture area is still an arena and not a window on the world but that he has seen someone else's building and is dutifully making a record. It is almost as though, with per-, ception, one has been here several times before. As to his colour, he tends to use a well-balanced, even a decorative palette of warm browns and cold greys although, occasionally, as in the "Two Figures," warm yellows break through.

PETER TERSON wraps up his homilies about progress and reaction in some bizarre and dramatically striking metaphors. In "All Honour Mr Todd" be gave us a British Legionnaire, a rural Monty spouting the values of MRA, who organises a recalcitrant village into resisting the construction of modern sewers. In "I'm in Charge of these Ruins" (at the Victoria Theatre, Stoke-on-Trent) reactionary-in-chief (Ron Daniels, brooding and resentful) is the caretaker of some drab relics of Welsh fortification. He can't get it out of his head that, back in the Middle Ages, the castle's custodian was also the mayor of the town beneath It. He detests the present, symbolised by a nuclear power repeat themselves a great deal, and Mr Terson's characters are always well observed and thoroughly lifelike; but there is a point at which repetition ceases to make any valid dramatic point It comes to seem mere mannerism and Pinterism, and begins to lull the audience into torpor.

The trouble with Mr Terson's play is, indeed, that it lacks development. The characters are soon established, the social and moral points soon taken and there is not quite enough wit and humour to save the evening. For all its extravagance of setting, the play does not make watching as compulsive as Mr Terson's best effort at Stoke, The Mighty Reservoy." But he remains a promising young dramatist, who deserves wider attention than he has received so far. station beyond the south wall, and consoles himself with fantasies in which he resists the assault of insurgent Welsh Nationalists. An army corporal, driven half-demented by service in Malaya draws similar comfort from the same pretence the combination of military propriety and civilian neurosis is particularly well caught by Christopher Martin.

Then a tramp (Edward Clayton) turns up and, like Davies in "The Caretaker," jolts the old loyalties of the protagonists. Indeed, more than one member of the was muttering the name of Pinter over the coffee cups in the interval. One set of fortuitously rhyming repetitions, about being on the road and not having a fixed abode, must go on for three or four minutes. In real life people do admittedly THEATRES LONDON GALLERIES LONDON THEATRES MANCHESTER CINEMAS A DELPHI. itkh.

7611.) Evenlnn 7 JO. fALACC ICn. oAM.) TJO. VKt, Sat. MO.

Nottingham ouctuss. ITem obi net. 0 wed 20i SU. 15 and 8 0 PETER BURNI lr BOEING-BOEING TOTH BtLABlOllS YKAH uiz. buunu ur bbubiu auuacai 07 Redeem at HamneT.eln, unduy Croua.

IODdoD'A Lontaat Ibraining Musiosj. NOTTIVOHAil PLAYHOUSE. 4M1L WTJIOaUM'S (Trav Jam 1 Bars. -LJK. 141 asd (30 Wad a VAJliaaafU iikDOaUVE THE PRIME OF MISS JEAN BRODIB "A raauundlnc wbotaasu txtaaapA i rat sort reaerrad lot at sal's at Cssaarsir SBC ARDWlCa.

dUEM. AMD 1111 Too Curtis. Jade Natalie Wood THE GREAT BACK lU) 110. 4 25. 7 40 ABC DEAN8QATE.

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In CHARLIE GIRL It' fltppliV well ExpriMS Extra Mata. Deoembtr 28 27 at 3 30. FALLAUIUU. ICer. 7TS.I Tvloa UlPXty, ASIIOATB GALLERY.

Waeoo Yard. Dcomlnj Street PARNHAM. SURREY PATRICK BATMAN Until September 20 Closed Mondaya HAMILTON GALLERIES. MICHAEL ROTHENSTEm. Recent Work.

Sept 13-Oct. t. 10-6. sats 10-1. 8 St.

Georte W.l. LLKKVaUs uallery. jo Bruton Street, 1 CONTEMPORARY PAINTINGS ON VIEW DAILY 10-5 Sat 10-1 LEICESTER GALLERIES, 4 Audley Square, South Audley Street W.l GALURI group, ran II and French Colour Prints 1395-1014 01 AUTOMOBILES. AEROPLANES. AIRSHIPS Sals 10-1.

