The Los Angeles Times from Los Angeles, California • Page 43

LATIMES.COM/CALENDAR D11 courtroomprocedural.It delvesintoissuesofrace, classandgenderalongwith theunderpinningsofslavery inBritain. Thefilmhaditsorigins whenSagaycameupona 1779paintingoftwoyoung andonewhite(LadyEliza- beth)whooccupyrelatively usualforthetime.Sagaybe- ganresearchingmoreabout tionbetweenherandLord Mansfieldandhowtheirre- lationshipmayhaveinflu- encedhislegaldecisions, whichsetthestageforthe endoftheBritishslave trade. riblycomfortablewiththe ideathatslaverywassome- thingthathappenedinthe menwithwhipsbeatingpeo- clean.Butthat’sjustnot true.AndIwantedtobring slaveryintotheheartofJane landedwithproducerDa- viouslydirectedtheaward- boughtapostcardofthe thewallofherroomforthe yearsittooktogetthefilm theactualpaintingafter shetookatripwithcostar GadontoSconePalacein Scotlandwhereitnow hangs.) Throughoutthefilm, whosecastalsoincludes howherverypresencechal- lengesthehierarchiesof Britisharistocraticlife. seesherasaladybasedon putdoesthathaveonher journeytoidentityandsuc- cess? ingaplacewhereshecan combineallthosethings: mierelastfallattheToronto InternationalFilmFestival, whichwasalsooneofthe earliestdestinationsforthe twofilmsalsoshareadis- tributorinFoxSearchlight Pictures.) Ifoneofthetalking thataudienceswouldfind itsdepictionofslavelifetoo circumventthatissuewhile stillgrapplingwiththemor- alandlegalramificationsof slaveryitself. standonitsowntwofeetand standaloneinitstelling itsowncontext.Ihopewe’re notjustseenasthelittlesis- hopewewillbeabletocon- tributetothediscussionof ourhistoryandwhereweare providedaplatformforthe breakthroughofLupita filecosmeticsendorsement contractandwasrecently mostbeautifulperson.

asimilarlaunchforMbatha- Rawremainstobeseen.For manyaudiencesthefilmwill bethefirsttimetheyhave sheisnoovernightsensa- tion. Afterstudyingatthe RoyalAcademyofDramatic EnglandasJulietoppositea GarfieldasRomeoandwent toBroadwaywithaproduc- starringJudeLawinthetitle role.Sheappearedinthe TomHanksandstarredin theshort-livedAmerican Shehasalsoalreadyshot rolesintheupcomingAndy andLanaWachowskifilm shedescribedashalf-hu- singerinGinaPrince-Bythe- Evenwithhernotable neverbeencastinthesortof corsetedperioddramasthat arestillastapleofBritish filmandtelevision. trainingandseeingsomany ofmypeersbeinginperiod ideathatitwouldbereally nicetoplayaJaneAusten- ThestoryofDidoEliza- bethBelleisportrayedas oneofaquietlyrevolution- ingsimplytobeherselfand recognizedassuchbysoci- ety.Themovie“Belle”isin somewaydrivenbythe womenofcolorinkeyroles consciousspinonthero- manticcostumedrama. whenyouareawomananda womanofcolorandyoulove thinkisimportantinterms mark.olsen@latimes.com DavidAppleby FoxSearchlight GUGUMBATHA-RAW Women ofcolor keyin (10:00, 8:15,10:30,11:00,11:20 CF BRICKMANSIONS CF 7:25, 9:45 THEOTHERWOMAN 7:50, 10:25 THEQUIETONES 10:15 BEARS A AH AU NTED HOUSE 2 10:20 TRANSCENDENCE HEA VEN IS FOR REAL (11:40, 2:10, 7:10, 9:55 RIO 2 A (11:00, 11:30, 1:30, 2:15, 4:15, 7:05, 9:40 CA PT AIN AMERIC THE WINTER SOLDIER NO AH (11:05, PICORIVERA I I I I A A I I A A A A 1 1 5 5 8540 Wh ittier Blv d. 562-205-FILM (3456) LFXLARGEFORMATEXPERIENCE 2 ATMOS (10:00, BRICK MANSIONS (12:20, 2:40, 7:40, 10:20 FA DING GIGOL EF (10:05, 12:25, 7:45,10:00 THEOTHERWOMAN 7:30,10:05 THEQUIETONES BEARS A (10:10, 12:05, 2:35, 7:00 HEAVENISFORREAL (10:00,12:15,2:30, DRAFTDAY RIO2 A CA PT AIN AMERIC THE WINTER SOLDIER HEAMAZINGSPIDER-MAN2 (9:50, 10:45 BRICKMANSIONS 7:45,10:10 THEOTHERWOMAN CF (11:30,2:05, THEQUIETONES 10:10 BEARS A (10:35,12:40,2:40,4:50) AHAUNTEDHOUSE2 7:00,10:35 HEAVENISFORREAL 9:45 RIO2 AF (9:55, CF THEOTHERWOMAN CF (11:40,2:20, BEARS A HEAVENISFORREAL 10:00 RIO2 A MONROVIA I I A A I I A A 1 1 2 2 410 S.

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