The Observer from London, Greater London, England • 19

19 THE OBSERVER, SUNDAY, OCTOBER 6, 1957 AT THE FILMS At the Galleries Mr AT THE THEATRE Out of Touch By KENNETH TYNAN Views rroni trie Mr. Whiting's imagination there glows a vision, of an ideal theatre where the playwright is freed from the necessity of attracting customers, where his fastidious cadences arc not tainted by exposure to rank plebeian breath. El is a theatre without an audience. And it exists again in Mr. Whitings imagination as a gesture of defiance against those other, equally mythical London theatres where socially significant plays about concentration camps are constantly being staged to THERE is a great deal to admire in.

The Bridge on tbe River Kval, the new war film at the Plaza. Pierre Boulle's novel about the conflict between different sorts of high fanaticism had iron in its blood, and whenever David Lean's direction is able to catch that irony the effect is prodigious. The story begins with tbe arrival at a prisoner-of-war camp in die Siamese jungle of a new batch of prisoners, led by a dry little ramrod of a British Colonel. The camp is monstrously ill-run by a harassed Japanese Commandant with troubles of his own. He has been ordered to complete in three months' time a bridge across the Kwai River which will form an essential link, in the Burma-Siam railway project, or commit honourable suicide.

After winning, at the cost of torture and solitary, confinement, a personal battle of authority with the Commandant to assure that the rules of the Geneva Convention will be adhered to, Colonel Nicholson sets himself to raise the morale of his men by getting them to work with pride and interest on the bridge. This span across the Kwai is to be something special, something that will endure, something to show succeeding generations what British soldiers in captivity can achieve. Meanwhile an Allied Commando Unit, led by Major Warden, a Cambridge Don who has become a specialist in sabotage, demolition and that line of country," is crawling through the jungle with orders to blow the bridge up. Major Warden and Colonel Nicholson, although their immediate aims are antagonistic, are really as much alike as two peas in a pod. Both of them have the stuff of martyrdom in them both of them are "crazy with courage." HTHE final scenes of the film, when the fate of the bridge is in question, are superbly done, and there is fine stuff in the first houf, when Major Nicholson wins his ethical battle with the Commandant (almost a complete drama in itself).

The longueurs came midway, when the scene is shifted to Ceylon, and an American sailor, played by William -Holden, who has escaped from the prison camp to sport with a blonde nurse on the beach, is Dressed into the Com mando partv oresumablv to rive trie film better chance in the market, ana provide some numerous comment on Anglo-American re- LAST Sunday at the Old Vic John Whiting, whose place among the most eminent living English playwrights, is secure everywhere but in England, delivered the annual lecture on "The Art of the Dramatist." It was an historic occasion. In the annals of the theatre it may indeed come to be regarded as Romanticism's Last Stand, the ultimate cry of the artist before Being engulfed by the mass, the final protest of individualism before being inhaled and consumed by the ogre of popular culture. One pictured, as each phrase of Mr. Whiting's elegant jeremiad came winging out into the dark, some attenuated hermit saint bravely -peeping his chin up while being sucked through the revolving doors of a holiday camp. Even before he began, 1 felt 1 was in the presence of a condemned man.

There was reMRnauon in the very act of his senile, scolded face, and the expression in his large dark eyes ftcemed to anticipate, even to embrace, defeat. He stood before us like one lately descended from an ivory tower, blinking in the glare and hustle of day. He spoke exquisitely of the threats to integrity that nowadays encircled the playwright. He rejected with acorn the idea that a writer should see himself as the spokesman oF a group or class. The cult of the individual." he declared, i ihe basis of all art." To-day the artist was obliged to speak in a "collective voice he was obliged Jo compromise with 11 the masses." who lived in a second-hand world filled with colour prints of Van Gogh." Everything, we swiftly gathered, militated against Mr.

Whiting's concept of pure drama. All we were offered in the modern English theatre ere plays of "social significance," plays set in concentration camps, piay made up of the idiot mumblings of the half-wit who lives down the lane Instead of looking within themselves for their own unique modes of utterance, playwrights were cnnicnt to reproduce the direct, un-om a men led speech of everyday life. Austerity was no longer prized: instead, fashionable authors (Mr. Whiting did not actually name John Osborne) allowed their characters to indulge in long, dishevelled, mo i on a I outburst i. Three years, be reminded us without rancour, had passed since one of his plays had been seen in London even so, he found himself as convinced as ever that it was no part of the author's ob io surrender to his audience by approaching it on its own terms.

A play, he said, has nothing to do with an audience." It was hereabouts that I began to wonder whether we were talking about the theatre at all. Were we not rather talking about poetry or the novel, private art intended to be sampled by one person at a time? Had we not somehow itraycd from the drama, a public art which must be addressed to hundreds of people at the same time? Somewhere in TRADITIONAL AND PORTRAIT STYLES By NEVJLB WALL1S TifR. GRAHAM SUTHER-LANJ'S three-quarter-Jengtb portraits (one standing, one seated) of Miss Helena Rubinstein are temporarily on view at the Tate Gallery, and drawing inquisitive knots of visitors. Though this is his first female sitter, the presentments are very characteristic both of Sutherland's strenuous academic approach, and of the impact of a formidable presence which he can obtain from a viewpoint somewhere below eye level. The seated figure is certainly the more successful of the two, vivid and spirited in a manner which makes the Maugham portrait near it appear oddly mannered.

No 'doubt the grey background, throwing into relief the scarlet sown, and the suggestion of rail at the bottom, are. traces of Bacon's influence, but the spidery creasea and fmickiness of touch are as much Sutherland own as the conception. There seems no good reason now, except prejudice, why the artist should not allow his portraiture to command Gallery, III at the Academy exhibitions. The valuable collection of French' paintings at the Lefevre challenges every visitor to extend the range of his sensibility. Nothing might seem more disparate, for instance, than Picasso's portrait of Dora Nfaar and Fantin-Latour's of Mr.

