The Philadelphia Inquirer from Philadelphia, Pennsylvania • Page 34

MM. 1 tup PHTT.AnFT.PHTA INQUIRER. THURSDAY MORNING. OCTUBLK za. io a 34 At the Shuhert 7ie Cheltenham 'My Fair Lady9 at Stanley Movie Recaptures NewTravelogue All Magical Moments.Colorfully Tours Leonard Lyons LONDON.

y-vi in mime Any remarks about the inability to recapture magical moments in the entertainment world must have been utter ed before "My Fair Lady" swept with full majesty on the v-A 1 George Pcppard was there with Elizabeth Ashley, naturally. She'd bought her release from Barefoot in the Park" just to. be near Peppard in London. "Imagine," she beamed, "my release cost me $10,000 more than Richard Burton had to pay for his release from 'Camelot." Peppard is eager for the Broadway stage, "but the best parts are for men over 40. I'll wait." Kim Novak attended the premiere, with her new leading man in "Moll Flanders," Richard Johnson.

She was besieged by autograph hunters who at least carried their own pens. She once was escorted by a man whose pen she borrowed each time she was asked for an autograph. He finally 'Bajour' Bows Like a Gypsy Sweetheart By HENRY T. MURDOCK Of The Inquirer Staff If further proof is needed that gypsies really can play and dance, we suggest a trip to the Shubert where "Bajour" Is fill ing the air with the sound of melody and the hearty clamor of clattering feet. Even if your interest in gypsies is merely academic as is that of the show's non-gypsy heroine she's an anthropologist The Cast "BAJOI'B." new musical titmtir with honk br Erneit hair4 on Nrw Yorker milulna atorlel br Joiroh Mitchell: mualo nd Irrln br Wilttr Mark.

Prpnrntd Edward Ptdula, Carroll and ilarrti Masteraon and Norman Twain, dirartrd br Lawranc Kasha, musical numbara ataged br Petrr Gannaro. acenerr br Ollrar Smith, liihtinf nr Prffr (lark, tot. tumra br Freddr Wlttop. Prrientad, prior to Broadwar. al the Shubri Wrdneadar nliht with the following rait: Renting Afent Dick En Cockeye Johnnr Dembo Herarhel IT WAS raining, naturally.

And Joe Levine was smiling, naturally for he saw the mobs milling around the Plaza Theater in Piccadilly. They were there for the premiere of his film "The Carpetbaggers." And when Carroll Baker arrived in her transparent gown, the mob surged forward to get a closer look. "Gentlemen! Gentlemen!" the engulfed police sergeant shouted. "Remember, you're Englishmen." The "Carpetbaggers" print shown in London is the un-censored version. It includes the scene, cut from the U.

S. showing, of Miss Baker sitting nude in front of a dressing-room table. After the premiere the Plaza's manager whispered to Miss Baker: "I've been here 26 years and know the back way out, so nobody will see you, Follow me." She didn't, naturally. At the big party afterwards, Levine revealed that he was giving Carroll a white Rolls Royce with gold trimmings. The star's husband, Jack Gar-fein, was asked, both as a EUGENE ORMANDY, Muie Director ACADEMY OF MUSIC TOMOR.

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mZ ST t'K Inquirer's Classified Puces than in any! tjinrr I il KNOT Zip Mediterranean "Mediterranean Holiday" Is just what its title suggests, a colorful excursion to the warm- water ports along this great history-laden and land-locked sea. As a travelogue, this Walter ReadeSterling photoplay, made with international cooperation beguiles the eye with beautiful Drn.1 Thai icrt't 7 siiiKiujt oca vwniincij dulging in doggerel, he is imparting some interesting nug- gets ot lniormauon. PLOT UNIMPORTANT As a dramatic enterprise (which it doesn't really try to be) the attraction at the Lhel tenham Theater is more placid and its story about a group of twenty modern day young Vikines who sail on a three master Swedish Merchant Mar ine training ship intrudes only periodically and never tries to develop any firm characteriza tion. In technique, the film is reminiscent of the Cinerama spectacle, "The Windjammer," of several seasons ago and, in the beauty department, has much of the same quality of that predecessor. Certainly the veriest landlubber can get a thrill at the sight of a full-rigged ship in its ballet of sail, sky and waves.