CTeniaga 70 sau 3 0 anc 3 u. AUTUMN SEASON Sept. 90 student Prerlete Sept a ZL 23. 24 leva only) JULIUS CAESAR Sept. 38 no urrt Sept 27 student Preflen Scpl 2S 30 KEDDA CrARLER ANTONY AND CLEOPATRA opera Oct It Wrlp lor repertoire leaflet ALU VClt.

ROYA.L SKAKESPEARS CO In io ano -o ssai aMtiaroay at a sv. HARRY 8ZCOVBaJllCsr TARBUCS. TBORA HIRD. rRTDDlS FR1NTON. ANITA HARRIS and MUSS CONWAY tn LONDON LAUGHS GAY NEW COMEDY SHOW Boon now.

SON art Ulaauaaut. ttsjirTOfl OtHlKl. Mia-auy (ex Sana.) at JTJtss ay aa lpi. DUKE OK YORK'S. ITem.

S1ZI.1 ET(1. S.0 Tnur. 3 JO sail at SO and 4S. IOHN GREOSON CONSTANCE CUMM1NC9 PUBLIC AND CONFIDENTIAL Hen Levy's povenui A punaeni PLAY. E.

Standard UUalANs! INTBLL1GENT COMEDY A C1VIUSED EVENING "Oba 1 yff TALK or TUB rowx. tUm. asm.) Manchester OPEBA HOUSE BLA 111! Erenlag at 7 30 Saturday! 5 and 8. Special Wed Mat at 130 on Bept 14 CORAI BROWNE, WILFRID HYDE WHITE. ISABEL JEANS.

RONALD LEWIS JULIET HILLS in Lady Windermere's Fan ot Oacar Wilde. Prtcea LV-. Llo, 7e. 40 Sept. 10 Week erta 730.

sat. Ul. Direct man is montnareoord-breaUnf ran at Her Hal Theatre. London "THE RIGHT HONOURABLE GENTLEMAN with Petal Reynold, Leonard WKdrow. Catherine Schofleld Prtcea UW Ul-.

6-. SJS Now Booklnt Xmu attraction THE BACHELORS Ifl All Star Oamedy Revue ad Dsataat Bam MUNCE OF WALES. I WW. 80S1.1 In. at.

CMZrHONZ. Maitet Street. DEA 4111. Hancheatar'a Continental Croema Numerous FUm Awarda for Roman PotanaaTs ttEPULSION (XI Catharine Dereuve lata Hendry Weekdaja a 145. SIS, S4S.

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MAIn 2123 m. o.u. ojo rew aiuaicai rteeu FOUR DEGREES OVER (Membership io-. Juniors sr per year) RELATIVE VALUES by Nod Coward. Tu to Frl.

7J3 Saturday 4 pm. 7.30 LONDON CINEMAS riCCAUILLT. I Ger 46M KvCDln At uunHunuva new oomfor THE METEOR A brilliant play, bubbUnf trllh Ideaa," Dally Express (Today, 4 Tu. 8 i Marguerite Duraa'a Dew play DAYS IN THE TREES PtSfT Aihcroft dvea liw performinc ol Jutr life Otaww. (Til.

p.ra sat. 3 30.1 Mrowk'i new cocusaj TANGO A trtlLiam, often uvaseij tumu pUy Oberaenor. (F. 32, 34 8 psn.i Lut perfoniUBMs of the Repertodrc Now Jtgaaon, begins Oct 13 Tesn (H04 twna wa. mm and nth century BlATERstiuainf trnporunt works by Bonnard Chairall Oourtet, Leter.

Monet. Plcaaeo Plasarro otc HENRY atOORE-811 New Worka and Early Carrtna Dally 10-5 Sats 10-13 Extended to Sept 20 CLASSIC Oiler Ed. Station. CCN HIS. Tka Banian (A) US.

535 8 40 Sheffield axuiseei iouimjjj aawiaara mu- Uirtarei Lockwood, mcbaA Todd. RivfiT Itruty. unuia Jmih, Uiditel CoodiLfle Raubel Cunxy a Oacajr WUiJe' tamoua comedj AN IDEAL HUSBAND MARLBOROUGH NEW LONDON GALLERY, Hawk (ui 3 as. itf ITem VTO Erti Uat. Wed and Sat 3 Glynlt Johns RMlb Hnchstl ir THE KING'S MARE A Cometl try Jho CooUt adaptm Anita Loci.