Authority, only, is common to both. In his dual-profile head, thrown off in '37, Picasso suggests by this device the mutability of human nature, creating an image as vivacious as life. Fantin's, by contrast, is quite rigid. The sitter, an American patron with tbe refined features of a Cecil, is painted with deliberated austerity, the hands placed as precisely in' relation to the head as in an Ingres portrait. This absolute repose focuses attention on the countenance where, in some mysterious way, you become conscious of a train of thought, a hint of motion, the only suggestion of activity in the calculated stillness.

Other unexpected things include an The Ring JESPITE some queasy noises from the woodwind and horns, and one representation of the Curse motive of such eccentric tonality that even that most insouciant of Siegfrieds, Wolfgang Windgassen, faltered for a moment, Friday's Gdrterdam-merung seemed to me just about the best performance of the cycle on the musical side. The orchestral texture was at once rich and translucent, the rhythms majestic (for the most part) and lively. Windgassen. (Gunthcr) and Boehme (Ha gen) repeated their sterling work of last year, and the charming Elisabeth Lindeimeier, the Freia of Das Rheingold. though only flirting with her higher Dotes; admirably suggested the slightly corrupt gentleness of the Gibichungs (the golden apples gone soft J.

Birgit Nilsson, after a Brunnhilde in Siegfrird that was only Beta plus, sudden ly struck oil in her scene with Waltraute. and from then till the end poured out a stream of glorious high As and flats thrilling in their power and brilliance. As an interpreter of Brunnhilde the woman and the lover she remains to my mind dull and unsympathetic; but as Gun-trier's "wilde Felsenfrau" she is formidable. Musically, then. this Cotter dammerung.

like tbe Siegfried on Tuesday, was on the whole a highly satisfactory affair. It is over the staging of The Ring that we must yet again gnash our teeth in shame a nil disappo i ntmen t. The lighting, which had been inclined to take a rest after some triumphs of mistiming in Rheingold. chose on Friday to go really ingeniously astray. When it is not behaving with the capaciousness of a will-o'-the-wisp it has a remarkably static quality, with an encircling ftloom in which a character who steps to one side is completely swallowed up the tarn helm touch.

But lighting, however unimaginative or badly botched, is only a symptom ot a general incoherence. Most of the production inhabits a CAMEO-Raral C. X. Rd. Whl 6QIS.

THE FLESH 15 -WEAK (X). Prom 4-30. CARLTON (Whl 3711) )arne Mansfield in OH I FOR A MAN 1 ClncmaScope. To-day Proa, ai 4.30 A 7.25. Weekday from 12.30.

CASINO. Ger 6H77. OoeraJna Holiday Ul Tt-daiy 4.45, 7.30, Onbd-ua 4 20. 7.5. CCNEPHONE.

May 4721. Brieitte Bardol Neiu'i Weekend AI, de Sica. Gloria Swanaon. Scope A Colour aJao Seuaallla tXl CONTINENTALE, W.l. Miu 41W.

CARMEN JONES IAJ SUNSET IN NAPLES (Ai. CURZON. Gro 3737. Grand Prix. Belay Blair GRAND RUE (AI.

Proxs. 4.30. 6.30. 8.30. "'A film of rare rjuaiiiv." E.

New. EMPIRE. CGer 1234.1 Progs, to-daj. 4.20. 7.20.

TEA AND SYMPATHY IXl i-tarnnc Deborah Kerr, John Kerr. EVERYMAN. Ham pat cad ,525. To-day: 11 Bldona (AI. Season of film by Michael Cacoyanmi Windfall Id Atajeai (LT.

FORUM. Futham Road. KEN. 5234. SUN.

ONLY. E. Blatn, WILD FRUIT IAI. A. TROIS FEMMES GAUMONT.

Hmltt. Wbi. 6ft5S. LUCKY JIM (Ul ai 5.4Q. B.J5.

Doura open 4.0. LEIC. SO. TH. A KING IN NEW YORK tJK ahovnnB at 5.23.

8.30. Door. 4. ODEON. Mble.

Arch. Pad. 8011. SEVEN THUNDERS I A). 5' 40.

8 45 Doora 4. PLAZA. Tbe Bridxa oa the River Kwai IUI. To-day .0 A 7.40 Weekday 2.30 A T.30). Come Early or book, seals in advance.

R1AI.TO. tva Mane Saint. Don MuiTay and Lloyd A Hatfui of Rain Cinema Scnnc Proa Tu-d 4. 30 A 7 Q. RITZ.

Oct 1234. Proa-. io-day at 4.55 A 7.15. Stewart Granacr. bond a FleminB A CbiM Wihs in GUN GltRV 'Ul.

STUDIO ONE THE KING AND 1 Scope. Laatmancoior. with Deoorab Kerr and Yul Brvnner A( 3.10. Dinr 4 0. WARNER.

4 10 A 7.25. Wkdv fmrn 100. Woman in a Dressing Gown (A) A ru'. i na SM A U. HOTEL i 1 WOMAN IN A DRESSING GOWN 1 a Bntnh film which hai proved to an ic the Feifvil Crrr Beit Yvonne Mrtehell, tr -ox tK Silver Baar Award lor Best Actrtw.

and ihe fll rrv Kid an honoutibla mnt.oo or mer it from ha C-lKolic Fill Bur in London Snr-n Tvonut itctirf I Syv ana ArtThon, Quive. Wom in In 0'ei I Go-m" leer- Al it now ihrwita at the Souars "Th.i .1 jt p.tiure no di tc -i filmje-er abou'd tniaj LEJEUNE Holcfenv-E'to'-be. quite frank, is in. the; waV the mam development and Jack as Warden can't quite wrench iife but of ah Army type Alec Guinness hits off Nicholson' brilliantly, as a CormnandihS Officer of supreme fearlessness iWWjtif "atio- emotional It isfhice'to see Sessue; Hayakawa and know one was right in recognising7, him as a natural actor a quarter of I should to. give JamesiDonald a special word MrDohald.

has been, kept havering between' comedy and drama in a-1ot of British stage, he has' been apt to-seemjprankish. and has passed his ulenf offgthia'cexUin'pride'df obstinacy, asvlesser than' it the camp doctor in The; Bridge on the River Kwai" hejisynore of an observer than a -'and be hits off a character self--consciousness that is absolutely true. PERHAPS we have seen1 lit-Yvonne Mitchell's study of Hie Woman in a Pi aslng; Gwn; CWarner) tlys finest performance on the screen ever given by an English actress, "-looking back over a long experience I am inclined to think so. Miss Mitchell plays a London wife who learns, after twenty years of marriage, that her husband plans to leave her for the girl in the office. There is really not much more to the film than, the wife's reactions, but the acting makes them so poignant, so convincing, so utterly, true to iife down to the smallest detail, that it is difficult to take one's eyes off- this enchantingty sincere performance.