The cruise starts from The Flying Clipper's home port of r.nlohnra Supdpn sails throuch Lornf I Ionia vr ton Antonia Hy Gardner the Skag'errak, the North Sea NEW YORK. and the Enelish Channel, Stanley Theater screen Wed nesday night She was the fairest of all the fair on the stage at least our period of musical comedy reviewing and in her movie manifestation she is every hit as engaging, exciting and witty. Warner Bros, has done a mag nificent job of adapting a show whose every nuance, every bar music, every bit of action THRU NOV. 7 YOUNG LIVES ARE RAW haggle is the most uiuid, pitiable, terrifying female in the theater since Blanche Dubois in 'A streetcar named cesira' Ofj Show Magazine "COMMANDS RESPECT Stands well above and apart from the trivia that monopolizes the theater today." Schier, BULLETIN "AN EVENT FOR THE SEASON ft I lin.i i.iinirwuw 13 UQLIV .1 at her desk at Pepsi- Cola," her secretary said, "why don't you call her there?" We did. And the youthful veteran glamor queen of Hollywood answered the phone herself.

How come? "I'm always afraid I'll miss something," she laughingly explained. We wondered, like so many readers who have written us, if she's fully recuperated from a horrible siege of sickness. "It's the first time in my life I was that sick," she said "For 10 weeks I was in and out of the hospital and after three bouts with pneumonia the doctors gave me a clean bill of health, and now I'm happy and working and enjoying life full time again." We wondered whatever happened to the television anthology series planned for Joan. "For the moment that's off. We just didn't get the right scripts or a comfortable format; TV is pretty rugged, trying to do 39 shows, week after week is a pretty grim business.

Besides I'm returning to Hollywood early in November," Miss Crawford revealed, "to do another film with Bill Castle." The moral of the conversation? The average person, out 'After The Fall' i not only literate and provocative, but engagingly staged and vibrantly performed. The ex-hungry, emptyheaded vocalist Maggie is superbly played by Judi West." -Gcgha. DAILY NEWS "A STARK MILLER DRAMA When Arthur Miller decided to break his long theatrical silence, he really shattered it! His hero marries a doom-bound singer who is also a sex symbol, is obvious reference to Miller's marriage to Marilyn Monroe. Muriock, INQUIRER Vanno gal Olra Carmen Loops lt Patrolman Harry Danner Plainclotheiman Harrr Ooa 2nd Patrolman Paul Sorrlno Lou MarNiall Robert Burr Kmilr Klnten Nancy Dutiault Mra. Helena Klrtten Mae Queatel Run Asra Mitra Vita Durante Frankia Terrr Violin Btere Gui Trlkonla The Klnf ol Newark Herbert Gdelmaw Anranka Chita I ve a Maria Jeanne Tanir Waiter Harrr Danner Cbairladv Lucia Lancaster J.

Arnold Foster Ralph Farnworth Patronman Robert Krlstea in search of a tribe you'll find much to entertain. But if you are hungering for one of those almost forgotten types of no nonsense musical shows where everyone knows what he or she is doing, where the songs and choreography are pertinent to the action (and where there IS action) and where the decor is at once imaginative and maneuverable, "Bajour" amply fills this understandable desire. SEVERAL SHOW STOPPERS "Bajour" is the kind of show which plunges into wit and ensemble animation with its first scene and before 10 minutes have passed, registers the first of its several show-stoppers. That is when Nancy Dussault, playing the anthropologist, wonders "Where Is the Tribe For lamenting that the rapidly developing world is leaving very few places for study not staked out already by Margaret Mead or Albert Schweitzer. It is a clever song, a funny song and Miss Dussault makes it sparkle.