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au, 7. 40A1WMY TWO. (Oar IIBI OTOVQryt'l BICHABD III IUI UlaV. tj. lis).

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85 (Matlned Wed. Sat 2.15 1 bobj fbeb Tech at jb bso. (lUEEN'S. THE NATTOKAL THEATTUC. smu'lfljl PLAYHOUSE Telepnunr osn Al! this wek FINAL PERFORMANCES ot THE STIRRINGS IN SHEFFIELD ON SATURDAY NIGHT 07 Alan Culled, directed by collo Georte Dally at 7 30 Sat mats notf commence al 4 0, matinee seats all 38.

All tollomm veek ARMS AND THE IIAN by Bernard Sluw via Bona mrect. w.l nm rue and ErrtU Nolde Over 100 imported CU, Watercoloura, and Graphic worts Daily 10-5 sata 10-12 cnendtd to Beet 50 PORTAL GALLERY. LATEST WOUKS ol JAMES LLOYD Well-known Yorkitllie Naive. Polnllillate Sept 8-Oot 4 10a Grarton St Bood St. Hide Park rru GAUMONT, Oslord Street.

CHIIraJ 111! CAMEO rout. ilaa. Uat Tea aaAmend. (luu 1171 1 e.vj me Jib Sit i a a Agatna Chrti? ItIK MOUStTUM'. nth Avrc-implrtaa Year I PALACE.

ICen Q184 1 Final eek riere prior London presentation, THE GREAT GRIUALDt Wed and flat 5pm atid a other evea. 7 15 6- to 178. St ot. 10 and ff-ck, FRIC SYICBS JIMMY EDWAKDS in a price lyndon farce. BIG HAD Mncssv 0- to Otn Eves 7 15 Sat 5 pm and 8 pm Mat Wed 2 30.

Tuea. Dec. 20 on MIKE BErLNIE WINTERS ont (XI. tnternaUocal crt5arAatsr Cannta IM Prraai an 11 14 aio souar ija ot at mm. tj A FLEA IN HER EAR Frl 7.

Sat 215 7 JO A BOND IIOaOl'EED and BLACK COMEUY. Mon. 7.30 OTHELLO. Tuea neat 7.30 ROTAL UU.NT OP THE SUN. Seals available except alondsy.

(Ret. 1168.1 See also Ok) Vic. QNTAS GALLERY, comer Piccadilly and weekdays ana Sundays ijo ana 7.J5 Julie Andrews and chrlstopaer piurnmer nit soond or MUSIC cll rODD-AO DI LUXE COLOUR IU1 Keata 126. 106. a0.

06 I Bootable 1 Reduced prtoes children and OA.Pi Monday to Friday Matlneej Only Box Offlne open 10 to 8, Sundays 7 to I Poatal Booking! accepted IHYMARKI- THEATRE. (WM. SW32.) Eves. 7.45 St BIS. Wed 2 JO.

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YOU NEVER CAN TELL by Bernard Shasr. LAST WEEK Mon. A eras. 7.45 Mlrheal ilaclaamraoli. CAJtLTON.

IWtll. 37U.1 Uat day. Audrey troLU), tGerrtra En-mow a Tlmridy and Saturdiyj at ana a 40 ALKftliD MARKS HUTH DLTKKlN'f. i Hepoum. repsr trtoosa.

ravw to xxjix, ulo Houd street Exhibition eotmea The Jewellery or Rod Edwards Dally 9-8 30 Saturdays p-4 Until September 2 O.N IUI. Pta. IMS. 3-5. .40.

A 15. Stoke-on-Trent VICTOR! TTI. IUK2) I'm In Caar ot These Ruins, new Terson play. Tonleht at 7.30 Id BABES IN THE WOOD" BoolttnS CASINO cuikayun ICR. ajm.i tut Ban anon 50 to lot- BOIVt.N CILLERY.

2Sa Lmvndea Slreet. SPRING AND PORT WINE or Bill Nausmon Bncnantinn Tunei ROYAL FESTIVAL HALL. (Wat. S1S114 KDUluvat (Ul DUtF At 1911 as. Sati ID.

531. ue) 11 IB ssnndava si SAO and TAB Alt LIBRARY THKATHE. CtN 7(rri Sntemher IS IK Tirt 17 rml Ljtnnoa s.w BELjtravla 3490 SCULPTURE by GARTH EVANS Sepl -29 Dolly 10-0 Sats. 10-1 CAMBUI1MJK. iTan eoss Evenlnn a BALE CINEMA.