The wonder is that such a mood of understanding, could have been sustained through the necessarily broken progress of a film production. Anthony Quayle plays the husband with a slight air of Stratford-upon-Avon condescending to Stratford-atte-Bow. Sylvia Sims play the girl in the office with the air of a West End wench lost in the East End. Andrew Ray does remarkably well as a gentle-tempered youth perplexed and embarrassed by his parents' problems. The film version of Tea and Sympathy (Empire) has been given an certificate by the British Board of Film Censors; heaven knows since Hollywood has already purified the thing to drivel.

I was -never a great admirer myself of Robert Anderson's play, about suspected Jazz Turntable By KINGSLEY AMIS Unforgettable Fats. (HMV 7EG 8255) has four very well-chosen Wallers from the mid-thirties, including the celebrated My Very Gopd Friend the Milkman." Melodic Fats, not noisy Fats, well aided, as always, by Herman Autrey (trumpet). Albert Ammons and His Rhythm Kings (Brunswick OE 9325), Small Negro group in Chicago, 1936. Three tracks are pounding tearaways, the fourth) carry Morning Blues," charming and delicate. A 's piano is.

beau- tifullw Neis) r. dm peter, Guy Kelly. 12-inch LPs of new music also deserve recommendation. The- one of mnd semualll knnact is DK1EEAND Jazz, by Bob Scobey and his hand, on Columbia 33CX 10069. is very much a one-man' show, but the man in question Scobey himself is in the picture meat of HAROLD HOLT LTD.

YEHUDly. MEliXjHniT TODAY. 3.0 ojb. OCT, ROYAL FESTIVAL HALL. W1L REPEAT THE PROGRAMME HE 11 A cu UK ruw n.m.

uueen ELIZABETH THE QUEEN MOTHER IN AUL LAJnaUKAL, SONATA No. 3 in MAJOR BACH PARTITA No. In MAJOR BAlH PARTITA No. 2 in MINOR BACH IS-. 126.

10-. AU olHera join. WAT 3191. Wilfrid Van Wye Ltd. announce ALAIN BERN HELM Piarin.nFte Recital.

TUES. NEXT. a. 7.30. WICMORE HALL.

9-. 6-. it-, at Hall. Wei 2141 Asenia. WUItkl Van Wycx Ltd.

announce LAIN KENDELL Pianoforte Recital. FRI. NEXT, at T.3D WIGMORE HALL. S-. 61-.

il: at Hall. Wei 2141 II Astala. THE ROYAL PHIEHARMONIC SOCIETY ROY At. FESnVAL UI. WEDNESDAY aTS.

VAUOHAN WILLI AMS -rWutiaiUul in banour of 85ta HirtbdeT. Pattoral Snnohoar tSojirano Elizabeth Simon) On Wenlock Edae (WILLIAM HERBERT) Job -A Masque of Danclns. LONDON PHILHARMONIC ORCHESTRA SLR ADRIAN BOULT Tickeu: 15-. 126. 10-.

76. 5-. Al Hall (WAT. 3191): Chanpell (Mai 76001. ROVAL FESTIVAL HALL.

WATerloo 31 01. WEDNESDAY. 3.45 m. 9 OCT. HAROLD DARKE Organ Recital.

BACH Prelude and Fujtuc In minor (Tbs Wedse) Three Chorale Preludea Trio la minor and warica hv Huxtehude and Cesar Franck. Tickeu: 4j. (includins rKagrainmeL rNSTITUT PRANCA15. Queeruberr Place. S.W.-i.

fTd KEN Mil). Friday, Oct. ai 6 p.m. Ebe Croat, piano; John Diviea, clarinet; Roaemary Rapaport. violin Worlu hv Milhand.

Loeillet, Weber. Katchjiorian. EXHIBITIONS Indicates oprn or Sunday lMXT-infJRaV-ia50 and 1950: Brftbrh. Worka shown la Holland Park. KxotinsiotK Ada.

tt. 66. LAST DAY TO-DAY. 10-dtalt THE CRAFrS CEIVTRE of Great Britain Exhibition of Wood Engraving, and Colour Prima by the Society o( Wood Encra-rera. at 16.17 Kay Hill.

Berkeley Square, W.l.. until 2nd November. Monday to, Friday I4M Saicrday 10-n U). AdmlaatAo 'free. THE BUILDING CENTRE.

Perrnanem hut chans ina tnhibttion for all Imcrcated in busldinn and their equipment. Adinn. free 9J0 to (Sat. 1 pjmJ Store W.C.I. AUTOMATION IN THE HOME.

Labour aavtrti appliancea. rnodel kitchen, deroon-atrationa. Until 26 October. HEAL'S. 146, Taiienham Coun Road, 1.

By mm homosexuality in as American boys school, but it did have someonteresf-ing arguments to 'explore, film cravenly ducks all the graver issues by turning a drama which might have sprung the Wolfcn-. den Report sentimental "offshoot of "Young Woodley." "Tea and'Sympathy," in its screen form, shows how a seventeen-year-old boy. at -a New England -school is accused of -effeminacy by the regular guys' because he likes to read books to good music, wants to.be smRer andihas aigreen thumb with flowers, refuses to have a crew-cut and knows; how to sew a button 'on a shirt. '-They caU him They badger and torment him. They drive him into a catastrophic witha -town tart.