Before this song has really retreated into an echo. Chita Rivera keeps things pulsing as she and the gypsies shake th stage with the first of several swift dance routines designed by Peter Gennaro. There's abandon and excite ment in the choreography; how authentically gypsy it may be we cannot tell but it comes as a blessed relief to encounter a musical show in these days which isn't afraid to get up on its feet and into the air. SOCKO CAST The Misses Rivera and Dus sault are standouts in everything they do, but they not alone in cast quality. Herschel Bernardi as the King of the Dembeschti, a tribe of gypsies down on their luck; Herbert Edelman, as King of the rival and more prosperous Moyva tribe; Robert Burr, the erstwhile Hamlet of the Playhouse in the Park season, as the police lieutenant in the pickpocket and confidence squad; Gus Trikonis as a prancing gypsy princeling, and Mae Questel, as the heroine's mother and intended victim of the "bajour," singly and in concert bring more high moments to the show.

A "bajour" is a swindle which the gypsies decide to perpetrate both as a matter of gypsy pride and to further the marriage of a Dembeschti boy (Trikinis) and a Moyva princess (Miss Rivera). Miss Dussault interest in gypsy lore and partial adoption by the tribe draws her mother and her large insurance legacy into legacy into You Have 10 Days Left to ARM MfHlRS -t i uuucuuii is familiar to show-lovers on an international scale. And the studio has done it by truly adapting this prize vehicle. It hasn't tried to change it; it hasn't tried to enhance it. One feels that producer Jack L.

Warner and director George Cukor scanned the studio's most expensive purchase ($5.5 million for the screen rights alone) and said to each other: "We know this is good, almost as perfect as a show can be these days. Let's not upset a vast audience which has proved it loved it and maybe we'll get a vaster one of the same per suasion." And to paraphrase one of the liveliest lines in "My Fair Lady" "By George! They've done it!" VERY FEW CHANGES There are very few discernible changes over the Alan Jay Lerner Frederick Broadway smash. Lerner's li bretto is followed faithfully (just as he followed the humor of Georee Bernard Shaw's "Pygmalion" the original in One reason why there Is such fidelity is that the movies wisely imported Lerner to write the film script. Two outstanding stars of the original, Rex Harrison, as Professor Henry Higgins, and Stanley Holloway, as the dust-man philosopher, Alfred Doolittle, re peat their roles with even great er persuasion and in Harrison's case, we can't see how he'll avoid an Oscar. HEPBURN SCORES The major change is the substitution of wistful but fiery Audrey Hepburn for the wistful but fiery Julie Andrews and this morning's report is that no one need worry.

Never would we state that Miss Hepburn is superior to Miss Andrews (and we know that her songs were dubbed) but we find room in our hearts for two Eliza Doo-littles. (Three, for that matter, for we saw Lynn Fontanne play the part in At any rate, the Cockney flower girl who becomes a "lady" and a real one, indeed under the sometimes brutal ministrations of Professor Hig-j gins is in the safekeeping of. Miss Hepburn, who persuades us about how "Wouldn't It Be the way the rain falls mainly on the plain in spam, how she "Could Have Danced All Night" and how, as a sports lover, she can root home her horse at me ascoi races. FOLLOW STAGING These songs and all of the other Loewe numbers follow in their pristine progression. Some- times a few more people are concerned with them than they were on the stage but not too many more.

Director Cukor has closelv followed the stage pat tern of the late Moss Hart and in the same field of faithful design. Cecil Beaton has again created the stunning settings and costumes. Harrison is brilliant and brit tie and sometimes sentimental as in "I've Grown Accustomed in Her Holloway stilli pleads for "A Little Bit of Luck" and implores everyone to "Get Me to the Church on Time." HENRY T. MURDOCK JHl UNOWNtD HEDGEROW THEATRE Moylan, Pa. resents Henna fbion's "GHOSTS" Frl.