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iTajjL XB.I BATTtx OF TU aUaOaT Al. Dairy ti Eveniugt 7 Saturday at a at a m. saturony at ou, oas aiat inur 2,43 RON ttANDELL JESSIE MATTHEW? A SHARE IN THE SUN VALLNT1NE. Penod-slyle Landscapea and Mythological Painting. The Grafton Room (First Floorl.

Hotel Ruasell, Russell Evsa. 7o sat. 4 30 and oo. London a FESTIVAL BALLET TonlEht LE5 STUBIUES. FlUKnatE, ETUOES.

OOUAIB rAS DE MUX. FT. Sal. NOIB ET BLANC, wrrca boy, okaduatton ball. LAST WIE1C.

Tlcaetai 76 to a-ju ajaa a.u cmoi mi ur, mjm mom 11 85 run Sana al 4B mad TJBi AlTaaata QLQIIE. I Ger uai Evas 7.15, Wed 7-50. Salurday 0 and 8 40 Donald Stndro, Barbara Ferris Ion Pertatee HU Comedy THERE'S A GIRL IN MY SOUP SpienuTd entertainment, a hit' D. Cap. uGiy.

funny, and very wall acted Dally Tetejrrapn Dellihtlui comedy lauirtis ealora." Sunday Cltiien nr? oxrono Oxford Btmt. CEN 141! THE OSrAR 1X1 at 1 4 38. 8 IS TABIS PICK-UP I Al at 3 3 and 0 45 'A real coracr ol a play "--Sun Eapreaa bockaH Last 4 sunn eanr east Oct I COUIMBIA. I Rat. Mitt ITTBCTTXT LUT Ci.MVEBSlTY THEATRE ARD MM Flrat Nlilr isept 271 7.

tierealter 7 30 CENTURY THEATRE prerenla Sept 27 'o Oct 15 Eutene O'Ndll'a IXINO PAY'S JOURNEY INTO MOOT 14, 10 30 a to 10 Telephone lAJftCOrO U4JJ CflCIIKAMi tctia. 7U40.I Evenings al 143 Two Ploys by Martaret Duras TIIB blMIAKB and LA MIISICA ODEON, Olford Rtjeet. CFN 1441 Stratford-upon-Avon ROYAL SHAKESPEARE THEATRE 107th SHAKESPEARE SEASON Last 0 weeks Seats 35- and 25-avallable. HENRY IV. Part 1 cevenlni Sept 10 mats Sept 24.

29 Oct 12 ''SVL 2 tevenlniri Sept 23 Oct 12. 19 Mat St 171 III nry (cys Sept 30 soTmati J3 2" Telephone Strattord-on-Aytm 2171 BOYAL COURT. (Sto 175.) Com Sept. a itisaaau m. assur tjr nu (xi.

ro. 7 Utt Kurhi Sbow at it. COMPTON CIMUA. (Ger. 4553.) Last Day.

HONDO raUX'DO. Startlm Tomorrow TMr. Kent rxras. umi tiw. irjn Nr.w Oct 18 to NOT 5.

Meyer's THE ORTOLAN Oct. 31 to Noy 5: Late Nltht Show 10 43 One I One Klrh lullan rhiarlii LONDON CONCERTS Thre Men for Colvcrton OUKEON. lOroa 5737 Pally air tootitloDtal ROYAL COURT. (Slo. 1740 En.

7 SO. Th BO IAI. A Ml F-HI HALL HFMtY WOOJJ ME 7(0 Open Ddlly 10 a 3. tat at 3 n.T.i. aann ataicafaa.

COMMIY. iWtll 3578 1 gyg JD Wed nr Mt and 8 30 Fenella Fleldlnt. Ituari Paddlclt. Barry Poster to tne COMEDY HIT LET'S GET A DIVORCE I I came out wlin slumscb acltUH trom taunhter Hundaj Express i.m rtitiiiN iw'tn mt i evu SAVOY (Tem Evts at a. Wed 30 exwpu-dt i 30 until Sat Stpi Ttcr FlaM rKi 8212 1 and Azeou III It IdAJLSTY'S.