Only the Understanding of the housemaster's wife saves" him from suicide. At; the cost of her own marriage she is 'prepared to attest his virility. In' the mparts they played on the New York; stage, Deborah Kerr and John Kcrr(no relation), re-create well, woyen- pajrmeMip. Leif Ericluon plays -the. house-master with all the the moral note of Hollywood is nauseous in the extreme, and, the picture of school life in America is horrifying.

pNGtAKD. tries an. Australian Western Robbery. Under Anna (Odeon, Leicester Square). Pursuing the proven formulas of Hollywood in an outbackvsettimj, the film describes the experiences'; of a couple of brothers (Ronald Lewis and David are caught up, half against then' will, in -the activities of tbe notorious bushranger, Captain Starlight, back in the days of stage coaches and saloons.

Starlight, as played by Peter Finch, cuts a gallant and mysterious figure, and: perhaps the film's ehiefifault is that there isn't nearly, enough of him. The British film industry shows initiative in Robbery-; UhderV-Arms," in opening out a new field of drama, but still has to learn Hollywood's lesson that the hero, be he good man or bad man, must be kept in the gunsights first, last, and all the time. "READERS who are within reach of Hampstead may like to know that the 'Everyman' is giving a' three-week season of Greek films directed by Michael Cacoyantns. shown in their proper order. "Windfall in Athens" will he followed- by-" Stella and A Girl in Black," and it is fascinating to.

note how the talent of a considerable artist simplifies as it grows. MODERN the time, playing bis trumpet with a nervous passion that the Chicago school rather than DEfcie-land. As a filler-in daring vocals he has few competitors. Cat Meets Chkx- (Philips -BBL 7105) is the most "ahuaBla -record for a long time. It features Jimmy Rmfling, a fine singer of blues and jazz songs who catiie to" prominence with Count Basic in i-the 'thirties: Buck Oayton." i'Bisie-trumpet' star of the' same era smooth but very poignant; sod Ada Moore, whose vocal style has' some '(perfectly acceptable cabarerJ -echoes.

Good instrumental; backing. McJazz (Nixa NJL 9) gives us Sa'ndV Brown and At Fairweather again, fin spanking -form; Soaring, uyenfive? 'clarinet; powerful trumpet. Nice springy. rhythm section for a British group. -Style has infusions from West African "High-life" music, sleeve says; not such a bad idea as it Ted Heath Personnel (Decca LK 4204).

will please fans of this top British orchestra and all who like their big-band music suavely tailored and expertly performed. Some tinges of modernism, but not enough to hurt anyone. LANDSCAPE TM VHOOXKS UFB, m.nS- lint tihlbillon -from IS councriea at the Royal FeatiTal Bau utull-October .15. DaOr from 5-30 p.m. to 10.00 p.m.

Saturday A aunoar nom oja. vo. iomv p.ea. Adrofjalon free. rNTESNATIOVAL CAJtPETS RtOt ttojn i'-ja jiauoiv.

xopr.ot mona-v oneac.manBr v'TteATOiaw'-FbanirTioNp by the SUNDAY TIMES. Park Lane Hooae, W.l. Oocsa TaeadaT r.ext (nea tfaity (a-cent Sana.) nnUl Oct. 26. HJO ajn.4J0 cun.

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at Gli- Sebooif 36 neat free, 919 J. Baker suntU-Liooaon. w.l. tiuwier wji vtfea.wr tnpkio' lot ocmrtwltfiadTCi -coiaiea of iraimn inr jaxwa-riarjn PriMssr Oxneairr tMWlak3ttnm Caamc. triJninc in jala.laallM 7vm JUaraAlaatl wuiat.

wtnf1" CotttKt for anJvcDjuly cradnatca- Day ad. nildctu atodenu. PtqibectoB from the tiicay. a mi tarn avoaa. Lanaon.

i HAMprttad 9B31. GETflERAL CERTIFICATE OF EDUCATION Tbe Rapid Rxtitto CqGoje Tt2 pcoTbSei U94jdate tiritlon tor B. Unlvcr- altr dm tea and txofeaalanal ezamhutlorti (Ac-eoiinimncr SecreUfythia, Lmm, Ctvll Sendee. Local Giverninnt. MPxlna Ac.) Over 50.000 nu Kjaa-ru feu tjuarajitxc.

ror Lnio arti RtJL i ir-j i inc DtpL 9X2F, Toltlon Hoiae, LcnssSco. S.W.I 9. or call 335. Hind BnlMhiKi. Sonare, W.C2.

Oneo areefcdara loci. Saiardar tiKrrsJria-B. Whitehall S8T7. v17Ddftrr9W WI. ChJsd.An of the An unibttlon of I m.

Rim. Tkrmrj-ra. will be ubwn. Tueaday, 8 October. 8.15 p.m.

Ada. 3. Membeni A S.E.A. Mgaaberi 16. XfjO A l7- rXi" W.l.

PaiDtlnn by lvA Species other thin Human, and their relulonshla to Hnman Alt. Speaker Dr. DeinoafI Monil. Thmxday, 10 October. S.IS D-nxAdraaxlon 3-.

Meaaben 1 6. LONDON ano MANCHEITIft 1 W.H'II.H1 IN an exceptionally good month it behoves the reviewer to reel off as many names as possible, even at the loss of some stylistic urbanity. I will take first the EP reissues, which are now fairly pouring out and which offer the novice or recent addict an ideal means of sampling some outstanding jaz performances of the past. Loots Plays the Blues (Parlo-phone GEP 8627) contains four celebrated Armstrong tracks from 1927. a great year in the Chicago region.

Apart from a few tricks of accompaniment, nothing has dated. Besides Louis, who plays here, with raucous, look, for piercing Johnny Dodds (clarinet) and Kid Ory, whose trombone sounds more like a trombone than almost any. If you have a "collection instead of Just some records, this one must be in it. The Duke Steps Out (HMV 7EG 8249) takes us to 1929-30 and the Ellington orchestra in New York. Cootie Williams and Johnny Hodges are the heroes, the best track Saratoga Swing." a delightful blues distilling a characteristic sprightly nostalgia.