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iby'Tmr t-t mrmtmmmmiiiimwttnwmwimiiimmtm, Louella Parsons HOLLYWOOD. told her: "Kim if you carried a pen, you'd never really need an escort." At titiopperton Studio, where "Moll Flanders" is being filmed, director Terence Young said of the role, "She's the all-time horizontal heroine." Young, who directed Ian Fleming's "Dr. No" and "From Russia With Love," will direct an Ian Fleming story for the U.N. series. were rolling Rex Harrison, who stole "Cleopatra" from Richard Burton who stole Eliza- bcth from Eddie, had a Burton on his arm for the gala event Richard's ex-wife, Sybil Burton.

Paul Anka, the singer-corn- poser-actor who parlayed his talent into a million dollars be for he reached the age of 21, talked about his trip to Poland at the invitation of that Government. "I was taken direct to this stadium from the airport," he said, "and was crushed to find only a handful of people present 20 minutes before my concert was supposed to start. "Suddenly a troop of soldiers or armed guards surrounded the arena, followed by a stream of trolley cars that unloaded folks of all ages. By the time I was introduced there were at least 10,000 people in the audience. I never got such a thrill, singing my songs in English and having these people, who couldn't speak English, joining me in some of the lyrics.

Later, I discovered how this came about. Thousands of my records were bootlegged into Cuba and shipped to Poland in the form of postcards." Now comes J. Buck Ormsby, self-styled head of the James Dean Foundation, challenging Lewis Hastings and Milt Kahn, who recently announced such a venture based on a diary of Dean's supposedly in the possession of writer Hastings. In a letter hot with exclamation points, Ormsby states: "There is no diary, Lewis Hastings! There never was a diary, Milt Maurice Evans (is there a more famed Shakespearean actor?) is having the time of his life waiting to start "War Lord" with Charlton Heston and Richard Boone in Marys-ville, Calif. The weather is so fine, Maurice is spending most of his time on the local golf course.

This," he pronounces in his most polished Shakespearean tones, "is the ideal way to make a living. "Fate or something has turned me into a jet age actor recently," he admits. And with tongue in cheek adds, "my most recent credits are a Red Skelton TV show, a 'Bewitched' segment, and now I'm back in the movies after 12 years." with her when she goes on a date? Robin Kinnecr, Belmont, Mass. Dear Robin: Not any more. She's 18 now and loving every minute of it.

Aside to Jean Evans and all you other fans who write in for addresses: All of the personalities you inquire about may be reached by writing to the TV network or movie studio for which they last worked. I don't have room here to run aaaresaes, aim no iv.u, pier to make a note when the credits roll before and after ia nr TV nhnw. eutu uwnv Sir: Could you tell me me names of Mary Pickford's former husbands, in their proper order? I know that her present husband is Buddy Rogers. Mrs. William Ritchie, Ded-ham, Mass.

Dear Mrs. Ritchie: Mary was divorced from Owen Moore and Douglas Fairbanks, in that order. Both are dead. ELIZABETH ASHLEY Price is higher director and as a survivor of Auschwitz concentration camp, If he didn't think this corrupting. "A Rolls Royce Is NOT cor-rupting," he said.

"It's cor-rupting only if you think you can't do without it." of show business, can take in- tr-nrn th rvawfnrrls. OWli atlUU ill Chevaliers, Tuckers, Bennys and Bob Hopes, who remain young as long as they live. Joan made her debut as a chorus girl at the age of 14 and made her first film in the mid 20s. Her slogan, according to Cleveland Armory, is "to be successful in business, as well as acting, you have to look like a woman and act like a man." Arthur Godfrey experienced one of the most grueling experiences of his life trying to telecast a live show from the lobby of the Criterion Theater on the night of the "My Lady" opening. Traffic was so paralyzed that the celebrated guests who planned to appear on Arthur's special could only get within hailing distance of the theater at the appointed time.