(Wbl CW6 I Ens B.10 Frl Sst a and 6 Ab Over 350 pens IAN CAR.MICHAEL, PATRICK CARGILL DILYS IJtYE. JAN HOLDEN In SAY WHO YOU ARE By Keitn Waterhoure and Wattle Hall The funnleat play In tindon Harold Hobnn. Sunday Times ART EXHIBITIONS LONDON CLUBS ssta ano ana tut uxnedT ANDREW CRUICKSSAHK "Ha supers "Tiroes ALIBI FOR" A JUDGE Perfect enteetaJrunenl "Dally NOW LN ITS SECOND YEAR AVIAIiIEK, AQUARIUM REPTII.IUM, Sea Lion Pertortnanooi NEW MINI LAND MODF.L VIUJOE DANCING NIGHTLY In tl.e Now El ziheihan Ballroom TOP TEN CLUB iMemhTs) Sunday 7 pm TK-P1N BOWLINfJ DAILY 10 am WRE.STLINT; 7 pm STOCK CARS Ril 7pm FIREWORKS every Sat 10 Tim HORTON' pll I.ILM1MOV1C this Frl 7 45 to jr, COMPLETE BASOUETINO SERVICE Facilities lor lane or amall D'nntr Dawei. Partlev Reception! Mcl'nSs. ro'ifttenoes Luxurtoua new Suites and Rooms available Booking now Idken lor Fridnya and Saturdays October November December EIIMl'NUO ItOS' CLUB tor dinner and dancing In cabaret at 10.30 and 1 White A Billy MeComb Ret 7575 LYltlc.

(Ger. 30119 i Evenlnai 7J0 Matinee Thura jst, 7 jo DONALD WOLFIT IA1TE FYPFE KSVIN CLOSE In ROBERT and ELIZABETH Mt jutaundtDt miuicai tn loadoa EXHIBITION OF PAINTINGS BY JOHN PELLING SEPTEMBER 11-OCTOBER 5 -lO until 5pm ClED mi September 15 ai ic, MOYAN GALLERY 2 11 Slreet Manelicsier 2 LECTURES MEETINGS Thur 111 Sats nm nen Ilasler'i COLE PORTER REVUE II oj the tnis fjr rou tlusrd ttl ihL. audience wantim more thtause ttier jd "nloed ttietnaelves mncn h' Slate DIII'HY LANP. ITem S108 I EvST Taa Wed Sat 2 30 The Smash Hit Musical DORA BRYAN HELLO "DOLLY 1 DORA-S A HAPPY DOIAY "Mirror me l.tr (xi 2109 15. 9 is No nlros, nil.

Seddlna, II 1.1. 5 45 PLAZA. Stockport STO Ilia Mary Sehoolhouse Dolorex Fallb UAMAGU) rrfions (XI Colour. Shcrwlnt at 5 40 and John Neville John Fra.ser Donald nrvuilon A STUDY IN Tt.BKOK 1X1 Colour Showlnt at 7 Dm only Ullimlow. "THE PAST LAIIY" (Al P.ob-tvn JuMJrr Also Uortor At Sa IAI Evkj 70 ISa' 5 30 ti 7) Mat Tlay 2 30 STUDIO 2.

Itoad CEN 2n TONY JACK LEMMON NATALIE WOOD THE r.BEAl UACE (Ul 1 TO 4 30 7 30 STLUIO 1. Oitord Itoad. CTS 2437" Mlrhael Cnlne ALKIE rxi 2 15 5 30 8 25 FACE OP A hnia.SGF.il I XI 115. 415. 7 20 TATTOV.

Oallry. ClATley 1111 tu 7 501 Sean Connery fMat Vf AS 3 THUSDKBBAIJ. IAI Tech, at 5 40 it 8 20 THEATRE ROYAL CIVFBAMA. SLA I3B0. Week 2 JO and 7 30.