An excellent Ellington to start on. Picasso's Portrait oj bora at tjie Lefivre Gallery. early Uiriilb which anticipates con-lemponMx French realism, and a big Dufrcsoe which calls to mind Dentin. Ax unpsuaVU the. discovery of an expressionist with an unjaundiced.

even tender eye; Without Rouault's tragedy or the bitter-sweet fantasy of Chagall, the. Milanese painter, Guido Pajetta, gives us dreamy girls and beach scenes in emotive- colours which sometimes communicate a tart nostalgia at Roland, Brqwse, and Delbanco'i. But essentially Pajetta is an optimist, and the harsh note of his Deposition strikes also an incongruous one. Upstairs, a summoning cotlection of Henry Moore's drawings and maquettcs includes his timeless bronze figure, the furrows of the dress echoed in me steps on which it broods. Finding sustenance in Gorol and Degas, without subserviency to either.

Mr. Deret Hill is. the kind of pointer whose unfashionable talent is liable to be underrated. His firm construction; and eye for the finest gradations of light, are well seen in crisp little landscapes of Italy and Ireland which 1 prefer to his more emphatic designs at the Leicester Galleries. But there is an interesting departure in a schematic painting of Settignano.

which does not exclude a delicate observation of light breaking through mist. In the adjoining room, Mary Potter imbues her pale world of marsh and stream and window prospect with a gentle lyricism in tune with the Chinese poetry of suggestion. By ADAM BELL no-man's-land between Wi eland Wagner and the old ponderous realism. Even Cavern Garden felt reverberations of the tremendous changes at Bayreuth. but the shock has been sufficient only to crack the crust of the old order, not to LmDOse a new one.

If Wagner's fttage directions are ignored it is not because the new technique of suggestion is subtly at work but simply! one cannot help feeling, because someone has not bothered to find out what they are. Examples could be given in profusion. The most perfect symbol of the production's irresolution is the Wanderer's hat, which hangs in scoutmaster fashion down the back until the moment comes for Siegfried's question; then the wretched fellow must slip behind a rock in order to put it on. Some changes have been made since last year. The new subaqueous light in Act 3, Scene of Gdtter dammerung would be a triumph were it not that the scene is laid on the banks of the Rhine, not at the bottom of it.

Gunther's third-act costume now makes him look rather less like Allan Quatermain on safari Ibut it is time Hagcn shed bis scholar's gown, which gives his appraisal of the tarnhelm "Nibeiungen kUnstliches Werk the air of Sir Mortimer Wheeler dating' a pre-, historic pot). But though moat of the memorable visual effects are of individuals Hotter's sublime despair after Fricka has exacted the oath, Boehme's white, square face starting up from sleep there is some expressive grouping here and there, and even ihe lighting has moments of eloquence. Without making the whole thing over again, a strong hand and a bit of common cense could do a lot to pull it together and give it some shape. It would be idle to expect the equivalent of a Kempe on the production side. But until something serious is done about the production, Covent Garden, for all lis musical prowess, will be fobbing us off with only half a Ring." ART GALLERIES Indicate! oprn -on Sunday) 76 Pr Hnt BEAUX ARTS GALLERY, nru ton Place.

W.l. Paiminrja by JOHN ERATBY. 10-1. COOLING GALLERIES, 42 New Bond St. Palmfnas of Turkey, Iran and Spain by Perry Jobiuos.

SepL 301h-Ocl. 12Jb. CRANE KALMAN GALLERY, 17B. Broaip- ian Road. Paintlnpu by VuillaitL Samlne.

Vlaminck. Duty. Mar an el. Klsllns. Jean Marchand.

etc. 10-7. Saw. 10-5. FINE ART SOCIETY Ltd.

Paimtnss A Waier- Cjioura by Leading ArtsSU Early Enslllh Water-Coloura. l5k New Bond W.l. FOVLES GALLERY CIulHdi CTO-roal. EMBROIDERY by Studenta of Bramlcy CoIJcbc of Art. 4-n daily (inc.

Ssia.) until fth October. Admission free. GALLERY ONE. W.l. fGBRrard 3529) THE CONTEMPORARY NUDE ll-n daily.

IMPEL Flla, 30. South MoIior W.l. Recent Paintlnpa by Jobr. Levee. 18lh SepL- I Zih Uci.

HANOVER GALLERY. 32a. Si Georae Succt. W.l Painiinaa and souaebca by VI El A DA 5 1 A and by AHMED Y4COUB1. Wcekdaya Sata.

0-1. liTtuL November lu. LC.A.. 17. Dover W.l.

WILLIAM TURNBPLL. New Scutplurea and Paintingi. Weekday. lO-ti. Saturdaya 10-1.

Cloaed AJmiuion X1-. Member i free. LC.A.. 17. Dover W.l Pa in linn by Chimpancea.

In live Llbrart, until 12 October. Weekdava 10-. Saturday 10-1 Cloaed ARTHUR JEFFRESS IPICTURESl Dav.es Street. I. Paint i run.

SculDturc aod Eccb-tnus hv If.V. WcrkdJvn Sau. 10-1. LEFEVRF GAIA.KRY. 30.

Brutun Street. XIX arvd XX CF.NTL1RV FRENCH Daily 0 Sat 10-1 LE ICESTf A l.LER I ES. Lckeaief Sci Tnrcc Eihibuuiru-MARY PITT FR De.RtK HILL. HAMMOND STEEL li- Mt Sau IQ-I Marlborough. ii-h.

old Bond Street. I. Sciilrnurc arvd drawing by HENRI I. A I bNX ftroi Intpttrlant rxhlbtfton in l.ttnttntt. Weed)iv-i 10-? JO Sau.

10-12 Z'-iti Sepiemhcr-J ih October 1 NFW VISION Cf.NTRE GALLERY. 4. Sey-rmur Plac. Marble Arvh. WI (ter.

1-12: Paint inea by BEA I rMONT-HTLL. GaJlery ume II -6 daily, ineludrnji Sau OHANA GALLERY. 1 Carloi Place. Grrav-vcmr ki .1 DrainK. paintinsa A coloured rik-himui r' Rf'IDA.