Audrey Hepburn told us that she was four blocks away, held in the vise of traffic, when she watched the show on the television set of the Lincoln she'd borrowed from Henry Ford and decided she'd run the four blocks rather than disappoint Godfrey. By the time she arrived, panting, the commercials and credits WALTER WANGER Ends Nile exile Europe to see Linda through the ordeal. Wouldn't you know a row would be shaping up over the filming of the life story of the late movie idol, James Dean? anything to get up close to her idols. Dear Mr. Connolly: Why don't you quit the human race? Are you trying to be funny or something by saying that Ringo's favorite singing combo is the Dave Clark Five? What's wrong, are you jealous because you can't be in the Beatles' place7 You Deuer wnie something good about these creat guys or you won't have to auil ine numau roue, juuu be thrown out by all of the Beatle fans! I.

L. Peoria, 111. Dear I. L. Ringo himself told me that about the Clark quintet.

I thought it showed great modesty on his part. Sorry you don't agree. Dear Mike: Does Hayley Mills have to have her parents -JiPv YfA SO IS THEIR STORY! REAL EXCITEMENT OF THEIR THEIR DAYS mi vs AND IT'S THE rMTTfi ANn AND IwvPr NIGHTS! 14 NIGHTS! koiicas nn tha Mpriitprranean i causes on tne Mediterranean I threshold at the sardine fishing port of Nazare, Portugal. SONGS, DANCES After clearing Lisbon, the three-master sails for Dubrov-nik on the Yugoslav Adriatic where native folk dances intrude on Burl Ives' folk-singing. The Near and Middle East then occupy some of the most entertaining and unusual of the celluloid.

That Lebanon has formidable ski slopes came as a surprise to this viewer at least. In Turkey, the crew visits Istanbul and admires its minareted towers and at Antalyia are spectators at a camel fight which appears to be a national sport. The Pyramids of Egypt and the Great Sphinx occupy their interest and there is a side trip, among others, to the 3000 year old temDle of Rameses II at Abu Simbel which will pass forever under the waters of the projected Aswan Dam. ISLES OF GREECE The legendary islands of Greece are explored, along with the Acropolis and the other treasures of Athens. Naples and Capri and the Cote d'Azur; the French Riviera and Monaco where they see Prince Rainier and Princess Grace start the srand nrix.

Barcelona where the Guardia Cavalry performs its intricate maneuvers; Gran ada, with its Alhambra and oth er Moorish glories and Seville, with its bullring and its gay "feria," will give an armchair chair argonaut the impulse to put his pennies a piggy bank aeainst the day. One exciting side adventure must be mentioned. Using the excuse of transferring one of the boys to the U. S. carrier Shangri-La for an emergency operation, there are thundering views of jet fighters taking off and landing on the broad deck of this Sixth Fleet Navy war HENRY T.

MURDOCK Jl free Library Curtis Quartet Opens Series By SAMUEL L. SINGER Of The Inqutrer Staff I The Curtis String Quartet drew an overlow audience as it opened the 17th annual series of chamber concerts at the Cen-tral Library on Logan square Wednesday. It was the four-'some's first program with its new second violinist, Geoffrey Michaels, young Australian concert artist who studied at the Curtis Institute. I The other three players Jascha Brodsky, Max Aronoff and Orlando Cole have been with the ensemble since its first year, 1927, surely a longevity record among string quartets. Michaels fits into the group admirably; the Curtis Quartet's rapport is as good as ever.

Moreover, his tone in the first variation of Haydn's "Emperer" Quartet was supremely beautiful. A second debut with the Quartet was that of David Cole, Or lando's 18 -year -old son (and his student at Curtis Institute), in Schubert's Two-Cello Quintet. Thrust and vigor sometimes overcame finesse, except for the serene Adagio, in the playing of this great work for this combination of strings. But the harmonic and melodic marvels of Schubert's writing remained. The Quartet also played Ko- marked by firmness of structure and occasionally salty harmonies.

It went swimmingly. The program was enjoyed by a diverse concert audience, ranging from young children to elderly listeners from all walks of life. PRODUCER Walter Wanger, who has returned to the friendly arms of his old studio MGM after all those "Cleopatra snafus with 20th Century-Fox, comes up with a goodie: He has signed Gregory Peck to star in "Night of the Short Knives," based on Burke Wilkinson's novel of international intrigue. With all those shenanigans in Rome making "Cleo," working with the even-tempered Greg should seem like heaven to Walter. He's off for Europe shortly to confer with SHAPE and NATO officials on backgrounds for "Knives." A German newspaper carries the shocking story that Linda Christian is almost blind from cataracts and faces major eye surgery.