Sun djb and 715 Saturday 3 on 5Dtn.tpm Cliarllon Rexton Laurence Oltvlei RHARTOIIM IUI Technicolor 136. 10S 88 9TJ All bookable Da itt qjieicri Now tn Hwrond Vttt ST MARTIN'S. ITem 1443 I Evas at 1 0 Sat 5 30. sso. Tuea 3 0 Stoond year "Hrrmlone Baddelcy la ortlhanl Ooa In oral play ot IM3 Ev stand Award HE KILLINO OK SISTER GEORGE I'ne Comedy Hit by Frank klarcua HlMWIsrs merl tnday V3 (LU.

nnd 11.11 (tMim Mi-el hrrc-rl CofleivTi ri.jt.r in.Acair.ars -fun Stralclir and br ftH.vnu-r watch thlJ synre nr sutnrdnv fnr Huiuanltt CENTRE Lllllblllon Jill be CLOSED lor Annual General Meetlnt at 1 pm Wednesday. Sepl 14 oliviiiN, rartiD-leifSrjijp1 visit, Pic, Chesterfield CltlC. Till ITIir, Chn.tertli'lrl 2901 Mi.n to Frl 7 30, Silt 5pm 8 pm. Arhur Miller's mov'ns play ALL MY SONS Tueaday N.od for To Weeks RIjic Round The Moon MANCHESTER CONCERTS LONDON OPERA AND BALLET M.Ulin fin IMAV 30Aj Evci al Thurmlay and and 8 Beyond the Fridge, 1966 "The revlwMJ tMlUon of ma pti Herat nat Khow "Dally Teirtrapti MUtMAM) n-st 7i.5fl 3835 1 Cniu t'JiUsht a' iutn Mctn and Tun Bi. WiiS fiio and Shiw doubk Mil Mn McKpilm Slan Phltllw MarlP Kfjtiv "Tin: sias or destint" and yc" lvmv.

iTem sra com Thw, Sepl. 33 at 7 30, tub pvga at 8, Tut and Sat, at 4 and 8 A New Musical STRA.NH ITem tiCU Uon to Frl 1 43. Jda'j Tiursday i. Saturday 3 30 and 130 HONOR HlJlCKliXN ro WAIT UNTIL DARK A first-rate tnnller by Frederick Knott, ajthor or Dssl (ot Murder Tcrapn Excellent TVrrlllc suapenat "Mirror Simply macntflcent elunday Etpresa Kiraaoerxi Tayior, Kienaro Borxoo anwi AFatAID OF VIBOLNTA KOOLFT 1X1. 1150.

3 5S3 S33 Ut Sbow Bar US DILLY CI.NEIIA. cm 304 CENBOBED (Uoabrtdxedl Uessbers only 3olrt dow DOMINION. Tatt Ct. U. rkM mil mat 7t I Julie Andrtwi, carutapber Botsatter id Rodaert aV RajninaTatelD't TU BOI'XD OF HItbIC (Ul tn TodtJ-AO a Oo) Sep perta 130 Sua 4 All Mokakla CWIBE.

IGet 1334 1 UOCTO DUVAbO iai 330 and 7 30 Uta peril aw. iltb. Sun and 730 All boriaala lie (Mr JACET FILM TUEATBC liaivat Artk. IJtay. Ott 1 THE UUI intTOB IAI.

Rod Taylor. Treyor Hovard. Jill st Jobb. Froa 175t 1V 430 ajs aso LFIC fit). TB.

Tkt Baaalua Alt CMahU, The Kaaalaas Are CaaHlsur (U). Col. and Pansvtaton Prots ar 10 315. B.4X. IIS LONDON PAVILION (Cet 9C1 Lie bar CAST A GIANT SHADOW (A) Colour.

Proaramroes at 1050 45 4 45 tad TU afrTitnroLE. Geone peppartt jaxew Maeon. Urrnla Andreii In THE BUTE MAX IAI "teoarate pa-fa 3 JO to Bondit 403. an RookabV (Vie OXS. an 4473 1 'Wo' TUt 1 Uorntt Olivier In OTIIFLLO (in at 330.

Tse tj0 4 11 frco 430 8ati ODTON. Leie. Kt. Marlon Brando la TBI CHASE IXI Prota. 1140.

ISO. 8 JO. (.10 Salurday LATE NTCBT SHOW II FLAKA. Frank Sinatra. VI ma List ASSATT-T A OCTJN (U I Tech Proa.

1145. 3.13. 3 Stm. TJO, to, T.40. lINf CJIABLEJ.