ED FERN A l.LER Y. 20. Slreft. 1 Flfbir d'auiour d' Jiui (t d'auirca lempii." RENOIR VLAMINCK Bl Ff ET. MTTHFW SMI FH.

HtTCHF.NS 1 TCH IMF ETC Houra 1 0-n Sat Hl ClrMca tK.1 loth HOUND, BROWSE DEL BANCO. I Cork Strcei HhS'RY MOf Drawinga and Ma queue PAJFTTA. PamlinB. CI.ALDE MONEI. Ao Aru Council Ehibi- Linn TTE GALLERY Till Nnember.

Mod Wrd Fn Sal J0-A Tuec A H)- Sun. Admisau-n TOOTH'S REtlNT IH1V ELOPM ENTS IN PAl-riNCp Puriurei Aptiel icnkiat. Riopel.c etc. Daily Sal 9.3CM. 11 Brtiicm 5tiei.

Oncnins Oct. I. TR FFORD GALLERY. 11 'J Mount Street. 1 TFJ "TF A I W1.KER'S GALLERIES.

ILK Cw Strert I Tttc Fifth nrual Libibiunn of The FRLF POINTERS I.ROiP Oaity in-5 Sjij Mt-r I rtn I 2li October WHITECH KPFJ iRT GAlI.ERV. Women a IniernauKPnat An Club Annual Extiibition. Weekday 'A-. Surtdav 2 -ft CkjMO Moiy. davs Admrr lire Idsninji Aldttaie East Sin.

ZWEMMER 2h Lilchrirld St. W.C 3 New Pnrw ktSNETH OWN TREE, Oct. U. the vociferous approval of the masses." (Anyone not a playwright belongs, jn Mr, Whiting's mind, to the masses who belied, by the way, their imputed stupidity by turning up in force to hear his lecture, and by asking at the end a number of surprisingly literate questions.) On the whole, i find Mr. Whitinj's theatrical dream-world extremely seductive.

He says it exists, and wishes it didn't. I know doesn't, but rather wish it did. There would be few complaints from me if the West End were full of realistic contemporary plays enthusiastically acclaimed by mass audiences. At one point in his lecture, to illustrate the dcadness of naturalism. Mr.

Whiting read out an invented snatch of dialogue such as one might hear in a bus-queue. How repetitive he implied how drab and dull It was in fact infectiously and riveting alive. One longed to hear more. I realised then, with a sense of wild frustration, that Mr. Whiting was a born playwright determined at all costs not to be a playwright at all.

TF I seem a thought cursory i my treatment of Dinner With the Family Pla yhouse, Oxford), i is because 1 know perfectly well I shall be seeing it again in London before many weeks have passed. Anouilh wrote il in 1937; Edward O. Marsh has translated il wh gripping wit; and Frank Ha user's production is among the best I have ever seen in a repertory theatre. Technically the play is one of the most audacious cheats ever practised on an audience: the art of withholding information has seldom been carried to more tantalising extremes. In the first act a nervous lover bires a house, a butler and two simulated parents in order to give a dinner-party for his new, ingenuous mistress.

In the second act, with a pole-axing shock. we learn the reason for the deception. The hero, so far from being a poetic innocent, is the gigolo-husband of a rich wife, and is blatantly tromping his oldest friend into the bargain. What follows is sheer Pirandello. The real world impinges on Ihe temporary fantasy which self will the hero choose, the pure or the corrupt I will discuss the verisimilitude of Anouilh' answer later, when the play has begun what I hope will be a long run in London.

Meanwtiile, let me applaud the performances of Jill Bennett. Uclena Kidd, Lally Bowers. Ian Hendry, Alan MacNaughtan and John Justin, all of whom seemed to me irreplaceable. First Nights Tuesday: Joyce Grtnfeti at Home (Lyric. Hammersmith).

TV PROGRAMMES String Music; 10. Ln, Ecafaav for Ecstasy Sakt. 10.45-1035, A Country Sequence." TELEVISION 230. Gardenia Club; 3.. Concerto: 3-45.

Newi Review; 4.15. Brain Truac; 3M.1S, Children. 4.42. Harvest Tbankasiviiag Service: 730, Rata in the Bcifry; t.ft, What the Doctor Ordered 930. The Borneo Surry: 10.0, Friedrieh Girida piano 1034.

Nen: lft.45. Epilogue. I.T.V. (London J. ll.IS-I2.fl.

Service; 15, Arroand and MicfaaeLa Denu. 23ft Free Speech; 3A Liberocc; 33. Rvins 430, OUJdreo; 530, Slater's Bazaar; News; 7.0. About Rclijpon, 7.25. New: 73.

I Love Lucy t.0. At the London Palladium; 9.0, Highwav Patrol; 9.30. "The Piet 1030. New; 1035, Jack Jacfcaoo Show; 113, Box Office; 1130. Epilogue l.T.V.

(Mid Until and Manchester II. 15U.ft. Service: 2.0, Two o'Oock Trip; 3.45. The Agitator 435. Bid for Fame; 5.10.

Robin Hood: 5.45. Wbat'a Store 4.5-4.15. Newi: 7.0, AhoHji Religion: 7.25, Nem 730. Film; PuHacuum: 9.0. OSS 930 on-warda a London.

I.T.V. (Scotiaadi. 2.15. Armand and Mtchada Denis; 2.30, Free Speech; 3J. Roaemary Ckxwiey Show: 330.

The Shop at Sly Corner 430. Children; 53ft. Celebrity Spot; 63-. 15. National Kew; T.O.II.5 mn London: 1 1.5-113.

The MoMbach Collection." LYRIC. Ger J686. M. 7.43. 5.

5.10, 30. Tu 2 30. GRAB ME A GONDOLA. Matt exhtlaratim Musical In Town." Star. LYRIC.

H'smith. Riv Mil. Com. Tuca. oct ai 7.J0.

Evaa. 3. Ttaura. A Sat. 3 c.ra.

JOYCE GRENFELL. Foiar-week eaann. NEW. Tera. JR7g Em R.

Tuc. 2.30. Sal. 3.15. R.30.

