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The Courier-News from Bridgewater, New Jersey • Page 121

Publication:
The Courier-Newsi
Location:
Bridgewater, New Jersey
Issue Date:
Page:
121
Extracted Article Text (OCR)

Page A December 14 20, 1997 "OM ml cOV "Mad About You" attempts episode without commercials this Tuesday BY NANCY MCALISTER ad About You" is no stranger to inno- Ivation. The Tuesday night series I caused a stir two seasons ago with a finale that tested the strength of the Buchman marriage. It also tested the viability of a situation comedy venturing into drama. Critics and viewers gave a thumbs up. This week's edition of the NBC show is billed as yet another special episode.

Filmed like a one-act play, the 22 minutes are minus commercial interruptions. Breaking form, the program is an up-close look at a couple whose ups and downs have made "Mad About You" a top 20 show this season. As the tide song says, "Tell me why I love you like I a chance, as we jump into the final frontier." "The Conversation" begins at the doorway of the Buchman bedroom, which is also where their infant baby Mabel sleeps. Jamie (Helen Hunt) informs Paul (Paul Reiser) that, for the first time since her arrival, they will allow Mabel to cry herself to sleep. "So this is it," a reluctant Paul responds.

"She needs to learn how to comfort herself," says Mom, whose outward resolve masks her own misgivings. What follows are timed intervals suggested by a current popular philosophy about how long a baby should be allowed to wail before a parent offers comfort. As Mabel persists in crying tensions rise. "The only reason we're outside is that this sadistic man from Columbia University said we have to," Dad protests at one point. Later, he laments, "That's the worst sound I've ever heard." But "The Conversation" is about more than Mabel's tears.

As the minutes wear on, Jamie and Paul realize some of their differences in parenting styles. When Paul displays his willingness to spoil their daughter, his wife attributes it to how he was raised. "I wonder if my parents ever did this to me?" he asks. "I don't think they did," Jamie replies. "They went into your room if another child was crying." They also discover that where they raise Mabel in the suburbs or in the city is a point of contention.

"We disagree on everything," Jamie finally concludes. But more pressing is who will finally give in to the urge to rescue their firstborn. Preparing for Tuesday's show required more than the usual run through. Because it was filmed in one single take with only one camera, "The Conversation" plays out in real time. Everyone involved had to know the length of the piece so there was no running short or long, said executive producer Victor Levin.

"We had to make sure the script was extremely, accurately timed out," he said. "We had to know how long every line took. The worst thin in the world would have been if it was too long. The fact the show starts and continues without commercials also had writing considerations. Although it's one scene, it has a beginning, middle and end and the feel of a real story, said Levin, who wrote the episode.

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About The Courier-News Archive

Pages Available:
2,001,210
Years Available:
1884-2024