I was not able to check this out as few of Linda's friends in Hollywood have heard from her. The article, however, goes on to say that Edmund Pur-dom is being devotion itself; that he has turned down several important movies in "-It 451 taw raws Mis- their uirmn Ml 1 IN of proaik ing ail 1 furnishea SrBM EDEN SIEFANIE POWERS SEVENS INGER STEVENS RAGING new loves! DFAN JONES -TELLY SAVALAS rfcirirltr. frnftl ftt nfrftl Th MllOTI RICHARD HI JOHN RICH piOTAypWReCiqp coiPig Hear 'Ride. Ride. Rida The Wild Surf "sung by Jan and Dean Srldgo ORLEANS Cottman lutllelon ROXY 6189 Ridge Ave.

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I pnRFRT CCHN Directed bv Mike Connolly HOLLYWOOD. anyway). As for that "dying DEAR SIR: You claim Allan iU," been popping up all Sherman isn't Dorothy Kil- over the map, proving that a eallen's son. yet she appeared K-u wf will Hn FIRST SHOWING IN PHILADELPHIA AT THEATRES MARKED the bajour's place nence. The libretto, sparklir eenious, has been Ernest Kinoy who based it on a series of articles on Manhattan's gypsies by Joseph Mitchell which appeared in the New Yorker several years ago.

The story dwindles somewhat in the second act and some revision seems indicated. But along the way, Kmoy hm rpP pered his script with witty, characteristic lines which jolt the audience into sudden laughter. AUSPICIOUS DEBUT Walter Marks made his Broadway debut as composer and lyricist and it is an auspicious one. "Love-Line," "Words, Words, Words," "Honest Man," "In The Palm of Your Hand," "Love Is a Chance," "Living Simply" are all as listenable they are well staged. And of staging, director Lawrence Kasha matches the pace set by choreographer Gennaro and Oliver Smith has -8 Actually filmed the soectacular "wild waters of HAWAII! FBlW-SHElinfW'UBH'JNItK-BKMfUliN poekBROWN -MiiHONr HAYESsusan HART JAMFsMjjmijM ANDALUSIA ELLIS et tucks County Una Fkd.

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tread St. 1 ox. ERLEN 1 9th ESQUIRE troad FERN ROCK on lv recenuy anu umuuutcu him as such. Do we believe you or Dorothy? Mrs. D.

A. Mitchell, Somerville, Mass. Dear Mrs. Mitchell: Louella Parsons once introduced me to Rosalind Russell as "my son by Calvin Coolidge." Oh well, maybe Louella has a lighter touch than Dottie so you go right ahead and believe Dottie. Dear Mike: Is it true that just before their performance in Boston the Beatles consumed two bottles of liquor and refused to see a girl who had one month to live for some reason? Please tell me the truth.

Judy Gringorten, Fram-Ingham, Mass. Dear Judy: I wasn't there but a spy tells me it was Guinness' Stout and, as any solid Liverpool citizen will tell you, Guinness Is Good for You (that's what their ads say Cheltenham Olney 6O0O N. BUCKS CO. DR. INtt.

611 HATBORO constructed some stunning settings which have a pace of their own as the proscenium picture constantly changes. It would be our guess that Edward Padula who produced "Bajour" (in association with Carroll and Harris Mastersoa and Norman Twain) has another hit to rack up alongside his "Bye Bye Birdie." Hatboro. Pa. IRIS 314 Kensington Ave, MEDIA Media, Pa. MAIN LINE CAPITAL Sind ab.

Girard iucmi I Baltimore Pk. CINtMA 1 Sproul d. Springfield, Pa. COLONIAL llth timer CREST JIOO tlslnf Sun it. w.

IANS30WNE lenidowne CHECK DIRECTORY fOt.