Swmsier ot tnc Scvenlecata DoIL OLD VIC. Wat Inlft i Sau. 2.30. Haaalct. (ki it, 7 Hear) pw I.

2. PALACE. Ger bM. 7 .10. 15 2.

10. Laurence Olivier. Gcorir Rctph Brcnda de fianzie. Joan Plowrlsbt The r-atertalner. PALLADIUM.

Ger 7373. I A a 45 MAX BVORAVES. WS Ha'loe a Ball." Joan Rcsan. Mata. Sm.

2.40 durina Oct PHOENTX. Tem S61 1 7 30. W. 2 JO. A S.

Lealey Siorm'a new Comedy ROAR LIKE A DOVE. -A rcxaundmx itli-rstdeni hit." ICen Tynan. The Otwcrver. PICCADILLY. Ger 4306 7.

JO. S. 5 30 A It tO. Th. 2.30.

Scofleld. Jcnkina. A Dead Secret. A Live TbeatricaJ Mum E. Standard.

PRINCE OP WALES Whi 8sSn 6. IS. R.50. New Fabuloui Follies. Plcaaure at Dickie Hendenon.

Sabrma. 3 Monarch. PRINCES. Tem 6396 Com. Oct 17.

M-h Sat. 6 A 8.30. W. 2-30. Anton WALBROOK Moira SHEARER- Man of DlarJactkra.

ROYAL COURT. Slo 175. 7 JO S. 5. 15.

VV. 2.10. Robert Hclpmann in Nrkrawov. Com. Oct 28.

Look Vaca im Anaer ST. MARTIN'S. Eva. S. Sal 5.30 A S.30 Tu 2 30.

donald sinden, eileen Mayers, derek farr odd man in. SAVOY. (Tcm 888B5 Mon Frt. 10 Wed 1.30. Sat.

5 A 1-1 3 FREE AS AIR. A MUSICAL try SLADE A REYNOLDS. STRAND. fTem 1660. 7 30 S.

3.15. 8 30 Th 2.30. Peary Mnum In SAILOR BEWARE. TOWER. 7.W Oct.

IB, li (Mems.20). 24. 25. 26 John Wcrwter-B THE WHITE Tan MM 4 tclorc 61. Cackoaburv, I AL'DEVILLH rTcm 471).

Jl Thun 2 30. Si A S. SALAD DAYS. 1 A MUSICAL fv 5LADE A REYNOLDS VICTORIA PALACE. Vk 1317 6.15 A TutIlcu aiatlab.c for THE CRAZY GANG lauxnier revue The FoolWa K.tat.

WESTMINSTER. VK fl2l Evti 8 St A 8 10 Th 2.4: t)irJ TomJinaon, Anna Mjo in DEAR DELINOUETNT. WHITEHALL. Fn Ml Th 0 Sal I il DRV ROT. RhKdu Year' WINDMILL.

Pitx On. REVVDEVILLE. 26ih no cd Kih rk i Ccni dh I I -IO 'l Lmm K-Tf ni an Tmrn "A Sr FR (TOM-J) DHAM'S. Trm ft si wrd in thf bov friend. GANG SHOW Sn 2-tJe nFRS grfev i ppt idb vi Mk.

ii'jr rni.il NikirsEai Now rv 2 uc i la Palace Rad 1 Hi WV) SHAKESPEARE MEMORIU SiraWnnJ nrv vrN-i I Ut 9 Wer SKV rfv rr Sfisrr ifiii rnrwt rerf exc i 'tid' ti Aacni Rn OfTkt- i a ai Ki Mi'mrfi Wi edj. Thun arxt Satu 1 i CINEMAS (niord Si iGER 81 THF H1TCMFS OF AI.F.M ii Proa rtf- i' sTORI. Ch Trrr MJthar' T.xW Jtn-Mad ttn Wnrid la la Ia. 1 1 i i io 4fl cckdiavT 1 10 I i' 11 All IviokaMe in arisanLC RtRkFlfV W. 1 Vut SIM Carrren Se'Hu ATaoilb Walr ri.

riiaossf l.r"n JaMF.tVfnl. lai i baric f'baphn Diti Addam A fc-JNG IN NEW i ORk (Li a TO-DAY'S RADIO AND HOME (33-0 News-; S.l, Morning Melod, News. .10. Home for tbe rv. Service; lJ.

Music Marine; 11.20. Jtan SiheUui (Records); 1X.10, Th Critic. Newi: 1. 1. The Naturalist: I.

30. Opera by Radio. 1.0 Gardener Question Time. 2 JO. Concert; 3.20, From Faiher to Son.

J.J6, Concen 2: 4.W. Can 1 Hern You 1, 4J. Talking About Music; 3.0, Children: 3-50. Morse Mitten, t.t. Ni.

4.15. Newwrel; Grand Hotel: 730. Letter from America; 7.45, The Wv tif Life; 8.25. Good Cause; The rtavenngi 9Jm, 9.15 Shackleion; .0.0. Mime Making; 10J.

Epilogue; II. LIGHT (1.500 247 m. Silver Chorda. Ltghi Music; 10.30. Top of ihe Form.

Men boui Music, 1130. Service. 11.6, Family Favourites; 1.15. Billy Cou on. 1.45, Educaiinu Archie; l.lSRav'i A Li ugh 3.45, Movie-Oo-Rouod; MeLodt Hour; 4.30, Amjbrotc in London 5.6.

Down Your 4.0. Sins 1c 4.30. The Starlings. 7.4. Serenade, 730, Ncwv 735, Truns-at Ian lie Spotlight 7.45.

ConrtdcnUaUv- -They're Ofl'-', t.15. 9.15, Doe the Team -Think .45. Piano; 10.0. Hvninj 1030. New; It.

40. Rendervoua; tl.0. Pick of the Poo, ll.55-12.ft, New. THIRD o4 194 5.Q. rVooOBOo 73, Opera Phedre 40.

RirSij and Sccuniy. 9.10. Italian I. CONCERTS ENTERTAINMENTS GUIDE OPERA, BALLET, COVEVT GARDEN OPERA. THE RING." Second cycle: Oct.