Us. H. GOt OtL C. Peek. Sophia, Loren ABABESOCB (A).

rjoirammea dally 3 40. glti. 14. IT1 1 Rod Taylor. Terror.

jniri LioniriATOB rrott TJ 0l' a'- Andree Hepburn Rev Harrison In MY FAIR lAtlT rui Tech and pananaion Protraramea ds 13 4 50 TV) TVW 1W SurXsv PmiTammea 3 0 and TO doors 3J0 Adm. Watte TA fta CtP'le 11- KM bookable WUlSFIt ICer 34J3I Wirrfn Beitlv. gijunnili VonV. KalrrooACOFr mi Colour. Protl MS 3 25.

gjs, so Harrogate OPFltA flOrsr. (tarmiate till. Ev( 745. Wed. 8 Sat 5A8 IllllSept 171.

hPIOFB'H WFR by Arctha Christie cmiii JORROCKS VAIIIILVILLE ITem 74001 Evenlnn at JO Weds 2 43 Sata 9 0 and SO SYBIL THORNDIKE ATHENE SEYLER. DERZX FARR DESMOND WALTEIt-SLUS UURIF1 PAVLOW LEWIS CASSON ARSENIC AND OLD LACE BARBIROLLI conducts Keswick C11 NT 41AR1IKN CV 7,30 Mat Sat 215 THE KIROV BALLET First London Season lor 0 YesrA Tonulit. Thur. Tu. nevt Kl.tn'ivn IIK41TV.

Pel Sat. (mat I Sat lejr.l it Mon (T10PINIAN4. U-VINcVBAI) RTMPIII1NY, TSKAS Kl LIM Scats available tCov lIMVi 1 lUh tl. PFNTfrAL IIAI1, IWat 5191) Evts 7 But and BO FESTIVAL BALLET Tnnlllll 1.1 NILI'IMDIS, flltllHK, LTl llhN, 40If.HK PS 1)1. 1I l' nwr Frl Sat Willi FT lll.ANC.

Ml IT II HOY. (MtMllATIOV lit 1.1, WK1-K Tirkrti- 7 (i to 1, OPENING CONCERTS EXHIBITIONS FREE TRADE HALL1 CENTPRT TI1FATRE neada Lane Hook at Klohk. Moot Hall Keswick 282. Eveltfnss 8 Matinee TtlurKlny 5pm The Knark bv Anne Jelllcoe Sept. 10 St 17 The Chairs Dumb Walter VICTORIA fALACF I Vic 1317 I NtShUy 6 15.

8 45 TV's Fastest Spectacular THE BLACK AND nniTE MINSTRKL SHOW World Record-breaklnt Mustcal NOW IN PTFTH YEAR Sundsy. September 25, 7 LD IC TlIK NATIONAL THEATRE TnntKVlt 730 TRELAWNY OF THE WELLS Thu- 3 10 7 MITII AIK1 AHOIT NOnilNtl. Frl 7 30 S. Sal 315 fc 190 AMI THE PAT CtH'K Tue nt 710 IA1VE TOR M)tK SeaU available except Thtlr eu itvat 7016 See also Queen's Thursday. 'September 22.

30 RRETHOVEn' Oserturo Prometheus CSrctui.tance uooaina nnm way tan RESTAURANTS Symnhoi STRATFORD-UPON-AVON 1 Meei Street CERAMICS by Witold Stefan FTlday Seot 2 to Salurday. Sept. 17 Dally 9 30 to 5 30 (doted Thursday aitcmoon and Sunday). TC1IAIKOVSKY GEZA ANDA, Soloist fil.il vii? nm KA-nfivar. theatrk Tickets 5- 7fl HI- 0.

17.0. 21- Tlcketa 5- 7e. 10-. 126. 15-.

17,11 WHITEHALL (Whl MKT) Ev( Sst 330 9 30 Wed 3 30 Funniest musloal tot rears" Danny Rue Barbara Windsor Gsrrv stiller and Richard wttls COME SPY WITH MB "HITS THE BULLSEY7S aTJostrrt? CHINA 4ttT)EN. Lontfon'a most eleeoni Chinese Resuurant serves Chloece fned from noon to 1 a In the moat romantic atmosphere with dandne to Discotheque 62 Brewer Ftreet. wa. Ger. W5631W.

Advance booklni ror CVi 11 lo Dec 10 DLrR'S IVH.I.'i ITrr 1H72 I Ton1ht at 7 Frl A Tn neat 7 TO Se prodn THE QUEEN OF SPADES Thur, Sat. 7 30 BAHBLlt OF SLVILLE. PROSPECTUS NOW ON SALE or jipeaai lotni only, optn aept. it to Forms available free from Dps Office. Ratlc Djoklnt Office St Peter's Square.

Manchesla a Telephone CENtral 2031..