7. ft, ID 12 Monday at Cl Dm Rhdnaold with rrdcnr.c icr too Milinkoic. von Iknray Wnte Hotter. Kraupf. Kleir.

Bfe.me. Dalbe'i Conduanr Kcmrxr additional pcrf Oct 14 A 17. Gorterdamaaeran. Oct. I1.

Dk WaQimr. COVENT GARDEN OPERA. Sea ton openi rtci 28. Ahfai (in Italian, new Rep. Taw Talei HftBnwaat, Caraea.

Elektra (in German. Revival No 16 Marrlace aT F1aro (Revival, Nov 23 A Masked Ball (RcmviI. Dec- 71- Prxrirr-nc at-ailahle OH5ce now open Cn )W IDLER'S WtXLS. Ter 16TI. Evj.

7 Tue CdsvI Faa TatOe. Thur. Moo A Stzpcaec. Fn Tba CombI. Sat.

Marina Act 2, Saaaaa A Detitak Act 2. La Boneou Act 4. CRl ROSA OPERA. Week Conamencina Ociober 7. Hippodrome.

BrtBtol. THEATRES, A DELPHI, TOO 7611. 4-M. Ronald Shiner. Dora Bryan aa Tfct Lwblrd.

Emikr Uttleri Laoanief A Nottnae abow. THf grrair Show on Earth. D. prti. ALDWYCH.

Tent 6404. M-F 7.30. 2-30. til 85 Declson. S.

Stewart. Comedy th mlr MIET (SB BY MOONLIGHT AMBASSADORS. 7.J0 Tti. Sat (h Vear. Aaatria Chrwtie MO USETR A T.

ssvii IjO Ger 263 vv 5 I B.I5 jti FOR AMUSEMENT ONLY- dti Tcm 1 Tua Sun Eai0- Mat. "i Sr ILL KINDS OF MEN. Mem. CAMBRIDGE Tcm 601ft 5 a.J5 Th crs ver WEDDfNG. Tranafemna to I vf Garden Th Oci.

HcM 8RH1 COLLSEUM. Tens 3161 Tk. i0 Fri A i li 4i Da.ro a Yaakea. EJnahcih Jxal tvn R-M 2 CI! SHARE MY LETTLCE. CRITERION.

Whi FV in iharn 'f TTini 1 -rcJ caf THE WIT7 OF THE TORE A DORS. "rr 'Han an Mhtt nla -k Nw. PRL RS LF. Tcni Bl'iR 'ILVL Chlmr Oaaieal TfceatT. r.im Daafcra ITwailT of Dt CHF.VS.

0 Th Ss.a-Lr.t- Tb M4 fcaehcl. Mn.anirl cnmed RnnaUl M-llai Dl kF 0" ORK S. Trni in i ira Roron r3rc i IMF HOVSt THF lAkE. ivkithJtnk i i l- Sal Jtd Hi nf Hat. Virr-dinntr arrg.

a If 1 em S-Ml rU Niti i -'C I HI CiRHrV Hji Or Jt I IBBS TILLETT LTD 124. WIGMOKE STREET. W.I. TfctaL OIBce: WELhtlk Ult. Reciial by lac Oensuo Pianist DETLEE KRAUS WIGMOE BAIaV TTTAV.

J. TJckatti VrTH Hall H0. VICTORIA Jt ALBERT MUSEUM. S.W.7. TONIGHT at 7J0 p.m.

THE AMADEUS QUARTET Hayda BanoL, ScfajbcxL 10-. 6y. 36. at Muaeum from 6.13. ROYAL FESTIVAL HALL TO-MORROW, at p.m..

ST. PAUL'S CATHEDRAL CHOIR Orsaalil Sc Dlrccurr JOHN DYKES BOWER Sub-Oisnlu HARRY OABB Anlitan. DEREK HOLMAN KALMAB CHAMBER ORCHESTRA Feativa. Olori. ui ocrC.) Edmucd Rubbra Verse AnUicm wua Orsan SuHna PurcelJ Orsan Concene No.

3 la John Startler Sonaa lor Bow' 'Volcca Sanaa for Mec'a Voices Matcu, Aniaeoa and Madrlsala. Tkkeu 11-. 15-. 116. 10-.

76. 11- ROYAL FESTIVAL HALL. TUESDAY NET, at p.m. CITY OF BIRMINGHAM SYMPHONY ORCHESTRA ANDRZEJ PANUFNIK Conccno No. 13-, In AVJSON Concerto Guxmo in (alf runlet).

VIVALDI Piano Conccno No. 20 CK466I MOZART Symtthtray No. 7 EDMUND RUBBRA (Fun London Per for mince. HANS HENKEMANS Tkaeu 116. I0-.

Ht, il-. W1CMORE HALL. WED. NEXT. 7.30.

FRANCIS LORING with GERALD MOORE. Ptanolone. Die Scnone MuUerln Scbubert Tfcca 126. 10. 6.

76. 4-. JACK FREEDMAN PIANOFORTE RECITAL. WIGMOKE HALL THURS. NEXT.

7.30. Tickeli 6., 3 1-. LONDON PIANO SERIES. WICMORE HALL. SAT.

NEXT, at J.JO. GRETE SCHERZER Ticku bi- and ROYAL FESTIVAL HALL BBC SYMPHONY ORCHESTRA WEDNESDAY 8.0: p.m. 16 OCT, Overture. PorraxnouUi Point WUliaca Walton Piano Concerto No. I is flat Symphony No.

1 (a Manlef MYRA HESS RUDOLF SCHWARZ ROYAL FESTIVAL HALL SATURDAY 8 p.m. II OCT. A. OORLIN5KY tweaeau MISCHA ELMAN Concerto in minor VivalaNacscz riotiti Conceno Brahnu onccrto minor -Khacbalurian LONDON PHILHARMONIC ORCHESTRA MK AUK1AJN BUULT I Tickew T-ft. 10'-.

12r6. 15-. 31 MIS SIOP RIM 1 trom Hall WAT 3 191) A muai.